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361-400 of 1297 products

  • £8.00 Quickview

    Alvear / Bondi / D’Incise / Thut

      The first category refers to white noise which never occurs in its purity since the actual environment always colours a white noise. for this reason I decided to label it ‘a faintly coloured noise‘. the ‚0‘ number reflects the character of an average sonic material without any distinct feature. going from 0 to 1 is a fundamental step in determining further a sound. for me this step reflects the cultural achievement of building tools to produce sound and makes a cut into the sum of all noise. getting on to the next step (2) highlights pitch as the main amount of the sound chosen. these three steps appear in an ever changing structure involving repetitions and change. change occurs as going from one step to another and as turns of the order as well. The score of abc, 1-6‘ unifies the performers’ activities through the applying of a similar structure. the six pages enable six rounds to go through the described steps at individual paces and leave it up to the performers whether to merge the sounds or to let them happen as single sounds. the relational aspect among the three parts become apparent after a certain time of performing / listening. ST
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    Martijn Comes – Interrogation Of The Crystalline Sublime

    2 x CD housed in 6 panel cover... hear atmospheres, sound shapes, gestural narratives, spectral trajectories, stochastic rhythms and phasic space when I encounter an environment rich in sonic phenomena. But in order to be open to this meta-sensory information, I must first get my ears out of the way. I don’t listen with my ears but with an inner sensory apparatus, what Goethe called “organs of perception,” that I have developed over the years. Once opened to this world sound becomes something very different—it’s as if one could previously only see in black and white and suddenly were able to see in color. One becomes a witness to a full range of qualities and events that were previously inaccessible. The drone is not a steady-state sound but a constellation of sound objects that lie hidden beneath a simple surface. The listener can penetrate this surface when they allow time to exist in a space where the past and future collapse into an infinitesimal, yet infinite, moment. -  Kim Cascone / San Francisco, Nov 20 2015
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    Keith Berry – Elixir

    The alchemist Jim Haynes said of his work: “like falling snow, his dreamy work drifts with a poetic chill and tranquil hypnosis through which peripheral elements tease the listener with subtle details. it’s so damn beautiful…” A bit of background on this release: one of the great inspirations for invisible birds was Bernhard Günter and his seminal label trente oiseaux. the releases had an enormous influence and one of the gems was Keith Berry’s The Golden Boat. It was with much pleasure when Mr. Berry wrote asking invisible birds to release his newest work Elixir, and after listening to the wonderful kosmic washes of sound, there was no question than to proceed. The CD features abstract drawings by Matthew Swiezynski, and graphics by the Brooklyn-based design kollektive Mount Analogue (Chi Yun and Matthew Swiezynski).
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    9T Antiope – Isthmus

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    The 9T Antiope duo band founded in 2014, consists of Iranian musicians Nima Aghiani and Sara Bigdeli Shamloo. The main focus of the band is on experimental music, using layers of acoustic instruments, electronics and combining them with vocals and lyrics, in order to narrate tiny bits or huge landscapes of the chaotic worlds they vision, along with their inhabitants.
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    Monolyth & Cobalt – The Dunen Diaries (2 x CD)

    Monolyth & Cobalt is the solo project from the french music artist Mathias Van Eecloo, born in 1977, a self-taught musician & multi-instrumentalist since 2008. His first album has been edited on Kesh Recordings in 2010. Since, he has been released on Audio gourmet, Twice Removed Records, Time Released Sounds, Unknown Tone Records and some others labels. He’s behind the Clyde Parker Project, a featuring project with 100 artists from 25 countries recorded between 2009 and 2011. Over the years he has collaborated with some artists such as Aaron Martin, Birds Of Passage, Danny Norbury, Christopher Hipgrave, Hannu, Helena Espvall, Isnaj Dui, Mark Ostermeier, Madeleine Cocolas, Offthesky, Orla Wren and more.
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    Mason / McLaughlin – On The Brink

    'Failure, or perhaps more accurately, the possibility of failure, provides one with unique perspective. better to cash out, or to ramp up right to the edge of possibility and chance? on the brink is our first true collaboration – we traveled together with the wind on our faces, holes in our shoes and short that one layer that can provide the necessary comforts we tend to rely upon. raw nerves, biting hunger and a drive to see the unknown corners kept us moving forward. we can offer these markers and surveys as proof of our trip and as evidence of what lies slightly beyond our immediate purview but with a combined effort – within reach.' - Nathan Mc Laughlin & Josh Mason
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    Robert Farrugia – Slow Morning

