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    Tess Said So – Scramble / Fate

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    All music composed and played by Tess Said So Rasa Daukus – piano | Will Larsen – percussion Tess Said So is a piano and percussion duo that provide a sound that falls into the interstices between neo-classic and jazz. Most, though not all, of this is rather down tempo, almost ambient, with a touch here and there of a minimalist feel. It's only due to the use of a drum kit that it has a jazz vibe at all, at least to my ear (listen to tracks 4, 7, or 10). Quite mellow overall, and very well done, I don't hesitate to recommend this.
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    Saenïnvey – The Path

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 130 copies... Yves-Gaël Jacak alias Saenïnvey is a French ambient/drone music artist who lives between France and Vietnam. Almost all of his sounds are released by some instruments from his own making which give this particular texture in his compositions. His music combine a rich acoustic palette and a refined electronic treatment. His works bring us into this permanent balance between electro-acoustic and drone. He presents on Eilean Rec. his first album.
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    Poppy Nogood – Music for Mourning

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    Influenced by the neo-romantic emotional minimalism of such artists as Max Richter, Bing & Ruth, Terry Riley and Steve Reich, Music for Mourning attempts to capture the emotions and feelings associated with a sense of mourning or loss via fast, schizophrenic juxtapositions of mood. “I like to restrict myself to a key, a series of notes, a repeating motive and improvise around it to see what comes out,” says Poppy Nogood. “I also believe that truth can come out through improvisation – being forced to make decisions in the moment and following natural instincts.” Having started learning classical violin from the age of three, Poppy Nogood is much more interested in understanding how the violin can be used in his own unique way rather than for technical virtuosity. He’s also obsessed with Romantic music and the idea of conveying a narrative of individual struggle through music, and is looking for a sound that is both tragic and beautiful. “Recording is an integral part of my composition process,” he says “I really don’t know where I’m going until I start recording.” Poppy Nogood is an American composer and violinist. Music for Mourning is his first album on Preserved Sound.
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    Dag Rosenqvist – Elephant

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    6 panel digisleeve placed into cardboard slipcase embossed with a transparent foil... Extremely quiet and violently loud, slowly rising only to moments later bear down on the listener with a wall of distorted sounds. This is the essence of ‘elephant’, the new album by Swedish composer and musician Dag Rosenqvist. ‘elephant’ consists of six tracks, all connected to each other in one way or another. Shards of tracks re-appear in other tracks. Structures, sounds, chord progressions and melodies are revisited and rearranged. Repetition as a means of holding on to something that is already lost. ‘elephant’ is an album built on contrasts. It is an album filled with noise and fury, with distant echoes and subtle vibrations. It is a blind force that can both crush you and embrace you with its fragility.
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    Cyril Secq / Orla Wren – Branches

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    Limited edition of 200 in matte finished 6-panel digisleeve... Branches came into being during a long time planned project between Tui (Orla Wren) and Cyril Secq (member of the band Astrïd). Having worked together when Cyril contributed guitar to the Orla Wren’s previous albums the idea then formed to do something further and even more collaborative. At the same time, Cyril had recorded many guitar parts, as a ‘solo’ project, that had never been released. And they were the basis, the bones for Orla to work, completely free. It’s a duet between acoustic strings and processing, field recordings, edits and organic arrangements. This music is steadily ramifies, growing out of itself like a wild tree. The tunes woven together and untwine again as a branches shaken by the wind. It sounds focused, calm and distinct. Although everything has been done in distant places (France and Scotland) the result sounds like two musicians experimenting in the same room, sharing their background and culture.  
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    Delilah Gutman / Drawing Virtual Gardens ‎- Charcoals

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    Charcoals, a interpretation of neoclassical and electroacoustic music by Delilah Gutman and David Gutman (Drawing Virtual Gardens). 65 CDr’s, hand made brown kraft covers, hand numbered, photo’s, envelope with wallet inside. 24bit HD audio
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    Adzuki – Radio Sea

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    “The noise which comes from the radio sometimes sounds like the sound of the sea” 10 tracks of pure meditation and ambient bliss. 65 hand numbered CDr, hand made covers, real photo’s.
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    Sapphirine Phlant – Until The Light Takes Us

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    Comes in a brown kraft wallet, outside kraft paper cover (envelope), real photo’s, hand numbered in a limited edition of 50 CDr... “The material was recorded through 2014 under the influence of Norwegian Black Metal, grim moods and wandering in mirk. Some ideas were also inspired by chtonic investigation of H.P. Lovecraft opuses.”
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    Robert Heel – Naihehe

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    “Naihehe” is inspired by huge caves around the world. Enormous echo spaces, cavernous spaces, versatile reverberation, natural surroundings and heavily modified sound and field recordings: from slowed down bat sounds to water and wind in caves to clicks, noises and slipping rocks.
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    Davis / Merzbow – Atsusaku

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    Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis’ reed sound being compressed and constrained by the saturation of Akita’s textures, that the album was born. The acoustic sound almost suffocated beneath the sweep of sonic overload, but through limitation and pushing the mechanics of the instrument itself, finding a space to cut through with layers of self-distorted screams. Haihan, a furiously abusive maelstrom of coloured-noise, digital cross-fire and distorted bass clarinet is unrelenting as it searches for moments of pulse within the haze only to move abruptly back into the mechanical barrage of looping textures. Kyouhan is is far more open in its texture, the low-end layers of reeds moving across the sound space as the squall of chirps and mechanical screeches build slowly into a dense mass of reverberated pointillist details.
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    Orphax – Time Waves

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    Orphax is the Amsterdam based musician Sietse van who has been active with music since 1998. Time Waves is his second proper CD release after 34 CD-R, Tape, DVD-R and download releases and various compilation contributions and remixes.
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    Modelbau – Four Squared Wheel

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    Modelbau is one of the many names Frans de Waard (Kapotte Muziek, Goem, Wieman, Freiband, etc) uses for his music. Moving Furniture Records is proud to release the first proper CD by this project after many tape releases and a couple of CD-R’s.
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    Daniel K. Böhm – Carrier

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    Recorded and mixed by Patrick Murphy. Mastered by Patrick Murphy and Dean Terry. Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 150.
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    Phi Bui – Unnoticed Moments

