Ikebana, in Japanese, is an art of flower arrangement. Unlike conventional flower arrangement, it often focuses on other areas of the plant, such as its stems and leaves, rather than its blooms, and lays emphasis toward the shape, line, form of the arrangement.
Ikebana is about minimalism, about beauty in space, and about calmness.
And so does the music of flau label’s latest signing, the Japanese female duo Ikebana.
Ikebana is made up of 2 wonderfully talented female artists, maki and en. Their unique music is infused with a strong sense of Shoegaze and Ambient, but in a very much stripped-down form. Phases of minimal guitar noise floating through the space of sounds, like a wavering light in darkness, with deeply reverbed female voices drifting in to create a calm universe between a dream and the reality. Unlike the current style of psychedelic/drone music for overseas, Ikebana’s music is about minimalism, about beauty in space, and about calmness, just like the art of flower arrangement of Ikebana itself.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.