    The album comes in a 6-Panel CD with pictures by Brian Young and includes a collaborative track with label head Warmth… ‘Slow Morning’ is the new album by maltese artist Robert Farrugia, after his first work for Archives ‘Tines’ and previous releases on Post Global Recordings and Assembly Field. His moving soundscapes and serene piano chords, mainly influenced on the styles of Hammock, Sigur Rós and Brian Eno, are also the essence of the sound that Archives is always looking for. Drone oriented ambient, with neo-classical elements.
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    Zoltan Ban – Meadow

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    Zoltan Ban returns to Archives with a new dub-techno EP entitled ‘Meadow’. He really knows how to manage lush pad sounds and lazy chords in calm pieces with a pure dub sound and warm deep vibes. ‘Meadow’ also includes three reinterpretations by Volunteer (DimbiDeep), Tex Bates (MOSHItaka) and Biodub, well known for his works for AvantRoots and Tiefenrausch.
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    Halftribe – Daydreams In Low Fidelity

    Daydreams In Low Fidelity’ is the new work from talented UK-based artist Halftribe, who brought us ‘Luxia’ last year. A collection of serene ambient pieces and dub infused cuts, with lovely soundscapes and brilliant synth layers. Presented in a beautiful 4-panel CDr with pictures by Brian Young.
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    £38.00 Quickview

    Orghanon – Retrospectre (Deluxe)

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    Deluxe version: comes in a modified anti-static bag strung with a 100 year old children’s game tag. Each individual package contains a uniquely mysterious, relabeled antique 5″, 78rpm record (not with music from this album on it, but quite seriously spooky when played at incorrect speeds, as we have found out ourselves), a vintage, mounted 1940’s photograph of a “freak” from an antique album of “freak show” ephemera, with original hand typed description of photo under credit sheet on backside. The cotton sleeved, factory pressed disc design is inspired and taken from a scan of one of these strange old records! In essence… a vinyl / CD combo!
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    Orghanon – Retrospectre

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    Orghanon is a project founded by Sergio Calzoni, Italian producer and musician active since the nineties in various musical outfits (Alma Mater, Act Noir, Colloquio). Orghanon’s manifesto is to produce music with a strong cinematographic appeal, making use mainly of electronic equipment with sparse notes of acoustic instruments and electric guitars. Orghanon aims to blend melancholy with silence, depicting stark yet deeply emotional soundtracks for imaginary places. “Retrospectre”is a very personal exploration of childhood memories relived as ambient music soundscapes. Compared to the previous Orghanon’s work, making this album involved a more intimate and spontaneous approach during the writing process, with a more instrumental beat-less feel, and tracks enriched by the contributions of several guest musicians, performing parts of violin, viola, cello, harp and clarinet.
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    Jobin / Perletta – Mirror Neurons

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    Mirror neurons represent a distinctive class of cells that fire both when an animal executes an action and when it observes another individual performing the same action. Discovered by Italian neurophysiologist Giacomo Rizzolatti and his team at the University of Parma while doing a research on the neural representation of motor movements in monkeys, the precise function and influence of these neurons has become one of the most important topic in neuroscience. They have been linked to many behaviours and abilities, from empathy to learning by imitation and language acquisition, as well as implicated in conditions such as autism and other brain disorders. These findings suggest that the mirror neuron system plays a key role in our ability to experience empathy. Initiated by sound artists France Jobin and Fabio Perletta, Mirror Neurons is a media-project investigating the notion of empathy and physical distance. The entire album is the result of extended sound files exchange between Montréal (Canada) and Roseto degli Abruzzi (Italy). Each of the pieces is based on rough sounds and their consequent re-working, listening and reaction, processing and imitation. The ongoing process helped the artists to draw inspiration in terms of stimuli for the act of composing itself in two very distant cities, different climate, time zones and languages.
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    Robert Crouch – Organs

