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    Enofa – Arboretum

    This is the hand made “standard” CD version of Arboretum in an edition of 50 copies. These come in hand stamped and altered black digipaks, each with a factory pressed disc. Each copy comes with a dried leaf, and is banded with a vintage arboreal obi strip.

    For Enofa, nature, and the inspiration derived from walking among the trees in the park and nature preserve near his home, plays a large part in the overall tone of this one long beautiful track. Like the Arboreta, which are regularly crafted to contain a range of contrasting shapes and colours, which gives them a very unique look and atmosphere, this wondrous soundscape of sorts, incorporating field recordings, moody guitars and synth, and electronic treatments perfectly reflects the calming and mysterious feel of the long and languid glorious English days of the moment. Wind chimes…the crackle of leaves underfoot….the light, swirling wind in the treetops…the sun breaking through the clouds…put this album on and you will find yourself strolling there as well!

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    David Bremer – Paradise Refuted

    This year, David Bremer has made his second comeback to planet Earth. This release marks the 23rd anniversary of his first (solo works) cassette. It tells the story about another journey, one that never was made.

    The sommarplåga of this year’s unconscious episodes.

    Cassette tape in clear case with deluxe card slipcase.

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    Kevin Verwijmeren – Dett (Ltd Vinyl)

    180gr Vinyl
    Quantity: 100 Transparent vinyl.
    Cover: 320gr cardboard, with full-color inner sleeve.

    All tracks are composed and recorded by Kevin Verwijmeren
    Mastered by Stephan Mathieu
    Lacquer-cut by Ångstrøm Mastering
    Artwork and layout by Jan van der Kleijn

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    Kevin Verwijmeren – Dett (Standard Vinyl)

    180gr Vinyl
    Quantity: 200 Black vinyl.
    Cover: 320gr cardboard, with full-color inner sleeve.

    All tracks are composed and recorded by Kevin Verwijmeren
    Mastered by Stephan Mathieu
    Lacquer-cut by Ångstrøm Mastering
    Artwork and layout by Jan van der Kleijn

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    Gimu – A Vida Que Deixei…

    Vinyl style CDR, information sheet and a gloss photo print, all in a fold over cardboard sleeve with artwork on the front…

    Gimu returns to Assembly Field with his third release for the label. Eight experimental tracks using grainy drones with splashes of melody, scratchy field recordings and manipulated vocals and beats here and there. ‘A Vida Que Deixei De Ver Nos Seus Olhos’ = ‘The Life I Can No Longer See In Your Eyes’.

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    LTO – Déjà Rêvé

    Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with his praised debut LP “The Number From Which All Things Come” and subsequent ambient/modern classical-focussed “Storybook“ LP. With “Déjà Rêvé“, he expands on that classical sensibility, creating a highly expressive and nuanced release for Denovali Records.

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    Elektro Guzzi – Polybrass

    A trio of guitar, bass and drums, Elektro Guzzi overcome the boundary between analogue versus digital, performing techno live with the drive of a machine and the sonic detail of an instrument – without any computers or loopers.

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    Bruno Sanfilippo – Intro (Remastered & Expanded)

    Bruno Sanfilippo relaunch and revives his acclaimed album InTRO (2006) as a special remastered & expanded edition on CD and Digital. Available worldwide via ad21 as of September 20th.

    The album (65:28) contains its seven original soundscapes plus two unreleased; InTROpolar (7:10) and InTROsense (6:11), taken from recording sessions in May 2006.

    These nine records were recently analog remastered from the original master by Ian Hawgood. The cover art was redesigned using the original photography of Helyn Davenport.

    ‘In his nine compositions of imaginary ‘InTROspective’ Sanfilippo explores the interest in the unfettered possibilities of dreams. Its impact is strongly imaginative and cinematic, featuring deep piano interludes, great synthesizer pads, field recordings, soft soaring sound textures and transparent soundscapes’

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    Various Artists – Dialog Tapes II

    “3 years after the first Dialog Tapes project, in which artists from both labels were linked to each other in order to make a collaborative track, Eilean Rec. & Dauw label come back with the second volume. In its essence, Dialog Tapes is an ambitious attempt to connect a musical field through its own creative forces. Its about connectivity and making new unexpected musical ties between individual actors.”

    The final result is presented as ‘Dialog Tapes II’ and offers 2 exciting albums including the following artists:
    Autistici, Benoît Pioulard, Dudal, Emmanuel Witzthum, Humble Bee, Josh Mason, Machinefabriek, Monolyth & Cobalt, Offthesky, Ojerum, Olan Mill, Omar El Abd (Omrr), R Bennny, Steve Pacheco, Stijn Hüwels, Toàn, Yadayn .

