Recorded at the Norberg Festival (Sweden) amidst the mineshafts and cluttered buildings strewn throughout parts the city, this 21 minute live piece summarises much of what makes Tim Hecker’s music so vital and compelling.
Adept at counter-pointing the most ferocious of distorted platters with smooth beds of ambient sound and potent melodic overtones, Tim Hecker creates music with a vast depth. On Norberg, this depth seems almost endless, as layer upon layer of sound are compiled into a swelling and all together visceral oceanic sound wave.
Recently touring Australia and New Zealand and performing at ROOM40’S annual festival Open Frame, this CD comes on the back of some incredible live performances in the Southern Hemisphere.
Tim Hecker is a Canadian-based musician and sound artist, born in Vancouver. Since 1996, he has produced a range of audio works for Mille Plateaux, ROOM40, Kranky, Alien8, Force Inc, Staalplaat, and Fat Cat.
His works have been described as “structured ambient”, “tectonic color plates” and “cathedral electronic music”. More to the point, he has focused on exploring the intersection of noise, dissonance and melody, fostering an approach to songcraft which is both physical and emotive.
The New York Times has described his work as “foreboding, abstract pieces in which static and sub-bass rumbles open up around slow moving notes and chords, like fissures in the earth waiting to swallow them whole”. His Radio Amor was recognized as a key recording of 2003 by The Wire magazine. His Harmony in Ultraviolet was in Pitchfork’s Top 20 of key recordings for 2006.
Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.
Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.