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    Nils Quak – Long Forgotten Days

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    Nils Quak is a sound artist, writer & journalist living in Cologne, Germany. Under his own name as well as under various other monikers he releases music on labels such as Progressive Form, Kitty Yo, Distance Recordings, Audiobulb, Clothbound Recordings and many more. ‘Long Forgotten Days Under A Dust Covered Sky’ is the first of two wonderfully dusty sounding albums by Nils for NKR. The second will be released in July.
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    Fugenn & The White Elephants – Archetype Zero

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    Fugenn & The White Elephants is the solo project by the Japanese artist, Shuji Saito. Making dance music since 2004 as a DJ and artist under the name of “SOMA”, he represents a new generation of up and coming beatmakers in Japan right now and is widely regarded as one of the leading lights of the new electronica scene there at present. As a member of “Trench Warfare” (an underground party crew in Chiba), he regularly performs lives in Tokyo, Kyoto, Shiga and Nigata. In 2008, he changed his project name to “Fugenn & The White Elephants” and remixes with “Headphone Science”, “Koen Park” and more have been a success not only in Japan, but beyond as well. In April 2011, his 1st album was released on the famous Japanese electronica label “PROGRESSIVE FOrM”. He also recently participated in YMO’s tribute album “YMO REWAKE”. His long-awaited 2nd full album “Prays” was released on May 5, 2012 on PROGRESSIVE FOrM. His NKR debut ‘Archetype Zero’ consists of some of his earlier, harsher work which Ian Hawgood (the curator of NKR and a longtime friend) fell in love with when they first met back in the day.
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    Studiocanoe – Soothe

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    Studiocanoe is Temujin Doran, an audio-visual artist based in London. He likes to play piano, guitar and old toy instruments, and record interesting sounds whilst he is travelling. He is the brother of a genius. ‘Soothe’ was one of the first records we received which helped to found the ethos of NKR – namely, to release beautiful, soulful music no matter what the genre. Whilst I have to be careful about saying such things, ‘Soothe’ is my wife’s favourite record across the labels to date and is actually the most listened on my old iPod. So there you go. This is the first in a series of audio-visual collaborations with Tem over the coming years. Thank you - Ian Hawgood
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    offthesky vs Kinder Scout – The Curio Collection

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    Kinder Scout are the trio of Jason Corder, Ian Hawgood and Danny Norbury. Their first release was a Japan only release on the awesome Preco label in 2011. ‘The Writing Life’ was actually their first album as a trio together, but in fact their second work. Using live takes from Ian and Danny, Jason composed their first fully fledged collaborative effort to critical acclaim, with nobody quite sure whether to define it as post-classical, jazz, ambient or a pop variant of all of the above. Their first work together was before the trio fully formed which stemmed from initial collaborative pieces between Jason and Ian, Ian and Danny. ‘The Curio Collection’ is actually their first album in a way then, but their second release now. Due out on Home Normal in 2012, the release is actually offthesky (Jason) vs Kinder Scout as Ian and Danny appear predominantly across the entire album which Jason made from 2009 – 2011. Both albums have been mastered by their dear friend Miles Whittaker.
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    Mere – S/T

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    Mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. Guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. The trio first came together to work on a soundtrack for a Dutch TV documentary called ‘Visserman’. Having known each other for some time this was the first time they had combined together to write music and the name Mere comes from the Dutch word for ‘more’. Each member adds a different influence to the sound, the modal finger picked guitar playing of Thomas adds a sense of movement while Gareth takes both folk and free jazz ideas to play against Leo’s free rock influenced drum work. The tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. Gareth Davis records on Important, Miasmah, Sonic Pieces, Dekorder, Home Normal etc. Collaborating with Machinefabriek, Steven R. Smith, Scanner, Frances-Marie Uitti, Ryan Teague, Elliott Sharp, Ian Hawgood and the like. Leo Fabriek releases on Digitalis, Home Normal etc. and is also the drummer with the noise rock band Julie Mittens.
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    Tom Carter & Robert Horton – Nyida Days

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    Limited edition run of 200 copies for the world… Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow and lap steel with Horton’s every growing army of sound making objects described here as boot loops, boot, vortex, cassette player, minidisks, vibrator, computer, sine waves, voice, sex machine, organ, construction and beats to name some. Carter and Horton create a wild sound that is almost deconstructed and rebuilt through the 3 tracks, it sounds great and like no one else…
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    Coppice – Holes/Tract

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    Cremaster – Live at Audiograft

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    Hand numbered limited edition of 200 presented in a letter pressed 4 panel sleeve resting snugly in recycled brown envelopes… A twenty six minute slab of immaculately improvised electronics from sonic terrorists Alfredo Costa Monteiro & Ferran Fages, recorded live at Modern Art Oxford in March 2012.
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    Kim_Nasung – Places

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    There are the places where we can not get. Or we can only if our imagination helps. Mysterious images, dreamy shapes, reminiscences and unrecognisable traces. Sometimes we can sense them, so close to us. We can understand them the way we understand old pictures of people whom we never met. People whom we only know from the stories. Those seemingly cold and remote worlds and events, covered with the fog which steels the colour… Those worlds create the chain of extraordinary cycles. They lead to nowhere besides themselves. Pulsating and imaginary places. Discover them. Stalk them, immerse in the “Places”…
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    Joe Evans – Ecliptic Plane (CD / DVD)

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    This release is available in limited edition 100 x CDr & Data-DVD using high quality Aquaguard (matt) or Watershield (gloss) discs (depending on availability). The covers are made from recycled card. The video is released as a data file to ensure the highest possible quality is available…  The Music: I think it’s safe to say that space, and more specifically, the sun and planets, have been the inspiration behind a large number of musical projects over the years. While this work deals with some of this familiar subject, it does so with the emphasis on time and particularly by how it is marked by movement within the solar system. The piece “Ecliptic Plane” was initially conceived as a gallery exhibit exploring the synchronicity of the planets and their moons. Once it was finished, it became clear that any release would need to be expanded to include a more complete picture of the solar system. Each track then came about through a combination of examining the properties of the subjects and a series of mathematical music experiments conducted in parallel. The tracks “Ecliptic Plane” and “Resonant TNOs” extensively use the data from the planets, their moons and other objects to create their rhythms and harmonies. In the case of “Resonant TNOs” the musical scale was derived directly from the frequency ratios of the orbits of the titular objects themselves. Whilst “Approaching/Receding Sun” and “Oort Cloud” are essentially impressionistic in nature, they are the results of mathematical experiments that have links with their subjects through mood and metaphor.  
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    David Newlyn – Ruins

    The second in a new series from Time Released Sound comes from David Newlyn, entitled “Ruins”. Like the Taskerlands release, the music on this release comes in the form of two long 20+ minute tracks. With the usual finesse that David shows on all his work, he brings us here an absolutely stunning blend of neo-classical beauty featuring laptop, keyboard, guitars, minidisc and field recordings. This is headphone music for sure…it’s delicate yet insistent flow, and depth of ambient nuance is in fine keeping with David’s previous release on Time Released Sound of last year, “Brittle”. Newlyn has such a fine touch with all that he has at hand… and he never ceases to amaze!
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    Taskerlands – S/T

    New loveliness from Time Released Sound… The exceedingly lovely, psyche tinged ambient folk on this release is from the duo of Michael Tanner (Plinth), and David Colohan (United Bible Studies)… with help from several well known friends. Together these five friends have created two long tracks, each 20+ minutes of melodic and spatially meandering, instrumental psyche folk bliss. With Michael and David both on somewhat treated guitars, and with the accompanying bass clarinet (Sean Mac Erlaine), piano (Kerrie Robinson) and frequencies by Richard Moult filling in the beautiful spaces between, this release promises to take you well across the fields of pastoralism and into the forest glades of your deepest dreams!
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    Cycle 440 – The Cartography of Shifting Planes

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    The latest release from duo Cycle~ 440 via Twice Removed Records. This is their second album following on from “The Geography of Collapsing Structures” and comes in a run of 100 copies in slim line case with printed sleeve.
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    The Rustle of the Stars

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    Housed in a 6 panel digipack with silver text and graphics… 450 km from the arctic circle, ‘The Rustle of the Stars’ is a phenomenon of austere beauty, a barely audible noise that occurs when the draught from human breath causes multiple collisions among the ice micro-crystals in the air. Some words about this record from Richard & Frederic: We met on tour when performing in Europe with our respective bands Glissando and FareWell Poetry. We had beautiful times, drinking and talking our common grounds whilst some simple ideas formed in our minds: to compose an album together. To imagine a musical passage through the North Pole explorer diaries. To ask some people and some friends to participate. To record the project in a church. To act quickly. We began to work at our homes in November 2010, In Paris (FR) and in Leeds (UK), with electric guitars, a bunch of pedals, piano, dulcimer, organ, crystal glasses, bows and field recordings, sending and adding ideas together to the tracks, trying to find a global organic sound. We met in Leeds two months later at the beginning of 2011 to record in the St Margaret of Antioch Church, using a ‘wall of sound’ process in some of the tracks and arranging / recording the string parts you will hear in the music. We would like to think of this album as a polar journey to the ends of the earth through the arctic sea. We kept in mind the first polar expeditions, Edgar Allan Poe’s Dream-Land, the ships trapped or crushed by ice, the point of no-return, the minds sinking, the attempt on the Pole ending in disaster, the quest of the Northwest Passage, Erebus & Terror, the Mercy Bay, Mangazeya, Charles Francis Hall, Beechey Island, the Midnight sun and the Polar night.
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    Mortuus Auris And The Black Hand

