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    Fallen – ást (Deluxe Version)

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    This is the limited edition, hand made version of “ást”, by Fallen. Available in an edition of only 60 copies. Each factory pressed disc comes in a vintage, inside and out, uniquely collaged 5″ reel to reel tape box. Each painstakingly artified box comes with a factory pressed disc inside encased in a heart cut, red fleece, fold over sleeve. Each also contains an accompanying, vintage French Tarot card, a hand printed insert, your very own cut out heart, and other bits of mysterious paper ephemera.

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    Fallen – ást

    Limited edition hand worked, black digipak version in an edition of just 40 copies…

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    Nicola Di Croce – Clinamen

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    Heavyweight 12″ vinyl, download + handmade artwork book curated by Caterina Gabelli, ltd. 111 copies…

    The concept of “clinamen” derives from Lucretius’s “On the Nature of the Universe”, and describes the swerve of the atoms from their original straight course. Such deviation generates collisions, and allows changes in the relationship between elements. By using the metaphor of clinamen, the album narrates the process of inventing by diverting from any usual methodology, thus encountering unpredictable solutions. The music combines different commissioned sound works together with field recordings from various mediterranean cities, and the unique timbre of Gabriele Mitelli’s trumpet.

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    Gianluca Favaron – Variations (Fragments of Evanescent Memories)

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    CD + handmade cover by Stefano Gentile, ltd. 100 copies…

    Gianluca Favaron (Under the Snow, Zbeen, Ab’she) returns with a new work based on the study of repetition. “Even variation is a form of repetition”: quoting Arnold Schönberg, Favaron has elaborated his concept of repetition by frangling the sound to break it down into infinitesimal parts. Therefore adding a new piece in his discography that represents an essential starting point for new research. In the sound. Of sound.

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    Fabio Orsi | Alessandra Guttagliere | Giardino forico n°1 – Napoli

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    60 page deluxe artwork-photo book (cm 17×24) + 2xCD, ltd. 100 copies…

    The city has passed through us like a big wave of dust carried by the wind we found ourselves covered by debris, passing skeletons shadows of leaves, passages, spells, voices of pianos from the windows
    memories of places that live in several times ardours and fervours and odours we have immortalized them.
    We have brought the simulacra with us we have watched them from the Estrada Atlantica, from the singing pits of Salento, from the immense Metrosideros of Monserrate with the organ of a church in the Itria Valley, from our home in one year of work the Giardino Forico appeared it behaves like life, it brings
    it appropriates the airs, the colours, the languages and the ways it does not represent it shows its vigour which is our own. The Giardino Forico is a way of giving back a place, a knowledge, a humanity through our languages. It is the result of a vital artistic process, we listen and observe the space and we speak it.

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    Compilation of experimental music from Vietnam

    “Emergence” is an introductory compilation of experimental music from active Vietnamese artists, foreign artists who are based in Vietnam and those who collaborate with Vietnamese artists. This compilation features ten tracks of both established and emerging artists from all backgrounds.

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    Kate Carr – I Ended Out Moving To Brixton

    A soundscape reveals a lot about a place, through its presences, its silences, its rhythms and its pauses. A soundscape is forever being made by us all. It stitches us together in ways both subtle and sometimes overwhelming. I think in both its openness and fragility the soundscape can reveal something about the process of community making, and its sensitivity to change offers both opportunities and risks.

    Kate Carr, Brixton, London.

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    Benjamin Finger – For Those About To Love

    Norway’s Benjamin Finger plunges the listener into a pulsing, sparkling disorienting world in For Those About To Love. Part collage, part dream; by turns joyful, sombre, heartfelt and playful this album is a layered and diverse journey into the mysteries of the heart.

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    Compilation of Iranian experimental music

    Faced with the task of writing about artists from Iran it is tempting to oversimplify and go with the easiest way to address them — the way most western media has always treated art coming not just from Iran but from middle east in general. This approach places artists exclusively within the political context presented by the mainstream media, and only shows you the day-to-day politics of governments in the region. This biased approach means artists’ works are only interpreted in relation to a reduced conception of the political context. By seeing things this way you only have a handful of artists addressing certain issues with enough exaggeration to be newsworthy.

