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  • £15.00
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    Various Artists (Eilean 58)

    Deluxe end of year edition : metal box / Inside : glossy color A3 recto-verso poster : 42 cm-20,6 cm / 5 stickers / black foam / sealed & hand numbered... Artists involved in alphabetical order : 9t Antiope / Ben Rath / Bill Seaman / Cicely Irvine / Daniel Mc Kenzie / Danny Clay / Francesco Giannico / Giulio Aldinucci / Jacek Doroszenko / Josco / Josh Mason / Jura Laiva / Monolyth & Cobalt / Monty Adkins / Nathan Mc Laughlin / Sonmi451 / Sound Meccano / Spheruleus / Stijn Hüwels / Tatsuro Kojima / Toàn
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    Sonmi451 – Panta Rei

    Sonmi451 is Bernard Zwijzen, creating his own blend of atmospheric ambient music from the city of Hasselt Belgium. His music is perhaps best described as a hybrid between subtle, shimmering electronica and delicate soundscapes. Every Sonmi451 track is a sort of mini-universe where field-recordings and lovingly crafted samples are combined with carefully chosen atmospheric ambiences. Sonmi451 likes to explore the inner aspects of sound and stillness, the cracks and loopholes that exist between sounds. "This album is dedicated to the rivers and streams, crossing the exquisite mountain-landscape of the Alps and Dolomites in the beautiful region of Southern Tirol." Bernard Zwijzen
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    Jacek Doroszenko – Wide Grey

    Jacek Doroszenko is an audio-visual artist, treating sound phenomena as a legitimate material of visual art and highlighting listening as a practice. The artist engages with the contemporary soundscape to select and rephrase the notion of noise as redundant element. The first artist’s release on Eilean Records contains a suite of compositions produced during Artist-in-Residence programs in Norway and Greece. Using field recording as the basis for further musical compositions, artist reveals the power of audible juxtaposition and natural potential of a certain place. Ostensibly unnecessary sound events are treated here as the key components, revealing massive landscape of possible progressions.
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    Ben Rath – Black Heart Music

    Ben Rath is an amateur musician currently based in Manchester, UK. He makes experimental, ambient music using original recordings of guitar, keyboard and piano, as well as samples and field recordings. He has been recording and releasing music through a variety of labels since 2014 and has also released a short EP of improvised acoustic guitar tracks under the name Slow Heart Music.
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    Rod Modell – Dawn, Dusk and Darkness

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    CD plus Deluxe limited edition book size 30cm x 24cm, 72 pages, soft-touch hardcover with varnished details... 2017 will mark a homecoming for one of our most beloved artists! Ten years after "Plays Michael Mantra" (his last work for Silentes), 13 / Silentes will be releasing the first book of photography by ROD MODELL. A collection of over 100 personal photographs made during a 10 week stay in Barcelona during April-June 2016. A CD of Barcelona field-recordings and emotional atmospheric sounds by Rod Modell (that were influenced by the images) will also be included. These unique images and musical textures emphasize the darker, nocturnal side of Barcelona, and capture fleeting seconds that occurred between the moments that others noticed. A collection of mysterious images that reveal deeper layers with each subsequent viewing.
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  • £9.00
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    Zbeen – Tonal Whiplash

    After a 3 years hiatus, Zbeen (Entr'acte, Ripples) comes back with a cohesive album filled with unpredictable dynamics and the duo's distinctive dense complexity. Zbeen is Gianluca Favaron and Ennio Mazzon.
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    Gigi Masin – Il Silenzio Dei Tuoi Passi

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    Limited CD album from Gigi Masin packaged with a deluxe 68 page deluxe photographic hardback book...
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    Underthesnow – Popsongs

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    Popsongs' is the new project by Underthesnow. A collection of thoughts and sounds about pop. The cd is attached to a 40 pages 8" booklet that includes eleven collages by Stefano Gentile, two exclusive drawings by Massimo Giacon, an exclusive card designed by Lapo Belmestieri and writings (in Italian and English language) by Vittore Baroni, Manuel Gentile, Paolo Cesaretti and Marco Pandin.
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    Die Tödliche Doris – Sprechpause

