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    Midwife – Like Author, Like Daughter

    Black vinyl LP that includes an 11x17 lyric insert. DL code included... Under the name Sister Grotto, Denver based artist Madeline Johnston explores the limits of minimalism in transcendental drone-pop. With "Like Author, Like Daughter", Johnston uses the Midwife moniker to craft triumphant, fist-in-the-air anthems that tackle themes of dislocation and falling in (and out) of love with a person, a home and yourself. "Like Author, Like Daughter" is a portrait of Johnston’s last year as a resident of Denver’s famed D.I.Y venue Rhinoceropolis which closed in a rash of politically motivated assaults on creative spaces across the United States. The album internalizes loss, addiction, abandonment and wrings them through distorted power chords, powerful leads, sheets of drone to create building, aching monuments to past-selves and lost relationships into a positivist statement of resilience and self-love. It’s a record that is impossible to listen to without a lump in your throat.
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    Ant’lrd – Sleep Drive

    Limited to 100. Vinyl release on stunning 150 gram clear vinyl. Included download code... Ant'lrd, the name given to Colin Blanton, is responsible for scores of moving synth-landscapes of obscured inputs and high cloud ceilings. For Sleep Drive, Blanton called on Odd Nosdam (cLOUDDEAD, .anticon) to master the record, drawing out inherent melodies in the album's stunning ambient compositions and anchoring Sleep Drive's beat-oriented tracks by wrapping them in a palpable, warm vinyl crackle. The result is something to lose an entire afternoon in without the slightest sensation of lost time. A totem against procrastination and inattention.
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    Braeyden Jae – Fog Mirror

    Limited to 220. Braeyden Jae's debut vinyl release on stunning 150 gram white vinyl includes download code... On Fog Mirror, SLC based musician Braden McKenna, has crafted a weighted, textural album of architectural drone punctuated with stirring washes of crackling static and arcing tones that gather like visible precipitation on an early morning windshield. Fog Mirror is braeyden jae's most deliberately paced, emotionally resonant record to date; the aural equivalent of watching a thick gray blanket envelop some distant, cliffed coastline.
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    Mark Templeton – Gentle Heart

    Pre-order: 20 June 2017 Mark Templeton returns with the third instalment in his Heart trilogy. Following on the heels of Scotch Heart (2011) and Jealous Heart (2013), Gentle Heart is a fitting closure to this story, an album filled with bending, yearning phrases - sounds that feel like they are actually speaking to you from another time, as if they’re being piped into the room where you’re listening today. There is a continued use of elements that hearken to tape machines and older technology combined with acoustic instruments and modern studio techniques and sensibilities, squarely centered in the contemporary moment. Loops stumble and fall off their track, then regain their footing, breaking the concentration enough to remind you that someone is here and paying attention. In both structure and emotion, Templeton captures time in a novel way - connecting points that don’t immediately lend themselves to such a connection, deftly balancing qualities that are both haunting and inviting. This music is one of imagined memory, capturing moments that never happened, but could have.
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    Aidan Baker / Karen Willems – Nonland

    Pre-Order: Release Date 12.05.17 Transparent vinyl with black inner, poly-lined paper sleeve... Recorded in a single session at Berlin's Golden Retriever Studios on June 18, 2016, Nonland combines atmospheric, looping guitar with textural, polyrhythmic percussion. Having played together live only once previously, these sessions were entirely spontaneous and improvisational, intuitive and expressive...
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    Benjamin Fingers – Ghost Figures

    Limited 300 copies LP 12" Vinyl (incl. album download)... ...are piano pieces recorded over the period of two years. The tracks are a collection of many hours of rehearsing and improvising alone in front of the piano. These sessions were recorded using a field recorder and then later processed and re-worked in the studio. It´s based largely around deceptively repetitive piano movements. Some of the tracks are very stripped down to their essential elements while others have been given a re-brush, adding new sounds beneath, such as cello and different instruments where it seemed fit. The use of various filters and pedals have been used occasionally to manipulate certain parts of the melodies. The idea behind the album was to let go of all kinds of emotions and just try to create an open minded album that could be both warm and melancholic but at the same time dramatic and dark. The album consists of 14 tracks.
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    Selffish – He She Them Us (Vinyl)