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    Ouvala – Multiperspectivity

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    Pre-order: Ships 5th October, 2018…

    Inside the handmade gatefold CD booklet you will find hand-stamped inserts, printed on recycled paper stock sitting inside a wavy insert pocket, two hand-stamped mini CD-R’s, all wrapped-up in a hand-numbered obi strip and packed inside cellophane bags for total freshness.

    Ouvala are Ian Hawgood and Tim Diagram, their first album “Psychology Of Colour” was released on Fluid Audio in 2016.

    Ouvala “Multiperspectivity” is the most-recent handiwork and features nine collaborative pieces, thrown back and forth several times. It is a characteristic of sound, short stories and mystical adventures where both musical perspectives are projected to the listener.

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    Aaron Martin – Touch Dissolves

    • Glass Mastered CD
    • Handcrafted, hand numbered
    • Digisleeve : 400 gsm black graphic card dyed in the mass
    • 2 stickers

    Aaron Martin began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play cello, which he went on to study in college. While earning his music degree, he began to experiment with recording. After creating several self-released collections of music, and graduating from college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release. He has gone on to record two more albums for Preservation, River Water and Chautauqua, as well as one album for Experimedia called Worried about the Fire and most recently Comet’s Coma for Eilean Records, and A Room Now Empty on Preserved Sound. He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), Dag Rosenqvist (as From the Mouth of the Sun), and Christoph Berg with releases on Type, Dronarivm, Facture, and Under the Spire Recordings. Aaron Martin lives and records in Topeka, Kansas.

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    Zhalih – Inrushes

    Hannah Zhalih Mickunas is an artist living in Portand, Oregon USA.
    Inrushes is a compilation of improvisational works she recorded and produced between 2013-2017.

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    Lake Mary – Koda

    Lake Mary is Chaz Prymek, a US fingerstyle guitarist, soundscape artist and composer who dwells in the lakes and rivers of the Rocky Mountains. Drawing inspiration from the environment around him and the places in between life and death. He comes back on eilean rec. for the second time, 3 years after, at the same month, for the same color, for the same season.

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    The Prairie Lines – Today Leap And Stop Time

    South Londoner Bill Bawden has been releasing delicate ambient music since 2005 under various guises, most notably albums and EPs on Serein, 12Rec, Resting Bell, Audio Gourmet and Rural Colours under the name Herzog. In the other side, since 2015, he records under the moniker The Prairie Lines, and presents his second complete LP : Today Leap And Stop Time.

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    Foresteppe – Mæta

    The music of Egor Klochikhin is inspired by the place where he grew up and now lives – Berdsk, in Siberia, or more specifically by his surrounding nature – the Siberian forest-steppe. He works with some various instruments as acoustic guitar, piano, metallophone, whistle, melodica, mandolin and percussion, as well with field recordings recorded and looped into some dreamy, lo-fi and out-of-time sound collages.

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    Kyle Bobby Dunn / Wayne Robert Thomas – The Searchers / Voyevoda

    “Widescreen scenes are reflected in the music like a sunspot’s glinting corona, and the lighter, brighter approach steps away from the past’s melancholic achings and soul-deep exhaustions. The dusty backdrop is a major influence on the thoughts and actions of those who live out here, a case of the very environment sinking into the gelatinous bones of the drone. The dry, leathery drone produces a cacophonic chorus, a meaty, glimmering and abrasive texture baked in the sun.” – Fluid-Radio

    “Dunn continues his exploration of the interplay between form and formlessness by conjuring impressionistic images of the American West. Dunn’s gift as a composer is his ability to dive, like an underwater photographer, into the depths of human feeling and return to the surface with snapshots of aspects of the Self which lurk far below the cognitive level of the mind.” – Delusions of Adequacy

    “Ringing, sustained notes, somehow sourced from an old guitar yet sounding more like the slowly ascending celestial horn section of an orchestra tuning up to the vibrations of the universe, or the cries of hundreds of Geese heard from across thousands of feet of open, reverberating water, begin to blur together over time like the broad brush strokes of memory.” – Stone in Focus

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    Ben Rath – Anything Is Possible

    Anything Is Possible is a brilliant collection of eight new tracks, with a total duration of about 45 minutes. Using a lush sound palette with layers of grainy, drenched in reverb, synths, whistling drones, distorted warm guitars and loops of hypnotic samples, Rath creates an intimate album, full of shimmering ambient textures and wistful soundscapes, with an orchestral feel to it. Carefully mastered by George Mastrokostas (aka Absent Without Leave), Anything Is Possible is a wonderful album, highly recommended for devotees of Fennesz, Eluvium, Benoît Pioulard and Tim Hecker.

