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    Rion

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    Rion are Ian Hawgood and Ryo Nakata, although both veterans of the scene this is their debut outing as a duo. Inspired by the magic of low light periods and the quietude of a summer spent in the countryside, Fireflies, is an album of organic, magical and hazy presence. Ian Hawgood has immersed himself in musical projects for longer than he cares to remember; in recent years he has released through the likes of Experimedia, Dragons Eye and his own Home Normal label as well as through several netlabels. Ryo Nakata hails from Sapporo, Japan and records under the name Ryonkt. He runs the Small Fragments label and has had EPs and albums out on labels such as Smallfish, The Land Of, Resting Bell and Twice Removed. The album also features vocals from Rie Mitsutake (Miko). Fireflies was recorded over a two year period. Ryo recorded layers of drone guitar at home while Ian spent about a year gathering field recordings in parks and the countryside, as well as recording instruments such as Rhodes, church organ, harmonium, guitar and double bass in music shops, churches and so on. The idea was to keep the album fresh, improv-like and just quite unique in approach. All these elements were recorded to a small multitrack cassette and then multi-layered onto reels, no software or laptops were used. The cover photograph is by renowned ambient artist Fabio Orsi and acts as a beautiful juxtaposition to the theme of the album. On first viewing it is a decayed, urban environment, and yet the image has a beautiful magic to it.
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    Given – Piano Improvisation…

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    310 gsm folded card sleeve in a clear plastic wallet… Debut release from Italy’s Dona Basile who records / performs under a variety of names and styles. This release is an album of Modern Classical Piano matched with Electronics and Beats.
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    Mote – Frames

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    Comes in recycled card sleeve from Guided Products with attached artwork… I’ve composed Frames in the last 60 days of 2012. At the time I was still in my hometown, so all the songs were basically written in my bedroom with laptop, keyboard and earphones. In a certain sense, this EP is something that comes way before what Mote is: in fact, lately its completion convinced me about the path to take with this project. I haven’t really planned anything about it, the whole year has been fairly troubled and my mood kept on waving daily so ultimately i’ve ended up with a huge amount of semi-improvised material written in scattered/sleepless nights. Every time it felt like pulling something out of my head and placing it in a frame so it could firmly stay there. With no lyrics or straight references in the music itself, what i see in them stays implicit and as a consequence, the journey between the songs is always personal for the listener. As a totally untrained musician i’ve always been extremely unconfident about what i write: yet today i think that this is the biggest limitation that i’m fighting against. Taking my first compositions out of that bedroom after all of this time represents a big challenge, it took me quite a while to accept it. I wish these frames will show something to the listeners and, hopefully, that they’ll find more feelings and colours in them that i could even except.
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    Various – Water Mountain (2 x CD)

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    Sprawling hand-numbered edition of 250 copies double CD set from this international super-group… Gatefold, die-cut outer cover / hand screen printed on 300 gsm cardstock… On a personal note, I remember vividly when Hitoshi Kojo told me with excitement about a transhumance through UK with the specific purpose in mind of doing sessions with some of the great drone masters over there, namely : Colin Potter, Jonathan Coleclough and Paul Bradley… Retrospectively, I think I was as stirred as him. The resulting collected material has been shelved for years (7 actually !), and I began to fear this estimable musical heritage could get lost…this was not taking into account Hitoshi Kojo’s sense of perseverance. It is now available in a splendid handcrafted ltd edition sleeve with cut-out made by patient graphic virtuoso designer Hitoshi Kojo himself – even before any listening, already a beautiful physical object to behold. Most probably there have been a considerable volume of editing ahead, and an intense compositional shaping process searching for paths within the vertiginous sonic matter before reaching this radiating amalgam. Rather than splitting the work in as many distinct collabs, the choice has been to mould it in a six long parts confluential movement distributed on 2 CDs
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    Chantal Acda – Let Your Hands Be My Guide (CD)

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    Currently based in Belgium, Dutch-born Chantal Acda (b. 1978) has worked under the Sleepingdog moniker since 2006, making three acclaimed albums that closed on the ‘With Our Heads in the Clouds and Our Hearts in the Fields’ (2010) album for which she collaborated with Adam Wiltzie (Stars of the Lid, A Winged Victory For The Sullen). They toured the UK and Benelux with Low in 2011.
 After all this, it was time for her first real solo record. Playing in various formations had made her conscious of the patterns that we all, as humans, share in. So, she sought out kindred spirits with whom she might record an album filled with freedom and intensity, and who were conscious of the patterns we so often fall back on.
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    Antonymes – There Can Be No True Beauty Without Decay

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    Features a 6 panel card sleeve and 8 page booklet with beautiful images of the North Wales landscape by Richard Outram and texts by Paul Morley… Ian M Hazeldine records under the alias Antonymes, hailing from Hawarden, a small village in North Wales, whose most famous inhabitant was William Ewart Gladstone. He creates atmospheric melodies, using various pianos, celesta, strings, church organ and field recordings, and has had releases on Soundcolours, Cathedral Transmissions, Hidden Shoal, Time Released Sound and Rural Colours.  
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    Martin / Berg – Day Has Ended

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    Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls. The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part – Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man. Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night. It’s a perfect and severely sincere work, slightly bittered with melancholy. Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations. Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.
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    Hybernation – Object Studies – Metal

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    Stuart has been recording and sampling objects since the start of his Hybernation project in 1999, after becoming tired of familiar electronic sounds, plug-ins and presets. Early tracks, such as on Snow Cover (Rednetic Recordings) and Interduvet Yarns (both released in 2007) used objects to create beats and rhythms, that as a drummer, Stuart could not recreate using just four limbs. As he delved further exploring the resonant tones of objects, these increasingly became melodic and textural components. This can first be heard on tracks from ‘E2 & E8’ (Cotton Goods, 2010) where Stuart combined them with location-based recordings, and on ‘Thirty’ (FBox Records, 2012) a recording of a live performance using 30 donated objects. Object Studies takes this a step further by using just one object to create each track. Sounds produced by objects are usually a by-product of their usage, so by concentrating and reducing them down to a resonant form tiny characteristics can be discovered. Stuart uses these to form a musical, harmonic response, turning the sound into something more purposeful and accessible. In this first collection, all of the sounds are made from metallic objects or components.
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    Various – Vernacular (2 x CD)

    This compilation collects a gathering of 15 sound artists from 11 countries. Released as a double CD compilation album with a 16-page booklet, V.A. / VERNACULAR connects the past and future of theelectronica, ambient, and experimental scenes, using the locality of each artists country as the theme… 1-1 –Hior Chronik Sketches Of You 1-2 –Steve Roden If Here, Not There, If Not There, Then Here 1-3 –Yui Onodera Blue Planet Sky (For 21st Century Museum Of Contemporary Art, Kanazawa) 1-4 –Janek Schaefer Rest In Peace Knowing The Sound Of Angels 1-5 –Kenneth Kirschner July 10, 2012 1-6 –Simon Scott Adventurers Fen 1-7 –Tu M' Tenebrae 2-1 –Federico Durand Magnolia 2-2 –Dale Lloyd Extra Ordinary, Extra Regular 2-3 –Jos Smolders Vangsaa: Revisited, Reduced 2-4 –Yves De Mey Local Fracs 2-5 –Kim Cascone A Spectacle Of Malleable Glass - Alchemisphere Three 2-6 –Troum Welcen 2-7 –John Grzinich* Animate Structures #2 (Wires, Wind, Snow) 2-8 –Lawrence English Breaking Clouds Apart
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    Mikael Lind – Unsettled Beings

