“The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one’s master. And every day without fail one should consider himself as dead. This is the substance of the way of the samurai.”
A year passes by and finally Talvihorros is back with his latest album Descent Into Delta to be released on both vinyl and CD. The man behind this one man guitar driven excursion is London based Ben Chatwin who in addition to hibernate has had material released through Benbecula, My Dance The Skull and our sister label Rural Colours. Despite only recently forming the Talvihorros project in 2008, Chatwin has been experimenting with sound ever since he first picked up a guitar as a teenager. His live performances have seen him share a stage with the likes of Tim Hecker, Stephan Mathieu and Ian Hawgood to name just a few. Chatwin has to this point juggled live performances and studio work as two separate entities with studio material being culled from sounds derived from as many different instruments as possible and live performances being restricted to just guitar and pedals.
Mind Over Mirrors might not be a household name, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he’s also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison.
‘The Voice Rolling’ is his first solo record in five years and the first under this new moniker. First and foremost, this is a harmonium record and that’s important to remember because it doesn’t sound like any other harmonium record you’ve likely heard. Nearly all of the sounds created were made using a medium-sized Indian harmonium and then processed electronically via tape echo, harmonizer and other guitar pedals. Add in the fact that it was recorded to tape and you get a dense, warm record full of grit and emotion.