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    The three works comprising ‘Organs’ were selected and edited from a year of recordings developed in collaboration with choreographer and artist Julie Tolentino in 2014. Three separate projects were documented through audio recordings of performances and rehearsals, as well as related field recordings. Each piece recalls a matrix of encounters between a specific body (or bodies) within a unique context, conducting and responding to sounds, both electronic and organic. The interplay of the soft tissue, sinew, bone and blood of the body-organ, pushing against/within/outside the sustained tones and synthetic expressions of the techno-organ. Each organ exists simultaneously alienated from, and an extension of, the other. ‘Somniloquy’ was constructed using a recording of Tolentino “playing” the broken organ in preparation for the performance ‘Process(ion)X’ at the Church of the Epiphany. ‘The eyes of fire’ is based on a recording from Drive Your Cart And Plow Over The Bones Of The Dead, a nine hour performance with Julie Tolentino, Stosh Fila, and Robert Crouch at the San Francisco Art Institute, curated by Tania Hammidi. ‘The Propaganda of History’ was developed from a series of recordings made during rehearsal sessions with Tolentino and Mark Steger, with additional field recordings
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    Robert Curgenven – Climata (2xCD)

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    Gatefold 2 x CD… ‘Climata’ is a new work by composer and sound artist Robert Curgenven comprised entirely of site-specific recordings captured in 15 of James Turrell’s Skyspaces, spanning 9 countries. Each of the individual recordings, with their quiet & slowly changing microtonal interventions made in-situ, interrogate and offer a specific document of weather, location and duration framed by the architecture of the Skyspace – a frame that blurs the distinction between interiority and exteriority – while allowing the physicality of the Skyspace to be subtly rendered audible. Turrell’s Skyspaces are a specifically proportioned chamber with an aperture in the ceiling open to the sky and outside world. The Skyspaces can be autonomous structures or integrated into existing architecture. The aperture can be round, ovular or square – each with its’ own “piece of sky” beneath an ocean of air. These variously shaped apertures let in and frame not only Turrell’s famous light but also sound and its medium, in this case air.
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    £8.00 Quickview

    James Murray – Eyes to the Height

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    Deluxe six-panel digipak… Eyes to the Height is British composer James Murray‘s full return to Ultimae Records, a tender and intimate ten chapter story reflecting the fragile beauty of life and loss, memory and function. Delicate rhythms, blurred atmospherics and crystalline melodies gleam and glisten on the many facets of this modern ambient gem. This is a considered, heartfelt collection of sonic poetry from one of electronica’s most unusual voices – entrusted and dedicated to ears and hearts in this world and beyond. James Murray’s seventh solo album follows the recent release of the Ghostwalk EP, featuring remixes by Martin Nonstatic and Kinosura.
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    Federico Dal Pozzo – Untitled TeVeT

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    Elegant handmade sleeve with cover album in polaroid format inside the eco packaging... “Untitled TeVeT ” is an acousmatic composition generates from the freezing sound of the 380kg ice cube development, and it consists of a space-time continuously evolving score based on the interpolation of granular synthesis and extreme resonances. The work is made up of 2 connected and continuous movements which evolves for a total of 59 minutes. The first movement is about the sound of space travellers and extreme resonances of the icecube; the second movement is the sound of the freezing by a 380 kg ice cube and its granular and rezo synyhesis.
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    øjeRum – He Remembers…

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    øjeRum is the audio project of Danish visual artist Paw Grabowski. On ‘He Remembers There Were Gardens’ he uses a slow moving organ to create an alternate soundtrack to Chris Marker’s beautiful slideshow-like time travel film La Jetée. Those familiar with the film with have no difficulty in recalling the flashes of a destroyed world, the status of the museum, and the moment on the platform. Even if you haven’t seen the film, the breathing of Grabowski’s organ will conjure similar images and moments. It fluctuates between the drifts and falls and the throb and hum of a person lost in time and place.
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    Endless Melancholy – Music for Quiet Mornings

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    Endless Melancholy is the solo-project of self-taught musician, Oleksiy Sakevych. “Music For Quiet Mornings” follows a couple of self-released EPs and is an album recorded at home aimed at creating a nice soundtrack to the various quiet moments of your life.
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    Tomonari Nozaki – Triptych

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    Triptych sees Forwind end the year on a high with the hugely well received Credence, Decadence and Concession EP’s merged into a fully actualised spectacle with our final physical release of 2016. Keeping the much deliberated sequencing of the original productions intact, Triptych extends and completes the original vista with a freshly tailored closing piece ‘Coda’ that brings Tomonari’s opus to completion. After the increasing intensity of the first 60 minutes the new composition adds the final waypost to the lush and epic audio landscape as it dissolves into the ether with something that is both splendid and graceful. A fitting finale.  
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    Poppy Nogood – Mood Paintings