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 150... Phi Bui is a composer, beatmaker and producer currently residing in San Francisco, CA. His influences stem from musique concrète, ambient, classical, hip-hop, and lo-fi idioms. Sonic pieces were formed using acoustic instruments, đàn bầu, a 4-track, and samples from records and field recordings. Eilean Rec. presents here, his first complete LP.
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    Nguyen / Cinchel: Movement Of An Old Soul (Deluxe)

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    Limited edition version comes in an edition of just 65 copies…that’s all that we could scrape the absurdly hard to find materials together for! Each of these beauties comes in a sort of matchbook folded package. The outer antique, hand stamped stiff board folder material is collaged on both sides with beautiful vintage photos, appropriately paired old word cards, worded sections of 100 year old player piano roll paper, and a 3D winking eye! Sewn into each is a modified antique bank envelope, containing on one side a rare, 60’s metal Thorens music box disc with unique song on each (you’ll need a Thorens player!), and on the other, a hand printed and stamped insert on ancient ledger paper, and a factory pressed disc. Each of these oversized, 5” x 6” “matchbooks” comes sealed in a zip locked, smoked, anti-static envelope.
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    Bruno Sanfilippo – The Poet

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    Bruno Sanfilippo as “The Poet” paints 11 sonic canvas of exhaustively expressive modern classical minimalism at its most exceedingly exquisite and profoundly poignant. With luminary contributions of kindred souls, Julián Kancepolski (cello) and Pere Bardagí (violin), Bruno’s narrative piano wizardry significantly exhibits in awe-inspiring equilibrium with performing delicacies of his mates. The beauty of magnificently evocative quietudes is in full blossom, immerse yourself into the poet’s tremendously embracing palette of lyrical mastery and sensitive insignias as this might be his magnum opus.
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    Maps and Diagrams – Delta

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    Once again, Maps and Diagrams produces another harmonic long-player; “Delta” this time for VoxxoV Records, with 12 tracks of hazy-flavoured electronics and defined acoustic distinctions. Conjuring-up found sound and aquatic, multi-coloured melodies, Maps and Diagrams takes us on a journey combining darkness and discordance with illumination and tonality.
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    Gavin Prior – All Who Wander

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    Gavin Prior: Acoustic Guitar, Electric Guitar, Electronics, Field Recordings, Mandocello, Mandolin, MC303. Scott McLaughlin: Cello on Between Breaths. Tuula Voutilainen: Vocals on Schoolhouse Coda. Recorded and mixed by Gavin Prior except cello on Between Breaths recorded by Scott Mc Laughlin and Pangolin Blues which was recorded by Liam Mulvaney in Asylum Studios, Bow Lane Dublin. Mastered by Chris Leary at Melograf Mastering. CD in card case with photography and liner notes by Gavin Prior.
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    Jim Ghedi – Home Is Where I Exist…

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    Glass mastered CD in a high quality 4 panel digifile... All music by Jim Ghedi Produced by Jim Ghedi and Toby Hay Engineered and mixed by Tim Hay and Jim Ghedi Mastered by Christopher Leary at Melograf Mastering Artwork by Liz von Graevenitz Layout and Photography by James Beattie  
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    Toby Hay – Rhayader

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    Glass mastered CD in a high quality 4 panel digifile... Toby Hay – 6 and 12 String Guitar, Piano, Banjo, Electric Bass, Field Recordings Rhydian Lewis – Drums Peter Scott – Double Bass
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    Ales Tsurko – Transliaciya

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    Influenced by such composers as Sergei Rachmaninov, Valentin Silvestrov, Morton Subotnick, François Bayle and Iannis Xenakis, Ales Tsurko uses composition techniques from contemporary classical music and mixes them with elements from the non-academic and electronic fields of music, as well as post rock and shoegaze music. Ales Tsurko is a self-taught composer from Minsk, Belarus. He is also the founder of the Society for the Development of New Music, the purpose of which is to develop and promote contemporary classical music. This is his first album on Preserved Sound
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    Antonymes – (For Now We See) Through A Glass Dimly

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    10 track CD comes in a six panel card sleeve and 8 page insert... Antonymes music emerges from the adjustments and erasures where music expresses nothing but itself, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.
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    Chris Dooks – Accretion Disc

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr limited edition of 120 / Download code. Dr Chris Dooks [b.1971] is a prolific multimedia artist based in both Edinburgh and Ayr in Scotland. Known equally for his lens-based work, music projects and conceptual art, he can be described as an interdisciplinary artist and post-doctoral researcher specialising in practical medical humanities work and philosophical art processes.
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    Himukalt – Conditions Of Acrimony

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    Somewhere in the American Southwest may lie a pile of fetid cassettes, the scope and breadth of which might very well match that of the experiments with tape and electronics from Rozz Williams and Chuck Collison. In her terse exchanges with us, she once alluded to a past set of recordings without divulging them; and so for now we have this prolonged electrical cramp that marks the first published recording of Himukalt. The given name we know is Ester Kärkkäinen, and that’s pretty much about her beyond the Nevada return address. This enigma is fitting for her work. exhaustive, claustrophobic, and cryptic, these lacerated (de)compositions address collapsed psychological states that dislocate the body, the self, and the spirit into horror, fear, doubt, hostility. Such have marked the acme for the most virulent strains of power electronics and industrial decay (e.g. Puce Mary, Anenzephalia, Maurizio Bianchi, Maria Zerfall, etc.), and this — hopefully the first of many transmissions from Himukalt — stands shoulder to shoulder next to those giants.
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    Seabuckthorn – They Haunted Most Thickly

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    They haunted most thickly. A collection of songs played mainly on an open C tuned resonator guitar & an open A tuned 12-string acoustic guitar. Melodies coming from guitar improvisations, heard in dreams, misheard in reality, all of which continued to invade my thoughts, a driving force for inspiration to record during my time living in Paris. These songs did indeed haunt me most thickly. - Andy Cartwright Seabuckthorn is the solo project of UK acoustic guitarist Andy Cartwright. Releasing 6 albums since 2008 he explores alternative terrains on six to twelve strings, often with minimal layered accompaniments to produce a musical landscape. Cartwright uses the techniques of finger picking & bowing combined with various open tunings to form a well curated mixture of approaches. Falling into the cinematic and soundtrack genres, it’s evident of influences ranging from the traditional styles of Robbie Basho and Jack Rose, to more modern players like Ben Chasny, Zak Riles, and Gustavo Santaolalla with whom Cartwright shares an emphasis on atmospheric and multi-instrumental compositions. Sometimes quietly ambient, often powerfully expressive.
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    Twinkle / Endresen – Debris In Lower Earth Orbit (CD)

