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    Davis / Kleefstra / Kleefstra – Tongerswel

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    Gareth Davis and the Kleefstra brothers got to know one another when Jan Kleefstra received an album from Gareth by mail-order by mistake. He liked the album though and told Gareth through MySpace. The contact was made and a plan to meet up and make some music was quickly formed.  
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    Maninkari – The Half Forgotten Relic of a Dream

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    With The Half Forgotten Relic of a Dream, Maninkari enters a new era. After three albums taken from the same studio sessions, they are back with more direct and refined tracks. As usual, Maninkari uses a great deal of instruments in many styles (cimbalom, cello, viola, synthesizers, percussion instruments), which is quite genre-breaking, without taking the easy way out.  
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    Larkian / Yellow6 – Offtempo

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    The history of Larkian and Yellow6 traces back to around 2001 when Cyril was running the Tricycle Evolutif record label. He invited Jon to release a 7″ single on the label and this, ‘Grey’ was released early 2002. There were some discussions about a split release at the time but this never came about. Forward to 2009 and Cyril and Jon get back in contact via individual releases on the same labels (October Man, Cathedral Transmissions). Cyril sends a track for Jon to contribute to and the collaboration that has become ‘Offtempo’ began. After around a year of file exchange, composition and recordings, the first common collaborative effort by Yellow6 and Larkian was ready to find a home.  
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    Yann Novak – Presence

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    Yann Novak is a sound, video and installation artist living and working in Los Angeles. His work utilizes different forms of digital documentation as a point of departure. Through the digital manipulation of these sound and image files, his works serve as a translation from documents of personal experiences into an open ended autobiographical narrative. By choosing subject matter that is also relatable to the audience, Novak’s work creates a hybrid state, balancing between his own personal history and that of the audience. Yann has had previous works released on Line, Infrequency, White Line Editions. In addtion Yann manages the label Dragon’s eye which has seen numerous works by the artist released.  
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    Mark Fry / The A Lords – I Lived In Tress

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    Released by RCA Italy with little fanfare in 1972, Mark Fry’s Dreaming With Alice is one of those very particular albums whose potency and poetry seem to owe everything to their era but whose virtues only gain traction, and with it coach-loads of interested parties, many years, if not the odd epoch, after their conception. Effectively a late-period psych-folk obscurity that became a record connoisseur’s Holy Grail once all things vaguely Incredible String Band-shaped became once again à la mode in the middle of the last decade, Dreaming With Alice, frequently bootlegged and described by Dream magazine as “one of those albums that feels like a secret you can’t wait to share”, had finally found its time and place.  
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    Mountainhood – America (2 x CD)

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    New mammoth 2 disc set from Michael Curtis Hilde aka Mountainhood, following on from releases with Important, Reverb Worship and Blackest Rainbow.  
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    Sub Loam – The Ley Hunter’s Companion

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    Back in stock: Limited Edition of 230 Hand-Numbered Copies. CD in colour wallet in 7″ sleeve. Sleeve folds out to 14″ poster…  
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    Mountain Ocean Sun – Peace Conference

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    Mountain Ocean Sun’s search for deep peace, heavy drones, and sound healing has found them jamming with Deerhoof in Detroit, starting an organic music society in the extreme tropical heat of the Matthaei Botancial Garden on new years day, and all the way back to their first performance at a 500 year-old buddhist temple in Osaka, Japan.  
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    Liondialer – LIVE!

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    Made up of Greg Haines & Danny Saul, Liondialer were formed in Manchester during 2007, and are now split between Manchester and Berlin. They play entirely improvised music on sporadic shows and tours around Europe.  
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    Danny Saul – Harsh, Final

