Black vinyl LP that includes an 11×17 lyric insert. DL code included…
Under the name Sister Grotto, Denver based artist Madeline Johnston explores the limits of minimalism in transcendental drone-pop. With “Like Author, Like Daughter”, Johnston uses the Midwife moniker to craft triumphant, fist-in-the-air anthems that tackle themes of dislocation and falling in (and out) of love with a person, a home and yourself.
“Like Author, Like Daughter” is a portrait of Johnston’s last year as a resident of Denver’s famed D.I.Y venue Rhinoceropolis which closed in a rash of politically motivated assaults on creative spaces across the United States. The album internalizes loss, addiction, abandonment and wrings them through distorted power chords, powerful leads, sheets of drone to create building, aching monuments to past-selves and lost relationships into a positivist statement of resilience and self-love. It’s a record that is impossible to listen to without a lump in your throat.
Includes MP3 download code redeemable from the label: After several years focusing predominantly on film and video, Koen Holtkamp began working with sound in 1997. He co-founded the Apestaartje collective/label in 1998 while studying at The Art Institute of Chicago. The label released works by like-minded artists from Australia, Japan, Germany, Austria, France, and the US as well as several of his own works. Holtkamp has released two solo albums under the name Aero (Apestaartje) and four albums as Mountains (Apestaartje, Catsup Plate, Thrill Jockey), a duo project with Brendon Anderegg, as well as an album under his own name (Type). Gravity/Bees marks his first solo release on Thrill Jockey.
Mind Over Mirrors might not be a household name, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he’s also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison.
‘The Voice Rolling’ is his first solo record in five years and the first under this new moniker. First and foremost, this is a harmonium record and that’s important to remember because it doesn’t sound like any other harmonium record you’ve likely heard. Nearly all of the sounds created were made using a medium-sized Indian harmonium and then processed electronically via tape echo, harmonizer and other guitar pedals. Add in the fact that it was recorded to tape and you get a dense, warm record full of grit and emotion.
Distressed notes run asunder on Tetra, a vinyl-only offering from the duo, Mem1. A current, quivering along these three fine works, creates a unique yet indistinct mass that, as we follow along in its icy wake, degrades and renders the listener inert, as we wait to meet the ghosts.