Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
Liberated by starting from scratch and working on impulse, Paddy holed up in Tony Dupe’s (Holly Throsby, Saddleback) tiny house-cum-studio at Saddleback Mountain on the beautiful New South Wales South Coast, recording intensively over two sessions of two days.
With only a couple of songs fully formed, Paddy did much of the writing for The Temporal Wheel each morning before recording, inspired by a bare few ideas and images. These are songs for simple moments, moments that grow into revelations of transcendence.
Surrounding the core interplay between Paddy’s rich, oaken voice and his acoustic guitar, his subtle and intuitive orchestral arrangements – piano, cello, horn glockenspiel, harps and various percussion – keep the easy rolling, classic feel of his songs, but also ring with sparkling creativity.
The Temporal Wheel is an album of poignant emotional candour set in stunningly intimate atmospheres. It should go some way to establish Grand Salvo as a most rarefied thing.
Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010.
The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response.
The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.