    In der Pause” (During the Pause) was the title of the last track on the b-side of “ “, the first album by Die Tödliche Doris. “In der Pause” was pause music, as well as the announcement of the interval between their debut album, released in 1982, and the box format project ”Chöre und Soli” that followed in 1983. The original sounds of “In der Pause” survived on a single audio tape dating from 1981. Now, about 35 years later, Chris Dreier and Wolfgang Müller have used the material recorded on the audio tape as the source for five new tracks of pause music. The material on the original audio tape has was reworked using Moog analogue effect modules and Ableton Live. It has been supplemented with archived announcement interludes from radio and television stations, including German stations WDR, NDR and HR, Radio Italy IBF and Radio Kamerun.
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    Alec Cheer – S/T

    Nice looking full colour CD housed in a cardboard gatefold sleeve that has a full colour matt finish...
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    Cicada – White Forest

    White Forest is dedicated to animals including whales, dolphins, coral reefs, sea turtles, as well as cats in the city and birds in the mountains. Along with “Ocean” is the series of Cicada’s work themed with marine and land. “Dolphins Leap” proceeds with different speeds to imitate spinner dolphins and risso’s dolphins. “Used to be Home” portrayed the impact of offshore wind energy caused on white dolphin’s habitat from their point of views. “Whale Family” is about humpback whales caring and raising babies. “White Forest” starts from the dreamy coral reef spawning into their bleaching due to seawater warming. Cicada’s attempts are to describe the relationship between human and its impact on ocean and animals.
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    Gianluca Favaron | Anacleto Vitolo – Zolfo

    "Zolfo" is born by the collaboration between Gianluca Favaron and Anacleto Vitolo. Both involved in many projects and music collaborations - Favaron with Corrado Altieri, Deison and in groups like Lasik Surgery, Maribor, Zbeen and Under The Snow; Vitolo with Doublebass player Francesco Galatro, Viola player Michela Coppola, Domenico Stellavatecascio (Internos) and many other. The album was composed, recorded, and mixed between January and May 2016 and is a mix of several music elements and techniques, such as tape loops, cymbals, microphonic works and live electronic processing. The result is a combination of musique concrète, noise and drone music.
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    Vetropaco – S/T

    "Vetropaco" is a brainchild of Gianluca Favaron and Andrea Bellucci (a.k.a. Red Sector A). Favaron's de-compositions join Bellucci's rhythms structures creating a work where aseptic sounds are combined with patterns borrowed from Techno, with Breakcore and IDM digressions. "Vetropaco" represents a further step forward in the musical research of the two artists, and is aimed at fans of innovative electronic sounds.
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    Deison | Mingle – Innersurface

    After crossing wastelands lost in oblivion (Everything Collapse[d], Aagoo, 2014), and being skeptically moved by listening to pulsations of a weak life (Weak Life, Aagoo, 2015), Cristiano Deison and Andrea Gastaldello (aka Mingle) are arriving at their final destination, Innersuface, the last stop on their journey. They suddenly fall into a hole and are trapped in a slimy pit overflowing with mud and industrial liquids. Everything is dense and oppressive. Their physical movement stops, the chaos in their head remains, they look around and everything is irreversibly changed. And while looking at the road they have just walked along, they glimpse the edge of a forest brimming with life, with its appearance unchanged over time...will it stay like this forever? Created, recorded and mixed between December 2015 and April 2016, at Mingle's Tower Home Studio and Deison's 1st Floor Studio, Innersurface continues the perfect blend of Deison and Mingle sounds: drones, field recordings and processed loops superimposed with disturbed rhythms, distorted beats and electronic processing. As always, the electronics are dirty and extremely evocative, sounds that we have become accustomed to.
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    Vetropaco – Subvoid

    On "Vetropaco"'s second album, we see once again Gianluca Favaron (Zbeen, Ab'SHE, etc.) and Andrea Bellucci (Red Sector A, Nerva, Dio<X>ide, etc.) joining their forces. The target of this new work is to further expand the concepts and themes touched upon in the first album, making this collaboration as homogeneous as possible. In "Subvoid", Favaron's sounds act like the main binding force on all the tracks and appear to be more in the foreground compared to the previous album. The project is enriched by new solutions where digital and analogue sounds melt together, searching for a form of expression that is both pleasant and engaging, and never taken for granted. Rhythm tracks take shape from Favaron's palette, whose sounds are bended and elaborated exactly to form a unique blend with Bellucci's textures, where they get lost and come to light again.
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    Qod – Absequence

