Somewhere in the American Southwest may lie a pile of fetid cassettes, the scope and breadth of which might very well match that of the experiments with tape and electronics from Rozz Williams and Chuck Collison. In her terse exchanges with us, she once alluded to a past set of recordings without divulging them; and so for now we have this prolonged electrical cramp that marks the first published recording of Himukalt. The given name we know is Ester Kärkkäinen, and that’s pretty much about her beyond the Nevada return address.
This enigma is fitting for her work. exhaustive, claustrophobic, and cryptic, these lacerated (de)compositions address collapsed psychological states that dislocate the body, the self, and the spirit into horror, fear, doubt, hostility. Such have marked the acme for the most virulent strains of power electronics and industrial decay (e.g. Puce Mary, Anenzephalia, Maurizio Bianchi, Maria Zerfall, etc.), and this — hopefully the first of many transmissions from Himukalt — stands shoulder to shoulder next to those giants.
Darren Ho’s latest trip down the rabbit hole is a baroque maze lit with neon lights. Machine music for The Blue Danube. Piano, harpsichord and synthesis all set adrift, levitating into minimal jewels of sound.
Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape…Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing.
Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.
C24.chrome grade cassette. BLUE. Limited 100 copies. Mp3 download card included…
The first EP from the next generation of technoise. An intersection of extreme high- frequency feedback and heavy, incisive beats. This long track is buried in the extremes of the dancefloor and experimental music. An exhibition of new music.
C32 – black cassette / clear flexy polycase / cover printed on Risograph – blue/orange fluo / limited to 100 copies…
Magic Towers is a duo born in Vittorio Veneto and active from summer 2010: two nomad and egocentric knights. They use synths, delays, tape echoes and space sounds in order to compose or improvise ambient and delayed atmospheres and trips. The project is based on the inner observation and the visual contemplation of the sound. The image of the Tower – connected on one hand with the journey, the passage and the transit, on the other with the static position – reflects the attitude of MT: an observer looking for the right observation point. Space ambients, rhythms from the deep, melodic inserts and an evil beat out: in contemplation of the immense Void.
N4: recorded in Milano during the All Soul’s Day 2011.
It’s the fourth part of the “Magic Trips” series.