Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!
Each of the pieces fizz with beautiful electronic reductionism as gentle piano and guitar work glue things together. The delicacy and depth of production is remarkable – high frequency sine wave manipulations result in stunningly melodic shimmering crystals of sound over low end hums and reverse audio techniques whilst angst-y crackles and shuffles add unnerving tension to it all.
There is an effortlessly organic feel to these compositions almost as if the machines and sound sources have been left overnight to work things out for themselves following a large dose of psilocybin. But really you and I know it is just the unique self taught production skills of Savy and mastering sheen of Taylor Dupree that has given these works the oblique energy and aural life you simply have to wrap your lug holes around. – Fluid Radio
Limited to 100 copies worldwide. 3″ cd-r comes with download code in gorgeous letterpress cardstock…
Piano Vert is an installation piece for three concentric tape loops; 8, 9 and 10 feet long. Three short piano patterns are cut into loops from an extended piece and played back simultaneously with minimal live adjustments. The first in szilárd’s “colourpalette” loop series.
Letterpress by Ben Owen @ Middle Press, Brooklyn.
Mastered by Greg Davis.
Limited edition numbered run of 150 copies + download code…
Hibernate Recordings kick off a new collaboration series with an ep from Isnaj Dui & Karina ESP. The goal for the series is to get two different artists on our roster to put their heads together to have some fun and do what they love best.
Isnaj Dui is Katie English, based in North London, UK. Her work in the past has graced labels such as Home Normal, Smallfish, Rural Colours and her own imprint FBox Records. With a history of recording and musical study that spans back to 1995, Katie’s current sound is characterised by her use of flute, particularly the bass flute. This is generally a rarely used instrument but is used frequently throughout her work as a defining feature. Add to this a few home-made instruments and electronics and you have the very distinctive sound of Isnaj Dui, a project that has been active since 2004.