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    Mortuus Auris and his Black Hand is actually a chap called Peter Taylor and this is this alter ego. Not like in a mad schizophrenic way but more in a kind of way that you just have a different name to do things. Eg Hulk Hogan wouldn’t be anywhere near as popular if he he used his reall name of Terry Gene Bollea, so if you’re in the biz I guess you gotta do these things. Limited to 50 copies job and it’s rather lovely. Throbbing, pulsating, spacey sounding drone music with layers of ambience all put together rather well I think. At times it can sound quite celestial and there’s the odd sound in there that reminds me of Philip Glass, but then there’s the odd sound in there which is like the Eraserhead soundtrack ‘n all. It drifts from the beautiful to the ugly (sometimes in the same song) and if you stick with it to the end you’ll discover there are many riches to be had here. I’m particularly fond of all of the spacey sounding noises!
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    Doron Sadja – Residuals

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    Limited edition CD with deluxe oversized sleeve and accompanying prints by the artist… “Residuals” is a four movement, hyper-emotive, ultra-synthetic landscape. Doron’s first solo electronics release since 2003′s “a piece of string, a sunset” on 12k – and it’s in that same realm that his endlessly imaginative sound design shines brightest. Slowly lifting off from near silence into an ethereal vacuum of swirling cacophonies and multi-tonal noise, “Residuals” never lets go. Romantic synthesizer harmonies, extreme frequencies, spectral chord blasts, and ultra-high synthesized feedback combine to form structures so innately organic that it’s easy to forget that a human (or a computer, for that matter) had anything to do with it.  
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    James Landis – January Dusk

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    Limited to only 50 copies… Guitar based digitally manipulated instrumental tracks from James Landis. From ambient drones to acoustic sketches with a few beats along the way…
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    Steinbrüchel + Cory Allen – Seam

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    Fourteen months and countless folders of audio files later, Steinbrüchel and Cory Allen offer their first collaborative album entitled «Seam». An intensive and process driven work period resulted in an album that integrates the two artist’s individual soundworlds. Each sound was processed and multiplied by both artists, forming a sound archive of individual threads. The compositions were then sewn and stitched together using the collection of the archive. Connecting each composition is an inbetween thread which weaves the album’s tracks together. The «- — – –» audio process was extended into the design and production of the physical packaging. The cover design is based on a system which reflects the track order and the artists’ contributions to the creation of the compositions. Each of the 400 limited edition CD packagings were offset printed and machine stitched in Switzerland. Cover concept and design by ORDNER. Mastered by Cory Allen.
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    Philippe Petit & Friends – Cordophony

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    Gorgeous 6-panel digipack… A filmic adventure where luscious string arrangements convey a whole world of emotion, and the organic sound of instruments is never outshadowed by machines. “Cordophone” is a French word which refers to musical instruments whose sound comes from the vibrations of one or several strings. Cordophone shows Philippe Petit playing with string parts by many talented friends in order to create an imaginary world of dense mixtures of electro-folk acoustic instrumentation, post-classical orchestral arrangements filled with collected field-recordings, vanguard soundscapes, manipulations of glass and vinyls.  
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    Strië – Õhtul (Deluxe CD)

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    Each of these gorgeous deluxe versions, in this edition of 100, will come in a fused double envelope package, comprised of two 6.5″ square, Midnight Black envelopes. Each of these envelopes will be hand worked/stamped/artified in the usual TRS manner…in one of them will come the black digipak in it’s own translucent envelope, also stamped, and in the other half of the package will come a set of three banded 4″ x 6″ hand printed color prints, on 300lb Moab Rag Natural paper, with accordingly mysterious quotes/Strieisms, and a 4″ x 6″ unassembled jigsaw puzzle also in it’s own translucent envelope featuring, as far as we know, the only somewhat recent picture of Ms Reinhart in existence. Strie is a puzzle..and is being released as such…  
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    Strië – Õhtul

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    Digipak version of 250 copies comes in it’s own translucent envelope… Strië is the alter ego of the mysterious and public shy European sound sculptress, Iden Reinhart. Much has been made in the past of her elusive character…it has been said for instance, that she fled the spotlight in European classical music circles to retire to a life of creative seclusion in the countryside….country in particular currently undetermined! This is after living her youth as a child prodigy of some import…and we can state that even after dealing with her personally and quite congenially for most of the last six months, she is as much a mystery to us, at least, as ever! S
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    En – Already Gone

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    Already Gone is the second full length album from West Coast dream-drone unit En, the duo of Maxwell August Croy and James Devane, following their well-received debut album The Absent Coast (released in 2010 on Root Strata, which Croy runs alongside Jefre Cantu-Ledesma). For their sophomore release, the pair have opened up their tonal palette considerably. While the comparisons that critics made of their first album to the work of Tim Hecker and Stars of the Lid still hold true, Already Gone finds Croy and Devane mining even richer sonic climes. Here, the duo pull back the curtain on some of their source material, a move that allows the diversity of their instrumentation to resonate. On The Sea Saw Swell, Croy’s acoustic koto pings across the stereo spectrum as a looping guitar figure from Devane apparates from the haze of a beautiful, slowly shifting drone. The side-long closer Elysia is likely the duo’s defining recording to date, an epic slow-burner that reaches heights both angelic and cacophonous. Ultimately, it is the harmonious marriage of the organic and the obscured that recurs throughout the album that proves its defining trait, and it is precisely what makes En stand out in the ever-growing field of contemporary drone/ambient musics.
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    Wes Willenbring – Weapons Reference Manual

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    CD comes in a 4 panel wallet in a limited numbered edition of 200… Weapons Reference Manual is the third album by American ambient craftsman Wes Willenbring. As a further progression from his acclaimed debut Somewhere Someone Else and his stunning sophomore album Close, But Not Too Close, Weapons Reference Manual features a varied and richly hued palette of visceral guitar tones, effects-warped textures and achingly beautiful piano work. Immersive and darkly emotive soundscapes, such as droning opener ‘Dreams and Schemes’ and the 15-minute epic ‘Quaaludes’, are counterbalanced by seductively melodic pieces, such as ‘People Disappear Everyday’ and closing track ‘Ashes’. Meanwhile, single ‘Consequences of Recklessness’ is Weapons Reference Manual’s shimmering centrepiece, setting icicles of delayed guitar amid an aching tapestry of drones and feedback. It sets the tone for the album as a whole, perhaps Willenbring’s most complex and satisfying release to date.
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    These Shipwrecks – Raw Powerless

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    Superb release from These Ship Wrecks whose previous releases were “Leda” (Frosty you Haunt Me) and “Salt, Sulphur, Mercury” (Heartless Robot Productions). It’s a stripped back recording using 1 microphone. Mastered by James Plotkin in a slim line case, double sided sleeve in a limited edition of 100.
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    Thisquietarmy / Yellow6 – Death Valley (2xCD)

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    “Death Valley” is the most ambitious BF release so far. After its vinyl releases, this gollem sees its CD edition released at last. This mini gatefold sleeve with a 8 pages booklet 2 CD set consists of previously released “Death” and “Valley” re-united, with the addition of 3 bonus tracks: an outtake, a small live recording and a remix by Fear Falls Burning.
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    Wastelanders – Cosmic Despair

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    Wastelanders second release finds Dean Costello (also of Harpoon and Diatribes) exploring the unfathomable depths of Cosmic Despair. The 53 minute epic expands and contracts, drifting on through a woefully auspicious expanse of ambient, vocal-less guitar and organ suites. Textures condense and grow, gradually coming forth, and as the album unfolds it builds in depth and dimension. Waves of spacious flotation accompanied by trolling, lulling bass frequencies lead us head first into the glorious abyss. Mastered by Andy Nelson at Bricktop Recording.
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    Julien Demoulin & IA – The Bay

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    A tribute to both a great friendship and the mist-mantled San Francisco Bay Area, “The Bay” is a sprawling forty-minute drone piece recorded and produced in 2009 and 2010 over the course of several journeys between Oakland, California and Brussels, Belgium. Guitar and vocal drones, environmental recordings and flute merge to form an emotional travelogue at the grey boundaries of the dreaming and waking worlds…in celebration of reminiscence, before a darkling dawn, deep under the skies of water…
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    Glockenspiel – Enspiel

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    Using tapes, electronics and guitars through chains of effects, Adrian Dollemore’s fundamentally earth-ground chords and astrally-projective processing paint a rural tonality with a bristling white afterglow. Glistening arpeggios rise and fall against gurgling analogue electronics, washes of processed cymbal and ethereal drone filigree. Pro pressed CD packed in a card slip case which was designed by Steve d’Enton.
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    Cock & Swan – Stash (Deluxe CD)

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    The CD (Not a CD-R) (Limited Edition of 100) comes housed in a hand-aged linen cloth bound book. The linen cover is backed with archival mulberry paper and bound over high quality and heavyweight archival book board. Cover art is printed to canvas and stitched. The interior is lined with hand made banana bark paper, lokta and mulberry paper. Each limited edition is hand numbered… Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Cock and Swan – Stash

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    CD housed in a reverse print sleeve with matte CD art / 320K MP3 Download / 5 Bonus tracks from Cock and Swan / Bonus remixes from Part Timer and Vieo Abiungo…  Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Abiungo / Monro – Thunder May Have Ruined the Moment (CD/DVD)

