The third and final installment in Mai Mai Mai’s Mediterranean trilogy, pushing the project deeper into a vivid interzone of digital synthesis and scorched ritual.
The album opens with a searing collaboration with avant-folk instrumentalist Luca Venitucci, locked into a lofty duel of distorted drones, before pivoting to a throbbing oblivion of jackhammer bass, seething feedback, and combat samples.
Later passages ooze through industrial spoken word, technoid voodoo hallucination, seasick prayer loops, and nightmare exotica, assisted in places by Italian experimental percussion legend Lino Capra Vaccina (of 1970’s “golden age” groups Aktuala and Telaio…
This sophomore release from Agnes Szelag (Evon, Dokuro) and Marielle Jakobsons (Darwinsbitch, Date Palms) is an album of astonishing fragile beauty and darker, more foreboding atmospheres. Following their critically acclaimed debut album, The Amber Sea (Digitalis, 2009) Fire Star was recorded during a snowstorm on Shasta Mountain April 6-9 2010. The duo performs on violin, cello, voices, harps, bells, and electronics. It is recorded by The Norman Conquest and mastered by Miles Boison.
Limited copies available: Dekorder return to the release schedule with this Deutsch-Amerikanische meeting of two Meisters of the Modular Electronic Music System (originally invented by Don Buchla in 1963 for the likes of Morton Subotnick, Ramon Sender, Terry Riley et al at the San Francisco Tape Music Center). Both are presenting very distinct approaches displaying the vast possibilities of the machine yet maintaining similar Klang aesthetics (and maximum quality).
Quadtych Volume One presents Parts One and Two of Cam Deasʼ colossal Quadtych for 12 string guitar, a four part piece spanning over 70 minutes in total.
Recorded in one evening at Londonʼs Roundhouse in December 2010 by Jack Allett, though over a year and a half since its initial sketches, it is his first composed work for 12 string guitar since the 2009 split tour LP with Spoono/Jack Allett on Blackest Rainbow.