Comes in a folded 310 gsm card sleeve with hand stamped cd-r attached by hub and placed in a clear plastic wallet in a hand numbered limited edition of 100 copies...
The release covers music from 2001-2013 and covers such ground as Ambient, Acoustic Guitars and Glitchy Electronica in a way that is wholly Japanese in it’s sound. Features 12k recording artist Moskitoo on several tracks.
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.
Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.