    The title of Mikael Lind’s latest album, Unsettled Beings, is a reference to his restless self. Mikael is Swedish, but has lived and worked in Iceland since 2006. The interesting thing about his new release, is that all the people involved in realizing the music are also foreigners living in Iceland. Paul Evans from Greenhouse Studios played the violin and also mixed the album. Ryan Karazija, who is doing very well in Iceland with his band Low Roar, lent his vocals to four of the tracks. Alex Somers from Riceboy Sleeps, producer of several important new musical acts in Iceland, mastered the album. The basic idea of the album is a core of several different pianos accompanied by a lush pattern of violins. The pianos are of varying character, and their melodies often intertwine in a poly-rhythmic fashion, giving the listener the option of letting different melodies compete for attention. Ryan’s vocals add warmth to the songs, ornamented with Paul’s violins – sometimes in a call-response aesthetics.
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    Routine – Sì

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    Sì is the first release by Routine. Recorded between 2000 and 2013 and composed by 2009, this work sprout by love for organic, raw, electroacoustic sounds and the merging of the typical song structure with musique concrète.
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    Ennio Mazzon – Xuan

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    Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen
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    Rosati / Saguto – Gridshape

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    Gridshape is an intersection of heavily distorted violent sounds with points of kinetic aural quietness through the interaction between digital electronics and guitars.
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    Mysterybear – Oscillation

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    Analog Path bring us this CD from composer/musician Dave Seidel aka Mysterybear. He attended Simon’s Rock College from 1974 to 1978 where he was the first person to receive a BA from that school with a Major in Music Theory and Composition, and after playing in a number of experimental and avant garde projects he is now making music purely from non modular analog electronic instruments. ‘Oscillation’ is two pieces of monotone synth noise. Track one is a single synth buzz for a solid 35 minutes long, pretty hard stuff to take in really but very interesting all the same. Track two, entitled ‘Transpiration’, has a little more variation though as the buzz fades in and out with a slightly different tone. This is purely for the hardcore aficionado of electronic music and not just for the casual ambient listener!
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    Sparkling Wide Pressure – Stream Returner

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    Layers of shifting, shimmering synths are joined by echoed, unintelligible vocal loops; industrial drones give way to gentle tropical guitar…it’s all rather gentle and patient and sleepily detailed stuff. I have had a hard time reviewing it because Phil kept resetting the internet router, so this write-up has ended up rather brief but I listened to the whole thing and it was most pleasant.
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    Ikebana – When You Arrive There

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    Ikebana, in Japanese, is an art of flower arrangement. Unlike conventional flower arrangement, it often focuses on other areas of the plant, such as its stems and leaves, rather than its blooms, and lays emphasis toward the shape, line, form of the arrangement. Ikebana is about minimalism, about beauty in space, and about calmness. And so does the music of flau label’s latest signing, the Japanese female duo Ikebana. Ikebana is made up of 2 wonderfully talented female artists, maki and en. Their unique music is infused with a strong sense of Shoegaze and Ambient, but in a very much stripped-down form. Phases of minimal guitar noise floating through the space of sounds, like a wavering light in darkness, with deeply reverbed female voices drifting in to create a calm universe between a dream and the reality. Unlike the current style of psychedelic/drone music for overseas, Ikebana’s music is about minimalism, about beauty in space, and about calmness, just like the art of flower arrangement of Ikebana itself.
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    0 – Sonando

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    0 is a french band directed by Stéphane Garin (percussion), Joël Merah (acoustic guitar) and Sylvain Chauveau (acoustic guitar, glockenspiel), whose line-up can change for each project with the addition of regular guests. The trio of Merah, Garin and Chauveau have spend two years composing, recording and mixing the seven pieces of the Soñando album (dreaming in Spanish).This chamber folk suite is entirely played with acoustic instruments (guitar, glockenspiel) and small pieces of metal collected by Stéphane Garin for their special sound and tuning. In quiet spaces, this repertoire can even be performed without any microphone or amplification. The result looks like an original mix of rhythmic patterns assembled togetehr like the pieces of a puzzle.
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    Machinefabriek – Stroomtoon II

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    In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It’s the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very layered, subtle and considered, I wanted to try to capture the roughness and spontaneity of my live performances. I recorded more material, picked out the best moments, and edited them without adding too much post-production. When the labels Fake Jazz and Superior Standards asked me to release material on a few lathe cut singles, I knew this would be perfect for the music I was working on. simple, to the point vignettes with the ideal playing time for the 7-inch format. After making six Stroomtoon tracks and having them released on three extremely limited lathe cuts, I realized what a shame it was that they were so limited and that they weren’t gathered on one medium, like the first Stroomtoon album. With the extra value of having them in better sound quality then the lathes, I decided to compile them on this DISC, adding two other tracks that were previously released on lathe as well, my personal favorites Kreupelhout and Toendra. Stroop appeared on the compilation Antibothis 4. These extra tracks fit nicely with the other material on this CD. Then there’s the art of Rebecca Norton that’s gracing this cd sleeve. Rebecca got in contact when I was working on the music. Browsing her website, I was immediatly grabbed by her ‘The Affine(s): Small Paintings’ series. Their spikey, concentrated shapes struck me as perfect visualizations of the Stroomtoon II II material. That’s when all fell into place. – Rutger Zuydervelt, Rotterdam, January 2013
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    Banabila / Machinefabriek – Travelog

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    Matte laminated four panel digipak… When Michel Banabila and Rutger Zuydervelt (Machinefabriek) finished their first collaborative album, it felt like they were just getting started. Suprised by how fluent and natural their collaboration went, it was obvious that this wasn’t over yet… While ‘Banabila & Machinefabriek’ was quite an abstract affair, its successor ‘Travelog’ is lighter, playful and rhythmic. Some moments might recall the mighty Tape, while others showcase motoric krautrock influences and subtle hints of African rhythms. All in all, this album clearly radiates the joy of its creative process and sees Banabila and Machinefabriek on the top of their game. ‘Travelog’ comes housed in a full colour digipack, graced with photography by Michel Banabila, designed by Rutger Zuydervelt. It’s released by Tapu Records, in collaboration with Lumberton Trading Company.
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    Strongheart

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    A heartwarming record by multi-instrumentalist, songwriter Matthew Anderson’s new project Strongheart. Heavily recommended to fans of Sigur Ros, Steven Wilson, Shearwater and anybody who is interested in the underground gems around U.S or any kind of artful music. Here at Wounded Wolf Press we’ve been long friends and in contact with Matthew Anderson even before this press were in existence, collaborating and making guest appearances on each others albums. For instance the drums on Svefn Plural’s ‘Skyhook’ (Except ‘Polaroid Girl’) were by Matthew and Atay did play guitars and mellotrons on his previous project Noble Dust. Package comes in six variations, differentiating in photograph on the cover -each is a crop from the original by George Anderson-, in ivory sleeve alongside with two informative cards within.
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    Treefingers – Op.I

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    Treefingers is a solo project of Atay İlgün focusing on ambient, drone-based and industrial music. It wanders through sounds of minds under the confusion of micro-cosmos and universe, supernovas with vivid details of elemental clouds, dreamy lands where giant machines were meant to be natural belongings creating beautiful forests. It does these with a zen like beautiful and very beautifully crafted soundscapes which simply deserves to be experienced in an enverioment where it’s sounds can live in. When it lives it gains the capability to slow one’s metabolism to turn the listener inside for an hour of healing , both physically and mentally. Package design is a reworked one of the first edition which was mostly designed by Alper Yıldırım. Photographs by Alper Yıldırım. Contains the bonus track ‘The Summit’ which was solely available from the mrsvee’s website.
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    Miaou – Bring The Lights EP