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    Improvised as snapshots of hope, ecstasy, turmoil and longing, mo od paintings by New York composer Poppy Nogood is a self-portrait in four parts. Each movement is a space to live in, a world to breathe – a temporal extension of feelings felt at one particular moment and a tale of cyclical rebirth that mirrors the nature of self-reflection. Inspired by the work of William Basinski , Lawrence English , Pauline Oliveros , Sean McCann, Labrador , The Necks , Bing & Ruth and Gustav Mahler , the most essential aspect of mood paintings is its static central structure and dynamic exterior. Mood paintings is Poppy Nogood ’s second album for Preserved Sound, and the follow-up to Music for Mourning.
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    Michel Banabila – Sound Years

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    Transparent 175g heavy weight vinyl LP in full color cover. All tracks composed by Michel Banabila except: ‘Radio Spelonk’ by Banabila & Van Geel. ‘Yarra’ by Banabila & Zuydervelt. A1. Close To The Moon (previously unreleased / 2016) A2. Earth Visitor (from Earth Visitor / 2016) A3. E.T. (from Traces / 2007) A4. Gorlice (from Live in Gorlice / 2014) A5. 47 Voice Loops (from 47 Voice Loops / 2013) B1. Stone Bridge (from Hilarious Expedition / 2005) B2. Niki Jumpei (from Gardening / 2012) B3. TAPE (mix 3) (from Bouwwerk / 2010) B4. Shortwave (from Hilarious Expedition / 2005) B5. Radio Spelonk (from Music for viola and electronics II / 2015) with Oene van Geel B6. Vuka Vuka! intro (from Songs from Vuka Vuka! / 2005) B7. The Turtle Came Back (from Gardening / 2012) B8. Yarra (from Travelog / 2013) with Machinefabriek
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    Daniel Mackenzie – Every Time…

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 150... Daniel W J Mackenzie produces works of noise, drone and conceptual composition under his given name and the more studio focused project Ekca Liena, and is an active performance collaborator in numerous groups. He has appeared internationally, exhibiting sculpture, multi-channel tone work and sound collage, and explores various approaches to performance. He presents on eilean rec. his fifth complete solo release under his real name.
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    Omrr – Music For The Anxious

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    Outside : glossy paper / inside : thick paper card & glossy paper / digisleeve : white paperboard / sealed (like old book) & hand numbered / CDr in a limited edition of 160... Omar El Abd aka omrr (born 22 September 1983) is a self-taught musician, guitarist and sound artist based in Cairo, Egypt. Omrr’s sound is based on glitch, noise, micro-sounds, sampling and field recording. He uses a variety of instruments and software to create dynamic and dense sonic landscapes. Music For The Anxious was created between 2015 and 2016, it’s a year’s projection of intimate encounters, imaginary stories and unnecessary drama. All songs were improvised and created while being recorded.
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    Sustainer – Medicina

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 130... Alex Alarcón from Barcelona, composes electronic music under the name Sustainer. Recently he recovered his interest in using and processing acoustic instruments, using old recording devices, found sounds recorded over the years, and amplified objects in his work and he’s trying actually to stay in a non-computer environments. Since 2003, his works have been released in multiple formats on labels such as Italic, Thinner, Room40, Tessellate recordings.
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    Moss Covered Technology – Speicherbank

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 130. After 3 albums on his solo project “Boomruin” (Bmrn), Greig Baird started around 1 year ago a new solo project under the moniker : “Moss Covered Technology”, here his first work.
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    Bruno Sanfilippo – Piano Textures 4

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    “Part of the charm of “Piano Textures 4” is its intimacy and I feel like I am inside the piano at times. It feels like the whole album purposely holds back from going for a full melodic approach though and so some people who are less likely to get lost in mood pieces, may not find what they’re looking for here. Sanfilippo though has created an excellent mood piece for those who do want to get lost in an audio mystery as new layers of piano are unveiled – and if you have your imagination with you – you can wander off anywhere”
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    Bruno Sanfillipo – Urbs

