Vinyl edition of He She Them Us. DMM cut pressed on black virgin vinyl, reverse print on sleeve for tactile matt textured finish…
He She Them Us is an album of precise, purposeful electronica that recalls and expands upon the output of labels like Mille Plateaux, April Records, raster-noton and City Centre Offices in the early 2000s. The music is not purely electronic though, atop the bursts of static and staccato beats are many layers of field recordings and live instrumentation.
The field recordings represent an important anchor point for Andrejs whose work on He She Them Us began at a very turbulent time in his life. Finding solace in the stillness and beauty of the countryside around his home city of Riga, he would record the sounds of these places and return with them to his home studio: “Each time I went to visit a secluded corner of nature outside my hometown, I usually felt a strong desire to produce music. Especially when hearing the sounds again at home”. The music could be seen as a further distillation of these moments of reflection spent outside, an attempt to recreate some fleeting moment.
This sophomore release from Agnes Szelag (Evon, Dokuro) and Marielle Jakobsons (Darwinsbitch, Date Palms) is an album of astonishing fragile beauty and darker, more foreboding atmospheres. Following their critically acclaimed debut album, The Amber Sea (Digitalis, 2009) Fire Star was recorded during a snowstorm on Shasta Mountain April 6-9 2010. The duo performs on violin, cello, voices, harps, bells, and electronics. It is recorded by The Norman Conquest and mastered by Miles Boison.
Limited Edition 10″ Vinyl of 250…
Riser was borne out of a desire to bring the sound of the human voice to the core of Fieldhead’s music, and to rally against an idea of it as peripheral, as an afterthought to the music. The EP continues the love of tape hiss, grainy textures and dusty loops married with brevity and melody to be found in the album preceeding it (‘They Shook Hands for Hours’), but this time the pallete has been stripped back to just the human voice and minimal, organic synthesisers.
Includes MP3 download code redeemable from the label: After several years focusing predominantly on film and video, Koen Holtkamp began working with sound in 1997. He co-founded the Apestaartje collective/label in 1998 while studying at The Art Institute of Chicago. The label released works by like-minded artists from Australia, Japan, Germany, Austria, France, and the US as well as several of his own works. Holtkamp has released two solo albums under the name Aero (Apestaartje) and four albums as Mountains (Apestaartje, Catsup Plate, Thrill Jockey), a duo project with Brendon Anderegg, as well as an album under his own name (Type). Gravity/Bees marks his first solo release on Thrill Jockey.