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    This is a limited edition of 300 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped green recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and credits… Miaou are a band based in Tokyo, formed in 1999 by Tatsuki Hamasaki and sisters Mayumi & Hiromi Hasegawa out of a university project and a shared love for music. To date they have released four albums, one remix album, two EPs and one split EP (with Below The Sea) on labels such as Thomason Sounds, Teto Records, Preco Records and Noon Records and have collaborated with artists like Ben Cooper (Electric President/Radical Face) and Ben Holton (Epic45). They have played live across Japan, China, Hong Kong, Taiwan, Ireland and UK and have toured with Epic45, Below The Sea, Tracer AMC, Art Of Fighting, Radical Face and Not Squares. Miaou have also contributed to various compilations and have done remixes for the likes of EF, Not Squares, Masha Qrella and many others. On Bring The Lights EP they present five new captivating tracks, blurring once more the lines between post-rock and electronica. The perfect combination of wistful guitars, swelling synths, fender rhodes, glockenspiel, samples and glitchy beats, alongside with instruments like piano, cello and flute, results in about half an hour full of warm and blissful melodies. The finishing touch on the dreamy sound of Bring The Lights EP was applied by the mastering of George Mastrokostas (aka Absent Without Leave), bringing to mind the best moments of The Album Leaf, Epic45 and Mum.
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    Threethings – Antecedent Conditions

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    Limited edition CD of 150… Threethings is the solo project of Ben Worth (b.1979), who spent the first three decades of his life in England before moving to Toronto, Canada in 2010. He first picked up a guitar as a teenager and has been playing around with home recordings in one form or another ever since. From 2007 to 2010 he was a member of the band Kontakte, who during that time put out two full albums and an EP on the Drifting Falling label, and shared the stage with bands such as M83, Epic45, Six by Seven, Vessels and Fuck Buttons. Threethings started as a project after Ben’s move to Canada, where he found that he had more time to explore sounds that interested him – playing with pedals, processing and manipulating guitar loops, and combining the results with field recordings, contact mic textures, and other found sounds. Antecedent Conditions features six tracks built up in this way from a base of processed guitar loops and the incidental sounds that were captured along with them. Additional sounds, textures, and instrumentation were added as the tracks were slowly sculpted into their final form – all the while trying to find something beautiful/hopeful in the imperfect and accidental nature of the original recordings. The cover features an extract from a painting called Locust Limb by the Toronto based artist Jessica Rode.
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    Graveyard Tapes – Our Sound is Our Wound

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    Gorgeous 6 panel re-issue… Many of you are already familiar with this year’s well-received album from Graveyard Tapes. The Deluxe Book Editions sold out in record time. With artwork this excellent from illustrator Jamie Mills, we couldn’t help ourselves in producing a Second Edition of this debut album. Taking much of the art from the original and translating it into a 6 Panel Matte-Print CD Wallet, the Second Edition is more compact than the Deluxe. Yet, it still captures the beauty of the illustrations in a more affordable design. For those that didn’t get a chance to grab a copy of this album the first time around, it is a beautiful piece of work. The Graveyard Tapes music is one of the most evolving, surprising, and emotional releases we have had the pleasure to release!
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    Grzegorz Bojanek – Constraints

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    Limited edition of 23 hand numbered copies. Also includes digital download code… While exploring SoundCloud I found a very interesting group called Disquiet Junto, created by Marc Weidenbaum. As Mark says: “The purpose of the group is to use constraints to stoke creativity”. When I joined the group the artists were working of the 14th project and I decided to take part in it. It went quite well cause I love to use “less” in order to create “more”. What is more, the artists who create their tracks following Marc’s guidelines are very creative and the comments they leave under the “soundclouds” are deep and honest. In my opinion it is because everybody really listens to the tracks of the other people very carefully and analyses the creative process which is always described under the track. This is really amazing. So far I’ve created several tracks for the Disquiet Junto group and they are free to download from my SoundCloud profile. Still, I wanted to publish them as an album, because I feel that they should exist also in a physical form. So I asked my friend Krzysztof Orluk to make the analogue mastering with his toys to add some warmth to the tracks. I must say I really like the new line of ETALABEL packages but in this case I also wanted to work with constraints while creating the package. That is why I made limited handmade digipacks. They are mostly in black and yellow (I don’t know why but when I think about the group those colors are in my mind). The graphics on the cover was designed by Mateusz Bąkała. I carved a woodcut out of the graphics and “stamped” it into the covers.
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    Monochromie – ST

    4 panel digipak version in an edition of 200 copies… An absolutely beautiful, piano centric affair from Monochromie, aka Marseilles based, French composer, Wilson Trouve’.This is ambient melancholy at it’s loveliest… upon hearing them, these wonderfully evocative and plaintive melodies will remain with you throughout the day. Pastoral, emotive and nostalgically treated instrumentation and electronics, that leave a whole lot to the imagination…as all the most beautiful music does. This album is mastered by Wil Bolton as well.
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    Porya Hatami – Land & Land Remixes

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    2 x digipak... Originally released on Somehow Recordings in January of 2012, this second edition of “Land” has been remastered and is co-released with “Land Remixes”. Buy both albums in a combo pack. Porya Hatami’s ‘Land’ explores a vibrant soundscape of hypnotic loops, delicately percussive chimes and manipulated field recordings to evoke the sensual, blissful minutiae of the natural world and of the life that both inhabits and interprets it. Fundamentally delicate and yet insistently, breathtakingly complete, Hatami’s keen ear for microscopic levels of sonic detail allows the album as a whole to sketch a wide-screen vision of nature at work. Buried deep within the gauzy, feather-light haze that permeates the album is a deep-seated sense of purpose – the insistent, bubbling loops underpinning ‘Autumn’; the porcelain synth washes of ‘Sea’; the disquieting crackles and squeaks of ‘Bug’. It’s an album obsessed with both stillness and movement, and the contradictions inherent in occupying those two modes of being lie at the heart of the record. Thematically profound and tonally complex, the album charts a course through a fragile natural world, constructing an exquisitely intricate tone poem from the manifold sounds of the earth and its transitory inhabitants.
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    Hovering – Nektarios Manaras

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    From the Greek island of Chalkis comes a very special debut by Nektarios Manaras celebrating magical sea life, the ancient Metéora rock pillar complex of monastries and dancing flowers. Glistening with gorgeous instrumentation, Hovering is a languid album full of fantastical imagery and whispered half truths. As the music plays, whales slowly submerge and monks scale the rock face to pray while the earth floats its way around the sun. It is an album to soak in on sun-dappled days, as the sun sinks beneath the sea and everything for that one moment seems perfect. As Manaras puts it: “The main idea is that everything in the universe and earth is floating in such a beautiful way. That is the feeling I’m trying to capture with my music.” And he certainly has.
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    Be My Friend In Exile – The Silence, The Darkness

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    Second full release from the UK’s BMFIE following from his last release, an EP on Twice Removed Editions. This is a 4 panel digipak with factory replicated disc in an edition of 100 copies…
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    Birch And Meadow – Butterflies And Graves (Deluxe CD)

