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    Strië – Õhtul (Deluxe CD)

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    Each of these gorgeous deluxe versions, in this edition of 100, will come in a fused double envelope package, comprised of two 6.5″ square, Midnight Black envelopes. Each of these envelopes will be hand worked/stamped/artified in the usual TRS manner…in one of them will come the black digipak in it’s own translucent envelope, also stamped, and in the other half of the package will come a set of three banded 4″ x 6″ hand printed color prints, on 300lb Moab Rag Natural paper, with accordingly mysterious quotes/Strieisms, and a 4″ x 6″ unassembled jigsaw puzzle also in it’s own translucent envelope featuring, as far as we know, the only somewhat recent picture of Ms Reinhart in existence. Strie is a puzzle..and is being released as such…  
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    Strië – Õhtul

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    Digipak version of 250 copies comes in it’s own translucent envelope… Strië is the alter ego of the mysterious and public shy European sound sculptress, Iden Reinhart. Much has been made in the past of her elusive character…it has been said for instance, that she fled the spotlight in European classical music circles to retire to a life of creative seclusion in the countryside….country in particular currently undetermined! This is after living her youth as a child prodigy of some import…and we can state that even after dealing with her personally and quite congenially for most of the last six months, she is as much a mystery to us, at least, as ever! S
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    En – Already Gone

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    Already Gone is the second full length album from West Coast dream-drone unit En, the duo of Maxwell August Croy and James Devane, following their well-received debut album The Absent Coast (released in 2010 on Root Strata, which Croy runs alongside Jefre Cantu-Ledesma). For their sophomore release, the pair have opened up their tonal palette considerably. While the comparisons that critics made of their first album to the work of Tim Hecker and Stars of the Lid still hold true, Already Gone finds Croy and Devane mining even richer sonic climes. Here, the duo pull back the curtain on some of their source material, a move that allows the diversity of their instrumentation to resonate. On The Sea Saw Swell, Croy’s acoustic koto pings across the stereo spectrum as a looping guitar figure from Devane apparates from the haze of a beautiful, slowly shifting drone. The side-long closer Elysia is likely the duo’s defining recording to date, an epic slow-burner that reaches heights both angelic and cacophonous. Ultimately, it is the harmonious marriage of the organic and the obscured that recurs throughout the album that proves its defining trait, and it is precisely what makes En stand out in the ever-growing field of contemporary drone/ambient musics.
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    En – Already Gone

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    Already Gone is the second full length album from West Coast dream-drone unit En, the duo of Maxwell August Croy and James Devane, following their well-received debut album The Absent Coast (released in 2010 on Root Strata, which Croy runs alongside Jefre Cantu-Ledesma). For their sophomore release, the pair have opened up their tonal palette considerably. While the comparisons that critics made of their first album to the work of Tim Hecker and Stars of the Lid still hold true, Already Gone finds Croy and Devane mining even richer sonic climes. Here, the duo pull back the curtain on some of their source material, a move that allows the diversity of their instrumentation to resonate. On The Sea Saw Swell, Croy’s acoustic koto pings across the stereo spectrum as a looping guitar figure from Devane apparates from the haze of a beautiful, slowly shifting drone. The side-long closer Elysia is likely the duo’s defining recording to date, an epic slow-burner that reaches heights both angelic and cacophonous. Ultimately, it is the harmonious marriage of the organic and the obscured that recurs throughout the album that proves its defining trait, and it is precisely what makes En stand out in the ever-growing field of contemporary drone/ambient musics.
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    Wes Willenbring – Weapons Reference Manual

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    CD comes in a 4 panel wallet in a limited numbered edition of 200… Weapons Reference Manual is the third album by American ambient craftsman Wes Willenbring. As a further progression from his acclaimed debut Somewhere Someone Else and his stunning sophomore album Close, But Not Too Close, Weapons Reference Manual features a varied and richly hued palette of visceral guitar tones, effects-warped textures and achingly beautiful piano work. Immersive and darkly emotive soundscapes, such as droning opener ‘Dreams and Schemes’ and the 15-minute epic ‘Quaaludes’, are counterbalanced by seductively melodic pieces, such as ‘People Disappear Everyday’ and closing track ‘Ashes’. Meanwhile, single ‘Consequences of Recklessness’ is Weapons Reference Manual’s shimmering centrepiece, setting icicles of delayed guitar amid an aching tapestry of drones and feedback. It sets the tone for the album as a whole, perhaps Willenbring’s most complex and satisfying release to date.
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    These Shipwrecks – Raw Powerless

