by Paul Jury · Morpheus Music
Delicate piano atmospheres with subtle electronic support. Bruno Sanfilippo presents here a series of very beautiful compositions that feature an ‘Steinway D grand piano’ recorded during the night hours. Smooth electronic washes and drones are laid down in gentle layers forming light, hazy expanses within which the master instrument luxuriates. The piano playing is mostly of an understated, unhurried melodic form calling to mind the purity and tranquil grace of Satie, touched with delightful melancholy and haunting airy wistfulness. Spacial structure is masterful, creating an incredibly enchanting ambience, the arrangements seemingly having the meandering freeness of improvised playing whilst at the same time obviously exhibiting the kind of harmony and refinement that comes only from painstaking crafting and control
Bridge Carols is the meeting of two artists with unique timeless approaches to music. Neo-Americana folk singer Laura Gibson is gifted with a soft and singular voice (not unlike the voices of Josephine Foster and Joanna Newsom) and writes songs that could date back a century or foretell a future rural life. Electronician Ethan Rose is vested in antiquated instruments and technologies – a sonic recycler who, out of the old, has been creating a new form of ambient music.
Includes a 40 minute bonus CD, The Hilton, featuring previously unreleased material: It might not have been so long since Jeff Witscher released his debut ‘proper’ album under the Rene Hell moniker, but he’s kept himself busy in the interim all the same…
Jonathan Canupp is a name you should know but probably don’t, but then again might. He records under Ten and Tracer and I’ve been into his records for ages and ages now. Back when I was checking out early net label releases, Jonathan came up as one of two people whose work in their entirety I just fell in love with. And funny how he actually works with the other artist now and lives in the same damn city – the person being a certain Jason Corder (offthesky, Juxta Phona) no less. He makes wonderful IDM music and in fact I may have asked him years ago now to make us a ‘meaty beaty’ record. And along he comes with the very cheek of making some sublimely evolved, subtly woven record using violin, tape machines, guitars, maybe some keyboards and other stuff too. Friendless Now is a beautifully realised work, and one of my favourite Ten and Tracer releases to date.
Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.