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    Deluxe version comes in an edition of 100 copies. Each of these is comprised of a hinged, modified/collaged/printed 5″ reel to reel tape box. The cut out lid is collaged with pages from a 100 year old book on Lepidoptera, with the cut out forming a sort of an ancient and tattered specimen box, and revealing a two sided, quadra folded 5″ x 19″ print. Printed on Moab rag natural 300# paper, one side is printed from a detailed 3 dimensional scan, and the other is stamped with butterflies, each hand colored with leaves and flowers. In the box and beneath the print, comes the factory pressed disc in picture sleeve, and a hand numbered textual insert, all on a bed of mounting material…
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    Birch And Meadow – Butterflies And Graves

    32min beauty from Birch And Meadow entitled “Butterflies And Graves”. Birch And Meadow are David Wenngren (Library Tapes), and Swedish singer songwriter Sara Forslund. Alongside David’s spare and lingeringly lovely electronic treatments, Sara vocalizes an emotional soundtrack to an imaginary film featuring Nico and folk legend Shirley Collins, fighting over the man who has left them both and stolen their harmoniums! This is a somewhat dark and meditative… languid and eerie … and breathy and beguilingly melancholic affair indeed.
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    Fibreforms – Treedrums

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    One-time numbered edition of 300. Includes two previously unreleased tracks from that early era… Long before KILN turned to the sunset-soaked textures of Dusker (2007), they made music as fibreforms. Treedrums (1996) documents their transition from live performance trio to sound-art synergists, balancing symbiotic instrumental spaces of kit-drums and treated guitars with lost & found sound to evoke moments that are at once invigorating and tranquil. Seventeen years later, Treedrums is presented here as an economized, re-amped, remixed, and properly restored archival edition of this once buried treasure of sonic curio.
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    Eluder – Through Horizon

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    Japanese style mini-lp gatefold sleeve – printed by Stoughton. Features printed inner sleeve. Design by Timothy O’Donnell. Images by NASA. Edition of 400 copies…
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    Minadeo / Brown – Wood Land

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    ‘Wood Land’ features deluxe packaging with a perfect bound booklet of 28 pages, matte digipak, housed in a slipcase… Wood Land is a story of a nameless worker caught in the mundanity of placid bureaucracy. Wood Land is a story of buried towers and subtle rebellion. Wood Land is a story of unsubtle rebellion and totalitarian overthrow. Wood Land is a story of deep space awakening and astronaut spiders. Wood Land is a story of return and reconciliation. Wood Land is a story. Scored by Joseph Minadeo and written by Curt Brown with imagery by both. Sonically, ‘Wood Land’ was an extension of Joseph Minadeo’s first foray into ambient – ‘sounds from a photograph’, a ‘Pearl’-esque LP of Lanois affected piano and placid drones. ‘Wood Land’ extends that premise and gives a hazy nod towards Noto and Sakamoto’s collaborative soft digital clicks and sustained piano. Airy atmospheres are constructed with multiple piano layering plus guitars dissolving into despondant organ, synth sequencing and minimal drum padding. Slow cadences of hope and light are countered with ominous sonatas. Indescernible Vocals, courtesy of Gabriela Kropf, are mixed into the mellotron choirs. Joseph Minadeo is a composer behind the former Akron, Ohio (now Los Angeles) based Patternbased label. He is also a member of the post-rock outfit Low in the Sky. He recently moved to California to dig deeper into art and music. Curt Brown is an Akron, Ohio based artist and is a co-founder of Rubber City Noise, a collective that runs a record label and arts space in Akron. Current projects include Black Unicorn and Cane Swords among others. Several tracks from ‘Wood Land’ were used in the global collaborative documentary film ‘One Day on Earth’ (along w/ Sigur Ros, Beirut, Cut Chemist and Mum).
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    Monos – Age & Transformation / Aged & Transformed

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    2 x CD: Each CD is packaged in a card stock envelope and then housed in a mini-lp gatefold Stoughton sleeve with matte finishing and spot gloss lettering. Designed by Timothy O’Donnell.  Darren’s work has always been that of a drone eccentric — and proof positive of that is the micro-editions released since 2003 on his own Fungal Records. True modern-day psychedelia, drawn out drone excursions, electric guitar scraping & expansion, synth noodling harbored into small private recordings for the chosen few. The limited number of those exposed to Darren’s view –which was NOT intended to be exclusive — just small updates as to where/what was happening with Darren in terms of gear, mood and circumstance. There is an inherent feel that little editing takes place – just captured recordings with the reel-to-reel on. Tate has worked extensively with other collaborators – Andrew Chalk (together known as Ora), Colin Potter (as Monos), Paul Bradley, Andrew Liles, Ian Holloway to name a few. Collectively a solid block foundation of great U.K. drone artists. In a collaborative setting, there may be a bit more judicious editing employed for better (or for worse) depending on where one sits in appreciation of refinement over improvisation. Which brings us to “Age & Transformation”. Two tracks, both around the half-hour mark and presumably recorded in one take each. The first track (Untitled) contains all elements of what makes a Tate recording effective- gentle guitar scraping, echoed city recordings, air vibrations oscillating an overall nocturnal hush that shrouds the whole piece. The second track (again, simply “Untitled”) is undoubtedly one of Tate’s finest solo moments. A defining impressionistic recording from the middle of the night. It opens with the sound of a freeway – a very distant light traffic flow filtered through the forest. A lonesome organ sonata, languid chords with silence in between weave in and out at various points throughout. Tate sitting by the window capturing the sounds of the freeway, voices – haunting arias both human and industrial. The 2nd disc is a reworking by Colin Potter. Extracted from the quiet of “A&T”, the first track “Aged” is an encapsulation of the entire recording with the small dervishes, organ melodies and drone wrapped up in an almost tidy nine minutes. The second “Transformed” – is over 40 minutes of water tower acoustic sustained tones, layered subtle guitar hum – a perfect complimentary refinement on a classic ambient improvisation.
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    Celer – Discourses of the Withered

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    This is where it all began in a sorts for Celer. This was their first properly issued release (after a handful of achingly rare CDR releases). One of our favorite all-time acts. Originally released in 2008, remastered 2012 by Chihei Hatakeyama. All music by Will Long & Danielle Baquet-Long, featuring each of the tracks on the first issue, with an expanded version of “The Separation of the Two-phased Apple Blossoms” and includes a previously unreleased track “Retranslating the Upside-down Mountain” which was from the ‘Discourses…’ sessions. Cover image is a photo by Danielle, and a re-design by Rutger Zuydervelt (Machinefabriek). Reissue is in an edition of 500 copies.
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    Celer – The Everything And The Nothing

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    Sublime, album-length track of ambient drones from the wonderful Celer. In its 71-minute duration ‘The Everything and the Nothing’ slowly transitions between glowing tones to symphonic bliss-outs and darker zones of bass subduction to ghostly drifts
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    James Murray – The Land Bridge

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    The Land Bridge comprises seven heartfelt reflections on patience, devotion and loss. Delicately balanced electronics, keyboards, piano and guitar carefully combine to chart a territory personal to us all. This is a place of sparse, graceful motifs: an intimate, essential experience for sensitive souls who feel and listen deeply.
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    L’air Mort – Television Dream Suite

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    L’air Mort is the musical identity of three mysterious members all hailing from Terra Australis. Drawing from a diverse range of influences such as film soundtracks, found sounds, instrumentation and field recordings, their music weaves together a spectral haze of sound. Television Dream Suite is L’air Mort’s first outing; combining found sounds, degraded vinyl and cello into an album that recalls moments of modern classical composition, haunted soundtracks and electro acoustic experimentation
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    Bailleau / Demoulin – Outshining Memories (Deluxe CD/Booklet)