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    Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Twinkle / Endresen – Debris In Lower Earth Orbit

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    140g Vinyl edition includes 11 x 11″ art insert and print... Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Lu Katavist – Inburst

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    Standard 140g Vinyl edition of 70 and includes 11 x 11″ art insert and obi-strip.... The striking first entry into the CUSP label’s discography comes from Cologne-based sound artist Lu Katavist, employing a variety of synthesizer modules controlled with the Haken Continuum Fingerboard to create a cavernous tapestry of deeply spatial and spectral soundscapes. Katavist’s (real name Luka Höfler) approach to the material derived on ‘Inburst’ has been wholly improvisational, but not in any sense traditional. Rather than acquiring any sort of mastery of the equipment chosen to build the sounds heard, Höfler has opted to adopt an almost automatic writing approach to sculpting the material, which he describes as ‘blurring the lines between creating and listening’. The aesthetic goals behind ‘Inburst’ are two fold; to introduce the Western ear to timbres and melodies more associated with lesser heard xenharmonic scales and to inspire a minds eye landscape for the listener to populate with their own experiences, focusing on scattered and layered frequency bands and melody to create a vibrant and evolving mise-en-scene to paint with.
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    Eumig – S/T

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    Courier Sound is proud to present the Eumig EP, which is a collection of 7 tracks inspired by the chance finding of a 1965 Eumig ‘Electric R’ camera back in 2014. Mechanical and somewhat utilitarian in nature, this object led artist and musician Nick Dawson to record a series of intense ambient drones, like concentrating on the mechanisms within the camera or staring into the sun though one of its rotating lenses. Each track is a unique improvisation, recorded in a single take, using an Arturia MiniBrute routed through a Boss ME70 effects unit and a Strymon Big Sky reverb unit. The track titles make reference to different parts of the camera. Eumig was mastered by the exceptionally talented Ed Rome at www.slamdoorstudios.co.uk and the image accompanying the release is a rubber stamp of the Eumig camera itself, cut by Martin Salway. The recycled sleeve was then hand printed by Nick.
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    Lorenzo Masotto – Rule and Case

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    Searching for equilibrium between classical harmony and the sound of modern music, Rule and Case is a sequence of chords and effects that arrives at the counterpoint between tonal precision and “atonal” freedom – between acoustic instruments and electronics, between the past and present. “Every piece I write comes from a particular moment of my life, an emotion, a meeting, a walk, a picture or a photo that I’ve seen,” says Lorenzo. Lorenzo Masotto’s journey with music began at the age of nine when he started playing piano. Graduating from Conservatorio di Verona, he consequently started studying composition and jazz. Lorenzo also plays in a prog/post rock band called Le Maschere di Clara, directs a male voice choir, writes music for film and theatre, and teaches piano and composition. “I’ve never only thought about writing in just one music style,” he says, “I love all music, and everything I write increases my confidence and ability to write from a wider perspective.”
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    Parallelism – Angular Geometry

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    A soft whisper beckons you to the horizon. Dusk or dawn, a faint rhythm gently takes your hand and guides you into a fluid realm of pulsating sonic drifts. “Angular Geometry” digs deep to soothe and invigorate the listener with engaging waves and invigorating microbeats into a lush natural soundscape.
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    Valanx – The Towering Pillars

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    Veteran Glasgow based producer Arne Weinberg’s latest Valanx album contains a creeping melancholia that seeps through its every pore. Claustrophobic rhythms of uncertain time signatures intertwine with dark drones as bio-mechanical heaves and strains echo throughout.
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    Submersion – Abrade

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    Abrade is the re-issue of a very limited tape/cassette release of the same name; self released by Submersion in 2012. Now made available again on high quality glass mastered CD with additional remixes by Mon0, Optical Frameworks and Valanx. Various layers of field recordings are at the core of Submersion’s work and are complimented by chords and sounds drenched in delays and reverbs. His approach on dub and dubtechno is unique and matched by the care and effort he puts into his sound design and recording process. The additional remixes feature a wide variety of styles and broaden the musical spectrum immensely, but retain the natural characteristics and sounds of the original source material and make this album a beautiful selection of music for dub techno and ambient aficionados.
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    Vitaly Beskrovny – Imperfect

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    Seeking perfection in minimalism, Vitaly describes his sound on Imperfect as – piano, mood, simplicity. “The world is imperfect, and people are imperfect – their ideas and actions. Music can also be ‘imperfect’ – but that does not make it unambiguously good or bad. The relative simplicity of melodies, unusual piano sound, piano playing and emotional states – all this can be called imperfection.” Attaching strips of fabric to the piano strings of an upright piano at the Dnepropetrovsk Conservatory, Vitaly asked the sound engineer to be left alone and recorded the pieces in one sitting. Only after recording the piano did Vitaly understand that the album would be called Imperfect. “To some extent, I always try to reach a certain perfection – at work, at home, or within my daily routine. But when I sit down at the piano – everything is different. I rely on feelings, emotions, and give freedom to the fingers. More than anything, with these nine pieces, I’ve tried to achieve a level of honesty with the listener.”
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    Drombeg – Earthworks

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    ‘Earthworks’ is Thom Brookes’ debut album as Drombeg, following his acclaimed EP ‘Notes From The Ocean Floor’ in 2015. A soundtrack for the middle-of-nowhere, the wild landscapes of Brookes’ native Southern Ireland are littered with historic (Tumulus), and geological (Béarra) structures hardened under the relentless elements. Sinuous string melodies, and tender piano phrases reach like sunlight breaking through heavy clouds, blended with electronics and field recordings in careful balance to produce a rich cinematic sound.
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    Madeleine Cocolas – Cascadia