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    The CD and DVD (Limited Edition of 500) come housed in a 7”x 6” custom book-style case, featuring debossed imagery and text on the exterior. The interior features 16-pages of stunning full-page spread imagery, along with poetry penned by Fritch. Each edition is numbered by hand. Also includes 320K MP3 + DVD File Download plus 4 Mastered Bonus tracks… William Ryan Fritch (aka Vieo Abiungo) returns with a gorgeous fifteen track follow-up to 2011’s And the World is Still Yawning. Trying to classify Fritch’s sound by genre has become almost futile. He effortlessly weaves together a huge breadth of earthy beat-laden experimental, classical, and folk. This is the third full-length for Vieo Abiungo, and this newest installment comes in the form of a CD and DVD release titled, Thunder May Have Ruined the Moment. Fritch enlisted the help of award-winning film director, Pete Monro (Days Together) to create several short experimental films for the DVD. The films offer up thick psychotropic visuals and hazy moss grown memories that seamlessly meld into barrage of twisted imagery and nature based decay. Though the music may sound at times like the product of electronic instrumentation, the entirety of the film and accompanying album’s music was created strictly using acoustic instruments played entirely by Fritch, and recorded primarily using analog tape machines. At times tranquil, tortured, or trembling with quiet joy, Thunder May Have Ruined the Moment is an album of light and shadow, the human experience given voice.  
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    A-Sun Amissa – Desperate in Her Heavy Sleep

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    A-Sun Amissa is a new project formed out of Leeds, UK by members of Glissando. Built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. Richard Knox (Glissando / ‘The Rustle of the Stars’ / Of Thread & Mist) & Angela Chan (Glissando / ‘The Rustle of the Stars’ / Ten / Tomorrow We Sail) began forming initial ideas in the Autumn of 2011, moving away from the piano-led ambience of previous outputs. Long-time friend Owen Pegg was soon invited to join the project as the pieces developed to enable the songs the depth and intensity they require. The trio produce a dense, drone-like atmosphere accompanying evocative, melodic string sections and intertwining guitars. The live show features sections of the recorded output combined with improvisation to unlock new movements and progressions in the music. The subtle, considered textures and the hypnotic interaction between players and instruments provide an intense live performance.  
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    Troy Schafer – Evening Song Awaken

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    Hand-numbered & stamped limited edition of 200…. Recital presents its first “classically” inspired program. I have come to enjoy classical music more and more over the years, finding it to be perfect background music for drinking, cooking, or relaxing in style. Although this album isn’t exactly background music, as it is bold and often intense with emotion, it carries a poetic quality which is as warm and whimsical as my favorite symphonies.  
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    Radiant Husk – Micromegas

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    Hand-numbered & Stamped limited edition of 200… Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.  
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    Konntinet – Closer Came The Light (2 x CD)

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    ‘Closer Came The Light’ is the follow-up to Konntinent’s ‘Opal Island’ for Home Normal. It was recorded in the mad London heat of summer 2010, most of it improvised single-take recordings. We hope you like it. – HN Harrison has a deft touch with composition and production – and, while the majority of tracks sit between 8 and 18 minutes, nothing feels overlong, there is a real variety in mood and structure across the album, and the subtle developments within tracks keep the listener engaged throughout. Naturally, with this album being released on Home Normal, you would expect it to come highly recommended – and it does. – Fluid Radio
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    Listening Mirror – What’s Wrong With Miracles

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    Limited edition hand stamped release in recycled handstiched and stickered sleeve with card insert… Featuring 3 long form tracks of Ambient/Drone based experimentalism for one half of listening Mirror, Jeff Stonehouse. Listening Mirror have appeared on notable imprints such as Hibernate, Heat Death, Audio Gourmet, Rural Colours and Bathetic to name a few. The process…. Equipment used: Squier Stratocaster guitar. Audition semi – acoustic guitar. Korg Kaossillator. 18″ Oscillating fan, Ribbons. Recording method: Ableton Live 8 Suite running on Macbook Pro. Recording techniques: ‘The Boat Has Sailed’ drone was achieved using the earth hum and harmonics of the Audition guitar. Percussive bass were recorded through the pickups of the same guitar and then chopped, stretched and looped. ‘It’s In The Trees’ and ‘Storm Train’ guitar parts were recorded by attaching ribbons to an oscillating fan and allowing them to strike the strings randomly. All tracks written between October 2011 and February 2012 by Jeff Stonehouse.
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    K Wilson – Otherworld

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    Limited edition of 100 hand-numbered copies… “Otherworld” is the debut release (besides a limited tape cassette) by K Wilson, using guitar, field recordings & percussion. Recorded in early 2012 in Western Australia. Field recordings taken from tall blowing grass and the sea. Cymbals+percussion have been pitch altered & slowed down. Most the album is ambient guitar+loops, delays etc, with all recordings done on a digital portable recorder.
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    Konntinent – Kiruna (Vinyl/CD)

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      A limited edition vinyl pressing of 200 that includes a CD version of the album, plus a postcard with download code… Konntinent is the solo project of London based musician Antony Harrison. Both as Konntinent and through his other project names Arev Konn and Paco Sala, Antony has a discography that lists Home Normal, Sonic Pieces, Humming Conch and Symbolic Interaction as labels he has worked with. His live performances have meant he has been able to share the stage with artists such as Machinefabriek, Ian Hawgood, Simon Scott, Library Tapes, Jasper TX, Danny Norbury, Boduf Songs and Talvihorros.  
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    Max Bondi – Convolution

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    Limited edition run of just 120 full glass-mastered CDs, coming in a thick card gatefold sleeve, each one screenprinted in two colours, individually numbered and sewn together, enclosing a fold-out double-sided screenprinted insert. The latest record on Tartaruga is the second full-length from Max Bondi. A departure of sorts from previous work, the album is an exploration of constraint, limitations, and repetition. Fragments of sound fold in upon themselves, constructing subtle patterns and melodies which overlay, interfere and diverge, varying from dense clusters of pulsing frequencies to torrents of cascading electronic notes. This is uncompromising machine music, but with a melodic edge, rhythmical but irregular, ‘electrical’ rather than electronic. The record develops over the course of ten tracks, each one building up on top of the previous in successive waves.
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    Ryan Teague – Field Drawings

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    Bristol-based composer Ryan Teague is one of an increasing number of artists, from Efterklang to Portico Quartet, Ólafur Arnalds to Nils Frahm, successfully operating in the fertile margins between chamber orchestration and electronic processing. This, Teague’s third album of delicately poised, wordless instrumental fare, focuses less on the sweeping, bowed string phalanxes that have characterised his previous releases and errs instead toward the dulcet timbres of glockenspiels, xylophones, marimbas, piano and pizzicato plucking – or electronic approximations thereof. It’s tempting to label this kind of thing ‘minimalist’ – tempting, but wrong. For while Teague is happy to play with the tuned percussion sounds and polyrhythms so beloved of Steve Reich and the New York minimalist ‘school’, he is clearly less concerned with matters of rhythmic complexity or anything as arid or theoretical as ‘phase shifting’, preferring the emotional tug evoked by the enmeshing of simple, contrapuntal melody lines and the glowing properties of modulating major-to-minor chord sequences set against pretty, arpeggiating note clusters.  
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    The Green Kingdom – Prismatic (2 x CD)

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    We are very happy to finally get our hands on the limited edition version of this album that comes with a bonus remix CD from the likes of bvdub, The Boats, Part Timer, Insecto, H.A.M., Yuri Lugovskoy, Northerner, Fieldhead, The Declining Winter and Inch-time. These artists take the original compositions into some unexpected and exciting new musical territories… Say no more! Mike Cottone (The Green Kingdom) utilises a similar musical palette as can be heard on last year’s acclaimed ‘Twig And Twine’ CD and once again ‘Prismatic’ is expertly mastered by Taylor Deupree (12k/Line).  
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    Fieldhead – They Shook Hands For Hours

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    ‘They Shook Hands For Hours’ is the debut release from Paul Elam and takes the minimalist, glitchy, low end rumble of Machinefabriek, Phillip Jeck and The Caretaker but contains arrangements that are concise, structured and almost pop orientated in their brevity. The dusty, grainy textures can be reminiscent of Khonnor’s textbook 2005 album ‘Handwriting’, but in this case the ambient cinematic drones of Stars of the Lid and Labradford replace the ghosts of lo-fi pop. It is no wonder that the artist divulges his number one influence as tape hiss, but in no way should it be taken that this is a minimalist or avant-garde work. The melodicisms are notable from the opening ‘This Train Is A Rainbow’ with its Labradford style guitar twangs through to the echoes of Aphex Twin’s dusty loops on ‘I’m Fond Of Maps’. The warmth of ‘real’ instruments is always audible, particularly violins which swoop and soar in the wide open landscapes of ‘He’d Found The Sea’, recalling Manchester acoustic-electro favourites The Boats.
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    Coppice – Vinculum (3xCD)

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    Limited edition triple CD set: Hand-embroidered pouches housing random CD’s from Coppice’s sonic artifact archives… Vinculum is a growing archive of sonic artifacts and the first official release by Chicago-based duo of bellows & electronics Coppice (Noé Cuéllar & Joseph Kramer). Sounds are recorded and reduced to highlight some aspects at the expense of others. Each recording is released on its own single-track CD-R with an inscribed catalog number. Currently, the project is being made available as a unique hand-made, hand- embroidered pouch containing several different discs selected at the time the pouch is filled. The listener is encouraged to play the discs simultaneously on repeat from multiple players when possible.
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    Peters / Roden – Not A Leaf Remains As It Was

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    In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics. Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks on their death bed – printed in both English translation and Romanized Japanese. Phonetically pronouncing the Japanese reminded Peters of the technique Roden has used of systematically chopping up the syllables in English texts to transform them into sound poems. Since neither of them speaks Japanese, it seemed like a good place to begin. .
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    Cezary Gapik – The Sum Of Disappearing Sounds

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    Multi-fold out digipak in a limited edition of 222 hand-numbered copies… Born 1963 in Czestochowa / Poland, Cezary Gapik’s formative musical experiences after the punk revolt were the more experimental outings of Public Image Ltd. and industrial pioneers as Throbbing Gristle and Cabaret Voltaire. The popularisation of the computer as a creative tool in the mid-nineties gave birth to Gapik’s present extensive style: the isolationist projects of Mick Harris (Scorn, Lull) are as traceable as are 20th century contemporary avant-garde composers (Stockhausen, Xenakis, Ferrari) and masters of minimal music (Phill Niblock, Eliane Radigue).
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    Smyth – Sanibel