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    Limited edition of 100 hand-numbered copies... Each one comes in the form of an 8" x 5.5" machine sewn booklet. Each unique booklet has a cover made from an antique 8"x 10" b/w negative still…sewn in between the folded and sewn film still is a selection of original artwork pages, antique diagrams and wallpapers and other ancient paper ephemera. Each book is then gone through and scribbled in, stamped and otherwise artified. Sewn into the center of the book is the cotton sleeve that holds the factory pressed disc. Each booklet comes in a hand stamped translucent envelope.
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    Bailleau / Demoulin – Outshining Memories

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    Hand printed paper sleeve version… A collaborative release from musicians Julien Demoulin and Christophe Bailleau entitled “Outshining Memories”. This is an unfolding and languid mix of spatial and organic synth work and overlaid electronic treatments often bubbly and shimmering, slightly rumbling at times and shifting into moodier but still overall warm vibes spacey stuff with an endless and beautiful echoey ambiance. Best to listen to out on the prairie under the stars at night particularly when the synth gives way to twang and the moon rises full…
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    Sarah Hughes – Accidents of Matter or of Space

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    Sarah Hughes’ ‘Accidents of Matter or of Space’ is a limited edition of 100 archival CD-R’s mounted on an 11×14 letterpress score produced by Milkfed Press in Alameda, California. A complementary informational sheet includes credits, track list, and an essay by Dominic Lash. This release brings together a solo zither improvisation recorded in a disused transmission station in mid-Wales with three realizations of the 2011 composition (can never exceed unity), performed by Rhodri Davies, Patrick Farmer, Jane Dickson, Neil Davidson, and Dimitra Lazaridou-Chatzigoga… In what has become an oft-quoted passage, the British composer and improviser Cornelius Cardew wrote that “it is impossible to record with any fidelity a kind of music that is actually derived in some sense from the room in which it is taking place – its shape, acoustical properties, even the view from the windows. What a recording produces is a separate phenomenon, something really much stranger than the playing itself, since what you hear on tape or disc is indeed the same playing, but divorced from its natural context”. This text is usually cited as evidence of the artificiality of recorded improvisation and the superiority of “the real thing”, the live concert happening in real time. I love “the real thing”, but it seems to me that recorded improvised music at its best deliberately exploits the strangeness to which Cardew refers. We are not forced to choose between either experiencing the “natural context” (if one is there in the room when the improvisation is taking place) or having no inkling of it (if one only hears a recording of the improvisation later). Rather the recorded sounds can give greater or lesser hints as to the nature of that context, depending on the way the music is recorded, and the particular sensitivities and sensibilities of each listener. These hints can be accurate or misleading in any degree and any combination, and the activity of the listener’s fantasy in relation to these hints comprises one of the great pleasures of listening to recorded improvised music.
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    Chen Brothers – Ally

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    The Chen Brothers’ «Ally» is a limited edition of 50 archival CD-R’s in recycled, hand-made packaging designed and printed by Jeremy Chen with sound by Jonathan Chen… Several years ago, my brother Jeremy and I began discussing the possibility of a collaborative project. Our initial idea was just that the collaboration would have something to do with the creation of an album: I would be responsible for the sound, and Jeremy would be responsible for the visual. As our discussion continued, we decided that Jeremy would design the sleeve before I would make the music, reversing the way recordings normally proceed. Thus, Jeremy would determine all the visual content of the sleeve, including the track names and times, and I would create the music to fit these parameters. This turned out to be a difficult task for me. I wasn’t used to accommodating a time frame in such a specific way as a composer. I made several versions of a couple of the tracks, but I didn’t feel like they were right. Meanwhile, the sleeve, which had the year 2006 printed on it, was missing its well past due CD. I had put the project aside for a couple of years when I decided on a different approach. I decided that maybe my brother was the composer here and that I was the performer/improviser. He had determined the track times and the instruction to me was to “do something within that time.” I treated each of the times as a stopwatch score with the instruction being to start and stop within the given time frame. Within that given time frame I improvised on electronics, in this case feedback. The recording was made at the Experimental Media and Performing Arts Center in Troy, NY.
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    Jeff Gburek – The Watermark

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    First conceived as the stain of water on paper. Irremovable. The identify of a particular action. Irreversible. Then the tracing of that action, in this case a melodic fragment or tone cluster, with painstaking exactitude, to create a forgery of the accident. Form born from seeming chaos or which reveals a kind of coherence that underscores the cosmos. It’s all right. It’s all wrong. See-saw in your playground. Next thought of as the manner the signature is added to what I do without my knowing it. In what I do. In each case, some little detail that marks out and yet implies the agent. A way to remain, yours truly. Thirdly, the color of water itself and the color of now. There is the place where I make this. It’s not the physical apartment but the space machine that I call Villa dei Misteri. Let’s call a studio. I have been receiving rare but welcome visits and a few of these tracks are the result of such meetings.
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    Quarry House – Those

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    Numbered edition of 50 copies in clay sleeve. Recorded in January 2009 & January 2011 in Springfield, MO
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    Thomas Bel – To Dye Every Night

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    A release from Mr. Thomas Bel. Rain, voice, guitar and reverse romanticisms. Presented with a deceptively simplistic language, minimalistic, yet sublimely scuttling across the floors of silent seas. perhaps yearning for love and cruelty, a slowly growing blindness, impossible memory.
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    Lopez / Sigurta – Erm

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    This is a split album comprised of two very different tracks, which are nonetheless built around the same original material. The tracks could be described as a suite, divided in movements, of around 20 minutes each, which allow for the specific characteristics of the two musicians to emerge. Sigurtà delves primarily into drone-based territories drawing sonic landscapes oscillating between the ethereal and the concrete, often harboring a beat whereas López works with and within the minutiae of sound, penetrating into the most intricate textures and creating rhythmic patterns with glitches and fragments of sound, while keeping to a well defined and steady musical path. The Sigurtà / López split sees two generations, two worlds and two different approaches to music coming together on one single album.
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    AIPS – Postcards From Italy

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    The Italian Archive of Soundscapes (AIPS), is a collective of sound artists formed in 2010 by Alessio Ballerini and Francesco Giannico in order to document the changing face of the Italian soundscape and to promote the ecology of sound through a variety of workshops, soundwalks and soundmap projects covering different Italian cities including Taranto, Bisceglie and Rome. Taking their cue from Gianmarco Del Re’s column on Fluid Radio, which profiles the most interesting sound artists and musicians currently operating within the Italian electroacoustic scene, Giulio Aldinucci and Attilio Novellino translated the Postcard from Italy project into an album and a live event.
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    Ben Steed – From Here You Can See Everything

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    This release is a handmade package using recycled card sleeves made by Guided Products with a nice 310 gsm card cover and insert and is a numbered edition of 100 copies… Ben got in touch with the label just after he had started a crowdfunding drive to help produce this album. A preview of some tracks via Soundcloud led to the interest in releasing it on Twice Removed. Ben describes himself as a “Psychonautic composer from the realms of the internet” rather than a musician and this is evident in the scope of his music which covers a variety of genres such as Ambient, Modern Classical, IDM and others with a very strong soundtrackesque feel which is highlighted by his collaborations with Dan Donahoo on both this and his previous album “From Atop A Frozen Summit”
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    Chronovalve – Trace Of Light