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    The title Urbs derives from the prominent incorporation urban sound environments, recorded by Sanfilippo in urban environments such as train stations, streets, bars and other public areas to explore the boundaries between the textural sounds which surround all of us day to day, and the nature of composed sound art such as music. These “real world” sound textures merge with more traditional electronics such as synthesizers and samplers, leaving no doubt as to the composed and “intentional” nature of these soundscapes. Gentle and evocative, subtly textural and transporting, Urbs is something we genuinely expect to become a long-term favorite among Hypnos releases.
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    Bruno Sanfilippo – Piano Textures 2

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    by Paul Jury · Morpheus Music Delicate piano atmospheres with subtle electronic support. Bruno Sanfilippo presents here a series of very beautiful compositions that feature an ‘Steinway D grand piano’ recorded during the night hours. Smooth electronic washes and drones are laid down in gentle layers forming light, hazy expanses within which the master instrument luxuriates. The piano playing is mostly of an understated, unhurried melodic form calling to mind the purity and tranquil grace of Satie, touched with delightful melancholy and haunting airy wistfulness. Spacial structure is masterful, creating an incredibly enchanting ambience, the arrangements seemingly having the meandering freeness of improvised playing whilst at the same time obviously exhibiting the kind of harmony and refinement that comes only from painstaking crafting and control
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    Bruno Sanfilippo – Piano Textures 1

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    “Simple and elegant, mesmerizing and haunting. I absolutely love turning up the volume, and letting every hypnotic and melancholic note weep gently through the night. For the lovers of Max Richter, Eluvium, Rafael Anton Irisarri, and Zbigniew Preisner. I highly recommended this gem! Headphone Commute”
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    Bruno Sanfilippo – Auralspace

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    This CD is presented in a matt laminate digipak 6 panel with spot varnishing... Bruno Sanfilippo is a classically trained musician and composer. His focus alternates between the exploration of minimalist piano concepts and electro-acoustic music. 71 min. practically continuous flow. The gentle whistles flows effortlessly on a soft carpet of electronics textures, slow spiraling in increases-decreases, creating a recording not to be missed by those who are curious and by those who love to fly far away on the wings of surreal environment.
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    Nmls – On & On

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    The Nmls’ debut album combines elements of refined IDM, glitch, downtempo and ambient. The artists draws from the aesthetics of the electronic music of the ’90, bringing them to a more contemporary framework of IDM-related genres, with rich supply of original melodies. The album features a remix created by a renowned Russian producer Monokle.
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  • £60.00 Quickview

    Abate / Uggeri – Beyond Time (Deluxe)

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    Limited fine art version comes in an edition of only 70 copies. Large sheets of elegant, vintage wallpaper are sized, folded and sewn into a three pocket, 6 panel envelope of sorts. Each of these hand stamped, cut out and manipulated beauties is collaged with and contains details of 80 year old Italian art prints, an iridescent silk panel, lovely photos from a book on Italian fountains through which thread is flowing, vintage pastoral photographic prints, old watchmaking catalogue photos and an envelope of dried leaves. Each of these folded envelopes comes wrapped in a page from a 150 year old book on Roman coins and is contained in a banded outer translucent envelope. Pastoral and evocative to the extreme!
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    Abate / Uggeri – Beyond Time

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    TRS are very pleased to be bringing you their exceedingly pastoral and evocative November release from Italian artists Maurizio Abate and Matteo Uggeri. This collaborative release is an electronically treated, guitar centric affair that incorporates field recordings, voiceovers and a general neofolk ambiance that takes you back beyond simpler times to a simple place from whence we all came. Mysteriously elegant beauty with a particular Italianate feel and a timeless love of the artists’ pasts and history with all its nostalgic appeal and overwhelming memories. TRS067 will leave you dreaming of personal histories of your own!
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    Various – Starseed

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    Matter spreads through space like a cosmic code traversing the universe inside solar windblown motes of space-dust or interwoven into encoded beams of starlight. Explore this cosmic migration through the stars and the origins of life, as the artists on STARSEED evoke the patterns and frequencies of the universe. Every man and woman is a star. Chris Bryant and Don Tyler (together known as Ascendant) have started Synphaera Records out of need for a suitable platform to release their own music; however, soon it became clear to them that more artists could fit into the roster. The ethos: high quality ambient and downtempo electronica with retro characteristics and modern execution. And of course, delivering a strong V/A compilation is an excellent way to present the world their vision. Diving into Starseed is the best way to get to know the label and its sound and style, and for many it will be the start of a love relationship.
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    Max Ananyev – Communication