    "Absequence" is the debut album of a new project called "qod", which showcases the collaboration between Moreno Padoan (MP, Artcore Machine, Otur Boyd) and Andrea Bellucci (Red Sector A, Subterranean Source, Vetropaco, Nerva, Dioide). In "Absequence", Padoan's devastating Rhythmic-Noise meets, merges and blends with Bellucci's polished IDM-Techno Ambient, giving life to nine tracks of pure electronic delirium. The album's target is to explore the possibilities offered by the meeting of two well-defined characters, who search for a communal code of expression, largely represented by intricate rhythmic textures and very refined and elaborate sounds. An extremely dangerous experience!
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  • £13.00
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    Lorenzo Masotto – White Materials

    Handmade edition featuring a lovely four panel sleeve, glass master cd and download code... White Materials is Masotto's fourth album and it's a work that almost completely dissociates from the kind of writing used previously. For this reason, according to the stylistic choices of compositions and sound combinations found in "White Materials", the artist decided to produce the album completely by himself, so that you can listen to it without reference to labels or music genres. The album is composed, recorded, mixed and mastered in his home studio.
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    Visionary Hours – Beyond the White

    Hand-assembled, limited edition, pressed CD… "Beyond the White" is an album of collaborations with artists including Bruno Sanfilippo, Richard Youngs, Western Skies Motel, Adrian Lane, Trigg & Gusset, Isnaj Dui and 3+ among others. “I wanted to collaborate with different artists, but still keep some kind of control over the pieces,” says Visionary Hours. “In some cases, I sent the same acoustic guitar piece out to more than one artist, with the idea that two artists would unwittingly collaborate with each other on that particular piece – a blind collaboration, if you like.”
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    Trigg & Gusset – Legacy of the Witty

    Hand-assembled, limited edition, pressed CD... “The starting point for Legacy of the Witty was to create slow dark repetitive music with a certain amount of improvisation,” says Erik van Geer (clarinet, saxophone). “So Legacy for the Witty is a trip down the chambers of dark jazz. Somewhere in this darkness, light can be found and the end of the tunnel – although it’s possible that the end of the tunnel might never be reached...
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    Noemienours – Bear Meditations LP

    180gm audiophile black vinyl with printed colored sleeves, limited to 250 copies... Bear Meditations is a record that it is easy to lose yourself within, drifting away for hours at a time as the songs carry you far away from wherever you find yourself, to somewhere more open, filled with the vastness and sorrow of nature. The way it creates such an atmosphere and headspace, so relaxing yet sad, is what makes the record such a success, and it is a true delight. - TSNTW
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  • Sold out
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    Phil Tomsett – Taken Apart

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    Made by hand... A complete / vintage (circa: 1910-1950) foldout map, 2 x finger print stamped three inch CDs, set of eleven A6 prints commissioned exclusively by Craig Tattersall and Lizzie King pressed on luxury 250g gesso card stock, vintage roll-bell bus ticket individually numbered to represent the number of each CD edition. All of the above rests inside scented glassine bags sealed with washi tape. Truly 'one off limited editions' that will stand the test of time! Made with love... ... Audio - Phil Tomsett Design - Daniel Crossley Photography - Craig Tattersall / Lizzie King (www.carboncopypress.com) Mastering - James Plotkin
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  • £33.00
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    Leo Takami – Tree of Life

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    Entitled, “Tree Of Life”, these 10 patient, languid tracks take their time in evolving…peaceful and innocent in tone…soft and sensitive in nature…almost not there at times…these gentle sounds are made for those most relaxing moments of the day, when you can lie back, empty your mind, and wind down to these seemingly slowed moments in time. Available in one hand made version, in a limited edition of 100 copies. Each of the factory pressed CD’s comes housed in a double pocketed package made from folded sheets of vintage grasscloth wallpaper. The front of each folder has attached to it a hand stamped square of wood veneer, each one unique. The disc in it’s cotton sleeve is folded inside an illustrated page from a vintage book on the timber industry. There is also a beautifully stamped and sewn strand of 7 vintage kanji language learning cards. Imagery of Japanese landscapes and flora and old musical lesson cards are also contained within. And finally…strung from the front of each folder is an antique wooden Hanko signature seal. And it all comes in a forest green, hand stamped envelope.
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  • £18.00
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    Olli Aarni – Nielu

