Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
Liberated by starting from scratch and working on impulse, Paddy holed up in Tony Dupe’s (Holly Throsby, Saddleback) tiny house-cum-studio at Saddleback Mountain on the beautiful New South Wales South Coast, recording intensively over two sessions of two days.
With only a couple of songs fully formed, Paddy did much of the writing for The Temporal Wheel each morning before recording, inspired by a bare few ideas and images. These are songs for simple moments, moments that grow into revelations of transcendence.
Surrounding the core interplay between Paddy’s rich, oaken voice and his acoustic guitar, his subtle and intuitive orchestral arrangements – piano, cello, horn glockenspiel, harps and various percussion – keep the easy rolling, classic feel of his songs, but also ring with sparkling creativity.
The Temporal Wheel is an album of poignant emotional candour set in stunningly intimate atmospheres. It should go some way to establish Grand Salvo as a most rarefied thing.
Includes a 40 minute bonus CD, The Hilton, featuring previously unreleased material: It might not have been so long since Jeff Witscher released his debut ‘proper’ album under the Rene Hell moniker, but he’s kept himself busy in the interim all the same…
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.
Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010.
The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response.
The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.