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    As guitarist with Tsuji Giri (Manchester’s biggest and best kept secret ‘almost’ band of recent years, alongside The Sonar Yen), Saul self-released a Steve Albini-recorded album in 2005, with the band promptly self-destructing upon release. After all the tribulations associated with the process of production and shared decision-making, Danny rethought every aspect of how to perform and record with the minimum of intervention or interference; Harsh, Final is the culmination of a bloody minded pursuit for a personal satisfaction in both making music and Doing Things Right. ‘Your Death’ opens the album with softly plucked acoustic guitar, and proceeds to build layers of acoustic and electric guitars into a hazed atmosphere, which suddenly comes into focus as the track s defining chords state that this is a song, and that everything put in place so far is only framework. And in many ways this typifies what makes the record really tick: the fission between the pull of the songs and the musical dynamics working within and yet outside them. Be sure – Danny Saul is very much not a conventional singer-songwriter, with all the compromise and baggage that carries with it.  
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    Warm Widow – Widower

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    Manchester’s Warm Widow never really intended to make this album – well, not in the way that “Widower” presents itself anyway. This was supposed to be the scratchy blueprint for the actual Warm Widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of ‘appropriate’ microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to ‘nail it’, with additional options to try multiple takes and overdubs – in general, recording with a certain amount of control and ease.  
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    Robe. – Time Dilation

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    Drone/noise in the vein of older Burial Hex, but there’s some more subdued guitar-based action going on here. Like a much, much more interesting version of (unfortunately coincidentally named) Robedoor. The sound of ceremonies drifting across great fogged expanses of time and space. Some moments, especially the last track “Final Glimpse” remind of dark ambient classics like Lustmord’s Heresy and Lull’s Cold Summer.
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    Richard A Ingram – Consolamentum

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    White Box Recordings have so far proven that they are a label to be reckoned with. Previous offerings from the likes of Danny Saul and Liondialer demonstrate that these guys mean business and Consolamentum confirms this as he presents a stunning collection of expressive compositions…  
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    Fursaxa – Alone In The Dark Wood

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    Alone in the Dark Wood is the fifth full-length release from West Philly-based solo artist TAra Burke aka Fursaxa who boasts a fan base with the likes of Bardo Pond, Acid Mothers Temple and Thurston Moore who released a record by her on his Ecstatic Peace! imprint.  
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    Elian – Whispers, Then Silence

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    To say Michael Duane Ferrell (the man behind the Elian moniker) is a patient man would be something of an understatement. But then the work of Elian is all incredibly understated anyway, so it all fits nicely. I first heard Elian’s work through mutual contacts, my first experience being ‘We Are All Visitors Here’ on the rather wonderful Test Tube label. In fact, if you go over the work he has released, you will instantly notice a person who clearly takes his time and treats each album as a labour of love in the fullest sense.  
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    Amnon Wolman – Sustains

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    ‘Sustains’ is an hypnotic journey to Mr. Wolman’s musical personality, a journey into sound and silence, thoughts and feelings, mixed together in a unique way… and the journey sustains, fades in and out of a dream like state where the music is no longer only define notes and sound structures – it is a whole living form.  
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    :take: – s/t

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    After opening our series of split vinyls with white/lichens last year, :take: is back with an EP, and this time, it’s through a new media, i.e. CD format. This great adventure between the label and the guitarist goes on and we hope that we will continue our collaboration in the future. That being said, you should know that we are truly fond of this beautiful project that begun two years ago. Recorded and mixed at home with heart by Laurent Bichara, it was then mastered by Jeremy Lemos. This should be the last step before :take:’s debut album.  
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    Baylis – Howard – McCallum

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    New release from Manchester-based collaboration featuring the talents of Stuart McCallum (Cinematic Orchestra), Paul Baylis (Carmen) & Jon Howard (J. J. Howard). These artists present over an hour of free-flowing, melodic music free from the constraints of traditional composition. Recorded live in one session during the summer of 2010 at Strangeway Studios, Manchester. Limited to 250 copies.  
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    Gultskra Artikler – Kasha iz Topora

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    Last time we came across Russian pranksters Gultskra Artikler they were a duo comprising of Alexey Devyanin and Dmitry Garin, but since the release of the haunting ‘Pofigistka’ on the Lampse label in 2006, Garin has left the band leaving Devyanin to come up with the most definitive Gultskra Artikler statement to date; ‘Kasha Iz Topora’.    
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    Arkhonia – Trails/Traces

