Limited to 100 copies worldwide. 3″ cd-r comes with download code in gorgeous letterpress cardstock…
Piano Vert is an installation piece for three concentric tape loops; 8, 9 and 10 feet long. Three short piano patterns are cut into loops from an extended piece and played back simultaneously with minimal live adjustments. The first in szilárd’s “colourpalette” loop series.
Letterpress by Ben Owen @ Middle Press, Brooklyn.
Mastered by Greg Davis.
EM.001 is a limited 3″ edition of 100 copies…
Music styles are going from deep dark ambient to experimental soundscapes.
This first opus is an experimental study of time between inner microcosm and macrocosm!
These tracks are a travelogue mapping paths taken in Europe during the past year or so. Snapshots, based on improvisations drawing inspiration from the quieter moments of a nomadic life: a snowstorm in Helsinki, a hot September night in Berlin and a dusk in the Swiss countryside outside of Lucerne.
Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting…
The second and final set of EPs in the Rivers Home series.
This series celebrates the wonder of rivers at a time when many of them are particularly vulnerable.
Many of us dream about rivers, ride along rivers, take ferries along rivers and sit on river banks. This series is a musical exploration of the ways we influence rivers and they influence us.
It is about the stories we tell about rivers, the experiences we have of them, and the memories they have left us with.
This the final set of Rivers Home sees The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting each present an ode to a different piece of water on their own three inch CD.
‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.