Vinyl edition of He She Them Us. DMM cut pressed on black virgin vinyl, reverse print on sleeve for tactile matt textured finish…
He She Them Us is an album of precise, purposeful electronica that recalls and expands upon the output of labels like Mille Plateaux, April Records, raster-noton and City Centre Offices in the early 2000s. The music is not purely electronic though, atop the bursts of static and staccato beats are many layers of field recordings and live instrumentation.
The field recordings represent an important anchor point for Andrejs whose work on He She Them Us began at a very turbulent time in his life. Finding solace in the stillness and beauty of the countryside around his home city of Riga, he would record the sounds of these places and return with them to his home studio: “Each time I went to visit a secluded corner of nature outside my hometown, I usually felt a strong desire to produce music. Especially when hearing the sounds again at home”. The music could be seen as a further distillation of these moments of reflection spent outside, an attempt to recreate some fleeting moment.
It’s raining outside. The faint noise of the rain in the trees perfectly couches the moment I start listening to this album in melancholic anticipation…
The album, since you’re asking, is A Cradle In The Bowery, the first solo record from Chicago’s own, the brilliant, Zelienople; going under his given name, Matt Cristensen.
Mind Over Mirrors might not be a household name, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he’s also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison.
‘The Voice Rolling’ is his first solo record in five years and the first under this new moniker. First and foremost, this is a harmonium record and that’s important to remember because it doesn’t sound like any other harmonium record you’ve likely heard. Nearly all of the sounds created were made using a medium-sized Indian harmonium and then processed electronically via tape echo, harmonizer and other guitar pedals. Add in the fact that it was recorded to tape and you get a dense, warm record full of grit and emotion.
Limited Edition 12″ Clear Vinyl, comes with download code included in the sleeve:Once upon a time in the days of the Belgian Franc, Chantal Acda made the acquaintance Adam Bryanbaum Wiltzie, and the two became fast friends through a mutual love of disco bowling, and 1970’s Danish scary movies. They first collaborated with vocals together on the infamous last track, ‘The Struggle’ on Mr. Wiltzie’s 2004 ‘The Dead Texan’ (kranky)