White Forest is dedicated to animals including whales, dolphins, coral reefs, sea turtles, as well as cats in the city and birds in the mountains. Along with “Ocean” is the series of Cicada’s work themed with marine and land.
“Dolphins Leap” proceeds with different speeds to imitate spinner dolphins and risso’s dolphins. “Used to be Home” portrayed the impact of offshore wind energy caused on white dolphin’s habitat from their point of views. “Whale Family” is about humpback whales caring and raising babies. “White Forest” starts from the dreamy coral reef spawning into their bleaching due to seawater warming. Cicada’s attempts are to describe the relationship between human and its impact on ocean and animals.
‘Alive’ is the first vinyl outing from Keith Wood’s Hush Arbors since his split 7″ with Jerusalem and the Starbaskets on The Great Pop Supplement back in 2008…
Hush Arbors is the project of Mr Keith Wood, a good friend of Blackest Rainbow, who has also played in Wooden Wand, Six Organs of Admittance, Zodiacs, Sunburned Hand of the Man, and with Thurston Moore. Hush Arbors ever evolving sound pretty much encapsulates everything he does with these other fine projects, but Keith has definitely got his own thing going on with his fine song writing skills, whether its delivered with his beautiful acoustic playing or wild electric shredding.
A new collaborative project from Jefre Cantu-Ledesma and William Trevor Montgomery. Both musicians played together in Tarantel and Moholy-Nagy. Cantu-Ledesma also runs the superb Root Strata label, releasing solo material under his own name (including a recent LP on Type), and also plays in The Alps. Montgomery also releases music under Lazarus, The Drift and Believer.
This project was originally conceived and composed as a soundtrack to an unreleased western. The 14 tracks on this record are beautifully delicate, textured, sparse pieces ranging from slow acoustic reflective moments, to fully electric strumming, they capture the feel a western perfectly. It’s a shame the film never made it out, because judging by the music it would’ve been a beautiful spectacle.
The project was was recorded by Jefre Cantu-Ledesma and William Trevor Montgomery and mixed at studio Lamantia, the record was mastered by Greg Davis. The image on the cover is a still from a Paul Clipson film, whose films have previously featured the music of Jefre, Barn Owl, Tarantel, Gregg Kowalsky and Metal Rouge. Sleeve layout by Jefre. Pressed on 140 gram black virgin vinyl. Limited to 500 copies