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    Pressed on clear vinyl and in 5mm spined sleeves... Classically trained artist Madeleine Cocolas, originally from Australia, is currently based in Seattle. Her debut album ‘Cascadia’ is a refinement of material produced for her ‘Fifty Two Weeks’ project which saw her create a track-a-week for a year. The intricate arrangements reach the sublime through delicate piano melodies, pulsing synth patterns and backdrops with ambient layers of her own voice and field recordings.
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    Siavash Amini – Subsiding

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    Complete with striking cover photography by Alex Kozobolis, “Subsiding” will be available on glass-mastered CD in digipack sleeves (run of 200)... Prominent Iranian artist Siavash Amini continues a triptych of works with ‘Subsiding’, an album of instrumental ambient drone. His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting.
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    Wolf Maps – Purity

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    Limited hand-numbered edition of 100... Following his EP ’Sun Ghosts’ from a few months ago and debut album ‘Landforms’ (2011) is Wolf Maps’ second album ‘Purity’. His most personal work to date crafts layers of guitar tape loops into eight tracks of ambient drones, which with an apparent emotional fragility, envelopes the listener in washes of translucent memory and life-weary noise. As an experienced drone-creator with a large following in the experimental music community, Wolf Maps has reached a new plateau in his work, placing him along side his established peers.
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    Modo Koagon – Ebb

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    Record comes with 8-page booklet. All jackets and inserts assembled by hand and numbered, limited edition of 100, includes download code... “An eclectic trove of trinket-collage, field recordings, cling-clang, jazzy sax, synthery and percussive blips and rips; MK’s third release is his first as a solo artist and truly showcases his prowess, bringing sensitively crafted intricacies to the forefront. If peace is what you’re after then sprawl out and jam this ditty biddies!” -  Buffalotones Music and Artwork by Modo Koagon. Instruments and Sounds: Field recordings, prepared guitar, contact mics, voice, music box, home videos, kazoo, found objects, portable radio, Yamaha PSR E313, found sounds, theremin, harmonica, effects pedals, Monotron Delay, trumpet mouthpiece.
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    Fontaine – Diamond Lake

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    Diamond Lake was inspired by industrial parks, forest floors, insomnia and the landscape paintings of Ronnie Landfield. Limited edition CDr’s, 50 copies worldwide, hand-made covers with photos and hand numbered.
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    Arkadelphia – Islands of Mind

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    USB release contains high quality audio files (FLAC); four hours of ambient bliss, outsider techno & electronic sketches all written & produced by Arkadelphia. Highly Limited, 50 copies worldwide, walnut USB, comes with a special brown paper bag with photos and an extra download code for MP3, WAV or FLAC files.
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    Limited Liability Sounds – Surrounding Countryside

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    It was our reading of an American transcendentalist Henry David Thoreau’s Walden, or Life in the Woods that inspired and encouraged us to create Surrounding Countryside. In the narrative the author himself reduces his interest in material economy for the sake of spiritual wealth and by his complete immersion in the world of nature he is able to free himself for study and thought. When not busy with his domestic chores, Thoreau committed himself passionately to observing and recording of the flora and fauna near Concord. He seemed to perceive nature as a fruitful source of excitement. I read Walden when I make my first professional field recordings and sound effects. Surrounding Countryside is an emotional experience I passed through on the outskirts of a big city where I spent a couple of hot summer days recording the world around me as it really is like. Limited Liability Sounds latest enthusiastic response to a fast-changing world of music is a cautious attempt to produce ambient music which is more of a reflection than interpretation of the natural world. I hope this latest record of LLS will be a real treat for all sojourners in civilized life.
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    Black Eagle Child – Playing

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    Black Eagle Child is the project of Michael Jantz from Milwaukee Wisconsin. Jantz and Black Eagle Child are in no way unfamiliar names if you’ve been following experimental music over the last 5 years. He has released a number of albums on a slew of great labels over the years (Stunned, Digitalis, Under The Spire, Blackest Rainbow, Space Slave… to name a few). Black Eagle Child’s album titled “Lobelia” and came out on Preservation in 2011 and was met with critical acclaim from Pitchfork among other press outlets. The aptly named ‘Playing’ by Black Eagle Child takes a more playful approach to composition with less focus on the melancholy, while still maintaining some of the nostalgia that comes very naturally and sincerely from Jantz. ‘Playing’ is the perfect soundtrack for spring and summer with it’s circling guitar lines interplaying perfectly over various serene field recordings. A most blissful listening experience.
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    Scott Tuma – Hard Again / The River (2 x Vinyl)

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    Souled American got the proverbial shaft. It’s a well-known story, but one that bears repeating. Forming in Chicago in the late 80s, the band released four remarkable albums of howling roots-rock deconstruction before losing their stateside distribution when Rough Trade’s American division went belly up. Anachronistic and difficult to classify, these four albums– Fe, Flubber, Around the Horn, and Sonny (now back in print on tUMULt Records)– were largely ignored at the time of their release, and the situation was not helped by infrequent touring and a lack of press savvy. More recently, the band has toiled in near obscurity, releasing two albums on German labels since the mid-90s. In the end, though, Souled American was probably just too arty for a genre that puts such a high value on “authenticity.” Fortunately, the band seems to prefer its cult status. Of course, it’s hard not thinking about what might have been. The more or less contemporaneous Uncle Tupelo (which eventually split into Wilco and Son Volt) was handed the alt-country banner and basked in the spotlight while Souled American quietly pursued their craft in the darkness. “No Depression”– the movement and the accompanying magazine– could have just as easily been called “Feel Better” (the final track on Fe), if given a slightly different set of circumstances.
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    Bruce Langhorne – The Hired Hand

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    In 1969 Langhorne was asked by Peter Fonda to score his directorial debut. He decided to opt out of scoring the film in a projection room, instead chose to shoot the film onto a small black and white camera to take back to his home in Laurel Canyon. He would watch the film and play along to it as his girlfriend at the time would record him and play it back, allowing him to overdub Farfisa Organ, piano, banjo, fiddle, harmonica, recorder, and Appalachian dulcimer onto his Revox reel to reel. Bruce's 1920 Martin guitar is most prominent throughout the record. The Results were a uniquely wide and lonesome soundscape. The closest comparison might be Sandy Bull or possibly John Fahey, but nothing of its kind or even of it's time poses a resemblance to Langhorne's minimal masterpiece.
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    Michel Banabila: Tapu sampler 2016 (2xCD)