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    Mind over MIDI – Tussmørke

    Postcard 38 comes from Mind over MIDI aka Helge Tommervag. Based in deepest and darkest Norway, Helge has been working with electronic music since the beginning of the 80’s and over the years has graced many labels including Beatservice, Silent Season, Beserk Fabric and diametric. On his postcard EP for us at hibernate, Helge pays tribute to his natural surroundings where strong, chilly winds blow and die down to allow gorgeous atmospheric material to shine through

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    Anthéne – Colour Fields

    Postcard 37 comes from anthéne. Also known as one half of North Atlantic Drift, Toronto based Brad Deschamps who has been putting out sublime drones on the likes of Sound in Silence, Assembly Field, Catherdral Transmissions and Polar Seas. On Colour Fields, time seems to stop altogether as fragments of guitar and keyboards meld into a drifting placid mass that shimmers throughout the duration of the entire EP. Colour Fields has been beautifully mastered by Ian Hawgood.

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    Michael Vallera – All Perfect Days

    On All Perfect Days, Michael Vallera’s second LP for Denovali, he continues to distill his singular, cinematic approach to sound. Acting as both performer and producer, Vallera constructs a lush, deeply emotional album that jettisons the overt rhythms and explicit drum programming that characterized much of his earlier work. Instead, in its tightly focused reliance on little more than guitar and amplifier feedback, supplemented by piano and synthesizer, the album explores a sparse but rich palette that evokes the ambient works of Harold Budd—although filtered through Vallera’s own sharp-edged sensibility. Recorded with Greg Norman at Electrical Audio and mastered by Daniel Rejmer, All Perfect Days adds to the mounting evidence that Michael Vallera is among the most assured and compelling artists to emerge from Chicago in recent years.

    Michael Vallera is a musician and photographer who lives and works in Chicago. Prolific as both a solo artist and collaborator, he has released albums under his own name and as COIN (Opal Tapes), with percussionist Steven Hess as Cleared (Immune Recordings), and with Joseph Clayton Mills as Maar (Umor Rex, Entr’acte). He sings and plays guitar in the experimental rock group Luggage (Don Giovanni Records). An MFA graduate of School of the Art Institute of Chicago, his work has been exhibited in Chicago, New York, Los Angeles, and elsewhere.

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    Sankt Otten – Zwischen Demut und Disco

    The duo Sankt Otten from Osnabrueck (Germany), founded in 1999 and consisting of Stephan Otten and Oliver Klemm, releases music on Denovali since 2009. After Männerfreundschaften und Metaphysik (2016), a collaboration record with experimental guitarist „N“, Sankt Otten finally release their first new album since Engtanz Depression (2015).

    Their new record starts with Das endgültige Scheitern der Melancholie (en.: the final failure of melancholy), which seems to be unfamiliar due to its euphoric mood, but also shows that Sankt Otten consequently develop their music in a sovereign way. The title track Zwischen Demut und Disco (en.: Between humility and disco) then particularly brings to the fore the duo’s admiration of analog synthesizers – timeless instrumental music without nostalgic flashbacks to the past. Warm electronica, human being and machine hand in hand, infused by an almost danceable beat who induces head-nodding.

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    Cameron Day – The Castle and The Garden

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    Made by hand,

    Thirteen variations of beautiful antique (early 1900's) engraved / embossed books from the Little Leather Library collection, 2 x mini CDs (finger-printed), 2 x circular coloured covers, 13 x A6 prints on luxury Tintoretto Gesso card, scented. All of the above rests inside stitched / sealed Japanese brown waxed bags. Download code

    Made with love…

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    Moss Covered Technology – And His Many Seas

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    ‘His Many Seas’ is a personal voyage, as the artist’s father was suffering from cancer at the time of the album being written. A well-travelled man, ‘His Many Seas’ sets sail to quietly conquer and navigate another unexplored, painful continent: the frightening landmass of coming to terms with his father’s illness, steering through the trials of life as well as acting as a dedication to his father’s love of travelling. The illness itself heralded the beginnings of a new journey. Recalling the feel of the Arctic Ocean, ‘His Many Seas’ thematically revolves around exploration, and the release includes vintage nautical Nories tables, Elisha Kent Kane – Arctic Exploration inserts along with ‘famous explorer’ double side prints.

    Made by hand,

    Hand made book-bound CD covers (1260 g/qm FSC certified), lined inside / outside with luxury Italian paper from Florence, glass mastered CD (not CDR), vintage nautical Nories tables (circa. 1920) resting inside old glassine bags, vintage Elisha Kane Arctic Exploration inserts (circa. 1869), a collection of 9 x double sided A6 ‘Hassan’s Greatest Explorers’ prints, dried flowers. All rests inside luxury hand cut envelopes. Individually numbered / stamped.

    Made with love.

