Limited edition of 100 that comes in a numbered handmade sleeve, with an insert containing a personal message from Chisman introducing the EP…
Flaming Pines’s first release for 2012 is a magical new EP by Seth Chrisman called ”Aetherdrift,, Do You Copy”.
Chrisman hails from New Mexico in the USA, but drew heavily on sonic material gathered on a trip to Costa Rica to produce this memorable EP.
Stumbling around after dark armed with a tape recorder and a radio, Chrisman said he returned home inspired by the ”lovely cacophony” produced by the mixture of natural sounds and fragmented AM radio transmisions.
”Aetherdrift” delicately and powerfully conveys both the euphoria and disorientation of travel — the sense of drift and near disembodiment experienced by every traveller as they arrive as a disconnected outsider to a new country.
It is a subtle and sophisticated work which, with its emphasis on geography, travel and connections, is a terrific fit with the preoccupations of the Flaming Pines label, and we are very proud to be associated with it.
Handmade numbered foldout card sleeve in a limited run of 100 copies…
‘Home’ is an album which spans more than 2,000 kilometres, two families and a lifetime of experiences.
Darren Harper and Jared Smyth’s collaborative effort examines the spaces they have shaped as husbands, fathers and community members in the two very different towns of Tallahassee, Florida and Nederland, Colorado.
Although the two men have never met, they have produced an album that explores the most intimate corners of their lives.
Through the sounds of tinkling streams, children drumming, warm guitars and crunching ice, the pair have crafted an intensely personal album, which invites us into the parts of the world they have made their own.
This is an album full of warmth, subtlety and power that explores what it means to call somewhere ‘home’.
Mastered by: Jason Corder
Ekca Liena is an alias of Daniel W J Mackenzie which concentrates on the celestial, melancholic and sometimes blissful side of ambient music. Over the range of his enchanting, mainly long-form compostions there is a clear influence from ritual psychedelic, noise, doom, post-rock and at times modern classical arrangement. His discography has seen work on a variety of labels including Dead Pilot, Small Doses and Entropy and with an enormous amount of material currently in the works this list is hoped to expand.
Pascal Savy returns with further deconstructions and the application of fairly mind bending physics and philosophies to composition (rhizome, phase differentiation and deterritorialization) – namely the use of erosion, decay, control (or lack of), connectivity & heterogeneity, tonal mutations and cross pollination to allow his works to organically grow with lives of their own.
The four tracks within are really rather lovely representations and interpretations of this processing style which include a kit and source list of: A couple of piano samples recorded in a disused Norfolk windmill (hang on… a piano…in a windmill?) plucked and bowed guitar, processed sine waves, FM synth, a self-oscillating analogue filter, a turntable, monome and handheld recorder with found sounds from a French church and Kew Gardens….nice!