    Vinyl edition of He She Them Us. DMM cut pressed on black virgin vinyl, reverse print on sleeve for tactile matt textured finish... He She Them Us is an album of precise, purposeful electronica that recalls and expands upon the output of labels like Mille Plateaux, April Records, raster-noton and City Centre Offices in the early 2000s. The music is not purely electronic though, atop the bursts of static and staccato beats are many layers of field recordings and live instrumentation. The field recordings represent an important anchor point for Andrejs whose work on He She Them Us began at a very turbulent time in his life. Finding solace in the stillness and beauty of the countryside around his home city of Riga, he would record the sounds of these places and return with them to his home studio: “Each time I went to visit a secluded corner of nature outside my hometown, I usually felt a strong desire to produce music. Especially when hearing the sounds again at home”. The music could be seen as a further distillation of these moments of reflection spent outside, an attempt to recreate some fleeting moment.
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    Kouhei Matsunaga – Drawings

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    Hardbound, cloth bound book with 7" vinyl. Stunning! Kouhei Matsunaga's 'Drawings' is a book and a 7" vinyl record. The book is the first ever major showcase of his drawing skills. Here, smiling horses meet floating people in a strictly minimalist, slightly psychedelic black and white ink world. The hardcover book is cloth bound, 88 pages, 40 drawings, a few words and lots of space. The four track 7" vinyl single accompanying the book, credited to his alias Koyxen Mattsunagnen, takes Matsunaga's music a step further towards a more dance oriented approach, as with his minimal techno project NHK and the recent NHK'Koyxen material released by the PAN label, whilst still clearly and firmly rooted in contemporary, experimental music.  
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    Vlad Dobrovolski – The Drums of the Fore & Aft

    I tried to rework sounds from my immediate environments – seas, places where I stayed and everyday life. I was inspired by absence of people in a blue sea. Absence can create silence that is more unsettling than merely contemplative.  I prefer to think about absence rather than silence - absence of sound is much more active, compelling a listener to fill these gaps in. Physically and metaphorically it creates a space for multiple projections.  -  Vlad Dobrovolski
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    Foudre! – Earth

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    Electric Blue vinyl with black inner, poly-lined paper sleeve. Includes a download of the entire album emailed to you... ​Commissioned by Silke Schmickl from Lowave for the festival 'Singapour Mon Amour'​ in Paris, this album was recorded in the 16th century gothic church of Saint-Merry ​in ​June 2015​ as​ a live soundtrack performance for EARTH ​- ​an experimental film directed by one of the most important Singaporean contemporary artists, Ho Tzu Nyen​. Acclaimed by art and film critics worldwide and presented at some of the most prestigious international film festivals (Cannes, Venice, Rotterdam..)​, EARTH is inspired by the works of classical European painters such as Caravaggio, Rembrandt and Delacroix​. ​The film unfolds dramatically as the camera moves across a theatrically choreographed scene involving 50 actors, as the details of a post-apocalyptic landscape are revealed frame by frame.
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    Divus – Divus

    Divus is a duo from Rome, comprised of electronic musician Lucianno Lamanna (Lunar Lodge, Balance, LSWHR) and saxophone player Luca T. Mai (Zu, Mombu)... The encounter of Lamanna and Mai is suprisingly far from their usual sound. Their influences coming from techno and jazzcore/metal are both left aside here, in favour of a more nocturnal and atmospheric sound. The use of synthesisers is sober and it’s accompained by long sustained notes from the saxophone. The music is so smokey and dark, It could suit perfectly a b/w crime movie shot in one metropolitan suburb.
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    Cristian Naldi – Rurale

    Artwork by Mali Yea and Gabriel Marz... Rurale is the second chapter of Cristian Naldi’s solo project. Original compositions, improvisations and arrangements from the classical repertoire create a nocturnal and leaden atmosphere. Loneliness becomes living material, sensitive, for reflection and contemplation in which the guitar works for new transmutations: it becomes piano, violin or harp, it pulls away to finally disappear.
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    Adriano Zanni – Falling Apart