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    David Newlyn – Collected Fictions

    This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 280 gsm green-grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert sheet containing tracklist and information printed on a 170 gsm off-grey cardboard.

    Collected Fictions is made up of eight new tracks, with a total duration of something more than 32 minutes. Minimal piano chords, haunting melodic guitars, hazy synths, lo-fi drum patterns, rusted electronics and field recording tapes, all gracefully blending into a superb mixture of soothing ambient and slow moving electronica.
    Beautifully mastered by George Mastrokostas (aka Absent Without Leave), Collected Fictions is a sublime album, highly recommended for devotees of The Gentleman Losers, Benoît Pioulard and Wil Bolton.

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    Ian Hawgood – Light

    Ian Hawgood is a multidisciplinary artist, educator, instrument builder and sound engineer. He is the curator of the Home Normal, Tokyo Droning, Nomadic Kids Republic, Koen Music, and Folk Reels labels. He is well-known for supporting the early net-label scene and his sound design work has featured in installations and galleries around the world. His work as a mastering engineer features heavily across the ambient, experimental and post-classical scenes, and he currently writes music for theatre and film. His solo works have featured on a number of labels over the past ten plus years, and among his many collaborations he is perhaps best known as the sound architect behind the Black Elk quartet, as well as his work with Bvdub, Danny Norbury, and Maps and Diagrams.

    After spending much of his adult life living in Japan, he currently resides in Warsaw, Poland. Since 2012 he has been working on creating music from old disused reel to reel recorders, his childhood piano, and an array of vintage synths he has been collecting for the better part of twenty years now. ‘光’ is his first fully developed solo album in 6 years, alongside his latest work with James Murray under their ‘Slow Reels’ guise.

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    Xu – Whisper My World

    Xu is the solo project from Nicola Fornasari an italian musician and composer born in 1977. He’s also part of the following bands: La Petite Vague, Xu(e), Twyxu, Zero Wait enSemble. He presents his fifth album under the moniker Xu, and for the second time on Eilean Rec. His works have been released on Audio Gourmet, Cathedral Transmissions, Eilean, Flaming Pines, Many Feet Under, Twice Removed and more.

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    Ben McElroy – The Word Cricket Made Her Happy

    Ben McElroy is an ambient/drone/folk music maker living in Nottingham, U.K. Ben’s sound is typically based around acoustic instruments such as guitar, strings and voice with a little additional computer based processing and his work is influenced by artists as diverse as Pauline Oliveros, Sharron Kraus and Ralph Vaughn Williams. Since 2016 he has recorded two full length Lp’s, on Whitelabrecs and Unknown Tone. He presents on Eilean Rec. his third one.

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    Amuleto – Acre

    Amuleto is Francesco Dillon (cello, prepared cello, feedbacks, other strings, objects) and Riccardo Wanke (guitars, keyboards, electronics, synths, harmonium). The duo takes its name from Roberto Bolaño’s novel and seeks to trace invisible links among distant geographical and cultural spaces, words and sounds. Good part of the inspiration comes from literature, sounds, images coming from various sides of the world. Amuleto’s music emerges as a combination between contemporary, experimental and electronic music with influences of folk and classical traditions and improvisation.

    Amuleto’s first release “11h15 local weather forecast” (Die Schachtel, 2010) has received positive reviews from international specialized press (BlowUp, The Wire, Vital Weekly). In 2015, the duo published an extended project (over 2h of music, 2CD, postcards, texts and photos) entitled “No para siempre en la tierra sólo un poco aquí” . The record has been selected as the best releases of the year by the Italian magazines Solar Ipse and Blow Up and reissued in 2017.

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    Federico Dal Pozzo – Untitled_VNZ

    “Untitled_VNZ” is an acousmatic concert dedicated to Venice and its sound. A sound that vibrates of water, stone, re, metal , all of which in a continuous movement of sensorial and mnemonic evolution. Time becomes water that collects re exes of our hearing and later absorbing to design a story of echo in new notions of forms. An orchestrated composition from the city’s topology, a city that makes one think of music papers in a continuously played music: the scores come together like sea waves, the pentagram bars are canals with its numerous “legato” of bridges, of high churches windows, and let’s not forget the violins on the edge on the gondolas. Its Music is bigger than the orchestra, and there is no hand big enough to ip the score sheet.