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    Limited edition 2CD album in a full colour matte finish 3 panel digipak. Compilation of tracks from independent releases on Tapu since 2005.
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    Asphodel – Aokigahara…

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Aokigahara, The Black Sea of Trees is an abstract visual and sonic story-telling which takes place in a forest located in Mount Fuji, Japan. The forest of Aokigahara, has a world-wide fame for the thousands of suicides which took place there and now has an almost mythological statue. The forest is spread all through with ephemera and items such as photographs, letters and instruments left behind by the leavers, all untouched due to respect. almost entire forest is covered with long ribbons people used to be able to return if they changed their mind. therefore, the entire land is embodied with the vicarious objects that depict the sense of memory, loss and hope.
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    Ingenting Kollektiva – An Anatomy of Melancholy

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Recordings revolving around the atmosphere of George Büchner’s Lenz and various melancholies provoked by Robert Burton, the recordings of Krzysztof Penderecki and the idea of Lontano (as from a distance / distant), the textures of Jordi Savall (La Guirnalda de Rosas inspired by a fragment from Saval’s Mare Nostrum) and Ingmar Bergman. Recorded 2010-2015. May pain be my reward.  
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    Olga Wojciechowska – Maps & Mazes

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    TRS057 is a stunning collection of electronically treated modern-classical beauties…somewhat dark and moody at times with it’s elegiac violin and haunting horns…yet always elegant and absorbing… Well…it’s the holiday season again, and the little elves at Time Released Sound have come up with something extra special for our year end release. TRS057 is a stunning collection of tracks from Polish composer/violinist Olga Wojciechowska entitled “Maps And Mazes”. These 11 pieces were originally written for various international theater/dance and film productions, and their overall feel reflects this performative nature. Electronically treated modern-classical beauties…somewhat dark and moody at times, with it’s elegiac violin and haunting horns…yet always elegant and absorbing…it’s an absolute honor to be releasing an album of music of this high caliber! This music will take you on a wondrous journey, and will serve as your map through the mazes of your emotions…
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    Joe Evans – Elemental States

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    As with his previous release on Spectropol (“Septimal” – 2014), with “Elemental States” Evans merges poetic and scientific ideas into compelling music that transcends its extramusical guides. In this case the classical elements are paired with the states of matter and prime numbers, realized with mellow metallic pitch sources and juxtaposed field recordings for the first four tracks, and with synthesis in the fifth. Elemental States is a mostly meditative experience, sonically rich and gently paced, yet full of surprises to the attentive listener.
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    Darren McClure – Apperception

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    Darren McClure is an Irish sound artist living in Matsumoto, Japan. His work focuses on texture, space and atmosphere. Sound sources are both analogue and digital, hardware and software, incorporating found sounds and field recordings to lend an organic, tactile quality to the pieces. His main intent is to create sound to both zone out to and zone into, a balance of widescreen drones and more minimal, abstract ambience. His material has appeared on imprints such as The Land Of, Unknown Tone, Flaming Pines, Symbolic Interaction to name a few. He has also become an in demand collaborator working with artists like Jose Soberanes, Miguel Isaza and Offthesky. He has released solo and collaborative work on a number of labels, across various formats. His music has also been used in conjunction with video work and documentary shorts.
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    Post Global Trio – Clouds

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    Post Global Trio is a project between Toni Dimitrov – electronics, field recordings, contact mic, acoustics, Dimitar Dodovski – electronics, synths and Martin Georgievski – guitar, synths, electronics, piano. Post Global Trio is an experience. An experience that you can feel on the journey through distant lands. Inside or outside thyself. Image of clear and subtle soundscapes and landscapes. Enter into the woods. Leave the city behind the horizon. Forget about it… Now enter more deeply. In thyself. And find yourself. The way you were before you have long forgotten. The project is created as a continuity of communication, collaboration, necessity of developing a certain scene. Sound picture of long-term mutual philosophical meditations.
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    Xu – Panpsychism

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    “Panpsychism” is a collection of slightly edited improvisations recorded using guitars, sine wave generator, fx and looper pedals. It is an exploration of the timbrical possibilities of acoustic or electric guitars, in almost no case played in an orthodox way (bowed, prepared, hammered, etc). Reminiscient of Talvihorros this is a 6 track release which varies from the almost noise – then-classic drone of “Blood-streams of existence” to the sinister sounds of “Rise” which wouldn’t be out of place in a horror film, through to the dual centre pieces of “Hive Mind” and “Hive Mind (Reprise), “Panpsychism” is for the lovers of more darker experimental material.
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    Ten – Hitherto

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    This release comes in a strictly limited edition of 40 black square 5” lathes, cut by Lathe Cuts and comes in a folded sleeve. Twice Removed is proud to announce the release of Ten’s Hitherto” 5” lathe EP. Ten (Dominic Deane) is a musician and artist who resides in the north of England in Leeds, UK and has making experiment/ambient music since 2009. Ten’s sound combines electronic keys, shoegaze noise and percussion with the acoustic sounds of glockenspiel and strings to create a beautiful cinematic sound-scape that moves from slow, eerie and melancholic to pulsating and optimistic. Ten have kindly supported, Tim Hecker, Stuart Braithwaite of Mogwai, Esmerine and Lucky Dragons. He has also toured around the UK, European and America. Previous releases have come out on labels such as Murmur, Cathedral Transmissions and Heat Death to name a few. He also appears in groups such as November Fires and Trouble the Dark. The tracks on the lathe contain 2 different slices of Ten’s musical style with the track “Now” exposing the Glockenspiel bright ambient, while “Time” ventures more into guitar based almost country-esque drone.  
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    Yamaoka – Silent Film

