Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!
Each of the pieces fizz with beautiful electronic reductionism as gentle piano and guitar work glue things together. The delicacy and depth of production is remarkable – high frequency sine wave manipulations result in stunningly melodic shimmering crystals of sound over low end hums and reverse audio techniques whilst angst-y crackles and shuffles add unnerving tension to it all.
There is an effortlessly organic feel to these compositions almost as if the machines and sound sources have been left overnight to work things out for themselves following a large dose of psilocybin. But really you and I know it is just the unique self taught production skills of Savy and mastering sheen of Taylor Dupree that has given these works the oblique energy and aural life you simply have to wrap your lug holes around. – Fluid Radio
Mini CD audio (pressed) in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
Japan-based musician Jan Linton returns with his first extended-and non Japanese-release for several years, in cooperation with the makers of the Buddha Machine, FM3. Titled “Buddha Machine Music”, it continues the experimental themes and ambient techniques from his collaborations with Leo Abrahams (better known as Eno’s regular guitarist), Richard Barbieri (ex Japan), Beatsystem (Derek Pierce),and his academic work under Dr. Joseph Hyde. Prior to this he released several albums and singles in the avant rock vein, from major and cult labels in Japan.
This mini album takes the sounds from Buddha Machines 1 and 2, and morphs them into complete pieces or songs with surprising results, combining them with some live solos of ethinic instruments such as the Chinese Zhongruan, (or, “Moon Guitar”), played by Linton.
Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging…
Regular Music is an improvisational electronic trio from Portland, Oregon that uses modern synthesis in real-time, as well as analog synth, acoustic drums and percussion for a sense of exploration and sound that is sympathetic in nature to early electronic pioneers, cinematic kosmische, and psychedelic post free jazz acid synth inner space music.
David Ya’s drone & field recordings experience introduces the new serie “Thought For The Day”. The visionary composition let you immerse into a very far and very ancient journey…
ED.001 is a limited edition to 100 copies.
Composition, field recordings, mastering and package designed by David Ya.
Photography by nasa/jpl-caltech and David Ya
Ekca Liena is an alias of Daniel W J Mackenzie which concentrates on the celestial, melancholic and sometimes blissful side of ambient music. Over the range of his enchanting, mainly long-form compostions there is a clear influence from ritual psychedelic, noise, doom, post-rock and at times modern classical arrangement. His discography has seen work on a variety of labels including Dead Pilot, Small Doses and Entropy and with an enormous amount of material currently in the works this list is hoped to expand.