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    Fallen – Glimpses

    Black / silver cdr in folded card sleeve with grey paper folded and printed insert. Black ‘obi’ style strip with silver hand written artist label. Comes in a stamped, sealed envelope and plastic film outer sleeve…

    I composed and recorded “glimpses” at night (for the most part) feeling really calm and serene whilst recording the pieces because of the absolute silence, because of the cold outside the windows, because of the rain outdoors. “glimpses” tries to explore human emotions and feelings, acting like a cold heartless person, or like an empathetic one, or feeling very angry or totally at peace with the rest of the world. “glimpses” is having coffee at night, “glimpses” is crying gently while thinking of a dear childhood memory, “glimpses” is listening to your loved one’s breath while sleeping in the bed near to you. All this happened while I was recording in silence, while my heart was quietly beating…

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    Blackfilm – Zero One Seven

    On “Zero One Seven”, Blackfilm merges tracks spanning across drum and bass, dub and electronic. The sounds on the album are built from the ideas on the original Blackfilm “S/T“ and “Along the Corridors“ and progress to a sound built on new ground mixing modern production techniques and influences while at times referencing the Blackfilm sound we know from his previous releases.

    The album maintains a consistent focus on atmospherics, beats and heavy bass ranging from darker dub and drum and bass influences to vocal tracks and complex ambient soundscapes. Production wise, the familiar Blackfilm style incorporating the use of synthetic sounds mixed with samples enables the album to create an intriguing, shifting atmosphere as the album progresses. A dystopian journey through haunting vocals, hypnotic drum patterns and complex sound design.

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    Ensemble Economique – Radiate Through You

    The latest long-player of devotional noir by Humboldt County romantic Brian Pyle aka Ensemble Economique was originally titled Music Saves Lives, in response to the misguided backlash directed at underground artists in the wake of the tragic Ghost Ship fire in Oakland. Since Pyle’s career threads through a decade and a half of Northern California’s independent experimental music community, the blow struck a uniquely deep and personal chord. As a way to process, he began recording at his coastal home studio in Manila, California, channeling inner states of mind, seeking something “more personal and intimate, the idea of love, and shining through.”

    Radiate Through You delivers on its title, exuding a nuanced catharsis, alternately tempestuous and transcendent, forlorn but undefeated. Vaulted heavens of interwoven electronics ebb into hushed dirges of skeletal percussion and candlelit guitar. Roiling noise seethes, swells, and subsides as an ashen string arrangement rises in the mix, keening a somber, circular elegy, as if overtaken by memory on a long walk alone.

    Two key guest appearances lend the album even more dynamism and drama: the first by Barcelona synthesist Alexander Molero on the questing, celestial opener, “Music Is Life,” the second by New Zealand psychic sisters Purple Pilgrims on the devastating finale, “Blue Hour.” Both showcase impressive shades of Pyle’s finesse as producer and muse, sparking his collaborators to new heights.

    Whether taken as expressionist memorial, therapeutic song cycle, or something more ambiguous, Radiate Through You stands as a pensive, passionate statement by an enduring light of the West Coast canon, drawn from “a deep, special place of giant emotions, feelings.”

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    Alaskan Tapes – You Were Always An Island

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    You Were Always An Island opens with a downpour of rain. Staring out at its constant fall, listeners can only wait for it to stop. The music’s already waiting: for someone, and for a moment that will never arrive…

    Alaskan Tapes aids in the clear-up operation, helping to cleanse the air if not the growing solitude. Quiet drones and sullen strings dispel the rain, but it lingers in the streets, overflowing around the mouth of its gutter. The music has been invaded by a longing which spreads like a tendril of ink in clear water, bruising the atmosphere with its purple, sour colour.

    An event shakes the soul with the magnitude of an earthquake. In this case, the cruelty of distance and the greater cruelty of war which separates a couple. As a man leaves to fight, his beloved has no other choice but to wait for his return. She sends unanswered prayers. His absence grows longer with every sunset. Unable to wait and growing increasingly anxious, she sets off to look for him, a lighthouse offering a faint lifeline in the gathering gloom, only to sadly learn of his death. The separation is permanent – death us do part.

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    Fallen – ást (Deluxe Version)

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    This is the limited edition, hand made version of “ást”, by Fallen. Available in an edition of only 60 copies. Each factory pressed disc comes in a vintage, inside and out, uniquely collaged 5″ reel to reel tape box. Each painstakingly artified box comes with a factory pressed disc inside encased in a heart cut, red fleece, fold over sleeve. Each also contains an accompanying, vintage French Tarot card, a hand printed insert, your very own cut out heart, and other bits of mysterious paper ephemera.

