The second full-length album from Bleeding Heart Narrative released through Tartaruga Records…
Fans of the first album (the first release on Tartaruga, back in March 2008) will have an idea of what to expect, though the album presents itself as a development of the sounds and ideas that made ‘all that was missing we never had in the world’ such a word-of-mouth favourite.
More song-structured than the previous release, there is a much clearer vocal presence on the record, as heard in the free track Colours Turn Colours. The approach of Bleeding Heart Narrative continues to show a fascination with sounds and textures, and a willingness to experiment with a wide array of instrumentation. Organ, 12-string guitar, electronics, cello and piano all play a part, though there is a strong coherence to the album as a whole that is unmistakenably Bleeding Heart Narrative.
This album is available in a wider release than previous Tartaruga records, and should be available in a few more stores around the country. However, sticking with tradition, 200 of the copies are extra-limited-edition, featuring sewn sleeves, hand-numbered, and with an extra two-colour foldout screenprint enclosed.
Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper.
Each CD is numbered from 1 to 200.
Talkingmakesnosense is Dominic Dixon of Glasgow who has been making music in one form or another since he was a child. Most recently, he’s been releasing records on the now sadly defunct Benbecula Records, and now a new album on Rural Colours.
Coruscates consists of four long-form tracks, each tipping past the ten-minute mark.
An edition of 100, CD and cover packaged in a translucent envelope.
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.