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    Superb release from These Ship Wrecks whose previous releases were “Leda” (Frosty you Haunt Me) and “Salt, Sulphur, Mercury” (Heartless Robot Productions). It’s a stripped back recording using 1 microphone. Mastered by James Plotkin in a slim line case, double sided sleeve in a limited edition of 100.
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    Magic Towers – N4

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    C32 – black cassette / clear flexy polycase / cover printed on Risograph – blue/orange fluo / limited to 100 copies… Magic Towers is a duo born in Vittorio Veneto and active from summer 2010: two nomad and egocentric knights. They use synths, delays, tape echoes and space sounds in order to compose or improvise ambient and delayed atmospheres and trips. The project is based on the inner observation and the visual contemplation of the sound. The image of the Tower – connected on one hand with the journey, the passage and the transit, on the other with the static position – reflects the attitude of MT: an observer looking for the right observation point. Space ambients, rhythms from the deep, melodic inserts and an evil beat out: in contemplation of the immense Void. N4: recorded in Milano during the All Soul’s Day 2011. It’s the fourth part of the “Magic Trips” series.
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    Concessionaires – Artificial Interface

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    Concessionaires is the duo of Brad Rose and Pete Fosco. Brad is of course the mastermind of the esteemed Digitalis label and Foxy Digitalis webzine and is known also for his many musical projects, such as The North Sea, Charlatan, Altar Eagle, just to name a few. Pete is a guitarist born in Cincinnati Ohio and now resides on the other side of the Ohio river in Kentucky…he also plays in Early Tunnels with Jon Lorenz and as a sometimes guest member of Wasteland Jazz Ensemble. In the spring of 2010 and 2011 the Foscos made a road trip to Digitalis headquarters for the purpose of building friendships, sharing brews, and recording some messy synthesizer meets Fender Telecaster jams. After a few tape releases on Gift Tapes and Dial Square Tapes the boys decided it was time to do an LP. The always stellar Matt McDowell (Sagas, Waterfinder, Biological Radio) was kind enough to mix, remix and master from hours of long jams, and Artificial Interface is the result. ”Best enjoyed with a pot of chilli and a Bourbon barrel ale.
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    Thisquietarmy / Yellow6 – Death Valley (2xCD)

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    “Death Valley” is the most ambitious BF release so far. After its vinyl releases, this gollem sees its CD edition released at last. This mini gatefold sleeve with a 8 pages booklet 2 CD set consists of previously released “Death” and “Valley” re-united, with the addition of 3 bonus tracks: an outtake, a small live recording and a remix by Fear Falls Burning.
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    Wastelanders – Cosmic Despair

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    Wastelanders second release finds Dean Costello (also of Harpoon and Diatribes) exploring the unfathomable depths of Cosmic Despair. The 53 minute epic expands and contracts, drifting on through a woefully auspicious expanse of ambient, vocal-less guitar and organ suites. Textures condense and grow, gradually coming forth, and as the album unfolds it builds in depth and dimension. Waves of spacious flotation accompanied by trolling, lulling bass frequencies lead us head first into the glorious abyss. Mastered by Andy Nelson at Bricktop Recording.
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    Julien Demoulin & IA – The Bay

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    A tribute to both a great friendship and the mist-mantled San Francisco Bay Area, “The Bay” is a sprawling forty-minute drone piece recorded and produced in 2009 and 2010 over the course of several journeys between Oakland, California and Brussels, Belgium. Guitar and vocal drones, environmental recordings and flute merge to form an emotional travelogue at the grey boundaries of the dreaming and waking worlds…in celebration of reminiscence, before a darkling dawn, deep under the skies of water…
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    Flaherty / Corsano / Yeh Trio / Ambarchi

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    Oceans of drum kit fire bawling and fluttering string overtones fuse a complex web of ear asterism, infiltrated by a woozy sax line that soon reduces in duration and increases the overall vehemence with fragmented reed chewing rasp & roar joining a myriad of coordinates in this dense labyrinth of free magic. On the flip stunningly crafted harmonic percolations of feedback glare and riff particles slam into tantric drum force blast beats by Matt Skitz Sanders, on this unexpected monolith from Oren. Art by Paul Coors. The trajectory is straight for the horizon and bounds with a ceaseless velocity. This is one to crank up and lose your self in. – Foxy Digitalis
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    Infinite Light / Vibracathedral Orchestra (7″ Vinyl)