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    Each piece on Max Ananyev’s album Communication is dedicated to a particular object or phenomenon – the magnetism of water, the energy of different trees, the effect of the moon on the human psyche – all the things we don’t understand, but that we easily feel. For Max, the word “communication” relates to how he perceives the world and his direct contact with the objects in it. Communication uses a range of acoustic instruments and electronic textures to create a sound full of acceleration, deceleration and pauses. At the heart of Max Ananyev’s music is the idea of the variation of dynamics and lack of a stable tempo in composition that mimick the unpredictable processes that occur in nature. “There is so much rhythm and tempo in our daily lives,” says Max, “it sometimes seems to me that our metronomic lifestyles deprives us of a certain freedom and means of expression.” Born and raised in Obluchye, 8,000 kilometers from Moscow on the border with China, Max Ananyev is a Russian composer and sound producer based in St. Petersburg. Communication is his first album on Preserved Sound.
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    Covarino / Incorvaia – Perugia

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    Playing with total freedom from any predefined structure, Covarino/Incorvaia entered a studio in Granada, Spain, with just one rule – to play strictly live, not use any studio trickery such as overdubs or editing, and just see how the music would evolve. The result is an instrumental ambient-rock album that takes influences from artists such as Tortoise and The For Carnation. After a break of 14 years without playing music together, Francesco Covarino (drums) and Alessandro Incorvaia (guitar) met for five days in a rehearsal room in their hometown of Perugia in central Italy during Christmas 2015, where they improvised and recorded demos of what would become their new album – Perugia. Several phone calls later, they went into the studio in April 2016 without having played together in four months. Covarino/Incorvaia get together when they can to play music, mostly as a duo or sometimes with the help of a bass player. Perugia is their debut album.
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    Noemienours – Songs From The Life…

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    Slo-fi XVX lullabies. Save the bears, wherever they are. Stories about the life of bears. Limited edition of 100 copies.
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    Ten – Yukon Youth

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    The new nine-track album from ten was inspired from a two-week trek across the grand and extraordinary landscapes of Alaska. Leeds-based artist and musician Dominic Deane started recording the album in late 2014 with long time collaborator, producer and engineer Ross Halden of ghost town recordings, with mastering by Tim Hann. After a short hiatus from other projects, the record was finally completed over the summer of 2016 and a third ten album was born. The new ten album takes its title and theme from Jon Krakauser book Into the Wild, a true and tragic story of the late Chris McCandless who in 1992 travelled alone into the Alaskan wild. Deane states that the new album was partly influenced by this story and expresses the new record captures a sonic journey that evolves isolation, beauty and harshness. The new ten album Yukon Youth contains nine tracks (45mins) of moody, dreamy and textural soundscapes that shift unpredictability like the Alaska landscape.
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    K’an – Babel (Deluxe)

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    ONLY 1 LEFT! Limited version in an edition of only 60 copies this time, comes in the form of a fold open triptych resembling a paper arts icon. Each of the three extensively gold inked and appliquéd panels has a uniquely collaged, stamped and hand worked image of the Tower of Babel… incorporating 120 year old industrial/machine shop imagery and cut out engraving bits, vintage sign language cards, appropriate old vocabulary cards and other ephemera relating to the concept of Babel/babble/language. Each triptych is snugly encased in a modified, stiff cardboard mail art centric envelope containing other vintage and handwritten paper ephemera related to the idea of language and discourse.
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    K’an – Babel

    With track titles like “Once Was Spoken”, “Confusion Of Tongues”, and “Inversion Of Mouth I” this music perfectly reflects the album’s overall concept…one that reflects the abstractions and origins of language, and the dualities of Babel/babble. Like conversation itself the ultimate stream of “Babel” is a long and meandering blend of the calm and the languid, of urgency and restraint, and the unintelligible, concise, and interruptive. It is a paean to our inner discourse, our conversational selves, and the language of music itself. Most tracks start out softly and leisurely…then build slowly and lovingly into a sort of post industrial, percussive throb and hum…, the initial tinkling and strumming working itself into a dark dense drone of anticipation and ultimate extreme release. Processed guitars… electronic treatments… all conjoin to make this the most memorable of soundtracks to your own pleasurable or argumentative moments!
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