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    Limited edition of 100 / 4 pages of photo inlay printed on traditional Japanese rice paper is included. All field recordings & music by Jared Smyth. Every sound recorded / manipulated in Summer 2011 on Sanibel Island, Florida. An aural documentary of a time and place.
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    Ourobonic Plague – Post Human Possibilities

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    Stickered and Hand Numbered Limited Edition cd-r of 100 copies in Oyster Shell… Twice Removed are proud to announce the release of Ourobonic Plague’s “Post Human Possibilities”, the third release on the Twice Removed micro label. Following on from Nick’s releases such as the self released “Gaap” and “Spirits//Gremlins” Ep’s, the collaboration with Salamander as “Burnt Vessels” and proceeding the future release on UK label Robot Elephant, “Post Human Possibilities” sees Nick continuing to come up with music that is unique in the Perth underground scene. Recorded in 2011 and self mastered/mixed “Post Human Possibilities” takes us into the dark electronic world of Witchhouse.
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    Ryonkt – Troposphere

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    Limited edition run of 100 copies… Twice Removed records release a limited edition run from Ryo Nakata aka Ryonkt. 6 tracks, 48 minutes long of quality Ambient/Drone wrapped in a sleeve with cover shot by Antony Harrison (Konntinent, Arev Konn, Paco Sala). Ryonkt is the alias for Japanese artist Ryo Nakata’s guitar-drone project. On his fifth album, Troposphere, Ryonkt seems to leave behind the field recordings and gentle melodies and articulations of his previous releases and focus instead on the construction of thick slabs of pulsing, static texture, a subtler approach that makes this release a more demanding listen than one might initially expect. – Cyclic Defrost
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    Plinth – Collected Machine Music

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    Back in stock: Digipak run of 200 copies… This disc contains both remastered versions of the 8 songs that were on the ridiculously limited “Plays Victorian Machine Music” ep, that came out on the Rusted Rail label sometime back, and 7 new songs also created using old victorian music boxes, calliopes, and other wheezing mechanisms. The philosopher, social critic and journalist Walter Benjamin once suggested that the assorted detritus of the 19th Century bourgeoisie – the knick-knacks, toys, trinkets, mechanical amusements, photographs – could, when “blasted” out of their original historical context as kitsch distractions by means of critical analysis, reveal something significant about both their own age and also that of the present. This notion developed into The Arcades Project, an extensive, wide-ranging exploration of bourgeois social history centred around the Parisian arcades.  
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    Hutch Demouilpied – Otherness (2xCD)

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    Special limited collector edition of 100 copies… Hutch is a composer, musician, sound artist and songwriter who is based in London UK. Her songs and music have been used in film and television projects around the world and she has collaborated with film-makers, animators, artists, choreographers and theatre directors on various projects. As an accomplished musician she plays trumpet and has her own albums released as well as playing as a session musician with many artists. Attended Berlinale Talent Campus 2008 as a composer.
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    Nuojuva – Valot kaukaa

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    The Preservation label presents Valot kaukaa, the second album from Finnish producer Olli Aarni. Valot kaukaa is the first work for Aarni under a new name, Nuojuva, having previously appeared under the name Ous Mal. As Ous Mal, Aarni’s 2010 debut album, Nuojuva Halava took the early promise of his CD-R releases into a beautiful realisation of a unique sound that evoked both a curious nostalgia and a sense of future pathways, combining classical overtures, narcotic beats and warm atmospherics into blissful song.  
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    James Murray – Floods

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    Every copy of Floods includes a signed insert and comes in a custom designed 4-panel recycled card sleeve. Everything has been sourced as ecologically responsibly as possible here in the UK. Sleeve, insert and disc are all individually rubber-stamped with James’ original artwork and each package is carefully assembled by hand. On the flood plain where James Murray grew up, twin rivers rose each winter fed by rainfall from nearby Welsh mountains. Breaking their banks they swept over pastures and hedgerows, tore at the fabric of the land and isolated remote villages. It was here, in a makeshift studio on high ground, that James began to explore sound using scavenged instruments and homemade electronics. Floods returns to that landscape; an acknowledgment and celebration of the destructive and regenerative power of the waters. It is also an attempt by the artist to reconcile with his personal floods, those mental waters that rise to submerge the will, that can at times be opposed and must at others be allowed to overwhelm.
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    thisquietarmy – Resurgence (2 x CD)

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    Thick glossy triplegatefold digipak… thisquietarmy’s newest album Resurgence is arguably his most accessible and varied record since his debut album Unconquered. It reveals another step forward into the extension of his signature shoegaze/drone-based compositions, incorporating many different elements of post-rock, post-punk, psychedelic, krautrock, industrial & doom. As a result, Resurgence is an eclectic blend of gauzy textures and rhythms, a fresh reconstruction of his unique musical style and personal influences, and an adventurous ride from one end of the drone spectrum to the other.  
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    Alexander Wendt – Unreleased Music For Visualizers

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    Alexander Wendt’s compositions have been described as “glacial electronic music” and environmental electronic sound, but strictly speaking this albums is not conceived from field recordings. Unreleased: Music For Visualizers assembles 13 silicone based tracks that were composed over a period of several years, and yet the album’s sound is cohesive and organic. The compositions are presented here as a triptych, exploring expansive terrain with Confluence Of Two Rivers, microscopic structures and sound sketches with Trio-Log (based on a collection of 3-letter words) and in form of a live set of about 20 minutes (. : .: ::).
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    thisquietarmy – Vessels

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    Montreal’s thisquietarmy create sublime yet massive walls of beautiful shimmering drone, at times with a near pop sensibility, at others near Industrial in its percussive bombast. ‘Vessels’ explores themes of the sea and man’s struggle with this relentless and all pervasive force, the music a perfect means of expressing both the flat calm and the force 9 storm. Eric Quach, the man behind thisquietarmy, is a prolific artist, and ‘Vessels’ is perhaps his most impactful work to date. ‘The Pacific Theater’ grips the listener in warm drone before slamming them into the rocks with epic percussion. Album closer ‘A Spanish Galleon’ takes a more gentle approach with clean guitar and washes of orchestral strings. The album is presented as a matte digipak CD with glued in booklet.
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    thisquietarmy – Aftermath

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    Aftermath is thisquietarmy’s fourth album and first for Basses Fréquences. Partially inspired and in respect to aesthetics by the works of German visual artist Anselm Kiefer, the setting of Aftermath takes place in the post-apocalyptic countryside and revolves around fallen angels as unexploded ordnances. In parallel, the compositions were also inspired by the sounds of crackling tubes and failing resistors captured by amplifiers during the recording process. Drones and melodies were built around these hissing sounds to create moods of tension and transitions from the remnants of destruction. These static interferences thus remained as important compositional elements, as if the whole themed-universe stemmed from a faraway buzz, in which the dawn of a new era reveals itself. With Aftermath, thisquietarmy manages to create the perfect light and heavy post-nuclear winter atmosphere, with a glimmer of hope appearing slowly like sun rays through massive dust clouds.
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    thisquietarmy – Blackhaunter

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    Thisquietarmy is the ambient/drone project of Eric Quach, from Montreal post-shoegazer band Destroyalldreamers. His guitar-based sonic experimentations challenge the boundaries of the conventional guitar-drone mould by combining both non-frigid song structure and ambiance together, blending layers of textures over textures, merging faint growing melodies in a beautiful sea of noise & tightening loose ends together. “Blackhaunter” is Thisquietarmy’s sophomore album, which its themes revolve around inner demons and the darker side of affairs. The cleansing ritual is processed in slow-motion throughout six powerful mood-shifting tracks, while struggling deeply between the realms of ghostly dreams and sexy nightmares. Extra spicy agony, martial metronomic beats & haunting suffocation included. Expect to wake up from this deliverance covered in sweat!
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    Thisquietarmy – Unconquered

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    From the mellow opening of“Immobilization”, through grandiose “Battlefield Arkestrah” and “The Sun Destroyers”, gloomy “Death of a Sailor”, to closing notes of “Empire”, Eric Quach manages to capture the essence of contemporary alternative guitar experimentation while maintaining disturbing but also captivating aural atmosphere. “Unconquered” presents this musical project as consciously standing among the best artists of this genre, which is symbolized by the guest appearance of Aidan Baker. On the other hand, Thisquietarmy, already on his debut album,looks far into the future and crosses the boundaries, the best sign of which are the clean female vocals of Meryem Yildiz in one of the tracks – something not common in the field of ambient drone guitar music. Eric’s experience in DESTROYALLDREAMERS, numerous live performances, brave open mind and genuine artistic freedom allowed him to deliver his first official debut full-length album in a flawless and extraordinary way.
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    Apillow – Leaves Winter Alone

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    Screenprinted on Arigato Pack sleeves and hand-packaged by Patrick Lacharité, Kit Malo & Eric Quach. Cyan CDR on hub, limited to 200 copies. Apillow is a solo project from Patrick Lacharité – guitarist and sound engineer for Below the Sea. After successfully leading Below The Sea through 3 full-length albums on Where Are My Records and several tours around the world (Europe, Japan, Canada, USA), Patrick Lacharité finally releases a disc of his very own solo work. Apillow carves and crafts four tracks out of the glacial silence, tinkers on an old lonely piano, gently scratches his guittar and processes it through airy effects and mixes it all up with computer-generated percussions to create imaginative and complex build-ups within the minimalism realm. Much like those of Below The Sea, Apillow’s compositions have these very cinematic and melancholic qualities to them, while being light, sunny and upbeat. This could be your perfect soundtrack for the current autumnal season and you’d wish it’d never ends.
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    Mark Harris – An Idea of North / Learning to Walk