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    Arkhonia’s “Trails/Traces” fulfils the much promised, but seldom delivered, remit of large portions of ambient music – “to take the listener on a journey”… From the deep rumblings of the album’s opener to the final decaying notes and crackles of its closing track, all manner of mood-shifting experimentation directs (and occasionally derails) the listener along a sonic path that is at times unnerving and, at others, warmly welcoming.  
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    Chris Weisman & Greg Davis – Northern Songs

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    Northern Songs is the blissful sound of Chris Weisman leaving his body and dissolving into the universe; he sounds very free. Greg Davis (electronic music composer, fractal maker) helps the usually obsessive Chris (psychedelic four-tracker, music artist) surrender to the void.
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    Fursaxa – Lepidoptera

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    A previous member of the band UN, Tara Burke (aka Fursaxa) is now one of the epicenters and key collaborators of the North American free-folk movement, along with such luminaries as Jack Rose, Charalambides, Ben Chasny and the Jewelled Antler Collective.  
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    Andrea Ferraris / Matteo Uggeri – Autumn Is Coming

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    Experimental music, by its very nature, is often unconcerned with melody; other qualities of sound and music are explored, taken apart and reconstructed with the intent of presenting the listener with surprising new ways to engage with the listening experience. Many commendable aural experiences have been produced by mere tweaking of single variables within sound; much of the ambient canon relies on a relatively minimal bag of tricks. It is, however, clear from the outset that “Autumn is Coming…” is a very different beast indeed.
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    For Barry Ray – New Days

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    For Barry Ray is the husband and wife duo of Carina Thorén (Sweden) and John Chantler (Australia). After a number of compilation appearances, long gone CDrs and lathe cut records under various guises, the pair bunked down over the winter of 06/07 to lay the foundations for ‘New Days’, kicking off things Christmas morning with the gift of a London turned silent and a sky free of planes.  
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    Zelienople – Hollywood

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    Hollywood has a real sense of symmetry, dividing itself into two pieces of almost identical length (both hover around the twenty-one-and-a-half minute mark), capturing the Chicago avant-rockers in starkly tenebrous form, carving out drone-shaped sounds from synthesizer, percussion, saxophone and flute.  
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    Small Color – In Light

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    Four years after the release of their debut album Outflow, Japan’s Small Color, a duo comprised of Rie Yoshihara (aka Trico!) (accordion, voice, vintage keyboard instruments) and Yusuke Onishi (guitar, banjo, bass, programming and production) are back with the beautifully polished In Light. This album marks what some may consider a departure for 12k: sublime and gentle, minimal, acoustic J-pop, which once may have been destined for the now-defunct Happy label, but can now sit comfortably beside 12k’s roster of electronic/acoustic ambient hybrids.  
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    Wreaths – Like Sparks From Throats Falling

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    Wreaths is the moniker of Michael R Donaldson. He creates experimental music with a variety of instruments and techniques and has an idiosyncratic approach to capturing the ideas which reside in his head. Like Sparks From Throats Falling opens with ‘Nautical Almanac’. The track begins with long drones and electronics. Slowly building, the effect is mesmerising, then suddenly everything falls away into the abyss, ending with hushed tones, a hint of what’s to come. ‘O! Like Falling Snow’ proffers a more melancholic mood, with plaintive guitar playing backed by mournful strings. The piece is sublime and the delicate guitar feels like it may falter and fall apart at any moment, the fragility lending emphasis to the beauty present.
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    Twinsistermoon – The Hollow Mountain

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    Twinsistermoon is the solo project of Mehdi Ameziane of Natural Snow Buildings, The Hollow Mountain was originally issued by Dull Knife Records in 2009 as an LP limited to only 105 copies, unsurprisingly it sold out in a matter of hours…  
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    Small Town Boredom – Notes from the Infirmary