    Mastered by Taylor Deupree. Limited to 150 LPs, comes with a two-sided insert and download code... The quality of Olli Aarni’s music has remained remarkably high given his consistent output over the last five years for labels like Preservation, Cotton Goods, and Dauw. Often working in the cassette format and primarily composing extended, gorgeously textured drones, Aarni’s new album, Nielu, is one of his first releases on vinyl and a kind of culmination of the sound he has crafted for years. Even in the context of such an impressive discography, Nielu is noteworthy and Aarni considers it to be his personal definitive ambient album. The hallmarks of Aarni’s prior work—exceptional attention to texture, ghostly looped figures, enveloping sound fields—are especially immersive on Nielu, which, in his native Finnish, can be translated as “vortex,” “throat,” or “swallowing”—all appropriate imagery here. Taking inspiration from the harsh weather conditions of Fennoscandia, both side-long pieces are enveloping compositions that reward close listening but, even more, invite surrender to wide washes of sound. Evocative and sometimes, bleak, Nielu is fundamentally beautiful and grows more emotionally engaging the louder it is played.
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    Ned Milligan – Nature Always Needs Improving

    This album is limited to 100 copies on black vinyl. Comes with a two-sided insert and download code... Ned Milligan now presents his new album, Nature Always Needs Improving, building on the momentum generated by his admired third LP, Continental Burns. Echoing that album’s mode and structure, Nature Always Needs Improving offers a handful of tender, minimalist pieces before giving way to a spectral side-length conclusion. The deep intimacy of the album is enhanced by its process—primarily recorded outdoors on porches or in yards—and by the unpredictable interaction of incidental sounds with traditionally musical sound sources, especially resonant chimes.
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    Tatiana Alamartine – Searching

    Digipack CD Album with 2 Bonus Tracks included... The first of a new series named Acoustic Collection at VoxxoV Records. The creation of the album Searching began in the Conservatorio di Musica Giovan Battista Martini in Bologna, Italy, during a six month residence in 2014. The rest was done in two months in Lyon. Tatiana Alamartine worked with a famous Bosendörfer piano, a rare and prestigious Viennese instrument. This piano is unique and has a powerful and melodious tone. The pianist Rainer Keuschnig will even say that "Bösendorfer is authentically Viennese, because it presents all the various aspects of the Viennese personality which expresses itself in the eye which smiles or cries". This famous piano was the one used by numerous famous composers, including, Franz Liszt and Charlemagne Palestine for his album Strumming Music. Tatiana's album follows the tradition of solo piano albums with wintry tones while also having a colored and warm composition at the same time. Classical music lovers who liked Vora by Rauelsson or Winter Musik by Nils Frahm will surely be delighted with Searching by Tatiana Alamartine. The themes’ diversity makes this album complex yet approchable. In many ways, this album sounds like a collection of compositions mixing improvisations and interludes, a brilliant achievement of a three years musical ressearch diary.
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    Norman Westberg – The Chance To

    Comes housed in LCR's a lovely hand-printed letterpress packaging with CD wrap and digital collage cover by K. Craig... Many listeners to Westberg’s solo recordings have noted the depth and subtlety of his compositions and these four tracks are no exception.They have a rare ability to echo both the clarity of minimalism and the maximal intensity of the best overdriven rock bands. Opening track ‘Andrea F’ is a case in point, moving from clashing overtones to an almost-choral central section before introducing pitched bass tones that move the track into a new realm. There are moments elsewhere that have an unsettling quality, but the patience and care taken with the sounds ensures the album as a whole retains a warm humanity rather than moving into alienating territories. Fundamentally, there is always a lightness of touch to Westberg’s compositions.
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    DR – Field Recording Meets Sound

    DR is the project of German sound artist Dominic Razlaff.
 The idea of his third official album was to create sounds which support the field recordings recorded in 2017 in his town (Braunschweig, Germany). To create the sounds/textures he used Novation’s Xio Synthesizer and a ukulele with granular synthesis. The result is an emotional album of 15 tracks, a special soundtrack for the winter arriving.
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    Bill Seaman – The Epiphanies