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    “An Idea of north / learning to walk” is the latest album from UK sound and visual artist Mark Harris. Back in the winter of 2010 he found himself snowed-in due to a unusual flurry of extreme weather.  
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    Machinefabriek – Brokstukken

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    A mini album with 6 short loop based tracks made mostly with guitar, looper pedals and a Korg Monotron. Machinefabriek specially constructed the recordings on ‘Brokstukken’ using off-cuts, sections and samples of fragmented found sounds. The tracks included here develop very slowly and disintegrate intermittently, dropping back into unstructured bleeps and murmurs. The tension built using subtle deep textures and silence is woven masterfully across the 6 tracks. ‘Brokstukken’ is an engaging excursion across the borders into lo-fi noise. Perfectly paced and wonderfully understated.
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    Cokiyu – Your Thorn Remixes

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    he music of Cokiyu borns with Your Thorn Remixes again, superb 17 track full volume album of new material from the Japanese female artist’s 2nd full-length Your Thorn. the remixes features a many international acts like Opiate (hobby industries/morrmusic), Shigeto (ghostly International), Girl With The Gun (new project of Populous), 1000 Names (black acre), A Lily (dynamophone), Praezisa Rapid 3000 (doumen), Tokyo Bloodworm (moteer), Vieo Abiungo (lost tribe sounds), The Remote Viewer (city centre offices), Scissors and Sellotape (cotton goods/fracture). the package also features aus, Turalica, NETWORKS from Japan and the bonus tracks for digital are winner remixes of Noah, 34423, Geskia & Pawn and Polyphonic Parachute from Your Thorn Remix Contest.
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    Wenngren / Bissonnette – The Meridians of Longitude

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    How long does a moment last? Well, it depends. On the speed at which you’re moving, for example. It is said that a particle in a particle accelerator, as it approaches the speed of light, experiences a corresponding slowing down of time. At such a momentum, a single second lasts the equivalent of many years lived at a more sedentary pace. This effect is called time dilation, and is one of many described by Einstein’s famous equation e = mc2.
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    Cokiyu – Mirror Flake

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    Ee-mastered edition with bonus remixes from Ametsub (mille plateaux/progressive form), Tyme. and Geskia (flau). Open up your ears to the new era of Japanese contemporary pop music. We are proud to announce flau’s first cd release Mirror Flake, is the beautiful debut album by the talented female artist cokiyu who hails from Ehime, Japan. As a vocalist, she participated in albums and live performances of aus. Mirror Flake sets a new standard in the genre of bedroom pop. The album instills soft-hearted shoegaze sounds into delicately beautiful melodies which are organically mixed with the graceful use of instruments like toy piano, music box, guitar (by ueda takayasu), and the gorgeous whispery voice of cokiyu that has sparkled in Curveland of aus. Mirror Flake is definitely a must have for the fans of Japanese pop. – flau  
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    The Boats – Faulty Toned Radio

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    The 6th outing onto waters uncharted for the enigmatic Boats. Uncharted waters simply because The Boats refuse to be channeled into the niche so easily assigned to them. Having been kindly approached by aus and the Flau stable from Japan, for a statement of their musical intent, The Boats obliged. True to hearfelt form, they have generously delivered their most accomplished, and highly personal ships log to date. But listen closely, and dont get too comfortable with your dividing fencelines of genres as the horizon is blurred from on the ship’s deck by the haze of distance from familiar isles.  
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    aus – After All

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    After the huge success of his previous albums “Lang” and “Curvelands”, Yasuhiko Fukuzono (aka aus) quickly became one of the top electronic artists in Japan. And “After All” is the 6th album from his own label flau, following the highly acclaimed “Curveland” which was released on Moteer in 2007. All the tracks are brand new based on the songs he made when he was a teenager.  
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    Yellow6 – Drifting For The Horizon

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    7 tracks totalling 63 minutes recorded during 2011. First time on CD (not CDr) for a merry6mas release. 250 copies in stamped card sleeve with full colour insert.
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    Yellow6 – Sounds and Moving Pictures

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    Live in Europe 2011 CD/DVD Set… Recorded live in Europe Spring 2011 at the Live Looping Festival, Antwerp. Additional live recordings processed by David Newlyn as ‘Comatose with the Season (Pts 1-6)
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    Kleefstra / Pruiksma / Kleefstra – Deislieper

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    CD Digipak with booklet edition of 500… The Kleefstra brothers, Romke and Jan are members of the Dutch improv band Piiptsjilling along with Rutger Zuydervelt (Machinefabriek) and Mariska Baars (Soccer Committee). In 2008 Piiptsjilling recorded its first acclaimed, untitled album and since the brothers have worked and recorded together with several other musicians. Their music invariably involves the experimental guitar playing of Romke in combination with the spoken word in Frisian, an old European minority language by Jan. Sometimes dreamy, melancholic and melodic, sometimes dark, haunting and noisy, but always instant music, both in the studio and on stage.
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    Maps & Diagrams ‎– The Town Beneath The Sea

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    So there I am sat at work one day, minding my own business, when I get this email, all humble-like and asking if I would mind checking out not one record, but two. The email was from a certain Tim Martin who just so happens to be a co-worker of mine and a very good friend, but who I was pretty sure didn’t play music unless he was drunk and then it was just table banging. Then it slowly dawned on me that it was a totally different Tim Martin - the genius behind the Maps and Diagrams moniker.  
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    Maps & Diagrams ‎– Lights Will Call On You

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    If neurologists could download the sounds of the synapses to a handful of brief, representative MP3 files, what would they sound like? Not the inner voice. Too theatrical, too bent on rehearsing the next speech or recapitulating the last one. Think past that, to the background hiss of capillary blood near the ears: a known quantity, where we shouldn’t reside too long. Further still are the loops and echoes of remembered sounds, voices, and songs, and the way those compete with the macro-lens immediacy of real noises around us, and those noises we create: the hum of appliances. The benign scatting of wind chimes. The clink of glasses. In short, what if we could stream the subjective music of simply being human? What would researchers name the first of these files? The first six minutes of strictly neurological music? How about something like “Her Thoughts Are Her Own?”
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    He Can Jog – Norwood, Wisconsin

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    He Can Jog is the work of Erik Schoster, a computer musician from Wisconsin. That is about all he likes to say about his work, understated as ever. The truth is he has been one of my absolute favourite artists for a number of years now and his Middlemarch release on the ever wonderful Audiobulb label is still one of the most played in my house.  
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    Polar M – Northern Birds

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    Polar M is the solo project of Masumi Muranaka who resides in Kyoto, Japan. His beautiful soundscapes are created mostly by electric guitar, and he is also a guitarist for musicians of various genres in Japan.  
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    Naoto Taguchi – Nostalgia

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    Naoto Taguchi, originally from Sapporo and currently living in Tokyo, is an audiovisual artist with a strong musical background (having played the piano since his early childhood) who is also interested in programming, photography, design in general and spinning records as a DJ and beatmaking. He locates himself between minimalist electronica, dubmatics and quirky experimental sound. ‘Nostalgia’ is his international debut and shows a wonderful sense of detail in his structures, whilst never betraying his inate melodic progressions. This is one of the most fun but delicately made records we have put out to date.
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    Autistici – Amplified Presence

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    David Newman’s work as an artist and label owner has always quietly amazed me and been a source of great inspiration, but his most recent record marks David out as one of the most talented, unique and wild (yes, wild) artists around. Autistici’s ‘Amplified Presence’ is one of the most expansive and deeply imaginative works we’ve heard in a long time.  
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    Félicia Atkinson – O-RE-GON

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    O-RE-GON was recorded by Félicia Atkinson in Portland, Oregon at Adam Selzer’s Type Foundry Studio. The album was made on one rainy day in July 2010, when Félicia had already been traveling for 2 months coast to coast in the United States. She was just recovering from a Lyme disease she caught a week before in upstate New York in the deep woods. The sound engineer Adam Selzer showed Félicia all the instruments she could use, most of them she never played before: a fender rhodes, a marimba, and a harmonium, but also some she had used before: a (this time) golden electric guitar and a piano: this is how this day of musical wonder began. Félicia didn’t have any idea what she wanted to play, she had not touched an instrument for two months and wanted the tracks to be completely improvised. So they captured one track in the morning, Grey & Green, and one track in the afternoon: Green & Grey.  
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    Davis / Kleefstra / Kleefstra – Tongerswel

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    Gareth Davis and the Kleefstra brothers got to know one another when Jan Kleefstra received an album from Gareth by mail-order by mistake. He liked the album though and told Gareth through MySpace. The contact was made and a plan to meet up and make some music was quickly formed.  
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    Maninkari – The Half Forgotten Relic of a Dream

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    With The Half Forgotten Relic of a Dream, Maninkari enters a new era. After three albums taken from the same studio sessions, they are back with more direct and refined tracks. As usual, Maninkari uses a great deal of instruments in many styles (cimbalom, cello, viola, synthesizers, percussion instruments), which is quite genre-breaking, without taking the easy way out.  
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    Larkian / Yellow6 – Offtempo

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    The history of Larkian and Yellow6 traces back to around 2001 when Cyril was running the Tricycle Evolutif record label. He invited Jon to release a 7″ single on the label and this, ‘Grey’ was released early 2002. There were some discussions about a split release at the time but this never came about. Forward to 2009 and Cyril and Jon get back in contact via individual releases on the same labels (October Man, Cathedral Transmissions). Cyril sends a track for Jon to contribute to and the collaboration that has become ‘Offtempo’ began. After around a year of file exchange, composition and recordings, the first common collaborative effort by Yellow6 and Larkian was ready to find a home.  
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    Yann Novak – Presence