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    Yamaoka is the solo project of Kenichi Oka and was formerly a duo with Yoshinori Yamazaki (the name being a fusion of their surnames). They have been releasing music since 1996 but since 2007 it has been Kenichi’s project. Originally a techno outfit these days Yamaoka are pursuing electronic music with a strong synth, loop based sounds with grounding in Ambient and an almost beat-less stripped down version of Techno. Kenichi creates unique loop based tracks made in real time, without use of computers. Controlled by the Roland MC50 sequencer, Kenichi adds a human touch and “life” feel to his tracks. Following on from recent releases such as “Time to Time” on Databloem, “A Baoa Q” on Disq An, Kenichi Oka aka Yamaoka continues to further his pursuit of Electronic Synth based ambient and beat less almost Techno over 9 tracks on “Silent Film”. Subtleties and variance appear on this album from the loop based “Room Number” to the more techno based tracks like “David” and “Nakagawa” to the Aphex Twin like “Tartarus”. Something for those with varied electronic tastes.
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    Odawas – Black Harmony

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    'Coming from a period in both our lives where failed marriages, affairs, drug and alcohol abuse and a fatalistic dose of existential dread were leading us into something of a madman’s revelry. The lyrics weave these personal moments in through various fantastic narratives about star-crossed soldiers finding perfection in the desert, Prohibition-era murder and espionage, crime scene investigations in pastoral meadows, and finding soft comfort in the hallucinatory madness of Nebraska. Themes of being lost, betrayal, murder and madness are given candy-coated arrangements of Americana and atmospheric electronics. A spoonful of sugar makes the medicine go down, as they say.' - Isaac Edwards (Odawas)  
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    Grant Evans – Brittle

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    With a detached curiosity, Grant Evans drops us into his petri dish of mud, bacteria, and fetid slop. At first, we have no roadmap to the drowning noise that slowly trickles down the throat and presses against the ear drums; but Evans is no sadist. Yes, volatile coagulations and conflagrations abound with malaise at the beginning to each of the side-long works to Brittle — itself a vibrant landmark in the Evans’ rhizomatic back catalogue that slips through harsh wall noise, kosmische explorations, dronologist collage, and the like. But upon the discharge of that initial shard of tooth and blood, Evans tempers the atmospheric pressures and illumines a path by which to proceed. Beacons of monochord guitar. Radiant dispersions of glare and trill. Compacted bowed metal resonance. Interstitial ecological sounds from water, bird, and tree. Exhumed cassette minimalism. And a gasping, pulsing, morphing drone that bends around each of these sound objects. Such is the vivid unfurling of Brittle — a meticulous and wondrous bricolage of the exploded organic. Parallels to be found in Chalk, Organum,Toniutti, and Grzinich.
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    Grace Beneath The Pines – ST

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    The debut eponymous album by Grace Beneath the Pines takes influences from the raw, methodical emotion of such bands as Codeine, The For Carnation and Slint, fused with the lyrical lightness of Low and Piano Magic. Written with three different formations using three different bass players, each adding their own personality, skill, love and passion to the writing process, Grace Beneath the Pines is a musical journey that takes the listener to different places (musically speaking) through an amalgamation of musical styles and rhythms.
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    J Butler – Memory

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    Memory is that most elusive thing, so certain at a distance, but once examined up close full of holes and doubt. Memories fade, change, are re-written, morph and elide. At once ungraspable, unknowable and always out of reach they are also an essential part of each of us, and the basis of life as we know it. In Musicophilia: Tales of music and the brain, neurologist and author Oliver Sacks writes: “Every act of perception, is to some degree an act of creation, and every act of memory is to some degree an act of imagination.” This album with its delicate twists and turns, its unexpected returns and re-workings is J Butler’s meditation on the ways we remember. From the slow unfolding of Float, to the hazy repetitions of the title track and the insistent tug of Ephemera this is an album which you won’t forget.
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    Chandeliers – Artifacts

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    Imaginative music from Chandeliers (19 years old, living in Detroit/USA) trying to capture the deep sadness and nostalgic feeling of abandonment…
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    Light Sleeper – The Goodbye…

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    The Goodbye That Keeps On Giving is about memories, the past and goodbyes. The kind of memories that just don’t seem to fade and learning the importance of saying goodbye, in an attempt to find balance between holding onto memories, living in the present and looking forward to the future.
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    Silk Saw – Imaginary Landscapes

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    Comes in a lovely sleeve with gorgeous illustrations by Grisha and vinyl-like inner sleeve. Limited to 500 copies.... After 9 years of silence, here’s the 11th album from the unclassifiable Brussels-based duo. With their usual tamping drums (just mention the two parts of “The Decision to Exist” or “Same Area”, led by a ferocious 808), a regular bass guitar hammering, some bare minimum poor voices, threatened violins, skinbound flute and oboe here and there, a distorted furious piano everywhere and finally some tiny cautious optimism (the extra-human guitar in “Enough Slaps”). The whole is carefully assembled in order to obtain an accurate picture of life on Earth. “Pain” and “Pleasure” are different aspects of the same mental construction.  
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    Lyken / Dove – Mirror Lands

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    As usual TRS055 will come in two distinct versions. This is the lovely digipak version in an edition of just 100 copies. Both versions come with a factory pressed picture disc... For our 55th release we at TRS are very pleased to be bringing you this soundtrack to the film, “Mirror Lands”, by Mark Lyken and Emma Dove. Working in sound, music and film, these two regular collaborators are Scotland-based artists with a mutual interest in relationships to place and the complex interactions between humans, nature and industry. In their work they are drawn to revealing beauty within the ordinary and the musicality of the environment. This soundtrack is a lovely combination of minimal pastoral piano infused arrangements, industrial and natural field recordings, voice overs, and evocative electronics.
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    The Doubling Riders – Garama

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    This is the beautiful digipak version in an edition of just 150 copies. It comes with an inside pocket and a 4 panel booklet... For TRS054 we are extremely excited to bring you what is our first re-release. This is an absolutely lovely, and criminally under heard beauty from Italian group, The Doubling Riders, entitled “Garama”. Originally released in 1991 on the fantastic, Italian Il Museo Immaginario label, this is a wonderfully evocative album of old school, synth infused ethno-ambiance of the highest caliber. A concept album of sorts, it references the ancient Saharan kingdom of the Garamantes, who lived in what is now central Libya. Eerie, melodic, mysterious…please discover the wonder of Garama for yourself after all these years…  
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    Zander One – Emerald Awaking

