How lucky we are to have some of these little beauties shipped in from Japan!!! Limited edition of 200 housed in paper sleeve with fabric seal…
Hakobune is the moniker for Takahiro Yorifuji based in Japan and this is his 17th full length! Side A, the title track kicks things off with some nice lush electronic drones. REALLY lush. So simple, and so great. Harmonious and organic, it doesn’t even sound THAT electronic. The harmonies shift ever so slightly, barely noticeable. I feel like an ocean is singing and the harmonies are just washing over me in waves, but gentle ones!
Side B, titled Maps, is also a drone affair but things sound a bit more – in music theory language – minor, or diminished, as opposed to the first side which had more of a major/happier vibe. Side B sounds a little more pensive. Some birds in the background. Frogs underneath the drone! Some very quiet waves crashing, or what could be wind. – Virtual Ritual
Quadtych Volume One presents Parts One and Two of Cam Deasʼ colossal Quadtych for 12 string guitar, a four part piece spanning over 70 minutes in total.
Recorded in one evening at Londonʼs Roundhouse in December 2010 by Jack Allett, though over a year and a half since its initial sketches, it is his first composed work for 12 string guitar since the 2009 split tour LP with Spoono/Jack Allett on Blackest Rainbow.
A new collaborative project from Jefre Cantu-Ledesma and William Trevor Montgomery. Both musicians played together in Tarantel and Moholy-Nagy. Cantu-Ledesma also runs the superb Root Strata label, releasing solo material under his own name (including a recent LP on Type), and also plays in The Alps. Montgomery also releases music under Lazarus, The Drift and Believer.
This project was originally conceived and composed as a soundtrack to an unreleased western. The 14 tracks on this record are beautifully delicate, textured, sparse pieces ranging from slow acoustic reflective moments, to fully electric strumming, they capture the feel a western perfectly. It’s a shame the film never made it out, because judging by the music it would’ve been a beautiful spectacle.
The project was was recorded by Jefre Cantu-Ledesma and William Trevor Montgomery and mixed at studio Lamantia, the record was mastered by Greg Davis. The image on the cover is a still from a Paul Clipson film, whose films have previously featured the music of Jefre, Barn Owl, Tarantel, Gregg Kowalsky and Metal Rouge. Sleeve layout by Jefre. Pressed on 140 gram black virgin vinyl. Limited to 500 copies
Distressed notes run asunder on Tetra, a vinyl-only offering from the duo, Mem1. A current, quivering along these three fine works, creates a unique yet indistinct mass that, as we follow along in its icy wake, degrades and renders the listener inert, as we wait to meet the ghosts.