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    Artists thrive on emotional extremes, moments of unprecedented joy or crushing sadness. It is easier to transcribe these feelings into music. Middle grounds are much too complicated to address with music, the confusion, the mood swings come fast and what would seem like a perfect fit with one’s emotions at one point make no sense after a few minutes. They lack clarity. Melancholy drenched songs in particular seem to connect better with the receivers of music than their happier counterparts. Steven Wilson, mastermind behind Progressive rock group Porcupine Tree, once introduced one of their saddest songs “Stop Swimming” by saying “this next song is a very sad song, but if you’re like me, you’ll find that the saddest songs are also the most beautiful”. I find this to hold true.
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    Tomas Phillips & Marihiko Hara – Prosa

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    Prosa marks the first collaboration between Marihiko Hara and Tomas Phillips… Utilizing a diverse range of instrumentation, both electronic and acoustic, Prosa is as still as it is dynamic. Its formation (a transcontinental process, through the post) was an exercise of patience and concerted application alike. Thematically (but indirectly), Prosa shares a space with writers whose palette wavers between existential crisis, awkward distance, and snapshots of emotional expenditure (e.g. Jean-Philippe Toussaint) and with certain “quiet” descriptions found in classical Japanese literature.
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    M. Ostermeier – Chance Reconstruction

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    M. Ostermeier first two releases were both in mini-album form:  Percolate on [parvo art] and Lakefront on Hibernate.  These releases garnered strong reviews in The Wire, Textura, and The Silent Ballet for juxtaposing melancholic stillness with restrained post-rock urgency.  Throughout, the fragmented piano infused with electronic textures and field recordings established a melancholic and reflective mood but more through style than through melody.
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    Tim Hecker – Norberg

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    Recorded at the Norberg Festival (Sweden) amidst the mineshafts and cluttered buildings strewn throughout parts the city, this 21 minute live piece summarises much of what makes Tim Hecker’s music so vital and compelling. Adept at counter-pointing the most ferocious of distorted platters with smooth beds of ambient sound and potent melodic overtones, Tim Hecker creates music with a vast depth. On Norberg, this depth seems almost endless, as layer upon layer of sound are compiled into a swelling and all together visceral oceanic sound wave. Recently touring Australia and New Zealand and performing at ROOM40’S annual festival Open Frame, this CD comes on the back of some incredible live performances in the Southern Hemisphere.
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    Ben Nash / Sophie Cooper – Alchemy

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    Recorded over a weekend back in the early months of 2009, here are 2 tracks of multi instrumental composition from Ben Nash and Sophie Cooper (CooperJones)… The music here is truly beautiful, personally I think this is some of the best work to come from both Ben and Sophie so far. Total late night guitar meanderings blurred with a haze of deep churning scrapes from various instruments and layered drone bliss, creating 2 totally immersive and beautiful psychedelic drone.
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    Bio + Larkian + Les Poissons Autistes

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    Three:four is happy to introduce you to its first totally Swiss record. Although half of the label is based in Lausanne, we haven’t had the opportunity to work with local bands before. Consider it done with this new record that gathers the cream of the scene from Romandy. Their discographies are proof enough of the vast musical universe they evolve into, with a tendency for all experimentations.
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    Cory Allen – Pearls

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    Cory Allen’s ‘Pearls’ is one of those albums that don’t want you to get too comfortable. The album’s press release suggests that it explores ‘existential landscape’ – two words I don’t think I’ve ever seen put together before with regards to music, but somehow fitting. The album is not exactly inviting but isn’t cold either. It is an album that has a clearly defined narrative in a way that I haven’t seen in quite some time. Allen is always working toward an end goal and there is an almost existential philosophical statement in this small self-contained album.
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    Gurun Gurun – Gurun Gurun

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    Gurun Gurun is a Czech-based experimental, weird ambient & improvised music collective formed in the autumn 2007 by guitarist Tomas Knoflicek and keyboardist Jara Tarnovski… Their musical work combines guitars, analogue synthesizers, turntables, acoustic instruments and digital effects to span musical spaces ranging from hypno-minimalist atmospheres to warm tones of slow moving, repetitive melodic stanzas. Their twelve track debut album is a balancing act of frenetic yet sedate melodic layering that dances between chaotic and considered; multiple tones vie for space around central melodies that sound as though they could have been sampled from multiple genres of film soundtrack.
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    Alexander Tucker – Old Fog (CD)