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    Yann Novak is a sound, video and installation artist living and working in Los Angeles. His work utilizes different forms of digital documentation as a point of departure. Through the digital manipulation of these sound and image files, his works serve as a translation from documents of personal experiences into an open ended autobiographical narrative. By choosing subject matter that is also relatable to the audience, Novak’s work creates a hybrid state, balancing between his own personal history and that of the audience. Yann has had previous works released on Line, Infrequency, White Line Editions. In addtion Yann manages the label Dragon’s eye which has seen numerous works by the artist released.  
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    Mark Fry / The A Lords – I Lived In Tress

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    Released by RCA Italy with little fanfare in 1972, Mark Fry’s Dreaming With Alice is one of those very particular albums whose potency and poetry seem to owe everything to their era but whose virtues only gain traction, and with it coach-loads of interested parties, many years, if not the odd epoch, after their conception. Effectively a late-period psych-folk obscurity that became a record connoisseur’s Holy Grail once all things vaguely Incredible String Band-shaped became once again à la mode in the middle of the last decade, Dreaming With Alice, frequently bootlegged and described by Dream magazine as “one of those albums that feels like a secret you can’t wait to share”, had finally found its time and place.  
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    Mountainhood – America (2 x CD)

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    New mammoth 2 disc set from Michael Curtis Hilde aka Mountainhood, following on from releases with Important, Reverb Worship and Blackest Rainbow.  
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    Sub Loam – The Ley Hunter’s Companion

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    Back in stock: Limited Edition of 230 Hand-Numbered Copies. CD in colour wallet in 7″ sleeve. Sleeve folds out to 14″ poster…  
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    Mountain Ocean Sun – Peace Conference

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    Mountain Ocean Sun’s search for deep peace, heavy drones, and sound healing has found them jamming with Deerhoof in Detroit, starting an organic music society in the extreme tropical heat of the Matthaei Botancial Garden on new years day, and all the way back to their first performance at a 500 year-old buddhist temple in Osaka, Japan.  
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    Liondialer – LIVE!

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    Made up of Greg Haines & Danny Saul, Liondialer were formed in Manchester during 2007, and are now split between Manchester and Berlin. They play entirely improvised music on sporadic shows and tours around Europe.  
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    Danny Saul – Harsh, Final

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    As guitarist with Tsuji Giri (Manchester’s biggest and best kept secret ‘almost’ band of recent years, alongside The Sonar Yen), Saul self-released a Steve Albini-recorded album in 2005, with the band promptly self-destructing upon release. After all the tribulations associated with the process of production and shared decision-making, Danny rethought every aspect of how to perform and record with the minimum of intervention or interference; Harsh, Final is the culmination of a bloody minded pursuit for a personal satisfaction in both making music and Doing Things Right. ‘Your Death’ opens the album with softly plucked acoustic guitar, and proceeds to build layers of acoustic and electric guitars into a hazed atmosphere, which suddenly comes into focus as the track s defining chords state that this is a song, and that everything put in place so far is only framework. And in many ways this typifies what makes the record really tick: the fission between the pull of the songs and the musical dynamics working within and yet outside them. Be sure – Danny Saul is very much not a conventional singer-songwriter, with all the compromise and baggage that carries with it.  
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    Warm Widow – Widower

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    Manchester’s Warm Widow never really intended to make this album – well, not in the way that “Widower” presents itself anyway. This was supposed to be the scratchy blueprint for the actual Warm Widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of ‘appropriate’ microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to ‘nail it’, with additional options to try multiple takes and overdubs – in general, recording with a certain amount of control and ease.  
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    Robe. – Time Dilation

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    Drone/noise in the vein of older Burial Hex, but there’s some more subdued guitar-based action going on here. Like a much, much more interesting version of (unfortunately coincidentally named) Robedoor. The sound of ceremonies drifting across great fogged expanses of time and space. Some moments, especially the last track “Final Glimpse” remind of dark ambient classics like Lustmord’s Heresy and Lull’s Cold Summer.
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    Richard A Ingram – Consolamentum

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    White Box Recordings have so far proven that they are a label to be reckoned with. Previous offerings from the likes of Danny Saul and Liondialer demonstrate that these guys mean business and Consolamentum confirms this as he presents a stunning collection of expressive compositions…  
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    Fursaxa – Alone In The Dark Wood

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    Alone in the Dark Wood is the fifth full-length release from West Philly-based solo artist TAra Burke aka Fursaxa who boasts a fan base with the likes of Bardo Pond, Acid Mothers Temple and Thurston Moore who released a record by her on his Ecstatic Peace! imprint.  
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    Elian – Whispers, Then Silence

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    To say Michael Duane Ferrell (the man behind the Elian moniker) is a patient man would be something of an understatement. But then the work of Elian is all incredibly understated anyway, so it all fits nicely. I first heard Elian’s work through mutual contacts, my first experience being ‘We Are All Visitors Here’ on the rather wonderful Test Tube label. In fact, if you go over the work he has released, you will instantly notice a person who clearly takes his time and treats each album as a labour of love in the fullest sense.  
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    Amnon Wolman – Sustains

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    ‘Sustains’ is an hypnotic journey to Mr. Wolman’s musical personality, a journey into sound and silence, thoughts and feelings, mixed together in a unique way… and the journey sustains, fades in and out of a dream like state where the music is no longer only define notes and sound structures – it is a whole living form.  
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    :take: – s/t

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    After opening our series of split vinyls with white/lichens last year, :take: is back with an EP, and this time, it’s through a new media, i.e. CD format. This great adventure between the label and the guitarist goes on and we hope that we will continue our collaboration in the future. That being said, you should know that we are truly fond of this beautiful project that begun two years ago. Recorded and mixed at home with heart by Laurent Bichara, it was then mastered by Jeremy Lemos. This should be the last step before :take:’s debut album.  
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    Baylis – Howard – McCallum

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    New release from Manchester-based collaboration featuring the talents of Stuart McCallum (Cinematic Orchestra), Paul Baylis (Carmen) & Jon Howard (J. J. Howard). These artists present over an hour of free-flowing, melodic music free from the constraints of traditional composition. Recorded live in one session during the summer of 2010 at Strangeway Studios, Manchester. Limited to 250 copies.  
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    Gultskra Artikler – Kasha iz Topora

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    Last time we came across Russian pranksters Gultskra Artikler they were a duo comprising of Alexey Devyanin and Dmitry Garin, but since the release of the haunting ‘Pofigistka’ on the Lampse label in 2006, Garin has left the band leaving Devyanin to come up with the most definitive Gultskra Artikler statement to date; ‘Kasha Iz Topora’.    
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    Arkhonia – Trails/Traces

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    Arkhonia’s “Trails/Traces” fulfils the much promised, but seldom delivered, remit of large portions of ambient music – “to take the listener on a journey”… From the deep rumblings of the album’s opener to the final decaying notes and crackles of its closing track, all manner of mood-shifting experimentation directs (and occasionally derails) the listener along a sonic path that is at times unnerving and, at others, warmly welcoming.  
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    Chris Weisman & Greg Davis – Northern Songs

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    Northern Songs is the blissful sound of Chris Weisman leaving his body and dissolving into the universe; he sounds very free. Greg Davis (electronic music composer, fractal maker) helps the usually obsessive Chris (psychedelic four-tracker, music artist) surrender to the void.
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    Fursaxa – Lepidoptera

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    A previous member of the band UN, Tara Burke (aka Fursaxa) is now one of the epicenters and key collaborators of the North American free-folk movement, along with such luminaries as Jack Rose, Charalambides, Ben Chasny and the Jewelled Antler Collective.  
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    Andrea Ferraris / Matteo Uggeri – Autumn Is Coming

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    Experimental music, by its very nature, is often unconcerned with melody; other qualities of sound and music are explored, taken apart and reconstructed with the intent of presenting the listener with surprising new ways to engage with the listening experience. Many commendable aural experiences have been produced by mere tweaking of single variables within sound; much of the ambient canon relies on a relatively minimal bag of tricks. It is, however, clear from the outset that “Autumn is Coming…” is a very different beast indeed.
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    For Barry Ray – New Days

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    For Barry Ray is the husband and wife duo of Carina Thorén (Sweden) and John Chantler (Australia). After a number of compilation appearances, long gone CDrs and lathe cut records under various guises, the pair bunked down over the winter of 06/07 to lay the foundations for ‘New Days’, kicking off things Christmas morning with the gift of a London turned silent and a sky free of planes.  
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    Zelienople – Hollywood

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    Hollywood has a real sense of symmetry, dividing itself into two pieces of almost identical length (both hover around the twenty-one-and-a-half minute mark), capturing the Chicago avant-rockers in starkly tenebrous form, carving out drone-shaped sounds from synthesizer, percussion, saxophone and flute.  
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    Small Color – In Light

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    Four years after the release of their debut album Outflow, Japan’s Small Color, a duo comprised of Rie Yoshihara (aka Trico!) (accordion, voice, vintage keyboard instruments) and Yusuke Onishi (guitar, banjo, bass, programming and production) are back with the beautifully polished In Light. This album marks what some may consider a departure for 12k: sublime and gentle, minimal, acoustic J-pop, which once may have been destined for the now-defunct Happy label, but can now sit comfortably beside 12k’s roster of electronic/acoustic ambient hybrids.  
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    Wreaths – Like Sparks From Throats Falling