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    Comes in a new 4 panel thick card package designed by Christian Roth and Ian Hawgood, in an edition of 500… Chronovalve is the ambient music project of Mike Engebretson. For those that don’t know the work of this amazing artist, we’ve known him since his (sadly missed) Smallfish days. The connection with Smallfish Records (see Isnaj Dui, bvdub…and really, a huge amount of what we have put out and one of the main sources of inspiration for the label) continues as Chronovalve was a key component of the Smallfish realm. Smallfish was an incredible record store and highly regarded label based in east London. I happened to live right opposite the store for a year. It was here that I gained my real music education into more minimal / ambient work, going daily to the store to see what new music they had on offer. After Smallfish sadly closed its doors a number of years ago, many of the artists on the label went off to release some wonderful work. Perhaps the best known of these would be bvdub, Celer, and Isnaj Dui of course. However, one of my favourite artists from the Smallfish days seemingly went under the radar, and that was Chronovalve. Now, some 5 years after discovering this wonderful artist, and after not releasing anything in that time, Chronovalve is finally back. We are thrilled that we are able to carry on the Smallfish torch, even if it is in a small way. His work has always been wonderfully melodic and textured, but ‘Trace of Light’ develops further with its choral tone, and haunting (even angelic) melodies and structures. It may well have taken its time to get here, but we are so glad that it finally has.
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    Shelling – S/T

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    Shelling are Aya (vocal) and shota (guitar). Aya’s voice like a movie on the surface of the water. Shota’s guitar sounds have reflecting Sadness. “Shelling” hangs between ambient and Shoegaze. 01. Floating Area 02. If i’m you 03. Labyrinth 04. 8 Bright,Moonlight 05. Over 06. Milky Way 07. Drive to Siberia 08. Endless Beautiful Days 09. CAVE 10. Labyrinth Remix by chihei hatakeyama 11. 8 Bright,Moonlight Remix by Hakobune
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    Opitope – A colony of kuala mute geeks

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    “A colony of kuala mute geeks” is made up of 6 songs. Many guest electronic musicians are involved including… Asuna, Carl Stone, Christophe Charles, Christopher Willits, Hans Reichel, Kazuhisa Uchihashi, Tagomago, Taylor Deupree, Tetsuro Yasunaga and Toshimaru Nakamura. 1.Askococo and Opitope 2.Christophe Charles, Tamaru and Opitope 3.Christophe Charles, Christopher Willits, Taylor Deupree, Tetsuro Yasunaga, Toshimaru Nakamura and Opitope 4.Carl Stone, Hans Reichel, Kazuhisa Uchihashi and Opitope 5.Tagomago and Opitope 6.Asuna, Yusuke Date and Opitope
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    Chihei Hatakeyama – Alone by The Sea

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    Chihei Hatakeyama was influenced by Fudaraku-tokai. It is a form of the ascetic practice of sacrifice performed in medieval Japan. A monk undertaking this practice would set out to sea in a small, single-sailed (but oar-less and rudderless) boat in the hope of arriving at the southern paradise of the Bodhisattva of Compassion (Avalokitesvara; Guanyin; Kannon). The fudaraku tokai was carried out over twenty times between the eleventh and seventeenth centuries. Chihei Hatakeyama used only one sound file for making this album.
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    Bjerga / Micromelancolie – Momentum

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    Twin, extended drones, smooth, minimal but bumpy with data coursing just beneath their skin and executed with great aplomb. Sindre Bjerga is a multifaceted sound artist amongst whose impressive discography can be unearthed gems of both dark and lighter ambient, while Micromelancolié is Robert Skrzyński, who is also Microdepresja, and who belabours “no-input mixing board, old VHS tapes, classic analogues and field recordings.” This is their second collaboration. “Towards Water” begins with fluorescent bulb buzz in the empty hallway leading down to hell and the thousand voices murmuring are distressing, a torture of one thousand cuts. It quietly shears against the ears and furrows the brow. Surprisingly, the dark, low undertone that stealthily emerges is majestic, almost comforting when in other contexts would be decidedly creepy. On the title track, a miserable piano is left out in a field, under skies in which clouds of iron clash. But “Momentum” gets more complicated, a stream of consciousness churning through coaxial cable, visited with the same, low, dull, ultimately maddening white noise and muffled, mundane chatter. Despite the unwelcome company, Momentum is gorgeously desolate. One must admire the restraint the duo commands, elegantly and perversely amplifying its ghastliness. - Igloo
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    Monolyth & Cobalt – De Lieux

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    Limited edition of 100 copies presented in 4 panel digipak…
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    Loop Collections 9: Dark Side Of The Audio System

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    Limited to 150 copies… Very tender and quiet piano loop collection. Tape loop on broken recorder with hiss and flutter via prepared tape. In memory of Yawata Masami.
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    Yannick Dauby – Hares & Bells

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    Hand numbered edition of one hundred, handmade package with tipped in inkjet print… A release from Mr. Yannick Dauby, a homage to young hares and their fascination with bells!
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    Arthur De Eriomém – Drowned by Voices

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    Handmade packaging and tipped in inkjet print. Numbered edition of 100… Arthur De Eriomém – Drowned by Voices, Somewhat Rather Slowly. New version of the 2011 Drowned by Voices, recomposed Avril 15th 2013 with analog delay and fender twin reverb. Computer used only for editing. Title inspired by David Toop’s Sinister Resonance.
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    Bad Braids – Supreme Parallel

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    Edition of 200; CD with full colour face, jewel cases with 4-panel inserts with full colour art by Sarah Guck. Recorded by Paul Christian & Megan Biscieglia, mastered by Paul Christian, layout by Silas & Amanda…
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    Valiska – A Day as a Blade of Grass

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    200 limited edition digipak CD’s… In his 24-minute opus ‘A Day as a Blade of Grass’, Krzysztof Sujata glides effortlessly through the shared spaces of ambient, noise and modern classical to craft one of the defining works of his rapidly expanding oeuvre. Delicate piano phrases and trembling guitars hold the piece together, sliding in and out of view across its six sections under punishing waves of feedback and static. But for all of the noise and jittering experimentation that skitters through the mix, Sujata is most infatuated with those slivers of light in the darkness that give space to reflect. It’s in those moments when the truly human elements of his music are brought to the fore and the connections between the fragments are made in the mind of the listener. To dissect the essential fabric of sound is a difficult enough task, but doing it with such care and devotion marks Valiska out as an artist in complete control of his craft. With its emotional resonance and sonic verve, ‘A Day as a Blade of Grass’ is a captivating and transportive piece from one of the most highly respected figures in contemporary ambient music.
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    Various – Fogbound

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    Lovely 4 panel digipak that comes with 8 photographic postcards… Contributions from the following artists: Hakobune Porya Hatami Celer Darren Harper Tomoyoshi Date Chihie Hatakeyama A Bleeding Star
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    Stafrænn Hákon – Prammi

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    This is a limited edition of 300 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped blue recycled cardboard envelope with the front cover image printed on glossy photo paper and two inserts, with the tracklist and credits, printed on nice fabric paper…
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    Ian Hawgood & Friends: Wolven (2 x Digipak CD)

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    Hibernate would perhaps not be where it is today without ‘Wolfskin’ by Ian Hawgood, our inaugural release back in 2009. Wolfskin referenced a series of nightmares Ian had as a child, focussing on elements of dreams and violence by marrying beauty with the harsh. Ian Hawgood has immersed himself in musical projects for longer than he cares to remember; in recent years he has released through the likes of Experimedia, Dragon’s Eye and his own Home Normal label as well as through several netlabels. Increasingly, Ian has been collaborating with other artists – including Jason Corder (Offthesky), Tim Martin (Maps and Diagrams), Danny Norbury, Ryo Nakata (Ryonkt) and Clem Leek.
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    Darren Harper – Awaken My Heart…