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    Alexander Tucker began as the vocalist in post-rock hardcore 5-piece ‘Unhome’ who released one album “A Short History of Houses” (Unlabel) and a split single with Papa M. Unhome split in late 1999 and Tucker went on to tour with Detroit space-rockers ‘Fuxa’. Simultaneously, Tucker had been developing his interest in improvisation using detuned guitars, tape loops, mini disc player and fx pedals. In early 2000 Tucker recorded a solo self-titled album of acoustic finger-picking, experimental electronics, field recordings and spooked vocals, which was picked up by Tom Greenwood of Jackie-O-Motherfucker and released under his U-Sound Archives label.
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    David A Jaycock – A Magnifying Glass For The Ants (CD)

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    Following on from David’s Presets LP last year for Blackest Rainbow, he has worked on a brand new full length CDR, exploring a more multi instrumental drone sound, experimenting with stringed objects and a far more dark sounding sound, but with its roots in some traditional sounding more far out folk. David’s guitar plucking appears at various times, and its blends in perfectly with this new approach to his music. Limited to 100 copies in full colour covers.
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    Fabio Orsi – Stand Before Me, Oh My Soul (CD)

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    For some, expressing oneself is a difficult task. It takes away any aspect of security one may have been clinging on to and opens up your inner being to be displayed in all its detail. For others it comes naturally; and be it through some form of art, it is quite a beautiful thing to behold. Experimental, Avant Garde or simply music that doesn’t follow traditional structures or sounds is, to my mind, the most spectacular form of expressionism. Sure, words can be more intimate and accessible, but allowing your thoughts, feelings and emotions to control an instrument is raw and empowering. This is what Fabio Orsi’s latest work feels like to me; a trip through memories, deep thoughts and heavy emotions. This album is ecstatic, it’s uplifting and it sounds so pure and rich; this sound coupled with the album and track names seems as though he poured his entire soul into it.
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    Danny Saul – Kinison – Goldthwait (CD)

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    To have the names of two of the most famous comedians of the 1980’s, let alone two engaged in one of the harshest feuds ever between any comedians as the title of the album, with artwork to match, could leave the prospective listener with a number of different notions regarding the music contained in this album. Personally speaking, having never heard any of Danny Saul’s previous albums, the first thing that came to mind prior to listening to this release was that it could be an electronica influenced album, with lots of tension and relief, and loads of samples by both comedians embedded randomly within the music. I couldn’t have been any farther from the truth…
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    Akron/Family (CD)

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    Akron/Family are four extremely nice, sincere and well-mannered young men from rural America who came to NYC (in 2002) to make music, hoping to find a thread of real magic still winding through this city’s music scene. They certainly did just that, but they did it by retreating into a tiny Brooklyn apartment, where they made their own world instead, in complete and stubborn isolation. They proceeded (while simultaneously growing alarmingly long beards and developing a playful but hermetic quasi-religious/sonic worldview/creed known as “AK” or sometimes “AK-AK”) to make several albums worth of recordings on crude home equipment – the material compulsively chopped, spliced, and orchestrated into fractal jewels of song and schismatically opposed atmospheres.  
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    Ali Robertson’s Ludd Quest – Don’t Turn (CD)

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    Brand new slab of avant weirdo sounds from Ali of Usurper. Slurping, sucking and squeaking insanity opens up this five track disc. As it progresses it may well just get more and more weird, pouring water, some sorta mic-ed up pipe actions, weird tinkerings of househeld objects, layered talking (at times saying that talking is a terrible idea – ‘why are you talking’). Ali’s work with Usurper and his solo work retains a great sense of humour, with the pure weirdness of what is going and lack or knowing what the hell is making half the bizarre sounds. Limited to 50.
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    Usurper and Sticky Foster: II (CD)