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    Vibracathedral drop straight into a heads down fully tranced narco-dust trail, with guitar-born fireflies leading the way through a never-changing backdrop heat haze of low-lying smoke-mist and earth-veined throb. Fx tweets and rattlesnake percussion shakes as mystic keyboard spirits blow in a weightless drift. The first cut from Infinite Light is a section lifted from a show featuring Barry Dean on guitar, Mick Flower on guitar and organ and Pete Nolan jamming the traps, and its a full, free-rock, psych-out captured through a heavy veil of no-fi smog. By the sounds of this they must have blasted open the trans-dimensional portal to some out-of-time temple rituals. Part two is the opposite, exchanging blasted group workout for a solo piece of harmonic guitar vignettes wrapped around a falsetto vocal cadence fluctuating at the point of saturation. Art by Barry Dean, design by Mick Flower.
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    Glockenspiel – Enspiel

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    Using tapes, electronics and guitars through chains of effects, Adrian Dollemore’s fundamentally earth-ground chords and astrally-projective processing paint a rural tonality with a bristling white afterglow. Glistening arpeggios rise and fall against gurgling analogue electronics, washes of processed cymbal and ethereal drone filigree. Pro pressed CD packed in a card slip case which was designed by Steve d’Enton.
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    Cock & Swan – Stash (Deluxe CD)

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    The CD (Not a CD-R) (Limited Edition of 100) comes housed in a hand-aged linen cloth bound book. The linen cover is backed with archival mulberry paper and bound over high quality and heavyweight archival book board. Cover art is printed to canvas and stitched. The interior is lined with hand made banana bark paper, lokta and mulberry paper. Each limited edition is hand numbered… Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Cock and Swan – Stash

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    CD housed in a reverse print sleeve with matte CD art / 320K MP3 Download / 5 Bonus tracks from Cock and Swan / Bonus remixes from Part Timer and Vieo Abiungo…  Through the hypnotic fog that is the music of Cock and Swan lurks a strange energy, feeling one part sinister and two parts innocent. Yet, it reveals itself in subtle uneasy layers of blissfully haunting melodies as you clamber further into the dank outlands that entrench their sound.  
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    Abiungo / Monro – Thunder May Have Ruined the Moment (CD/DVD)

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    The CD and DVD (Limited Edition of 500) come housed in a 7”x 6” custom book-style case, featuring debossed imagery and text on the exterior. The interior features 16-pages of stunning full-page spread imagery, along with poetry penned by Fritch. Each edition is numbered by hand. Also includes 320K MP3 + DVD File Download plus 4 Mastered Bonus tracks… William Ryan Fritch (aka Vieo Abiungo) returns with a gorgeous fifteen track follow-up to 2011’s And the World is Still Yawning. Trying to classify Fritch’s sound by genre has become almost futile. He effortlessly weaves together a huge breadth of earthy beat-laden experimental, classical, and folk. This is the third full-length for Vieo Abiungo, and this newest installment comes in the form of a CD and DVD release titled, Thunder May Have Ruined the Moment. Fritch enlisted the help of award-winning film director, Pete Monro (Days Together) to create several short experimental films for the DVD. The films offer up thick psychotropic visuals and hazy moss grown memories that seamlessly meld into barrage of twisted imagery and nature based decay. Though the music may sound at times like the product of electronic instrumentation, the entirety of the film and accompanying album’s music was created strictly using acoustic instruments played entirely by Fritch, and recorded primarily using analog tape machines. At times tranquil, tortured, or trembling with quiet joy, Thunder May Have Ruined the Moment is an album of light and shadow, the human experience given voice.  
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    A-Sun Amissa – Desperate in Her Heavy Sleep

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    A-Sun Amissa is a new project formed out of Leeds, UK by members of Glissando. Built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. Richard Knox (Glissando / ‘The Rustle of the Stars’ / Of Thread & Mist) & Angela Chan (Glissando / ‘The Rustle of the Stars’ / Ten / Tomorrow We Sail) began forming initial ideas in the Autumn of 2011, moving away from the piano-led ambience of previous outputs. Long-time friend Owen Pegg was soon invited to join the project as the pieces developed to enable the songs the depth and intensity they require. The trio produce a dense, drone-like atmosphere accompanying evocative, melodic string sections and intertwining guitars. The live show features sections of the recorded output combined with improvisation to unlock new movements and progressions in the music. The subtle, considered textures and the hypnotic interaction between players and instruments provide an intense live performance.  
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    Troy Schafer – Evening Song Awaken