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    “Inspired by the thick haze of the Ohio summer, Emerald Awakening explores the sonic realms embodied in the incandescent vapor hanging over the Cuyahoga Valley. As the awakening of spring permeates into every corner of the atmosphere, warm pads begin to take shape and form, backed by the gentle rhythm of the valley coming alive once more. Organic melodies layer the cloudy sky, through sun and storm, with a culmination of the gentle transition to autumn.” This album includes two remixes from Coppice Halifax and Shea McGilvray.
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    Artificial Memory Trace ‎– Amfibion

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    Amfibion takes the listener into a rich, bizarre and disorienting world, a biological melting pot of the uncanny, the bewildering and the awe inspiring. Comprised of treated field recordings of frogs taken during excursions in the Brazilian Amazon from 2007 to 2011, Amfibion is largely based on mating songs, and Artificial Memory Trace treats them in a manner which underlines the humid fecundity of this ecological wonderland. These pieces froth and foam, drip and slide from crashing crescendo to an eerie throb in the blink of an eye. There are croaks, shimmers, pulses and drones, sounds come together suddenly, and end just as abruptly. The sound world of Amfibion is a complex one, a place where life, death and reproduction intermingle like frog calls in the night, without beginning, or end. An unforgettable journey.
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    Arash Akbari – Vanishing Point

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    Iran’s Arash Akbari’s Vanishing Point nestles into inbetween places, revelling in the indistinct, the delicate and the mysterious. Bringing together field recordings taken from northern Iran, guitar and electronics, this is a late night album, an album which soothes, a set of sounds to think to. This is an album which lingers in the margins of consciousness, it conjures images gently, caresses them and ever so slowly lets them fade from view. With last year’s heralded Cracked Echoes on the excellent French label Soft Akbari established himself as an emerging talent within the ambient scene. With Vanishing Points he cements his reputation as one of the genre’s most exciting new talents.
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    Corder Ritger Yantis – Possession

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    Three sonic heavyweights have come together to compose the dark drone beauty Possession. Released in time for Valentine’s Day, this EP has no easy endings, only endless destructive cycles played out in a ruined universe. Inspired from the minds of US-based musicians Jason Corder (offthesky), Cody Yantis and Carl Ritger (Radere), they have birthed a doom drone space centric scape of obsession, madness and despair. From the gripping unfolding of the opening track Ascension, to the mind travel of A Viscous Tear and the majestic denouement of the 20 minute closing piece Wrath to Wraith, Possession will hold you in its chilly grip to the very end.
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    Valiska / Zenjungle – A Changing Light

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    Born out of a collaboration stretching from Vancouver to Athens, A Changing Light centres on change, dislocation and uncertainty. From different time zones, and very different cities Valiska (Krzysztof Sujata) and Zenjungle (Phil Gardelis) have carved out an album which celebrates change, nuance and noise. ”We hope that the listener will be as uncertain about where they will find themselves from track to track as the image that we had in our minds,” the pair explain. From the gorgeously gritty Derive to Gardelis’ blissful sax work on Nightwinds this is a special collaboration.  
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    Specta Ciera – Overwintering

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    Overwintering was inspired by watching animals leave Boston. As the weather turned cold it also became a lot quieter. As Devin Underwood, who releases as Specta Ciera explains: “Birds leaving the area for warmer climates created a sense of abandonment and isolation, the lack of song birds, buzzing and chirping of insects changed the atmosphere of my surroundings entirely. With “Overwintering” I wanted to try and harness those feelings of the deepest, coldest moments of winter as the first snows settle in and slowly with it, the deep freeze develops.”
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    Ross Baker – Two Suns Were Visible…

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    Inspired by vast empty spaces from military training sites to churches, Two Suns Were Visible in the Sky presents a vast panorama filled with joyous signs of life. From the opening sweep of ‘International Debris’ to the melancholic tones of the all too brief ‘Some Early Hour’ and the wistful ‘Farewell, Swifts’ this is album full of emotion. Baker said he was inspired by the emptiness of abandoned spaces because he felt they were so desolate you could almost see the sun rise again before it had set. With ‘Two Suns’ Baker might just have succeeded in bringing some extra light into all our skies.
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    Sara Forslund – Water Became Wild (Deluxe)

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    The limited edition version of “Water Became Wild” comes in an edition of only 63 copies. They are a beautiful hinged and lidded box with a magnetic clasp decorated in a white rose pattern rubber stamp that wrap all the way around. Each box is covered with beautiful photos of Sara taken by Lisa Ljunggren. Inside each box is a 3D diorama of Sara, contained under glass, and made up of actual leaves, moss and branches from the forest in which Sara is portrayed in the photos. Also included in each box is an accordion style hand worked 8 panel fold out insert with all the lyrics of the album, actual pages from Sara’s journals, Sara’s hand typed and signed Swedish poems, bits of her pipe tobacco and actual lipstick smudges… all in all a bit over the top and quite special and personalized!!
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    Tiny Leaves – A Certain Tide

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    Over a misty weekend in winter, composer Joel Pike aka Tiny Leaves, gathered a few of his favourite musicians deep in the Shropshire countryside. Together they laid down A Certain Tide, the anticipated second full length album from Tiny Leaves. The album captures a special moment in time, recorded over a few hidden days. It was here that the tracks were played live for the first time and the resulting recording carries a hopeful, fresh and intimate sound. The album became a whole, threaded through piece by piece, making it play almost as one long song. Pike says “A Certain Tide explores the meeting of the sacred and the ordinary, it speaks of hope in the turbulence, tells of the dance of the beautiful within the simple.” Building on the success of his debut album, he has created a work which feels much bigger in scope, size and feeling. From Pike’s minimal duets to fuller ensembles, A Certain Tide promises to engulf the listener in a deluge of heavenly song.
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    Anne Garner – Be Life

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    The limited edition (of 200) CD comes in a custom handmade heavy card sleeve individually rubber-stamped with Anne’s original artwork and containing a hand-stitched 12-page photographic lyric booklet and glass-mastered full-colour disc. Anne Garner’s fourth album is a beguiling blend of alternative pop, spectral lullabies and tender neo-classical arrangements. This dreamy, eerie and unashamedly beautiful collection of vocal-electronic crossover works represents the patient distillation of raw life experience into something subtle, ethereal and sublime. The album follows Remaking the Pearl, Magic & Madness and the acclaimed Trusting a Twirled World.
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    Hakobune – Vitex Negundo…