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    Brand new one from these Scottish improvisers Ali Robertson and Malcy Duff aka Usurper, here joined by UK underground legend and A Band member, Sticky Foster. Sticky Foster fits in perfectly with Robertson and Duff’s bizarre weirdo sound of somehow using a shit load of stuff that you can never quite tell what exactly it is doing what.  
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    Timothy C. Holehouse – In Search of the Binary Star (CD)

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    This is the most fully realised and wide-screen work from Tim so far, incorporating a host of ideas and executing them brilliantly. This time with a full backing band, Tims sound is fuller and bolder. Crashing drums, droning guitars and electronic beats all combine to create a progressive master piece fusing elements of post rock, psychedelic and noise. Once again I can’t think of any other bands or artists around at the moment that come even remotely close to what Tim does and I am again honoured and excited to be releasing this. – Dead Pilot CD, edition of 500 in black on black screen printed digipaks with full colour 4 panel insert, in resealable cello bag.
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    Jannick Schou – Against a Backdrop of Blue Hills

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    Culled from hours of orchestrated tape loops, “Against a Backdrop of Blue Hills, They Were as Beautiful as a Lullaby” finds Jannick Schou circumnavigating the folds of a rich, effervescent landscape with monsoon-like drones, mountainous drifts, and suspended tones. Tape loops designed as torrential storms, evasive sounds peak from crevices, me sat transfixed in a half-conscious state, between wake and sleep, exploring the nether regions with a thousand yard stare. “Against a Backdrop of Blue Hills…” provides the canvas for a drifting stasis, wavering and dissolving amongst glimmers of thoughts; me, immobile, intent on the far reaches of the ether, a study of the minutia, the cataclysm of antimatter, an assured focus of the universe condensed in my writhing hands, my feet seemingly suspended above the floor, weightlessness, a “Departure”, fleeting tracks such as “Untitled II (For Tape) and “A Wave in My Backyard” allow distance from the body, now a separate entity; the mind is adrift. All extremities go numb in “Blue Hills”; the listener is left with an awareness of location but one’s surrounding are intangible—the closeness of the music develops even further; an overwhelming oneness ensues.
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    Olan Mill – Pine (CD)

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    Ambient sounds travel around us. They can go unnoticed and form part of the deluge of noise that exists in our atmosphere… They can also be considered and appreciated as something integral to the makeup of our auditory senses. Take the trickling of a stream, the humming of a bird or, in the context of this review, the echoes of music emanating from a church, and with a little analysis one can appreciate the presence of these reverberations. Listening to “Pine,” the second release from record label Serein, and the debut recording from Olan Mill, it is clear the group’s two collaborators are appreciators of these sounds. For while this compact, concise group of recordings are created from a palette of instruments and not from field recordings so usually associated with ambient music, such is the dream like, slow motion quality of the sounds at work that one could easily forget they are listening to a record, as the notes seamlessly form part of their natural surroundings.
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    Good Night & Good Morning (CD)

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    Following an ultimately fruitless two years spent in short-lived bands which pursued the style of aggressive rock music that has strong roots throughout their home state of Illinois, Champaign based musicians Pat Elifritz and Ryan Brewer decided to try a different approach and formed Good Night & Good Morning, a two piece project which focuses on building textures of guitar into songs which join hushed vocals with droning organ and vibraphone melodies. Good Night & Good Morning first self-released a five track CDr and then had a brief spell as a three piece with harpist Róisín Maguire, but after appearing on second work Studentin, Maguire left to pursue a degree at New York University and it was in this freshly condensed state that the pair spent six months recording this self titled release in the basement at Elifritz’s parents home.
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    Black Eagle Child – Lobelia (CD)

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    The Preservation label presents Lobelia, the debut full-length album from Milwaukee, Wisconsin’s Black Eagle Child… Black Eagle Child is guise for guitarist Michael Jantz. Jantz has previously released an expansive body of work, sprawling across some of the most notable underground labels of the current day, including Stunned, Housecraft and Digitialis. His solo recordings work a realm of exploratory zones for guitar that touch on the discordant, psychedelic and pastoral, while also deploying varied percussion and field recordings for texture and rhythm. That journey continues with Lobelia, though in its expansive scope it’s played for pure songcraft and resonant beauty.
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    Erikm – Stéme (CD)