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    The Epiphanies sees Bill Seaman in fine fettle, driving along phosphorescent-lit roads marked by the heavy dew of mystery and slow-to-develop intrigue. Delayed secrets are now only coming to light. The setting sun is the glorious backdrop as The Epiphanies coasts along a deserted road, its dark road-trip music glinting like the lightless, metallic chrome of the car’s body. A pack of coyotes come out to play, and further down the road some lusty, post-jazz musings at a local bar hint at dark dislocations. Nothing is right – the neon sign is too bright and things are a little off-kilter. Reality slips slowly away, like water through the fingers, drained as if from the last bottle of whiskey, until it can’t be grasped at any longer. The sick, cloying perfume of cigarette smoke hangs in the air like a tired apparition. The lingering, too-wide smile of a cute bartender with a string of strange tattoos along her back and an old episode of Tiny Toon Adventures (circa 1990) rather than the latest game from the NHL graces the television’s pulpit, adding to the subtle sense of dislocation, and the music only gets darker, its dying light duelling with the fading sunset. The headlights are a lonely splash of colour at two in the morning, and as the music enters the long hours a velvet-smooth carpet of asphalt spreads out before the listener, the unfolding ambient textures helping to shape a smooth, virgin-pure road. Dark wet trees and swaying branches are illuminated as the car drives through an eerie, sleeping town, with nothing but a slumping, somnambulant piano strolling up and down the dark, leaf-strewn sidewalk. Distant notes seem to croon into the space, somehow filtering in through the dead radio that needed replacing months ago, luring you into its monochromatic musical world. You are the first visitor. You are also the last. There isn’t any other traffic…
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    Sontag Shogun + Moskitoo – The Things We Let Fall Apart / The Thunderswan

    Pre-order: release date 15.11.17... 'An utterly affectionate and adorable aural apparition, ‘the things we let fall apart’ emerging frosted and fragile, delicately sculptured in thawing ice tones, the symphonics delicately shy eyed and whispered are breathlessly beguiled by a graceful neo classical hush, the effect really is entrancing as it is teasingly brief, sitting somewhere between a very youthful Mum and Smile Down Upon Us. ‘thunderswan’ over on the flip is expressed with the kind of poise and musical poetry that shimmers and twinkles to those early post YMO outings from Ryuichi Sakamoto, its minimal toning sweetly gathering to blossom into caressing cinematic crushes dappled in surrendering sepia hazes, a most exquisite and rarefied thing of bewitching beauty.' - The Sunday Experience (Mark Losing Today)
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    Ghost and Tape – Vár

    Heine Christensen (the man behind the ‘ghost and tape’ moniker) and I have been friends for a number of years now, and I’ve been a fan ever since I discovered his first self-titled release for Akira Kosemura’s superb Schole label quite randomly in a record store in Tokyo while admiring the artwork. I ended up buying this based on the art alone, and immediately went back the next day to buy the only other album I could find by him, ‘Home’. The music of ghost and tape is deeply intricate, and so careful is he in the work he does, this marks only his fourth studio album since his debut back in 2010. I’ve always admired people who take their time with their music for they appreciate the finer details and seem to understand music as a timeless quantity. This is a sadly rare quality now as things come and go, but in line with Home Normal’s ethos is a belief that truly lasting music must in its very nature have a certain timelessness that transcends whatever maybe ‘in’ at a particular moment in time.
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    Steven Kemner – Gradation Movements

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    You can’t predict the weather. Sometimes, life throws something at you. When it does – not if but when - hopes and expectations lie like shattered spokes. Is it fate, destiny, or circumstance? No one knows, but paths can change when there’s a sudden shift in the weather, and something that once seemed so sure and stable starts to become the opposite: uncertain and unfair. Promises peter out as a drop of rain appears. You have to stop and change course. A natural disaster plunges normality into desolation, and the same is true of our longed-for futures which so often disappear into the ether. Disappointment ensures: inclement weather. You can’t prepare for it; the hurricane warning arrived too late. Steven Kemner recently went through such a change: “I needed to move away from everything that I loved to a place I had no desire to go. This change complicated music, life and a sense of belonging”. - Steven Kemner Like the changing of the weather, ironclad clouds can appear from out of nowhere, eclipsing the sun with blackened totality, and the deep, roiling textures within the music of Gradation Movements are full of rain and turmoil, of leaving and moving on. The slow swells and hard-fought movements are indicative of clouded spells which obdurately block out the blue hope of the sky like a cruel shield. Coated in sleek silver, the notes shadow the steps of the people below. Rainy season stalks the soul; it doesn’t seem to matter where the notes walk, because the cloud always follows, indiscriminate with its downpours of rain and its trident spears of lightning. Rainfall is needed in order to grow, and that includes us. The rainy spells can make us stronger, helping us to rise up in troubling times…but too much of it, and we drown. The cirrus patterns and the cycling of the wind may be hard to understand – we may never understand – but they still have a purpose. The purpose may seem obscure, but it’s there. There’s a strong energy at work within them, and troubled times often reveal things that, in hindsight, we later come to appreciate. When sunlight fails, the music’s tones lie hidden in a shroud of slow mist. The clouds don’t always disperse. You can’t predict the future - you just have to roll with it until you finally come to terms with the strange weather.
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    Sub Loam – The Unfolding Map (3 x 3″)