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    Fallen – ást

    Limited edition hand worked, black digipak version in an edition of just 40 copies…

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    Nicola Di Croce – Clinamen

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    Heavyweight 12″ vinyl, download + handmade artwork book curated by Caterina Gabelli, ltd. 111 copies…

    The concept of “clinamen” derives from Lucretius’s “On the Nature of the Universe”, and describes the swerve of the atoms from their original straight course. Such deviation generates collisions, and allows changes in the relationship between elements. By using the metaphor of clinamen, the album narrates the process of inventing by diverting from any usual methodology, thus encountering unpredictable solutions. The music combines different commissioned sound works together with field recordings from various mediterranean cities, and the unique timbre of Gabriele Mitelli’s trumpet.

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    Gianluca Favaron – Variations (Fragments of Evanescent Memories)

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    CD + handmade cover by Stefano Gentile, ltd. 100 copies…

    Gianluca Favaron (Under the Snow, Zbeen, Ab’she) returns with a new work based on the study of repetition. “Even variation is a form of repetition”: quoting Arnold Schönberg, Favaron has elaborated his concept of repetition by frangling the sound to break it down into infinitesimal parts. Therefore adding a new piece in his discography that represents an essential starting point for new research. In the sound. Of sound.

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    Fabio Orsi | Alessandra Guttagliere | Giardino forico n°1 – Napoli

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    60 page deluxe artwork-photo book (cm 17×24) + 2xCD, ltd. 100 copies…

    The city has passed through us like a big wave of dust carried by the wind we found ourselves covered by debris, passing skeletons shadows of leaves, passages, spells, voices of pianos from the windows
    memories of places that live in several times ardours and fervours and odours we have immortalized them.
    We have brought the simulacra with us we have watched them from the Estrada Atlantica, from the singing pits of Salento, from the immense Metrosideros of Monserrate with the organ of a church in the Itria Valley, from our home in one year of work the Giardino Forico appeared it behaves like life, it brings
    it appropriates the airs, the colours, the languages and the ways it does not represent it shows its vigour which is our own. The Giardino Forico is a way of giving back a place, a knowledge, a humanity through our languages. It is the result of a vital artistic process, we listen and observe the space and we speak it.

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    Compilation of experimental music from Vietnam

    “Emergence” is an introductory compilation of experimental music from active Vietnamese artists, foreign artists who are based in Vietnam and those who collaborate with Vietnamese artists. This compilation features ten tracks of both established and emerging artists from all backgrounds.

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    Kate Carr – I Ended Out Moving To Brixton

    A soundscape reveals a lot about a place, through its presences, its silences, its rhythms and its pauses. A soundscape is forever being made by us all. It stitches us together in ways both subtle and sometimes overwhelming. I think in both its openness and fragility the soundscape can reveal something about the process of community making, and its sensitivity to change offers both opportunities and risks.

    Kate Carr, Brixton, London.

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    Benjamin Finger – For Those About To Love

    Norway’s Benjamin Finger plunges the listener into a pulsing, sparkling disorienting world in For Those About To Love. Part collage, part dream; by turns joyful, sombre, heartfelt and playful this album is a layered and diverse journey into the mysteries of the heart.

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    Compilation of Iranian experimental music

    Faced with the task of writing about artists from Iran it is tempting to oversimplify and go with the easiest way to address them — the way most western media has always treated art coming not just from Iran but from middle east in general. This approach places artists exclusively within the political context presented by the mainstream media, and only shows you the day-to-day politics of governments in the region. This biased approach means artists’ works are only interpreted in relation to a reduced conception of the political context. By seeing things this way you only have a handful of artists addressing certain issues with enough exaggeration to be newsworthy.

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    Mind over MIDI – Tussmørke

    Postcard 38 comes from Mind over MIDI aka Helge Tommervag. Based in deepest and darkest Norway, Helge has been working with electronic music since the beginning of the 80’s and over the years has graced many labels including Beatservice, Silent Season, Beserk Fabric and diametric. On his postcard EP for us at hibernate, Helge pays tribute to his natural surroundings where strong, chilly winds blow and die down to allow gorgeous atmospheric material to shine through

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    Anthéne – Colour Fields

    Postcard 37 comes from anthéne. Also known as one half of North Atlantic Drift, Toronto based Brad Deschamps who has been putting out sublime drones on the likes of Sound in Silence, Assembly Field, Catherdral Transmissions and Polar Seas. On Colour Fields, time seems to stop altogether as fragments of guitar and keyboards meld into a drifting placid mass that shimmers throughout the duration of the entire EP. Colour Fields has been beautifully mastered by Ian Hawgood.

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