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    Hand-numbered & stamped limited edition of 200…. Recital presents its first “classically” inspired program. I have come to enjoy classical music more and more over the years, finding it to be perfect background music for drinking, cooking, or relaxing in style. Although this album isn’t exactly background music, as it is bold and often intense with emotion, it carries a poetic quality which is as warm and whimsical as my favorite symphonies.  
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    Radiant Husk – Micromegas

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    Hand-numbered & Stamped limited edition of 200… Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.  
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    McCann & Sullivan – Vanity Fair

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    Here we have Recital’s inaugural release, “Vanity Fair,” Sean McCann & Matthew Sullivan’s debut collaboration album. A fitting introduction to the ethos of Recital; the desire to turn a new page, to more accurately project what is significant and engaging in contemporary music. Matt and I had often talked about collaborating, as our musical understandings and interests align. Both drawn to minimalism and graceful ambience, we would trade tidbits and slivers of ideas casually over coffee or wine. For the better part of a year, we procrastinated our theoretical project, which in retrospect allowed our ideas to ferment. So when it actually came time to pop the cork and record, everything fell right into place.  
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    Konntinet – Closer Came The Light (2 x CD)

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    ‘Closer Came The Light’ is the follow-up to Konntinent’s ‘Opal Island’ for Home Normal. It was recorded in the mad London heat of summer 2010, most of it improvised single-take recordings. We hope you like it. – HN Harrison has a deft touch with composition and production – and, while the majority of tracks sit between 8 and 18 minutes, nothing feels overlong, there is a real variety in mood and structure across the album, and the subtle developments within tracks keep the listener engaged throughout. Naturally, with this album being released on Home Normal, you would expect it to come highly recommended – and it does. – Fluid Radio
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    Listening Mirror – What’s Wrong With Miracles

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    Limited edition hand stamped release in recycled handstiched and stickered sleeve with card insert… Featuring 3 long form tracks of Ambient/Drone based experimentalism for one half of listening Mirror, Jeff Stonehouse. Listening Mirror have appeared on notable imprints such as Hibernate, Heat Death, Audio Gourmet, Rural Colours and Bathetic to name a few. The process…. Equipment used: Squier Stratocaster guitar. Audition semi – acoustic guitar. Korg Kaossillator. 18″ Oscillating fan, Ribbons. Recording method: Ableton Live 8 Suite running on Macbook Pro. Recording techniques: ‘The Boat Has Sailed’ drone was achieved using the earth hum and harmonics of the Audition guitar. Percussive bass were recorded through the pickups of the same guitar and then chopped, stretched and looped. ‘It’s In The Trees’ and ‘Storm Train’ guitar parts were recorded by attaching ribbons to an oscillating fan and allowing them to strike the strings randomly. All tracks written between October 2011 and February 2012 by Jeff Stonehouse.
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    K Wilson – Otherworld

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    Limited edition of 100 hand-numbered copies… “Otherworld” is the debut release (besides a limited tape cassette) by K Wilson, using guitar, field recordings & percussion. Recorded in early 2012 in Western Australia. Field recordings taken from tall blowing grass and the sea. Cymbals+percussion have been pitch altered & slowed down. Most the album is ambient guitar+loops, delays etc, with all recordings done on a digital portable recorder.
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    Konntinent – Kiruna (Vinyl/CD)

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      A limited edition vinyl pressing of 200 that includes a CD version of the album, plus a postcard with download code… Konntinent is the solo project of London based musician Antony Harrison. Both as Konntinent and through his other project names Arev Konn and Paco Sala, Antony has a discography that lists Home Normal, Sonic Pieces, Humming Conch and Symbolic Interaction as labels he has worked with. His live performances have meant he has been able to share the stage with artists such as Machinefabriek, Ian Hawgood, Simon Scott, Library Tapes, Jasper TX, Danny Norbury, Boduf Songs and Talvihorros.  
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    Max Bondi – Convolution

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    Limited edition run of just 120 full glass-mastered CDs, coming in a thick card gatefold sleeve, each one screenprinted in two colours, individually numbered and sewn together, enclosing a fold-out double-sided screenprinted insert. The latest record on Tartaruga is the second full-length from Max Bondi. A departure of sorts from previous work, the album is an exploration of constraint, limitations, and repetition. Fragments of sound fold in upon themselves, constructing subtle patterns and melodies which overlay, interfere and diverge, varying from dense clusters of pulsing frequencies to torrents of cascading electronic notes. This is uncompromising machine music, but with a melodic edge, rhythmical but irregular, ‘electrical’ rather than electronic. The record develops over the course of ten tracks, each one building up on top of the previous in successive waves.
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    Hakobune – Recalling My Insubstantial Thoughts