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    1. Daisuke Matsusaka – Cease To Effect 08:08 2. DJ Nobu – Saying This Once 07:31 3. Katsunori Sawa – Brief Respite Desertificate rmx 05:05 4. Dalhas Umai – Cease To Effect 07:23 5. Constellation Botsu – Brief Respite 02:09 6. Miclodiet – Cease To Effect 08:31 7. Guilty C. – Brief Respite 04:50 8. Taishin – Saying This Once 07:16 9. Foodman – Cease To Effect 03:48 10. Koba – Brief Respite 08:55
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    The Laborer – The Changing Tide

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    Limited to 90 copies. Hand lino stamped. “The Changing Tide” is a two disc set, housed in a matchbox style kraft box and containing unique flood overlays of ariel photographs from the David Rumsey Map Collection. Measuring hints of the sea change, both physically and though metaphor, via pastoral piano, rumbling field recordings and clipped electronics with The Laborer. Additional musical contributions by Elsa Hasselgarde (violin & vocal).  
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    thisquietarmy – Anthems for Catharsis (CD)

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    Anthems for Catharsis marks the follow up to thisquietarmy’s last full length studio works “Rebirths”, a representative collection of reworked tracks that have defined his purgative live performances. Between back-to-back tours in Europe & Asia and the release of live drone documents as well as collaborative works with Noveller, Aidan Baker/Hypnodrone Ensemble, André Foisy/Locrian, Syndrome/Amenra, thisquietarmy’s Eric Quach went back to the drawing board in his Montreal studio, at the end of 2014. Within the repetitive genre of ambient and drone, thisquietarmy constantly evolves and tries to incorporate new additional textures and structures into the music – for instance, think of the kraut rock shoegaze of “Resurgence”, or the post rock doom of “Hex Mountains”. However, in other to start fresh and shed skin from exhaustive influences, Quach strips his music down to the black bones. Anthems for Catharsis sounds very focused but also very very dark, not unlike a ritual cleansing or a detoxification. In dismantling his sound, thisquietarmy almost struck a black metal vein, resulting in a dark and brooding ice cold oozing of his signature drones.
    £9.00
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    thisquietarmy – Anthems for Catharsis

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    Anthems for Catharsis marks the follow up to thisquietarmy’s last full length studio works “Rebirths”, a representative collection of reworked tracks that have defined his purgative live performances. Between back-to-back tours in Europe & Asia and the release of live drone documents as well as collaborative works with Noveller, Aidan Baker/Hypnodrone Ensemble, André Foisy/Locrian, Syndrome/Amenra, thisquietarmy’s Eric Quach went back to the drawing board in his Montreal studio, at the end of 2014. Within the repetitive genre of ambient and drone, thisquietarmy constantly evolves and tries to incorporate new additional textures and structures into the music – for instance, think of the kraut rock shoegaze of “Resurgence”, or the post rock doom of “Hex Mountains”. However, in other to start fresh and shed skin from exhaustive influences, Quach strips his music down to the black bones. Anthems for Catharsis sounds very focused but also very very dark, not unlike a ritual cleansing or a detoxification. In dismantling his sound, thisquietarmy almost struck a black metal vein, resulting in a dark and brooding ice cold oozing of his signature drones.
    £12.00
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    Jim Haynes – Scarlet

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    Jagged bursts of strobe lights. Cackling radio signals bristling with interference. Sawtooth patterns of tactile noise. Torn flesh. Scabbed wounds. These are some of the building blocks to Jim Haynes’ Scarlet. This crucible of unkempt rhythm and noise-pulse turbulence was decomposed and sutured together from the various sources of electromagnetic and psychic detritus into an unstable mutation of sequential error. The eight tracks of Scarlet stand as vastly radical and obsessive variations on the theme of repetition through trauma. Each of the tracks may have begun with the same system of building blocks, but quickly spiral into disparate orbits, time-lag accumulation, tunnel-vision mania, schizoid detours, amplified seances, and teleological endgames. This strategy of rupture and release was first noted on Haynes’ 2012 album The Wires Cracked, but has become all the more unhinged here on Scarlet. The analog tone generation and shambolic futurism harken to an earlier era of industrial immolation, with Haynes’ echolalia of Le Syndicat, Mika Vainio, and Martin Rev stridently tracing and electrically bleaching the forms of those antecedents without the benefit of drum machine, sequencer, and whatnot. Bruitisme, indeed.
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    Sigtryggur Berg Sigmarsson – So Long

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    A journey through time, perhaps, for a daydreamer floating in a small boat amidst the radiant hues of a midnight sun. That daydreamer in this instance is the Icelandic artist Sigtryggur Berg Sigmarsson, best known for his electro-surrealism in Stilluppsteypa. He has long been an artist of extremes and absurdities — mania fueled performances, wildly scribbled drawings, and Haflerian audio shock-therapy, on one side; and on the other, a profound meditation on austere shape, form, and mood cast through similar media. Sigmarsson will intermingle these sentiments in slippery juxtaposition and assemblage, with beguiling, haunting, and / or charming results. So Long aligns itself firmly within that latter aesthetic of crypto-minimalism which began to germinate some 20 years ago. At that time, Stilluppsteypa was a trio who had recently eschewed their art-punk trappings, drunkenly scheming to corner the market at Documenta with deconstructivist drone and 21th century circuitry. Sigmarsson would find himself in his own studio, crafting sympathetic works to Stilluppsteypa; but these were directed inward as wounded, naked, and vulnerable concoctions reflective of Sigmarsson getting lost in his own little world. So Long quietly simmered in his head over the years; and with the completion of this album, we now have a sublime gesture of polar impressionism flecked with hallucinatory ambience, Vaseline-smeared crackle, and hauntological displacement. This album had originally been planned for release through the impeccably curated Intransitive Recordings, but that publishing house shuddered its doors before this could see the light of day. Sigmarsson self-released a condensed version of the album on the artbook / cassette If You Have Any Questions, Let Me Ask. The Helen Scarsdale Agency is delighted, honored, and humbled to publish this dronescaping threnody in its full radiance and blur.
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