    "The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one's master. And every day without fail one should consider himself as dead. This is the substance of the way of the samurai."
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    Hermetic Brotherhood of Lux​-​Or

    Anacalypsis is the seventh album from the Hermetic Brotherhood of Lux-Or, an incredible blending of ancestral past and post-industrial decadence. The album consists of three tracks of sombre rituals, thundering beats and terrifying screams. Celebrants for this ritual are: MS Miroslaw - Sacred Horse Skull, Clarinet, Vocals, Percussions Laura Dem - Bass, Synths, Samples, Ghosts Tracklist: A1. Double Nature of Deity A2. Metempsychosis and the Renewal of the Worlds B1. Phantams of the Living Recorded, mixed and produced at Nasprias Cave (Sardinia) in Spring 2016. Mastered by Giuseppe Ielasi Sleeves screenprinted by Legno
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    Amklon – Collision of Absolutes

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    Amklon is a duo from Naples, composed of Giuseppe Mascia (electronics) and Sergio Albano (Aluminum guitar). Their music is the point of meeting of so many seemingly irreconcilable worlds: an architecture of dark synthetic sounds and avant-gard noise floating on atmospheric textures and confessional voices. The result is a complex system of unusual forms, which barely contains a substance made of organic and nonorganic sounds. The guitar sources are treated through the electronics, creating a continuos flow of tension and movement. It’s a desertic and gloomy experience, a descent into the dark corners of sound.
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    Mai Mai Mai – Phi

    The third and final installment in Mai Mai Mai's Mediterranean trilogy, pushing the project deeper into a vivid interzone of digital synthesis and scorched ritual. The album opens with a searing collaboration with avant-folk instrumentalist Luca Venitucci, locked into a lofty duel of distorted drones, before pivoting to a throbbing oblivion of jackhammer bass, seething feedback, and combat samples. Later passages ooze through industrial spoken word, technoid voodoo hallucination, seasick prayer loops, and nightmare exotica, assisted in places by Italian experimental percussion legend Lino Capra Vaccina (of 1970’s “golden age” groups Aktuala and Telaio...
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    Michel Banabila – Sound Years

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    Transparent 175g heavy weight vinyl LP in full color cover. All tracks composed by Michel Banabila except: ‘Radio Spelonk’ by Banabila & Van Geel. ‘Yarra’ by Banabila & Zuydervelt. A1. Close To The Moon (previously unreleased / 2016) A2. Earth Visitor (from Earth Visitor / 2016) A3. E.T. (from Traces / 2007) A4. Gorlice (from Live in Gorlice / 2014) A5. 47 Voice Loops (from 47 Voice Loops / 2013) B1. Stone Bridge (from Hilarious Expedition / 2005) B2. Niki Jumpei (from Gardening / 2012) B3. TAPE (mix 3) (from Bouwwerk / 2010) B4. Shortwave (from Hilarious Expedition / 2005) B5. Radio Spelonk (from Music for viola and electronics II / 2015) with Oene van Geel B6. Vuka Vuka! intro (from Songs from Vuka Vuka! / 2005) B7. The Turtle Came Back (from Gardening / 2012) B8. Yarra (from Travelog / 2013) with Machinefabriek
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    Noemienours – Songs From The Life…

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    Slo-fi XVX lullabies. Save the bears, wherever they are. Stories about the life of bears. Limited edition of 100 copies.
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    Richard Scott – Several Circles (2 x Vinyl)

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    2 x 140g vinyl with A4 art insert print by John Powell-Jones and a Risographed Photo... Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in the studio.” Far from being a dry, academic exercise, Richard’s music shower the ears with delicious and incessantly changing sound pools. The album is a vibrant and exceptional portrait of Richard’s voice as a musician, unencumbered by restrictive themes or fixed compositional techniques, instead offering an all-encompassing view of his practices that, through their very intuition, sound cohesive. It’s an entry in to the already auteristic cannon of Cusp Editions that will surely be held in a pride of place.
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    Orbital Planes & Passenger Trains Vol 1 (2 x Vinyl)