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    Photo inlay printed on traditional Japanese rice paper is included / Limited to 150 copies… Darren Harper met the analog recorder. Reflections on loss, surrender, hope, and indifference. Experiments for ReVox A77, Fender Telecaster, Piano, Field Recordings, and Ableton Live. All tracks W/P by Darren Harper 2012/13 Photo: Barker Reservoir, Nederland, Co. Autumn, 2012 by Darren Harper. Mastered by Seth Chrisman. 01. Upon The Edge Of An Imaginary Sea, I remembered How Things Once Could Be (4:52) 02. Still (4:02) 03. A Breath, Release (7:08) 04. Pastorale Loop (6:52) 05. Meander; Between (6:28) 06. Submerged; Alone & Revealed (5:04)
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    Alexandr Vatagin – Serza

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    Just in time for Valeot Records 5th anniversary, co-founder and label head alexandr vatagin presents his third solo album “serza”. in combining the analogue and tender atmosphere of “valeot” (2006) with the harsh, yet subtle digital electronics of “shards” (2008), “serza” is attesting to a consequent and traceable development towards maturity in sound and structure. featuring a huge spectrum of common as well as unusual instruments, it takes you on a thirty minute trip full of delicate melodies, pushing drums, gentle noise, swirling celli, warm vibraphone chimes and sweet piano tunes. The album features friends from all over the world including martin siewert (radian, trapist), hideki umezawa (pawn), james yates (epic 45, pattern theory), fabian pollack, giulio aldinucci, all tupolev members and patrick pulsinger, who provided several self-recorded synth samples. Serza is presented live either by alexandr vatagin (cello, synth, laptop) solo or as a trio: alexandr vatagin (bass, nordlead, laptop), martin siewert (guitar, devices) and david schweighart (drums). Born in ukraine in the early 80ies, vatagin moved to austria in the beginning of the 90ies, and only started to make music another decade later. he plays in tupolev and port-royal and founded the project quarz, which recently released its first album on cronica. he has collaborated with b. fleischmann, stefan nemeth (lokai), steven hess (pan american), philippe petit (strings of consciousness), bernhard breuer (elektro guzzi, metalycee), alexander schubert, kutin (dirac), nicolas bernier and many others and played concerts all over western, central and eastern europe. his solo works and works he was involved in were released on valeot records, morr music, cronica, n5md, mikroton, moozak and many more.
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    Attilio Novellino – Through Glass

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    Attilio Novellino is an Italian soundartist born in Catanzaro in 1983. He started to make music under the moniker of “Un vortice di bassa pressione”, under which he has released “Anonymous said” (2009, Inglorious Ocean), a mainly electronic-ambient work with some post-rock echoes. He also curated and contributed a track to “Underwater Noises” (2010, Ephre Imprint / Lost Children), a compliation album about the theme of water, which contains tracks by 15 Italian artists. A one-track Ep called “Lost Days” will be released in January by Small Doses. Attilio is also a member of Sentimental Machines. Through Glass emerged from thoughts about the power of the light filtered through glass: as the light, so the sound can be reflected in a thousand directions, giving rise to previously inaudible material, with a mysterious and intense charm. Attilio Novellino explores the intersection between noise, dissonance and melody, with a physical and emotional approach to his compositions, aiming to create an unconventional and uncontrollable beauty. Guitar, electronics, deep basses, field recordings, piano and harsh distortions are used to build dreamy and melancholy soundscapes, to draw floating layers and to launch drone textures that become noise, streaked by misty romanticism, characterized by a pronounced emotional side that combines post-industrial visions, deep-sea creature lights, nocturnal glows, blurred pictures and old memories. Over the last years, Attilio Novellino has performed at festivals and art events such Flussi Festival and Diagonal Jazz / Diagonal Visual, playing, during the last edition, a fully improvised set with Ahleuchatistas, as a duo with his live partner Leastupperbound.
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    Kutin – Ivory

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    Digipak CD… ‘Ivory’ is the third solo-record by Vienna-based ‘soundworker’ Peter Kutin. The guitar is the instrument that creates / triggers most of the sound we can hear on this record, real-time transformed by Peter’s laptop. Only for three tracks other instruments were used additionally: a viola, a korg synth and a double bass, the latter being played by Matija Schellander on the sparkling ‘after the plague’ (#4). ‘Ivory’ developed while Kutin was writing music for old silent movies for the Austrian film-archive. Somehow one can still hear the filmscore, the cinematographic idea within the music. The album offers sounds that will thrill our ears, allows journeys through different sonic spaces, creates pictures inside the listeners head; ‘world without end’ might be the only track that almost reaches the format of a ‘pop-track’, while most of the other tracks want and need you to listen closer. The minimal final anthem ‘lonesome monster’ seems to move only in its spectrum, not in metrum. The partial-tunes sing the song. A piece of music that stretches time, positioning itself somewhere besides Stars of the Lid’s orchestral style.
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    Various – Seismology

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    Live experimental music – 27th April 2013 – The Railway, Winchester. Limited to 50 copies… 1. Grohs – Untitled 2. Seth Cooke & Dominic Lash – Live at Cafe Kino, Bristol, 9th January 2013 3. Pausal – Fruition 4. John Chantler – Tone Works Seismology is the second music event to be staged by The Ologies. It will include acts ranging from remarkably original analogue synthesis from John Chantler (Café Oto), classically influenced ambient artists Pausal and live improvisations from Seth Cooke (Bang the Bore) & Dominic Lash, among others. TheOlogies are Joe Evans from Runningonair Music and Matt Poacher from Mountain*7 & The Liminal. As a joint project, The Ologies was started to introduce something different into the geographical area where they both lived. Despite its size and the presence of a university and an art college, Winchester has relatively few music venues and very little in terms of catering for experimental music – The Ologies series was set up to counter this. The Ologies does not favour any particular genre of music but instead aims to host highly contrasting work, both within and between each event.
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    Zen Lu – River

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    Physical edition of the “River” EP limited to only 50 copies. Handmade, numbered cardboard ekopack, handpainted by artist Ben Bojanek… Zen Lu is an experimental electronic musician, sound artist, new media artist, events curator living in Shenzhen (Guangdong, China). Zen Lu’s minute, meticulous and minimalist digital music style as well as events organized by him and his label have played a major role in bringing a new wave of artistic activities to Shenzhen and changing the cultural landscape of the city which has been long considered a cultural desert. During the whole 2012 he was busy co­organising the biggest autumn festival in Shenzhen, called “ChoP Festival ­ Polish Experimental Music in China”. After the busy time Zen finally had some time to start thinking about his new album. He came back to his hometown, where he grew up, and recovered the memories from his childhood creating an amazing EP called “River”
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    Virlyn – Man Asleep

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    Limited Edition run digipak of 100 copies… “Man Asleep” is an electronic experiment with a wide variety of instruments. The idea is to deform and reform the classic sounds of various instruments and vocals and to reuse them in an electronic and atmospheric setting. With an emphasis on experimentation the original musical output of the instrument is reshaped and distorted beyond recognition. A second constant is the use of housemade sounds and field recordings, varying from recordings from nature (rain, fire, footsteps in snow) to the use of selfmade wooden and plastic sound reproducing equipment. These field recordings and homemade sounds infuse the soundscapes with a more tangible and less elusive sensation.
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    Betacicadae – Mouna