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    Wreaths is the moniker of Michael R Donaldson. He creates experimental music with a variety of instruments and techniques and has an idiosyncratic approach to capturing the ideas which reside in his head. Like Sparks From Throats Falling opens with ‘Nautical Almanac’. The track begins with long drones and electronics. Slowly building, the effect is mesmerising, then suddenly everything falls away into the abyss, ending with hushed tones, a hint of what’s to come. ‘O! Like Falling Snow’ proffers a more melancholic mood, with plaintive guitar playing backed by mournful strings. The piece is sublime and the delicate guitar feels like it may falter and fall apart at any moment, the fragility lending emphasis to the beauty present.
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    Twinsistermoon – The Hollow Mountain

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    Twinsistermoon is the solo project of Mehdi Ameziane of Natural Snow Buildings, The Hollow Mountain was originally issued by Dull Knife Records in 2009 as an LP limited to only 105 copies, unsurprisingly it sold out in a matter of hours…  
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    Small Town Boredom – Notes from the Infirmary

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    Artists thrive on emotional extremes, moments of unprecedented joy or crushing sadness. It is easier to transcribe these feelings into music. Middle grounds are much too complicated to address with music, the confusion, the mood swings come fast and what would seem like a perfect fit with one’s emotions at one point make no sense after a few minutes. They lack clarity. Melancholy drenched songs in particular seem to connect better with the receivers of music than their happier counterparts. Steven Wilson, mastermind behind Progressive rock group Porcupine Tree, once introduced one of their saddest songs “Stop Swimming” by saying “this next song is a very sad song, but if you’re like me, you’ll find that the saddest songs are also the most beautiful”. I find this to hold true.
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    Tomas Phillips & Marihiko Hara – Prosa

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    Prosa marks the first collaboration between Marihiko Hara and Tomas Phillips… Utilizing a diverse range of instrumentation, both electronic and acoustic, Prosa is as still as it is dynamic. Its formation (a transcontinental process, through the post) was an exercise of patience and concerted application alike. Thematically (but indirectly), Prosa shares a space with writers whose palette wavers between existential crisis, awkward distance, and snapshots of emotional expenditure (e.g. Jean-Philippe Toussaint) and with certain “quiet” descriptions found in classical Japanese literature.
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    M. Ostermeier – Chance Reconstruction

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    M. Ostermeier first two releases were both in mini-album form:  Percolate on [parvo art] and Lakefront on Hibernate.  These releases garnered strong reviews in The Wire, Textura, and The Silent Ballet for juxtaposing melancholic stillness with restrained post-rock urgency.  Throughout, the fragmented piano infused with electronic textures and field recordings established a melancholic and reflective mood but more through style than through melody.
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    Tim Hecker – Norberg

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    Recorded at the Norberg Festival (Sweden) amidst the mineshafts and cluttered buildings strewn throughout parts the city, this 21 minute live piece summarises much of what makes Tim Hecker’s music so vital and compelling. Adept at counter-pointing the most ferocious of distorted platters with smooth beds of ambient sound and potent melodic overtones, Tim Hecker creates music with a vast depth. On Norberg, this depth seems almost endless, as layer upon layer of sound are compiled into a swelling and all together visceral oceanic sound wave. Recently touring Australia and New Zealand and performing at ROOM40’S annual festival Open Frame, this CD comes on the back of some incredible live performances in the Southern Hemisphere.
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    Ben Nash / Sophie Cooper – Alchemy

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    Recorded over a weekend back in the early months of 2009, here are 2 tracks of multi instrumental composition from Ben Nash and Sophie Cooper (CooperJones)… The music here is truly beautiful, personally I think this is some of the best work to come from both Ben and Sophie so far. Total late night guitar meanderings blurred with a haze of deep churning scrapes from various instruments and layered drone bliss, creating 2 totally immersive and beautiful psychedelic drone.
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    Bio + Larkian + Les Poissons Autistes

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    Three:four is happy to introduce you to its first totally Swiss record. Although half of the label is based in Lausanne, we haven’t had the opportunity to work with local bands before. Consider it done with this new record that gathers the cream of the scene from Romandy. Their discographies are proof enough of the vast musical universe they evolve into, with a tendency for all experimentations.
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    Cory Allen – Pearls

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    Cory Allen’s ‘Pearls’ is one of those albums that don’t want you to get too comfortable. The album’s press release suggests that it explores ‘existential landscape’ – two words I don’t think I’ve ever seen put together before with regards to music, but somehow fitting. The album is not exactly inviting but isn’t cold either. It is an album that has a clearly defined narrative in a way that I haven’t seen in quite some time. Allen is always working toward an end goal and there is an almost existential philosophical statement in this small self-contained album.
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    Gurun Gurun – Gurun Gurun

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    Gurun Gurun is a Czech-based experimental, weird ambient & improvised music collective formed in the autumn 2007 by guitarist Tomas Knoflicek and keyboardist Jara Tarnovski… Their musical work combines guitars, analogue synthesizers, turntables, acoustic instruments and digital effects to span musical spaces ranging from hypno-minimalist atmospheres to warm tones of slow moving, repetitive melodic stanzas. Their twelve track debut album is a balancing act of frenetic yet sedate melodic layering that dances between chaotic and considered; multiple tones vie for space around central melodies that sound as though they could have been sampled from multiple genres of film soundtrack.
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    Alexander Tucker – Old Fog (CD)

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    Alexander Tucker began as the vocalist in post-rock hardcore 5-piece ‘Unhome’ who released one album “A Short History of Houses” (Unlabel) and a split single with Papa M. Unhome split in late 1999 and Tucker went on to tour with Detroit space-rockers ‘Fuxa’. Simultaneously, Tucker had been developing his interest in improvisation using detuned guitars, tape loops, mini disc player and fx pedals. In early 2000 Tucker recorded a solo self-titled album of acoustic finger-picking, experimental electronics, field recordings and spooked vocals, which was picked up by Tom Greenwood of Jackie-O-Motherfucker and released under his U-Sound Archives label.
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    David A Jaycock – A Magnifying Glass For The Ants (CD)

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    Following on from David’s Presets LP last year for Blackest Rainbow, he has worked on a brand new full length CDR, exploring a more multi instrumental drone sound, experimenting with stringed objects and a far more dark sounding sound, but with its roots in some traditional sounding more far out folk. David’s guitar plucking appears at various times, and its blends in perfectly with this new approach to his music. Limited to 100 copies in full colour covers.
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    Fabio Orsi – Stand Before Me, Oh My Soul (CD)

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    For some, expressing oneself is a difficult task. It takes away any aspect of security one may have been clinging on to and opens up your inner being to be displayed in all its detail. For others it comes naturally; and be it through some form of art, it is quite a beautiful thing to behold. Experimental, Avant Garde or simply music that doesn’t follow traditional structures or sounds is, to my mind, the most spectacular form of expressionism. Sure, words can be more intimate and accessible, but allowing your thoughts, feelings and emotions to control an instrument is raw and empowering. This is what Fabio Orsi’s latest work feels like to me; a trip through memories, deep thoughts and heavy emotions. This album is ecstatic, it’s uplifting and it sounds so pure and rich; this sound coupled with the album and track names seems as though he poured his entire soul into it.
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    Danny Saul – Kinison – Goldthwait (CD)

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    To have the names of two of the most famous comedians of the 1980’s, let alone two engaged in one of the harshest feuds ever between any comedians as the title of the album, with artwork to match, could leave the prospective listener with a number of different notions regarding the music contained in this album. Personally speaking, having never heard any of Danny Saul’s previous albums, the first thing that came to mind prior to listening to this release was that it could be an electronica influenced album, with lots of tension and relief, and loads of samples by both comedians embedded randomly within the music. I couldn’t have been any farther from the truth…
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    Akron/Family (CD)

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    Akron/Family are four extremely nice, sincere and well-mannered young men from rural America who came to NYC (in 2002) to make music, hoping to find a thread of real magic still winding through this city’s music scene. They certainly did just that, but they did it by retreating into a tiny Brooklyn apartment, where they made their own world instead, in complete and stubborn isolation. They proceeded (while simultaneously growing alarmingly long beards and developing a playful but hermetic quasi-religious/sonic worldview/creed known as “AK” or sometimes “AK-AK”) to make several albums worth of recordings on crude home equipment – the material compulsively chopped, spliced, and orchestrated into fractal jewels of song and schismatically opposed atmospheres.  
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    Ali Robertson’s Ludd Quest – Don’t Turn (CD)

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    Brand new slab of avant weirdo sounds from Ali of Usurper. Slurping, sucking and squeaking insanity opens up this five track disc. As it progresses it may well just get more and more weird, pouring water, some sorta mic-ed up pipe actions, weird tinkerings of househeld objects, layered talking (at times saying that talking is a terrible idea – ‘why are you talking’). Ali’s work with Usurper and his solo work retains a great sense of humour, with the pure weirdness of what is going and lack or knowing what the hell is making half the bizarre sounds. Limited to 50.
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    Usurper and Sticky Foster: II (CD)

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    Brand new one from these Scottish improvisers Ali Robertson and Malcy Duff aka Usurper, here joined by UK underground legend and A Band member, Sticky Foster. Sticky Foster fits in perfectly with Robertson and Duff’s bizarre weirdo sound of somehow using a shit load of stuff that you can never quite tell what exactly it is doing what.  
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    Timothy C. Holehouse – In Search of the Binary Star (CD)

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    This is the most fully realised and wide-screen work from Tim so far, incorporating a host of ideas and executing them brilliantly. This time with a full backing band, Tims sound is fuller and bolder. Crashing drums, droning guitars and electronic beats all combine to create a progressive master piece fusing elements of post rock, psychedelic and noise. Once again I can’t think of any other bands or artists around at the moment that come even remotely close to what Tim does and I am again honoured and excited to be releasing this. – Dead Pilot CD, edition of 500 in black on black screen printed digipaks with full colour 4 panel insert, in resealable cello bag.
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    Jannick Schou – Against a Backdrop of Blue Hills