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    75 minutes of the finest Serein selections pressed on black wax. 2xLP. Vinyl sleeve is printed on the reverse (uncoated) side for textured goodness... Orbital Planes & Passenger Trains Vol 1 comes to the popular and shiny compact disc format. The sleeve is printed on the reverse (uncoated) side for textured goodness that you’ll want to touch again and again. You might even like to encourage your friends to touch it. The more observant among you will have noticed that the cover for the CD edition is slightly different to the vinyl cover. Every format is special. Down in the mouth and wound up after your daily commute? No more! On your next trip by shuttle or train be sure to bring with you this seasons ‘must have’ record for travel. These carefully selected pieces will calm the mind and soothe the spirit making your journeys as pleasurable as can be. Orbital Planes & Passenger Trains – the only travel companion you need. Not going anywhere? No problem, let the music guide your imagination instead – with Orbital Planes & Passenger Trains, leaving the relative safety of your home is optional.
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    Aukai – ST (Vinyl)

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    In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico. Aukai was born of his desire to create music that could work in tandem with film, video, theater and the visual arts. The compositions on the album also grew out of Sieber’s love affair with the ronrocco, a plucked string instrument from Argentina that Sieber first discovered through the music of film composer Gustavo Santaolalla (Babel, Brokeback Mountain). Aukai may draw initial comparisons to the work of ambient instrumental masters such as Eno, Ryuichi Sakamoto and Goldmund/Helios, but ultimately it is a CD that belongs in a category all its own—a beguiling collection of autumnal acoustic soundscapes dappled with subtle electronic touches.
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    Hidden Rivers – Where Moss Grows (Vinyl)

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    This vinyl edition is a DMM cut pressed on 180 gram virgin vinyl... Away from the concrete towns and cities there is a place Where Moss Grows. A place walled with limestone, of dell and cave, forgotten railways and Hidden Rivers. This music is a document in sound of journeys through this place, the sylvan valley. Treading a path worn by his forebears, Hidden Rivers (Huw Roberts) takes a left into the trees with debut solo album, Where Moss Grows. Better known until now for label curation at Serein and his work with Otto A Totland as Nest, Huw’s growing obsession with synthesizers and drum machines takes his solo work into uncharted territory. With barely an acoustic instrument in sight, Where Moss Grows is a personal and thematic album which confidently reveals his future intent.
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    Mytrip – Filament (Vinyl)

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    Limited to 220 copies on black vinyl... Following last year’s Mytrip highly appreciated vinyl debut Empty, the Bulgarian ambient / drone artist is back with a long-anticipated full-length album. In Filament Mytrip is delving deeper into his raw and complex soundscapes. This time they are enriched by tense melodies, blurry rhythmic patterns and organic field recordings. Breathing on the thin borderline of ambient, drone and dub, Filament is Mytrip’s most emotionally and musically varying release so far. The record was written to be experienced live, thus it carries the signature aural harshness of the artist’s recent works. Combined with Mytrip’s immense love for drifting sonic environments Filament is an atmospheric, but intense story about birth, growth and self-awareness.  
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    Ned Milligan – Continental Burns

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    The third album by Ned Milligan and the first to reach an audience beyond family and friends, Continental Burns is the result of getting reacquainted with the act of making music and diving into the experience of creating short films. Limited to 100 LPs, comes with a two-sided insert and download code... Composed primarily over the summer of 2014, Continental Burns was created with two sides in mind. The first five tracks (which also score the video of the same name) share a certain kinship; the sixth complements what came before while departing from it at the same time. A lot of this music came out of Ned’s longstanding interest in repeating figures and loops of both musical and traditionally non-musical sound sources. In contrast to the suite of songs on side A, the B side is taken up by “The Station in Spuyten Duyvil,” an extended reworking of a track that first appeared on Rambler, Ned’s 2005 debut. Entirely composed of processed melodica, it proudly bears the influence of long-form works by Jim O’Rourke, early Rafael Toral, and Stephan Mathieu. Mastered by Sean McCann.
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    Imaginary Forces – Visitation

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    Imaginary Forces returns to Fang Bomb with “Visitation”, a collection of dark, menacing rhythmic noise and crumbled techno that predate the recent releases on Halcyon Veil, Bedouin, Entr’acte and his Basic Rhythm album on Type. Deep and ominous with a grimy, industrial edge, Visitation also features the spoken word of long time Imaginary Forces collaborator Closed Circuits.
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    Davis / Merzbow – Atsusaku