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    How lucky we are to have some of these little beauties shipped in from Japan!!! Limited edition of 200 housed in paper sleeve with fabric seal… Hakobune is the moniker for Takahiro Yorifuji based in Japan and this is his 17th full length! Side A, the title track kicks things off with some nice lush electronic drones. REALLY lush. So simple, and so great. Harmonious and organic, it doesn’t even sound THAT electronic. The harmonies shift ever so slightly, barely noticeable. I feel like an ocean is singing and the harmonies are just washing over me in waves, but gentle ones! Side B, titled Maps, is also a drone affair but things sound a bit more – in music theory language – minor, or diminished, as opposed to the first side which had more of a major/happier vibe. Side B sounds a little more pensive. Some birds in the background. Frogs underneath the drone! Some very quiet waves crashing, or what could be wind. – Virtual Ritual
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    Mike Bruno & The Black Magic Family Band – In The Shade

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    Mike Bruno + the Black Magic Family Band’s 7″ release “In the Shade” is finally available for purchase through Stashed Goods and comes in a limited edition of 250 with front/back gorgeous silk screened prints, insert, sticker and badge…. Side A: 1. In The Shade (3:38) 2. Whits Wands For Morgan (2:06) Side B: 1.The Woods Of No Regret (5:22)
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    Ryan Teague – Field Drawings

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    Bristol-based composer Ryan Teague is one of an increasing number of artists, from Efterklang to Portico Quartet, Ólafur Arnalds to Nils Frahm, successfully operating in the fertile margins between chamber orchestration and electronic processing. This, Teague’s third album of delicately poised, wordless instrumental fare, focuses less on the sweeping, bowed string phalanxes that have characterised his previous releases and errs instead toward the dulcet timbres of glockenspiels, xylophones, marimbas, piano and pizzicato plucking – or electronic approximations thereof. It’s tempting to label this kind of thing ‘minimalist’ – tempting, but wrong. For while Teague is happy to play with the tuned percussion sounds and polyrhythms so beloved of Steve Reich and the New York minimalist ‘school’, he is clearly less concerned with matters of rhythmic complexity or anything as arid or theoretical as ‘phase shifting’, preferring the emotional tug evoked by the enmeshing of simple, contrapuntal melody lines and the glowing properties of modulating major-to-minor chord sequences set against pretty, arpeggiating note clusters.  
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    The Green Kingdom – Prismatic (2 x CD)

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    We are very happy to finally get our hands on the limited edition version of this album that comes with a bonus remix CD from the likes of bvdub, The Boats, Part Timer, Insecto, H.A.M., Yuri Lugovskoy, Northerner, Fieldhead, The Declining Winter and Inch-time. These artists take the original compositions into some unexpected and exciting new musical territories… Say no more! Mike Cottone (The Green Kingdom) utilises a similar musical palette as can be heard on last year’s acclaimed ‘Twig And Twine’ CD and once again ‘Prismatic’ is expertly mastered by Taylor Deupree (12k/Line).  
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    Fieldhead – They Shook Hands For Hours

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    ‘They Shook Hands For Hours’ is the debut release from Paul Elam and takes the minimalist, glitchy, low end rumble of Machinefabriek, Phillip Jeck and The Caretaker but contains arrangements that are concise, structured and almost pop orientated in their brevity. The dusty, grainy textures can be reminiscent of Khonnor’s textbook 2005 album ‘Handwriting’, but in this case the ambient cinematic drones of Stars of the Lid and Labradford replace the ghosts of lo-fi pop. It is no wonder that the artist divulges his number one influence as tape hiss, but in no way should it be taken that this is a minimalist or avant-garde work. The melodicisms are notable from the opening ‘This Train Is A Rainbow’ with its Labradford style guitar twangs through to the echoes of Aphex Twin’s dusty loops on ‘I’m Fond Of Maps’. The warmth of ‘real’ instruments is always audible, particularly violins which swoop and soar in the wide open landscapes of ‘He’d Found The Sea’, recalling Manchester acoustic-electro favourites The Boats.
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    Pascal Savy – Receding

