Here’s a rather tasty slab of vinyl from the Haute Magie label that includes Black 12″ vinyl with red centre labels & black ink / white inner sleeves & full colour jackets / glossy black & white 11.5″ x 11.5″ insert – full lyrics & liner notes. Limited to 500 copies…
There are a few albums which one will come across in their lifetime that will truly make an impact and leave a mark so definitive that the songs themselves become a part of every day’s rhythm. Like Mike Bruno’s “Black Horses”, these pieces are dark travellers in and of their own rite, littering the fairgrounds of mental carnivals across the world with their sweet lullabies and whispered whinnies.
As a label, to be able to finally put this album out on the proper format is not only a privilege, but also a blessing, and most certainly an honour. These three words may have internal ties with each other, but when it comes to sharing The Sad Sisters with the rest of the world, all three have their own foothold in this fantastical forest of aural delights.
These tracks play their roles on this album quite well; each tells its own separate story, but weaves itself so well into the next that you may as well be listening to a single piece. Even the moment when the arm lifts from the record and the inevitable trip to the turntable commences, one finds oneself with a sense of anticipation and eagerness, rather than annoyance. Wine glasses sound in a heavenly chorus, slipping in and out of the headspace left from the beat of the strings (or wings) of Bruno’s guitar, simultaneously intricate and minimalistic, ultimately dark, and thoroughly uplifting. A voice of no small effort, at times harsh and others lulling, places complex melodies and harmonies alongside ambient washes of an otherwise quiet room’s natural sound, making way for the defined, powerful oscillations of synthesisers and instruments of unknown origin.
BR worked with Adam Kriney of La Otracina and Owl Xounds on the Owl Xounds/Family Battle Snake split cassette back in May 2007, and its great to have this raging free jazz improv psyche out bunch back on Blackest Rainbow again for this awesome LP.
Limited Edition 10″ Vinyl of 250…
Riser was borne out of a desire to bring the sound of the human voice to the core of Fieldhead’s music, and to rally against an idea of it as peripheral, as an afterthought to the music. The EP continues the love of tape hiss, grainy textures and dusty loops married with brevity and melody to be found in the album preceeding it (‘They Shook Hands for Hours’), but this time the pallete has been stripped back to just the human voice and minimal, organic synthesisers.
Includes MP3 download code redeemable from the label: After several years focusing predominantly on film and video, Koen Holtkamp began working with sound in 1997. He co-founded the Apestaartje collective/label in 1998 while studying at The Art Institute of Chicago. The label released works by like-minded artists from Australia, Japan, Germany, Austria, France, and the US as well as several of his own works. Holtkamp has released two solo albums under the name Aero (Apestaartje) and four albums as Mountains (Apestaartje, Catsup Plate, Thrill Jockey), a duo project with Brendon Anderegg, as well as an album under his own name (Type). Gravity/Bees marks his first solo release on Thrill Jockey.
For Record Store Day 2011 Immune is proud to present a split 7” featuring new tracks from Steve Gunn and Ilyas Ahmed. The 7” comes packaged in a proper jacket with collage artwork from Ahmed. Included is a free download coupon and insert.