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    Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis’ reed sound being compressed and constrained by the saturation of Akita’s textures, that the album was born. The acoustic sound almost suffocated beneath the sweep of sonic overload, but through limitation and pushing the mechanics of the instrument itself, finding a space to cut through with layers of self-distorted screams. Haihan, a furiously abusive maelstrom of coloured-noise, digital cross-fire and distorted bass clarinet is unrelenting as it searches for moments of pulse within the haze only to move abruptly back into the mechanical barrage of looping textures. Kyouhan is is far more open in its texture, the low-end layers of reeds moving across the sound space as the squall of chirps and mechanical screeches build slowly into a dense mass of reverberated pointillist details.
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    Seabuckthorn – They Haunted Most Thickly

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    They haunted most thickly. A collection of songs played mainly on an open C tuned resonator guitar & an open A tuned 12-string acoustic guitar. Melodies coming from guitar improvisations, heard in dreams, misheard in reality, all of which continued to invade my thoughts, a driving force for inspiration to record during my time living in Paris. These songs did indeed haunt me most thickly. - Andy Cartwright Seabuckthorn is the solo project of UK acoustic guitarist Andy Cartwright. Releasing 6 albums since 2008 he explores alternative terrains on six to twelve strings, often with minimal layered accompaniments to produce a musical landscape. Cartwright uses the techniques of finger picking & bowing combined with various open tunings to form a well curated mixture of approaches. Falling into the cinematic and soundtrack genres, it’s evident of influences ranging from the traditional styles of Robbie Basho and Jack Rose, to more modern players like Ben Chasny, Zak Riles, and Gustavo Santaolalla with whom Cartwright shares an emphasis on atmospheric and multi-instrumental compositions. Sometimes quietly ambient, often powerfully expressive.
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    Twinkle / Endresen – Debris In Lower Earth Orbit

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    140g Vinyl edition includes 11 x 11″ art insert and print... Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Lu Katavist – Inburst

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    Standard 140g Vinyl edition of 70 and includes 11 x 11″ art insert and obi-strip.... The striking first entry into the CUSP label’s discography comes from Cologne-based sound artist Lu Katavist, employing a variety of synthesizer modules controlled with the Haken Continuum Fingerboard to create a cavernous tapestry of deeply spatial and spectral soundscapes. Katavist’s (real name Luka Höfler) approach to the material derived on ‘Inburst’ has been wholly improvisational, but not in any sense traditional. Rather than acquiring any sort of mastery of the equipment chosen to build the sounds heard, Höfler has opted to adopt an almost automatic writing approach to sculpting the material, which he describes as ‘blurring the lines between creating and listening’. The aesthetic goals behind ‘Inburst’ are two fold; to introduce the Western ear to timbres and melodies more associated with lesser heard xenharmonic scales and to inspire a minds eye landscape for the listener to populate with their own experiences, focusing on scattered and layered frequency bands and melody to create a vibrant and evolving mise-en-scene to paint with.
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    Madeleine Cocolas – Cascadia

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    Pressed on clear vinyl and in 5mm spined sleeves... Classically trained artist Madeleine Cocolas, originally from Australia, is currently based in Seattle. Her debut album ‘Cascadia’ is a refinement of material produced for her ‘Fifty Two Weeks’ project which saw her create a track-a-week for a year. The intricate arrangements reach the sublime through delicate piano melodies, pulsing synth patterns and backdrops with ambient layers of her own voice and field recordings.
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    Modo Koagon – Ebb

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    Record comes with 8-page booklet. All jackets and inserts assembled by hand and numbered, limited edition of 100, includes download code... “An eclectic trove of trinket-collage, field recordings, cling-clang, jazzy sax, synthery and percussive blips and rips; MK’s third release is his first as a solo artist and truly showcases his prowess, bringing sensitively crafted intricacies to the forefront. If peace is what you’re after then sprawl out and jam this ditty biddies!” -  Buffalotones Music and Artwork by Modo Koagon. Instruments and Sounds: Field recordings, prepared guitar, contact mics, voice, music box, home videos, kazoo, found objects, portable radio, Yamaha PSR E313, found sounds, theremin, harmonica, effects pedals, Monotron Delay, trumpet mouthpiece.
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    Scott Tuma – Hard Again / The River (2 x Vinyl)