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    Handmade printed case, insert, and transparency. Individually numbered edition of 100. Includes download code for bonus material. Painstakingly constructed by multi-instrumentalist Kevin Scott Davis during more than two years of spiritual struggle and rebirth, ‘betacicadae: mouna’ is a lush, transcendental narrative in sound. It is a cohesive whole that employs a broad spectrum of textures and extends far beyond formula like “drone” or “field recordings.” The sounds absorb, project, embrace, and comfort the listener in imaginary geography—surreal, dreamlike spaces beween earth and otherworldliness. ‘mouna’ is an intimate personal statement, but also a universal musical narrative of redemption. Source material for each track began with field recordings: a farm in Oregon, a rainforest in Hawaii, different cities. An array of acoustic and electronic sounds were generated from scratch: instruments included guitars (electric, bass, lap steel), wood flute, vibraphone, harp, violin, percussion, synthesizers, effects pedals, and digital software. Elegua Records is proud to present this debut release by betacicadae. Beginning with photographic images by Davis, the design, printing, and construction of the album’s physical editions are approached with the care and depth of feeling that the music deserves. Taking the label’s handmade DIY approach to limited editions a step further, clear vinyl and compact disc editions of 100 will include one-of-a-kind screen printed, stamped, and individually numbered inserts and transparencies. The physical editions will also include a unique download code with access to high-quality digital files of the album and bonus material.
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    Aidan Baker – Already Drowning

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    CD – 4 panel digipak … Already Drowning, a song-cycle inspired by various myths & folktales about female water spirits, marks something of a departure for Aidan Baker. While still retaining his trademark sense of ambience & texture, the tracks on this album are much more structured & song-oriented, embracing a minimalist post-rock, slowcore style & featuring a different guest vocalist on each track. Aidan Baker is a multi-instrumentalist, classically trained in flute, although his primary instrument is the guitar. Using various electronic effects combined with prepared &/or alternate performance methods, Baker creates music which generally falls within the ambient/experimental genres, but draws on influences from shoegaze & post-rock, contemporary classical & jazz. Over the course of the last decade, Baker has released numerous album, under his own name, with his duo Nadja, & with various other group projects, on such labels as Alien8 Recordings, Important Records, Broken Spine Productions, & Robotic Empire. He is also the author of several books of poetry. Baker has toured extensively around the world, appearing at such international festivals as FIMAV, SXSW, Unsound, & Pop Montreal. Baker, originally from Toronto, Canada, currently lives in Berlin, Germany.
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    Forest City – Peloton

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    Handcrafted, handstamped & hand-numbered package limited to 250 copies for the world… After being signed to the same label half a decade ago (Stilll Records), the French prolific experimental artist Christophe Bailleau hooked up with the person behind Swedish folktronica duo a Perfect Friend; drone artist C-J Larsgården (Ondo, Yrsel) and indie-folkster Thomas Jonsson (I’m Kingfisher). Eventually they started the recording process of Peloton, intense both in mind and action before reaching completion, positioning themselves in an experimental yet accessible landscape.
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    Territoire – Mandorle

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    Comes with 8 pages lyrics booklet… Territoire, the new project from Olivier Arson after The Folding and the Point, bring together a constellation of alternative Spanish artists to offer a stripped, ambient creature that roams around a panoramic post-rock. After 3 years of obsessive recording sessions of a music made of skin and steel, more physical, organic and narrative, he achieves his most personal work as well as his most collective thanks to the collaboration of a constellation of musicians from the alternative spanish scene, and that now concludes with the release of “Mandorle”, an elusive and addictive mystery. Eight scenes, silent or narrated in french, that shift between dark drone ambient, a singular, creeping pop concerned with articulating silences and physical gestures which Taylor Deupree, founder of the 12k label, in charge of mastering, has perfectly respected, and a variable post-rock leaning towards the elastic tension of jazz or exploding in outbursts of kraut-rock.
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    Exit to Exist & Creation VI – Antigravity

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    Comes in a folded 310 gsm card sleeve with hand stamped cd-r attached by hub and placed in a clear plastic wallet in a hand numbered limited edition of 50 copies… This is a collaborative release from Creation VI who is based in Ukraine and has appeared on labels such as Dronarivm, Cae-sur-a and others, while Exit to Exist comes from Belarus and is a member of the group Nemertis. The release is a 4 track 36 minute release made up of guitar soundscapes and some electronics, added field recordings and some tiny details like broken violin sound.
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    3+ – Your Small Story

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    Comes in a folded 310 gsm card sleeve with hand stamped cd-r attached by hub and placed in a clear plastic wallet in a hand numbered limited edition of 100 copies... The release covers music from 2001-2013 and covers such ground as Ambient, Acoustic Guitars and Glitchy Electronica in a way that is wholly Japanese in it’s sound. Features 12k recording artist Moskitoo on several tracks.
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    Silencio – Floods

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    Limited edition of 200 handmade and hand-numbered collectible copies, packaged in a lovely hand-stamped dark green cardboard envelope with the front cover image printed on a polaroid style photo paper… Silencio is a musical project, presently based between Brussels, Belgium and the north of France, created by Julien Demoulin in the early 2000’s and focused on exploring themes such as absence, memory, distance and sleep. Having released four albums so far, with the help of his friends Bernold Delgoda, Nicolas Lecocq and Lénina Epstein, his music is a mix of ambient, post-rock and electronic. Floods is the fifth album of Silencio, including 12 tracks that are simultaneously warm and cinematic, reminding the sound of Stars Of The Lid, Labradford and Eluvium. The album was originally released in 2010 as an unofficial 10-track cdr in an extremely limited edition of 40 copies, just for friends and some fanatic listeners, and is now released officially by Sound In Silence with new artwork, including two bonus unreleased tracks and being, for the first time, properly mastered by George Mastrokostas (aka Absent Without Leave). Floods is a collection of wistful and melancholic melodies played by Demoulin, Delgoda, Lecocq and Epstein using guitars, synthesizers, electronics, bass, drums and percussion.
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    Max Wurden – ST

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    Limited numbers on this one. 50 to be precise…. Come in a 4 panel clear tray digipak along with 7 photographic postcards on think card stock taken at locations of the field recordings used in the album…. Are you with me, or are you lost? That’s partly the question we can ask of Max Wurden’s mind and audience, and it’s surely an open question of the artform he is persuing on this very fine release from the Ambientmusic label. “Or Lost” is comprised of a dialectic sequence of sounds, ordered like poetry, sounding like poetry in motion – more of the structured love sonnet with a variation in stanza, written like a relationship with the stars… How does Wurden defy blandness, then? He has several means to create euphoria, on the other hand. Through textural synchronicity with the sounds of a lake (“Is” especially), bubbling under the table, its metal legs withstanding “The” power of fluids, and what copes less competently with electricity at back of the bass, that causes the crackles throughout, he also experiments with track in/out styles, “Fulfilled” inviting of high pitched chirruping cuts, yolky noise to close. If you have rules of lunacy, you’d be forgiven for breaking too many eggs to make an omelette. If you have Wurden’s rules, you break no more eggs than required, making the perfect weekend fryup music and music with transcendentally introspective longevity as well. The Ambientmusic label writes that Max Wuerden is looking for “Finding”, “the perfect moment” and this winter, with all it’s blustery weather forecasting haphazardness, is likely the best time in history for a release so perfect to arise from the snowy Narnia door. – Highly recommended!
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    Hivver – Don’t Try

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    Limited edition of 30 hand numbered copies. Each copy comes in a recycled magazine paper sleeve with handstamped cd-r, insert and antique photo…
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    Oliwa – Naturalia

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    Edition of 50 hand numbered copies in 310 gsm card sleeve. Each copy coming with a free badge…
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