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    Between his reputation as swift shifting improviser, concréte composer and turntable deconstructionist, Marseilles based artist ERIKM has earned himself an enviable position in the European music community. With Stéme, his most ambitious and fully realised compositional work to date, he devolves and recontextualises the boundaries between sound source and sound media.
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    Stuart Sweeney – 16:9 (CD)

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    The sound 16:9 creates is one of minimalism melded with spiritualism. It’s the soundtrack to some fantastic film.  Pianos fall gently into background space, as strings, synths and a host of other, often unexpected musical tools combine to create a tragic, heroic and captivating movie in the mind. A road trip on a mass scale, the sombre closing credits of Cherry Blossom Falls offer up Vienna in violin arrangements, while Kaiyu-Shiki transports you to the eponymous Japanese garden, via a thousand crystalised chimes.
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    Anne Garner – Trusting A Twirled World (CD)

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    Following her 2005 debut album ‘Remaking The Pearl’, Anne Garner returns with ‘Trusting A Twirled World’, an album comprising six hauntingly beautiful pieces defined by delicate vocals, piano and manipulated sound. London based Garner was born in Burnley to a Baptist minister and then subsequently raised in Glossop, Derbyshire. A move to Sheffield coincided with the artists’s artistic blossoming and her early adulthood was spent performing, painting and composing until the devastating loss of her mother prompted songwriting with a new focus and resolve.
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    Boduf Songs – This Alone Above All Else (CD)

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    The fourth Boduf Songs extended play was created using Mathew Sweet’s standard recording set up of a single microphone and a small array of instruments, but it comes with a few surprises – most notably the prominence of electric guitar, bass and stomping drums on a few tracks. All of the elements that make his previous sound creations so arresting are still present; the impeccable song structures, the minimal approach, the delicate yet dominant singing.
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    Sound People – Teatime (CD)

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    Jesse Johnson and Paul Dickow, collectively as Sound People, present Teatime, a document of their multiple sessions of sonic exploration during 2008 and 2009. Fueled by countless cups of high-powered exotic teas, these vivid and lush recordings reveal the two friends united in their search of new dubbed out sound worlds on the fringes between ambient coasting and rhythmic syncopations.
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    Expo 70 – Death Voyage (CD)

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    Mastered by Jannick Schou. Limited to 500 copies on replicated CD (NOT CDR!) in numbered 6 panel digipak with full colour artwork designed by Justin Wright himself. First 100 orders come with bonus cassette of outtakes in hand stamped packaging.
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    Max Bondi – M (CD)

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    Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper. Each CD is numbered from 1 to 200.
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    These Feathers Have Plumes – Corvidae (CD)

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    Packaged in usual Tartaruga style, this releases features stunning artwork from Louis Caldarola. A two-colour screenprinted card sleeve in black and purple is stitched together with green thread.
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    Bleeding Heart Narrative – Tongue Tangled Hair (CD)

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    The CD features a fantastically detailed drawing from Bleeding Heart Narrative, folding out around the gatefold thick-card sleeve in a two colour print. All copies come with a 12-panel foldout insert, and the 200 limited copies also include an extra two-colour numbered screenprint, and are also hand-numbered and sewn together.
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    Mem1 & Stephen Vitiello – Age Of Insects (CD)

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    Age of Insects is the result of a series of visits made by Mark and Laura to Stephen’s studio in Virginia between May 2009 and January 2010. The three improvised around common interests in analog electronics and digital manipulation, field recordings and instrumental performance practice. These recordings presented here feature only minimal editing and post-production, with a primary intent of capturing shared moments of listening and response. The titles refer to extinct insects—the imagined hum and flutter of their calls, flight and communication.
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    Plinth/Textile Ranch – The Rest, I Leave (CD)