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    Souled American got the proverbial shaft. It’s a well-known story, but one that bears repeating. Forming in Chicago in the late 80s, the band released four remarkable albums of howling roots-rock deconstruction before losing their stateside distribution when Rough Trade’s American division went belly up. Anachronistic and difficult to classify, these four albums– Fe, Flubber, Around the Horn, and Sonny (now back in print on tUMULt Records)– were largely ignored at the time of their release, and the situation was not helped by infrequent touring and a lack of press savvy. More recently, the band has toiled in near obscurity, releasing two albums on German labels since the mid-90s. In the end, though, Souled American was probably just too arty for a genre that puts such a high value on “authenticity.” Fortunately, the band seems to prefer its cult status. Of course, it’s hard not thinking about what might have been. The more or less contemporaneous Uncle Tupelo (which eventually split into Wilco and Son Volt) was handed the alt-country banner and basked in the spotlight while Souled American quietly pursued their craft in the darkness. “No Depression”– the movement and the accompanying magazine– could have just as easily been called “Feel Better” (the final track on Fe), if given a slightly different set of circumstances.
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    Bruce Langhorne – The Hired Hand

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    In 1969 Langhorne was asked by Peter Fonda to score his directorial debut. He decided to opt out of scoring the film in a projection room, instead chose to shoot the film onto a small black and white camera to take back to his home in Laurel Canyon. He would watch the film and play along to it as his girlfriend at the time would record him and play it back, allowing him to overdub Farfisa Organ, piano, banjo, fiddle, harmonica, recorder, and Appalachian dulcimer onto his Revox reel to reel. Bruce's 1920 Martin guitar is most prominent throughout the record. The Results were a uniquely wide and lonesome soundscape. The closest comparison might be Sandy Bull or possibly John Fahey, but nothing of its kind or even of it's time poses a resemblance to Langhorne's minimal masterpiece.
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    Asphodel – Aokigahara…

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Aokigahara, The Black Sea of Trees is an abstract visual and sonic story-telling which takes place in a forest located in Mount Fuji, Japan. The forest of Aokigahara, has a world-wide fame for the thousands of suicides which took place there and now has an almost mythological statue. The forest is spread all through with ephemera and items such as photographs, letters and instruments left behind by the leavers, all untouched due to respect. almost entire forest is covered with long ribbons people used to be able to return if they changed their mind. therefore, the entire land is embodied with the vicarious objects that depict the sense of memory, loss and hope.
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    Ingenting Kollektiva – An Anatomy of Melancholy

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Recordings revolving around the atmosphere of George Büchner’s Lenz and various melancholies provoked by Robert Burton, the recordings of Krzysztof Penderecki and the idea of Lontano (as from a distance / distant), the textures of Jordi Savall (La Guirnalda de Rosas inspired by a fragment from Saval’s Mare Nostrum) and Ingmar Bergman. Recorded 2010-2015. May pain be my reward.  
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    Ten – Hitherto

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    This release comes in a strictly limited edition of 40 black square 5” lathes, cut by Lathe Cuts and comes in a folded sleeve. Twice Removed is proud to announce the release of Ten’s Hitherto” 5” lathe EP. Ten (Dominic Deane) is a musician and artist who resides in the north of England in Leeds, UK and has making experiment/ambient music since 2009. Ten’s sound combines electronic keys, shoegaze noise and percussion with the acoustic sounds of glockenspiel and strings to create a beautiful cinematic sound-scape that moves from slow, eerie and melancholic to pulsating and optimistic. Ten have kindly supported, Tim Hecker, Stuart Braithwaite of Mogwai, Esmerine and Lucky Dragons. He has also toured around the UK, European and America. Previous releases have come out on labels such as Murmur, Cathedral Transmissions and Heat Death to name a few. He also appears in groups such as November Fires and Trouble the Dark. The tracks on the lathe contain 2 different slices of Ten’s musical style with the track “Now” exposing the Glockenspiel bright ambient, while “Time” ventures more into guitar based almost country-esque drone.  
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    thisquietarmy – Anthems for Catharsis