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    Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization)  –  namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own. The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!  
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    Coppice – Vinculum (3xCD)

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    Limited edition triple CD set: Hand-embroidered pouches housing random CD’s from Coppice’s sonic artifact archives… Vinculum is a growing archive of sonic artifacts and the first official release by Chicago-based duo of bellows & electronics Coppice (Noé Cuéllar & Joseph Kramer). Sounds are recorded and reduced to highlight some aspects at the expense of others. Each recording is released on its own single-track CD-R with an inscribed catalog number. Currently, the project is being made available as a unique hand-made, hand- embroidered pouch containing several different discs selected at the time the pouch is filled. The listener is encouraged to play the discs simultaneously on repeat from multiple players when possible.
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    Coppice – Prune

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    Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape… Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing. Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.
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    Seth Chrisman – Aetherdrift, Do You Copy

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    Limited edition of 100 that comes in a numbered handmade sleeve, with an insert containing a personal message from Chisman introducing the EP… Flaming Pines’s first release for 2012 is a magical new EP by Seth Chrisman called ”Aetherdrift,, Do You Copy”. Chrisman hails from New Mexico in the USA, but drew heavily on sonic material gathered on a trip to Costa Rica to produce this memorable EP. Stumbling around after dark armed with a tape recorder and a radio, Chrisman said he returned home inspired by the ”lovely cacophony” produced by the mixture of natural sounds and fragmented AM radio transmisions. ”Aetherdrift” delicately and powerfully conveys both the euphoria and disorientation of travel — the sense of drift and near disembodiment experienced by every traveller as they arrive as a disconnected outsider to a new country. It is a subtle and sophisticated work which, with its emphasis on geography, travel and connections, is a terrific fit with the preoccupations of the Flaming Pines label, and we are very proud to be associated with it.
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    Rivers Home – Compilation

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    Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg… To celebrate World Rivers Day Flaming Pines released the first chapter of its 10 three inch -cd series Rivers Home.  As our environment continues to change, rivers represent some of our most vulnerable eco-systems with urban runoff, over fishing, changing rain patterns and the clearing of river banks just some of the challenges to river systems worldwide. Rivers Home sees Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg, each present an ode to a different piece of water on their own three inch CD.
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    Mike Bruno – The Sad Sisters

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    Here’s a rather tasty slab of vinyl from the Haute Magie label that includes Black 12″ vinyl with red centre labels & black ink / white inner sleeves & full colour jackets / glossy black & white 11.5″ x 11.5″ insert – full lyrics & liner notes. Limited to 500 copies… There are a few albums which one will come across in their lifetime that will truly make an impact and leave a mark so definitive that the songs themselves become a part of every day’s rhythm. Like Mike Bruno’s “Black Horses”, these pieces are dark travellers in and of their own rite, littering the fairgrounds of mental carnivals across the world with their sweet lullabies and whispered whinnies.  
    £7.00
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    £8.00 Quickview

    Michael Tapscott / Andrew Kenower – Good Morning, Africa

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    Ninth release of Michael Tapscott (founder of the american band Odawas) and first vinyl edition for Bookmaker Records, “Good Morning, Africa” alternates captivating ballads and dark instrumental tracks.
The result is a deep mix of folk songwriting, psychedelism and new age. Feat. Andrew Kenower (field recordings) and mastered by James Plotkin. With Tapscott’s expertise and Kernower’s deft, unobtrusive touch it flows naturally – the ballads stand out amidst ghostly clouds of Lynchian gloom like chinks of gold in a prospector’s pan. – Fluid Radio
    £8.00
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    Cheer – Breathing Tone

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    Here’s something you don’t see everyday! Album comes as a 4GB USB card that has 8 tracks totaling almost 4 hours of music in high quality (2116 kbps) AIFF files. Also includes a HD video for the track Water And Me made by Ross Wood and Laura Maclean. – Top stuff!
    £5.00
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    Ducerey Ada Nexino – Kill Centre

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    Limited to 100 copies: C24.chrome grade cassette. BLACK…  Regularly releasing albums as a member of STEVEN PORTER for various international record labels, Sludge-Tapes presents Ducerey Ada Nexino, a solo album from the founder of the recent upstart Kyoto-based, 10 Label. Starting out with unexpected heavy, distorted guitar, this release moves from arhythmic tracks, like buildings crumbling in slow motion, to abstract interpretations of obsolete industrial techno. Unlike anything heard on other labels, this is a presentation of heterochromatic black-stepping techno.
    £4.00
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