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    This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
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    Grand Salvo – The Temporal Wheel (CD)

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    Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs. After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
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    David A Jaycock – The Coleopterous Cuckoos Collude (CD)

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    Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.  
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    M. Ostermeier – The Rules of Another Small World (CD)

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    With The Rules of Another Small World, M. Ostermeier has arrived at an elegant voice – otherworldly and strangely beautiful, much like the desolate Taiwanese San-Zhr Pod Village gracing the album cover. While elements of electroacoustic, modern classical, jazz, glitch, drone, ambient, and even lounge weave in and out of the record’s eleven compositions, The Rules of Another Small World is the converse of an eclectic collection of songs.
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    Jack Allett – The Collapsing Middle (Vinyl & CD)

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    Debut full length vinyl release from Jack Allett, formerly known as Spoono, who previously had a CDR on Blackest Rainbow followed by a split LP with Cam Deas, and a 7″ on The Great Pop Supplement…
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    Tokyo Bloodworm – Palestine

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    There’s always been a touch of transatlantic symmetry between ourselves and Tokyo Bloodworm, and so it seems fitting that the labels long playing swansong should be played out so beautifully by them.
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    Tiago Sousa – Walden Pond’s Monk (CD)

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    Walden Pond's Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Following the limited vinyl-only album Insónia released in 2009 on German label Humming Conch, Walden Pond's Monk is the first album from Sousa released worldwide on both CD and LP formats.
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    Laura Gibson & Ethan Rose – Bridge Carols (CD)

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    Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.
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    Rene Hell – The Terminal Symphony (Vinyl / CD)

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    Includes a 40 minute bonus CD, The Hilton, featuring previously unreleased material: It might not have been so long since Jeff Witscher released his debut ‘proper’ album under the Rene Hell moniker, but he’s kept himself busy in the interim all the same…
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    Talkingmakesnosense – Coruscates (CD)

    Talkingmakesnosense is Dominic Dixon of Glasgow who has been making music in one form or another since he was a child. Most recently, he’s been releasing records on the now sadly defunct Benbecula Records, and now a new album on Rural Colours. Coruscates consists of four long-form tracks, each tipping past the ten-minute mark. An edition of 100, CD and cover packaged in a translucent envelope.
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    offthesky: Subtle Trees (CD)

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    As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.
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    Haruki – Falling (CD)

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    Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.
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    Ten and Tracer – Friendless Now (CD)

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    Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
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    Marihiko Hara – Credo (CD)

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    I first came across Marihiko Hara’s work in 2007, with his ‘Cesura’ release on the excellent Italian net-label – Zymogen. It really drew me in more than most other work that was doing the rounds at the same time. It had the sort of organic details and attention to beautiful subtle developments that I had only really heard in offthesky and Nicolas Bernier before (both label mates on Zymogen I should add). It became my soundtrack to that year and an album I returned to almost daily during the winter months. After this I followed Marihiko’s work carefully, from his rather fantastic 2009 ‘Icon’ release on Cotton Goods to his recent ‘Prosa’ collaboration with Tomas Phillips on Tench Records.
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    In The Bleak Wilderness Of Sleep (CD)

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    The compilation features 12 tracks from some of the globe’s most talented sound-designers. It is a subtly rewarding headphone listen from start to finish; curated and ordered to purposefully induce a state of sleep. Starting off minimally, gradually gathering tone and atmosphere, the experience goes on without ever boiling over or reaching a crescendo. Parts of the album are light and restful whereas traces of it tread darker territory. All in all, the imagery that the album conjurs sits perfectly as a soundtrack to the dreams one experiences during a nights sleep.
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    Artforum: March Issue (Book)

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    Artforum is the USA’s premier contemporary arts magazine. Each month, Artforum, presents the latest ideas in international visual arts, fashion, film and the performing arts. Artforum aims to make contemporary art accessible and understandable, and to give its readers a clear picture of the cultural landscape.
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    Corridor8 – The Borderlands Edition (Book/CD)

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    Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009. The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
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    Yeti Magazine Issue 10 (CD / Book)

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    Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
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