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    Culled from hours of orchestrated tape loops, “Against a Backdrop of Blue Hills, They Were as Beautiful as a Lullaby” finds Jannick Schou circumnavigating the folds of a rich, effervescent landscape with monsoon-like drones, mountainous drifts, and suspended tones. Tape loops designed as torrential storms, evasive sounds peak from crevices, me sat transfixed in a half-conscious state, between wake and sleep, exploring the nether regions with a thousand yard stare. “Against a Backdrop of Blue Hills…” provides the canvas for a drifting stasis, wavering and dissolving amongst glimmers of thoughts; me, immobile, intent on the far reaches of the ether, a study of the minutia, the cataclysm of antimatter, an assured focus of the universe condensed in my writhing hands, my feet seemingly suspended above the floor, weightlessness, a “Departure”, fleeting tracks such as “Untitled II (For Tape) and “A Wave in My Backyard” allow distance from the body, now a separate entity; the mind is adrift. All extremities go numb in “Blue Hills”; the listener is left with an awareness of location but one’s surrounding are intangible—the closeness of the music develops even further; an overwhelming oneness ensues.
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    Olan Mill – Pine (CD)

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    Ambient sounds travel around us. They can go unnoticed and form part of the deluge of noise that exists in our atmosphere… They can also be considered and appreciated as something integral to the makeup of our auditory senses. Take the trickling of a stream, the humming of a bird or, in the context of this review, the echoes of music emanating from a church, and with a little analysis one can appreciate the presence of these reverberations. Listening to “Pine,” the second release from record label Serein, and the debut recording from Olan Mill, it is clear the group’s two collaborators are appreciators of these sounds. For while this compact, concise group of recordings are created from a palette of instruments and not from field recordings so usually associated with ambient music, such is the dream like, slow motion quality of the sounds at work that one could easily forget they are listening to a record, as the notes seamlessly form part of their natural surroundings.
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    Good Night & Good Morning (CD)

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    Following an ultimately fruitless two years spent in short-lived bands which pursued the style of aggressive rock music that has strong roots throughout their home state of Illinois, Champaign based musicians Pat Elifritz and Ryan Brewer decided to try a different approach and formed Good Night & Good Morning, a two piece project which focuses on building textures of guitar into songs which join hushed vocals with droning organ and vibraphone melodies. Good Night & Good Morning first self-released a five track CDr and then had a brief spell as a three piece with harpist Róisín Maguire, but after appearing on second work Studentin, Maguire left to pursue a degree at New York University and it was in this freshly condensed state that the pair spent six months recording this self titled release in the basement at Elifritz’s parents home.
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    Black Eagle Child – Lobelia (CD)

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    The Preservation label presents Lobelia, the debut full-length album from Milwaukee, Wisconsin’s Black Eagle Child… Black Eagle Child is guise for guitarist Michael Jantz. Jantz has previously released an expansive body of work, sprawling across some of the most notable underground labels of the current day, including Stunned, Housecraft and Digitialis. His solo recordings work a realm of exploratory zones for guitar that touch on the discordant, psychedelic and pastoral, while also deploying varied percussion and field recordings for texture and rhythm. That journey continues with Lobelia, though in its expansive scope it’s played for pure songcraft and resonant beauty.
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    Erikm – Stéme (CD)

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    Between his reputation as swift shifting improviser, concréte composer and turntable deconstructionist, Marseilles based artist ERIKM has earned himself an enviable position in the European music community. With Stéme, his most ambitious and fully realised compositional work to date, he devolves and recontextualises the boundaries between sound source and sound media.
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    Stuart Sweeney – 16:9 (CD)

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    The sound 16:9 creates is one of minimalism melded with spiritualism. It’s the soundtrack to some fantastic film.  Pianos fall gently into background space, as strings, synths and a host of other, often unexpected musical tools combine to create a tragic, heroic and captivating movie in the mind. A road trip on a mass scale, the sombre closing credits of Cherry Blossom Falls offer up Vienna in violin arrangements, while Kaiyu-Shiki transports you to the eponymous Japanese garden, via a thousand crystalised chimes.
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    Anne Garner – Trusting A Twirled World (CD)

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    Following her 2005 debut album ‘Remaking The Pearl’, Anne Garner returns with ‘Trusting A Twirled World’, an album comprising six hauntingly beautiful pieces defined by delicate vocals, piano and manipulated sound. London based Garner was born in Burnley to a Baptist minister and then subsequently raised in Glossop, Derbyshire. A move to Sheffield coincided with the artists’s artistic blossoming and her early adulthood was spent performing, painting and composing until the devastating loss of her mother prompted songwriting with a new focus and resolve.
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    Boduf Songs – This Alone Above All Else (CD)

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    The fourth Boduf Songs extended play was created using Mathew Sweet’s standard recording set up of a single microphone and a small array of instruments, but it comes with a few surprises – most notably the prominence of electric guitar, bass and stomping drums on a few tracks. All of the elements that make his previous sound creations so arresting are still present; the impeccable song structures, the minimal approach, the delicate yet dominant singing.
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    Sound People – Teatime (CD)

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    Jesse Johnson and Paul Dickow, collectively as Sound People, present Teatime, a document of their multiple sessions of sonic exploration during 2008 and 2009. Fueled by countless cups of high-powered exotic teas, these vivid and lush recordings reveal the two friends united in their search of new dubbed out sound worlds on the fringes between ambient coasting and rhythmic syncopations.
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    Expo 70 – Death Voyage (CD)

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    Mastered by Jannick Schou. Limited to 500 copies on replicated CD (NOT CDR!) in numbered 6 panel digipak with full colour artwork designed by Justin Wright himself. First 100 orders come with bonus cassette of outtakes in hand stamped packaging.
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    Max Bondi – M (CD)

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    Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper. Each CD is numbered from 1 to 200.
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    These Feathers Have Plumes – Corvidae (CD)

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    Packaged in usual Tartaruga style, this releases features stunning artwork from Louis Caldarola. A two-colour screenprinted card sleeve in black and purple is stitched together with green thread.
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    Bleeding Heart Narrative – Tongue Tangled Hair (CD)

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    The CD features a fantastically detailed drawing from Bleeding Heart Narrative, folding out around the gatefold thick-card sleeve in a two colour print. All copies come with a 12-panel foldout insert, and the 200 limited copies also include an extra two-colour numbered screenprint, and are also hand-numbered and sewn together.
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    Mem1 & Stephen Vitiello – Age Of Insects (CD)

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    Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010. The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response. The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.
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    Plinth/Textile Ranch – The Rest, I Leave (CD)

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    This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
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    Grand Salvo – The Temporal Wheel (CD)

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    Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs. After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
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    David A Jaycock – The Coleopterous Cuckoos Collude (CD)

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    Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.  
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    M. Ostermeier – The Rules of Another Small World (CD)

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    With The Rules of Another Small World, M. Ostermeier has arrived at an elegant voice – otherworldly and strangely beautiful, much like the desolate Taiwanese San-Zhr Pod Village gracing the album cover. While elements of electroacoustic, modern classical, jazz, glitch, drone, ambient, and even lounge weave in and out of the record’s eleven compositions, The Rules of Another Small World is the converse of an eclectic collection of songs.
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    Jack Allett – The Collapsing Middle (Vinyl & CD)

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    Debut full length vinyl release from Jack Allett, formerly known as Spoono, who previously had a CDR on Blackest Rainbow followed by a split LP with Cam Deas, and a 7″ on The Great Pop Supplement…
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    Tokyo Bloodworm – Palestine

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    There’s always been a touch of transatlantic symmetry between ourselves and Tokyo Bloodworm, and so it seems fitting that the labels long playing swansong should be played out so beautifully by them.
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    Tiago Sousa – Walden Pond’s Monk (CD)

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    Walden Pond's Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Following the limited vinyl-only album Insónia released in 2009 on German label Humming Conch, Walden Pond's Monk is the first album from Sousa released worldwide on both CD and LP formats.
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    Laura Gibson & Ethan Rose – Bridge Carols (CD)

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    Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.
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    Rene Hell – The Terminal Symphony (Vinyl / CD)

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    Includes a 40 minute bonus CD, The Hilton, featuring previously unreleased material: It might not have been so long since Jeff Witscher released his debut ‘proper’ album under the Rene Hell moniker, but he’s kept himself busy in the interim all the same…
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    Talkingmakesnosense – Coruscates (CD)

    Talkingmakesnosense is Dominic Dixon of Glasgow who has been making music in one form or another since he was a child. Most recently, he’s been releasing records on the now sadly defunct Benbecula Records, and now a new album on Rural Colours. Coruscates consists of four long-form tracks, each tipping past the ten-minute mark. An edition of 100, CD and cover packaged in a translucent envelope.
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    offthesky: Subtle Trees (CD)

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    As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.
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    Haruki – Falling (CD)

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    Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.
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    Ten and Tracer – Friendless Now (CD)

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    Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
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    Marihiko Hara – Credo (CD)

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    I first came across Marihiko Hara’s work in 2007, with his ‘Cesura’ release on the excellent Italian net-label – Zymogen. It really drew me in more than most other work that was doing the rounds at the same time. It had the sort of organic details and attention to beautiful subtle developments that I had only really heard in offthesky and Nicolas Bernier before (both label mates on Zymogen I should add). It became my soundtrack to that year and an album I returned to almost daily during the winter months. After this I followed Marihiko’s work carefully, from his rather fantastic 2009 ‘Icon’ release on Cotton Goods to his recent ‘Prosa’ collaboration with Tomas Phillips on Tench Records.
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    In The Bleak Wilderness Of Sleep (CD)

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    The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.
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    Artforum: March Issue (Book)

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    Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
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    Corridor8 – The Borderlands Edition (Book/CD)

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    Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009. The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
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    Yeti Magazine Issue 10 (CD / Book)

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    Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
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