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    Anthems for Catharsis marks the follow up to thisquietarmy’s last full length studio works “Rebirths”, a representative collection of reworked tracks that have defined his purgative live performances. Between back-to-back tours in Europe & Asia and the release of live drone documents as well as collaborative works with Noveller, Aidan Baker/Hypnodrone Ensemble, André Foisy/Locrian, Syndrome/Amenra, thisquietarmy’s Eric Quach went back to the drawing board in his Montreal studio, at the end of 2014. Within the repetitive genre of ambient and drone, thisquietarmy constantly evolves and tries to incorporate new additional textures and structures into the music – for instance, think of the kraut rock shoegaze of “Resurgence”, or the post rock doom of “Hex Mountains”. However, in other to start fresh and shed skin from exhaustive influences, Quach strips his music down to the black bones. Anthems for Catharsis sounds very focused but also very very dark, not unlike a ritual cleansing or a detoxification. In dismantling his sound, thisquietarmy almost struck a black metal vein, resulting in a dark and brooding ice cold oozing of his signature drones.
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    Celer – Jima

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    Stashed Goods stock is on sea blue vinyl... 100 units on sea blue vinyl and 200 on milky clear vinyl. Limited edition of 300 copies worldwide. Launched in 2005, Celer is the work of Will Long, an American musician, educator, writer and photographer living in Japan, who also curates the Two Acorns label. Initially a duo based in California with Danielle Baquet, Celer has continued as a solo project since 2009, releasing music on numerous esteemed labels, such as Home Normal, Infraction, Spekk, and/OAR and many more. In addition, Will has collaborated on projects with notable artists such as Machinefabriek and Hakobune. A decade into his recording career, Celer arrives at the shores of the Los Angeles based label I, Absentee for the remarkable new full-length, “Jima.” The album contains two pieces, each occupying an entire LP side; one side plunging into the depths of melancholy, while the flip side contrasts with a blissful crescendo. It stands as a crown jewel in the prolific career of Celer, showcasing an artist at the height of his craft. A meditation on existence and conscience, the LP is meticulously assembled and packaged at the highest quality possible by both artist and label.
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    Srapa / Vtol – Joyful Breeze / Ramzan (2 x Vinyl)

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    There is a hidden track inside this release. To reveal it you need two turntables (or ability to play two digital files in one go) and synchronization skills. Double 180g LP, packed in two disco-sleeves with transparent plastic slipcase with ziplock. Limited to 300 copies. Vtol is the project of Dmitry Morozov, Moscow media artist, musician and engineer of strange sounding mechanisms. In the mid 00s Dmitry started to use actively his DIY and Circuit Bent instruments for his own music projects, as well as making instruments for other musicians and media artists. He is the first batch producer of music and video synthesizers at the post-Soviet area. Besides making music and instruments, Dmitry creates audiovisual art installations and promotes Circuit Bending and DIY Electronics in Russia by means of lectures and workshops. Papa Srapa is a contemporary visionary, analog synths shaman and sound artist. His name is Eduard Srapionov. His DIY music instruments have no analogues in this world and are constantly changing for better. He calls himself no composer, neither musician nor inventor. He doesn’t use many words, calls himself Papa Srapa and his music — “Experimental electronic”. He lives and works in Rostov-on-Don.  
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    Brinstaar – Testarossa

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    320 numbered copies on black 12′ vinyl packed into gorgeous holographic jacket... Testarossa is third studio album by Brinstaar. He says that this album is dedicated to redheaded blue-skinned Goddess. This work is reflecting Brinstaar’s deep and emotional chase for the elusive moment of infinite bliss that keeps him alive and conscious. While using mainly processed guitars for Infotswetock and synths for Mielisss, Brinstaar uses a lot of acoustic instruments and field recorded sounds in Testarossa now, thus creates much more intimate compositions. Of course, his specialty mesmerizing synth parts and precisely constructed guitar timbres are still here too.
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