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    Prairie – After the Flash Flood

    Prairie is the project of multi-instrumentalist and producer Marc Jacobs, hailing from Brussels with roots in The Netherlands. He previously released an EP (I’m so in love I almost forgot I survived a Disaster – 2013) and an LP (Like a Pack of Hounds – 2015) on the Berlin imprint Shitkatapult. On stage, Prairie plays with two or three musicians and together they re-create a free association of musical ideas and atmospheres. Prairie has played in selected venues and festivals across Europe and toured with Apparat in 2016.

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    Nadia Struiwigh – WHRRu

    “WHRRu” combines the warm electronics and dynamic sound of Nadia’s previous works with a new film-composing orientated cinematic sound and approach. The result is a ten tracks album with electronic listening music for quiet nights and long journeys.

    Nadia says: ‘”WHHRu” is written with emotions and memories from my childhood. The use of acoustic instruments and synthesizers gave me the opportunity to settle a past/ future concept for all the chapters. Going back to those moments helped me to close a book and to find a safe place within myself. My own story has just started.’

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    Birds Of Passage – The Death of Our Invention

    Masterworks of minimalism and glacial beauty. With Birds of Passage, New Zealand based Alicia Merz presents us with an endearing invitation into her fragile world, a captivating journey through the landscapes of her emotional euphoria and agony, a further commitment to musical experimentation.

    The cold minimalist-drones, distorted field recordings, and sparse instrumentation, illustrate an icy, desolate and dark world. With allusions to dark-pop and classic broken-folk, the reverb drenched instrumentation, metaphorical fairytale lyrics, and anti-climactic compositions remind us that Alicia Merz is a singer songwriter for people who don’t like singer songwriters. After four years of silence, Merz returns with the fourth full length ‘The Death of Our Invention’.

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    Terminal Sound System – The Endless Sea

    From Rebirth and a four track recorder in the year 1999 to broken tape machines, untuned guitars/synths and extreme signal processing an eternity later, Terminal Sound System has remained the primary musical outlet for musician/producer Skye Klein.

    It is about stories. There is a narrative, albeit disjointed. Tends to come in threes, like dramatic characters; introduction, exploration, disintegration. It’s about stories, creating a world with sound and words and exploring that until it (inevitably) folds back on itself and starts to self-reference, decay, but also sprout appendages, potentialities.

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    Barry Kernachan – Layers

    Layers is a collection of piano pieces by Barry Kernachan. The improvised nature in which Kernachan composes has delivered a relaxed and free-flowing album without control or restraint.

    “Playing the piano for me is a form of meditation. A piece just starts with a single note or simple melody. I try not to control anything and just let the idea flow,” says Kernachan. “This, for me, is an important part of composing – my ideas are born in this way rather than being predetermined.”

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    Gray Acres – Gray Acres

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm dark gray cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 180 gsm gray cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

    The self-titled debut album of Gray Acres consists of seven wonderful tracks, containing many of the ambient elements of their Hotel Neon sound but with a sometimes softer and even more dreamy feel. Utilizing multiple layered emotional textures of immersive drones, walls of effected guitar swells, subtle piano and field recordings, Gray Acres create an impressive album that captivates the listener with its beautifully evocative soundscapes. The album was mastered by Ian Hawgood, giving more range and depth to its sounds.

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    Yndi Halda – A Sun​-​Coloured Shaker

    This is a limited edition of 300 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 285 gsm light yellow-cream cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 180 gsm ochre-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

    yndi halda see A Sun-Coloured Shaker as the passing of night that follows Under Summer’s day. The dawn after the album’s dusk has faded. They wanted to express the realisation that something as simple and everyday as sunrise can be so truly life-giving. That the natural rhythm of nightfall and daybreak is a foundation of reality and being.

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    A Lily – Ten Drones On Cassette

    This is a limited edition of 200 handmade and hand-numbered collectible copies. The physical disc includes the edited versions of all tracks. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 160 gsm moss green cardboard. It also comes bundled with a download code coupon which includes as bonus the full versions of the tracks, each one between 37 to 50 minutes, and a Sound In Silence card.

    Ten Drones On Cassette, A Lily’s third full-length album and first since 2011, consists of ten new compositions with a total duration of something more than 50 minutes. As the album title suggests, the concept of the album is based on the idea of recording a collection of ten cinematic ambient and minimalist drone tracks, each one on a different cassette. Each track is named after and inspired by a specific person and takes up about a complete side of a cassette. The project was firstly self-released by A Lily in spring 2017 in just ten cassettes, each limited to one copy and including a different track. Ten Drones On Cassette was recorded using various instruments, including guitar, voice, organ, clarinet, brass and many others, and treated with a multitude of effects and acoustic processing, resulting in a sublime collection of dreamy soundscapes and hypnotic textures.

