I tried to rework sounds from my immediate environments – seas, places where I stayed and everyday life. I was inspired by absence of people in a blue sea. Absence can create silence that is more unsettling than merely contemplative. I prefer to think about absence rather than silence – absence of sound is much more active, compelling a listener to fill these gaps in. Physically and metaphorically it creates a space for multiple projections. – Vlad Dobrovolski
A year passes by and finally Talvihorros is back with his latest album Descent Into Delta to be released on both vinyl and CD. The man behind this one man guitar driven excursion is London based Ben Chatwin who in addition to hibernate has had material released through Benbecula, My Dance The Skull and our sister label Rural Colours. Despite only recently forming the Talvihorros project in 2008, Chatwin has been experimenting with sound ever since he first picked up a guitar as a teenager. His live performances have seen him share a stage with the likes of Tim Hecker, Stephan Mathieu and Ian Hawgood to name just a few. Chatwin has to this point juggled live performances and studio work as two separate entities with studio material being culled from sounds derived from as many different instruments as possible and live performances being restricted to just guitar and pedals.
Distressed notes run asunder on Tetra, a vinyl-only offering from the duo, Mem1. A current, quivering along these three fine works, creates a unique yet indistinct mass that, as we follow along in its icy wake, degrades and renders the listener inert, as we wait to meet the ghosts.
This sophomore release from Agnes Szelag (Evon, Dokuro) and Marielle Jakobsons (Darwinsbitch, Date Palms) is an album of astonishing fragile beauty and darker, more foreboding atmospheres. Following their critically acclaimed debut album, The Amber Sea (Digitalis, 2009) Fire Star was recorded during a snowstorm on Shasta Mountain April 6-9 2010. The duo performs on violin, cello, voices, harps, bells, and electronics. It is recorded by The Norman Conquest and mastered by Miles Boison.