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    We’re off on another orienteering journey of elevations, contours and terrain with Sub Loam. This three disc set is housed in recycled kraft boxes and contains individually cut raised relief maps of these islands for outdoor pursuits you might have one day. Disc one : Elevation, A Map Unfolding And Simultaneous Apprehension Of A Pineapple Mayweed – An Experiential Topography Of Concrete Sensations Disc two : Grid And Contour – A Linear Abstraction Disc three : Terrain Condensed, Congealed Mud, Soil Stamped and printed on corona 160g (100% post consumer waste, de-inked) & Atlas 160G (50% Post consumer waste)
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    Bruno Sanfilippo – Lost & Found

    Lost & Found is the latest album from Sanfilippo. The artist takes four songs that were once buried and lost in other collections, curating them together to create a new sound and feel. This reimagination allows the listener to discover each piece, as if for the first time. The songs have the power to pull memories from us, of either real or imagined experience and the ethereal sounds are, at once, familiar and an exploration. This transformation invites the listener to experience Lost & Found as an act of losing and finding something again.
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    Max Ananyev – The Way to the Ocean

    "I wanted the music to immediately immerse the listener in a new state, but without relying on all the usual techniques composers often make use of in the ambient acoustic genre,” says Max. “In the measured style of my playing, I’ve tried to put across the core idea of the ambient genre – a change in the listener’s state, the transition from thought to contemplation and the perception of time.” "Max Ananyev keeps things to the essentials on the subdued intimate moods of “The Way to the Ocean”. Arrangements possess a meditative quality to them ... The usage of silence further adds to the appeal of the album..." – Beach Sloth
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    Adrian Lane – Playing With Ghosts

    On his album "Playing With Ghosts", Adrian Lane uses 100-year-old cylinder recordings as the starting point for new compositions – chopping them up, reordering them and playing along to build up a series of completely new compositions. “I’ve always liked the idea of collage and often include this in my visual art,” says Adrian. “So I wanted to do something that incorporated this approach in my music.”
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    Ales Tsurko – Microscale

    Created in real-time from random Wikipedia articles, "microscale" is a web-based, generative album. Each Wikipedia article functioning as a step sequencer – where the letters are the sequencer steps and the track titles are regular expressions that switch the steps on and off. The web version is generated in real-time and is also hackable – this means that the regular expressions, samples, tempo and other parameters can be edited or replaced – enabling "microscale" to be used as an instrument and sequencer for the listener’s own music.
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  • Sale
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    Morgen Wurde – Assassinous Act (Deluxe Version)

    The absurdly appropriate deluxe version is composed of an actual “crime kit”…each of which comes contained in a zippered, textile evidence bag, and is hung and labeled with a hand distressed and numbered toe tag. Every bag contains all that you should need to figure out the parameters of this crime! The actual potential murder weapon in the form of an antique ice pick w/bullet attached (not live ammo), a vintage mug shot and fingerprint card, a copy of an antique fingerprinting magazine, a hand typed out and repurposed evidence envelope with factory pressed “soundtrack” disc inside it, a hand modified blood spatter test card, a mysterious vintage coat check tag with brass key attached, (what’s in the locker?), and other evidentiary objects of interest to anyone trying to figure this crime out! Put this evocative soundtrack on while studying the objects at hand, and see if you can solve this whodunnit!
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    Mess_Montage – The Death of Optimus Prime

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: White, silver/grey, dark silver/grey wallets with envelopes in a transparent bag...
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    DR – Hovering

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: Brown kraft wallets with envelopes & Off white wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag.
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  • £10.00
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    Jurko Haltuu – And In My Tears…

    Professionally manufactured high quality CDr's, limited to 30 copies. Handmade artwork, each hand numbered. Different covers available: Brown kraft wallets with envelopes & Off white wallets with envelopes. Wallets 250g paper, outside cover envelope 120g paper, transparent bag...
    £10.00
    £10.00
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