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    Sweeney – Middle Ages

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 300 gsm cream recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist, lyrics and information printed on a 110 gsm light yellow fabric paper. It also comes bundled with a download code coupon and a Sound In Silence card.

    Middle Ages is a brilliant collection of ten more song-based tracks than his usual Panoptique Electrical sound, with a total duration of about 37 minutes. With the help of his collaborators Jed Palmer and Zoë Barry who provide cello, accordion, string arrangements, guitars and bass, Sweeney creates a peaceful and emotional album full of beautiful textures and sonic landscapes. Centered on his distinctive voice and melodic piano lines, Middle Ages magnificently merges songwriting, modern classical and ambient sounds with minimal beats and field recordings. Mastered by Antony Ryan (ISAN) in Denmark, Middle Ages is a beautifully breathtaking album, highly recommended for devotees of Anohni, Scott Walker and David Sylvian.

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    Panoptique Electrical – Quiet Ecology

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 360 gsm dark green cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm cream recycled cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

    Quiet Ecology is a sonic memorial to these spaces and a musical act of quiet preservation. It’s a relaxing collection of six quiet compositions, with a total duration of something more than 45 minutes, which sets out to slow things down. Centered on gentle piano melodies and a background full of atmospheric textures and swelling cello drones, Quiet Ecology balances between modern classical and ambient soundscapes, in the vein of both ambient pioneers like Brian Eno and Harold Budd and artists like Max Richter and A Winged Victory For The Sullen.

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    Yellow6 – About The Journey

    This is a limited edition of 100 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 250 gsm dark grey cardboard envelope with the front cover image printed on a polaroid style photo paper and two insert sheets containing tracklist and information printed on a 190 gsm saffron yellow cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

    About The Journey is made up of six new tracks with a total duration of about 75 minutes. All tracks, recorded in the first half of 2017, were inspired by the concept of the album which is about the journey of life. Knowing perfectly how to create his wonderful cinematic soundscapes, Yellow6 offers a beautiful chilled out collection of sounds where loops of ambient textures and layers of nostalgic guitar melodies are filled with a background constructed by minimal beats and droning feedback. The result is one of the finest Yellow6 works to date which appeals to all fans of atmospheric music of artists like Labradford, Brian McBride, Windy & Carl, Low and Roy Montgomery.

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    con_cetta – Origine

    This is a limited edition of 150 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 160 gsm moss green cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

    Origine, con_cetta’s third full-length album and first solo release in nine years, consists of eight new compositions with a total duration of something more than 30 minutes. Meticulously built up from simple abstract piano melodies, harmonious ambient drones, washes of electronic treatments and heavily processed guitars, field recordings and manipulated found sounds, Origine is a mesmerizing and enchanting album full of emotional and evocative sonic vignettes, rich in tone and texture.

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    Ned Milligan – Afternoon Hours

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    The fragility of life – of all life – is both a blessing and a curse. It can be stolen – unfairly, shockingly – in an instant, and it can flower in a split-second. One breath is all that separates the living from those who have passed. The same is true of music – one note is all that separates the living from those who have gone before; the silent and the resting…

    Made by hand…

    Four variations of beautiful silk-screen / hand made printed-stitched books inspired by traditional Kimono patterns, 2 x mini-CD, 13 vintage prints, entomology study papers (circa.1880), luxury miniature button/string scented envelopes, individually hand numbered.

    Made with love…

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    Nanook of the North

    Nanook of the North are Stefan Wesołowski and Piotr Kaliński (also known as Hatti Vatti) – two acclaimed Polish musicians whose simpatico merging of compositional roles are blended as seamlessly as their use of acoustic and electronic sounds. Recording sessions broadly found Stefan playing violin and piano parts with additional synth touches and Piotr taking care of electronics, more synths and the final mix.

    Upon being invited by the Sopot Film Festival next to their hometown of Gdansk to perform an improvised score to a film screening, the duo chose Robert J. Flaherty’s classic 1922 silent movie of the same name – ‘Nanook of the North’. Keen to maintain and nurture the initial ambient essence of the film, the duo travelled to Iceland where they recorded the album in Reykjavík and later mixed it in Greenland.

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    Orson Hentschel – Facades

    nly six months after his sophomore album, which has showcased a “tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound” (Decoder) and an “analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge” (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, “Facades” are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.

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    Waelder – Non Places

    Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl – strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.

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    Alapastel – Hidden for the Eyes

    Each heavyweight custom double sleeve is individually rubber-stamped and numbered by hand in a limited first edition of one hundred and fifty copies for the world. Every package includes a concealed handwritten download code, glass-mastered CD and insert with original artwork by Silvia Bobeková and an individually numbered, handwritten dedication from the artist himself.

    Hidden for the Eyes is the exquisite debut album from Slovakian composer Lukáš Bulko recording as Alapastel. This treasure trove of neo-classical grandeur, electro-acoustic production and subtle folk undertones was eight years in the making and clearly signals the arrival of a unique and original new talent. Lukáš speaks with spirited and assured musical voice in an ambitious, pastoral and otherworldly collection, enhanced by the vocal talents of Alex Lukáčová and Marián Hrdina and the sensitive mix and mastering of Adam Dekan.

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    Aries Mond – Come On Let’s Wait

    southern France. He started to compose with environmental sound recordings in 2002. He toured with different solo projects, playing “acousmatic” concerts. He often collaborated with contemporary theatre.

    From 2013, he started to focus on instrumental music, with a particular interest for piano, and to share tracks under Aries Mond pseudonym.

    His first release, “Come On Let’s Wait” came from his land, where, Indian Summer 2016 turned into an endless Autumn lasting the whole Winter of 2017. Before time definitively stops, he decided to record a few piano takes again.

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    Emmanuel Witzthum – Songs Of Love And Loss

    Emmanuel Witzthum – violist, composer, multidisciplinary artist, and lecturer. Studied at the Manhattan School of Music, NYC with Michael Tree of the Guarneri Quartet. Performed with numerous orchestras such as the Orpheus Chamber Orchestra in NYC, the Berlin Staatskapelle, ensemble Intercontemporain and others. As electronic musician and composer participated at the year long cursus at IRCAM, Paris and was guest composer of the DAAD artists program in Berlin. Performed at the ZKM, the 104 Paris, the Matadero Madrid, the Jewish Museum Berlin amongst others and recorded for Deutsche Grammofon under Pierre Boulez with ensemble Intercontemporain.

    Seven years after his first album released on the wonderful label Cotton Goods, he presents on eilean rec. his second opus. 4 tracks, 4 Haikus like 4 seasons. In parallel, Since 2010, he has recorded with Craig Tattersall (Humble Bee) under the project E & I, three releases and one Ep.

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    Benjamin Finger – Scale of Blindness

    Benjamin Finger is a composer, electronic music producer, DJ, photographer and film-maker based in Oslo, Norway. Since his 2009 debut solo album “Woods of Broccoli”, he has produced a prolific output of films and music with a healthy disregard for genres. His works have been released on How is Annie Records (NO), Time Released Sound (US), Digitalis Recordings (US), Watery Starve Press (US), Eilean Records (FR), Shimmering Mood Records (NL) Blue Tapes and X-Ray Records (UK), Oak Editions (IT), Sellout! Music (NO), and Flaming Pines (UK).

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    Śruti – Heard, Unspoken

    Śruti is the collaboration between Egyptian experimental musicians Omar El Abd (Omrr) & Mohammed Ashraf (Pie Are Squared). “Heard, Unspoken” is their debut album, created over the past two years between Cairo, Egypt & Ravenna, Italy.

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    Benjamin Louis Brody – Far Away Music

    Far Away Music sees Benjamin Louis Brody reimagine his previous compositions to create what he calls “music inside of music”.

    “When I started this project, I asked myself whether I could give my music depth perception, similar to a painting or drawing – the classic illusion of train track perspective that gives a painting a certain sense of distance,” says Brody. “With Far Away Music, I set out to do that with sound.”

    “The music and sounds you hear could only have been created through computer technology. By manipulating the speed and texture its allowed me to change the perspective of the original content,” says Brody. “Far Away Music represents how I experience my work in a more personal way – it’s vast and subconscious.”

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    Tropic of Coldness – Deplaces

    Pro dubbed cassettes by Bandjesfabriek, C47, smokey clear, Norelco smokey clear box, Photo insert with track list, different hand made covers with skeleton leave included. Limited to 12 copies.

    Tropic of Coldness is a Brussels-based ambient/experimental duo, formed by David and Giovanni, who met by chance, or maybe not, during the autumn of 2011. “Deplaces” is their fourth album, and it has been conceived as a reflection on both their five years working together and their relationship with the city of Brussels. The album is the synthesis of impro-driven recording sessions held between May and July 2016, edited with additional overdubs and field recordings in the following months and mixed in autumn 2016.

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