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    Talvihorros – Some Ambulance

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    Thick gatefold covers printed on rough cardboard, 180g vinyl, black inner sleeves, free mp3 download code. This is ultraclear vinyl, limited to 150 pieces… Some Ambulance should be the first port of call for those with even a passing interest in where electro-acoustic and ambient music is heading in 2009/10, while I can imagine the uninitiated finding lots to love too. There’s a strong STEVE REICH influence prevalent here, especially the skillful use of slide-rule repetition, particularly found on ‘The Blue Cathedral’ and ‘Etude IV‘. But other tracks take different routes, ‘Death of a Dream‘ paints a bleak MORRICONE-esque picture with its forlorn guitar and solemn atmosphere created using a vibrant tapestry of sounds as its backdrop. While ‘A Rural Place‘ contains a staggered synth-rythmn and discordant effects that reminds me of something THOM YORKE might come up with in his solo ventures. My favourite composition comes in the form of haunting opener ‘Handwriting (Part 1)‘ (and indeed it’s closing part which ends this release) mainly down to the fact I can detect a strong Labradford influence from the way it builds from its grainy beginnings into a vast melancholic dronescape flickered with static and tape hiss. The effect of the whole piece is somewhat gratifying and I can’t help but recall the first time I heard Nelson and co’s seminal ‘Praizision‘ I’ve found myself going back to this record time and time again. It’s endlessly listenable and it packs a surprise with each spin. A bit like Rudi Arapahoe’s 2008 record ‘Echoes From One To Another‘, Talvihorros’ release has come from nowhere and knocked me sideways. It is not an exaggeration to say this is one of my favourite records this year. – Michael Henaghan
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    Talvihorros – Music In Four Movements

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    Thick gatefold covers printed on rough cardboard, thick black inner sleeves, 180g vinyl, free mp3 download code. This is ultraclear vinyl, limited to 150 pieces… With ‘Music in Four Movements’ I set out to compose four long pieces of music that would act as suites rather than shorter melodic songs as I had done on my previous record ‘Some Ambulance’. Using longer time frames afforded the sounds time and space with which to evolve and move. This has led to what could be labelled as my most ambient work i have released but I think also the most intense. Throughout the recording process I became interested in the fundamental ideas of life and death and why people would choose to take their own lives, (reading ‘The Road’ on a day long train back to London from Scotland, hungover after New Year certainly contributed to this). Slowly a narrative presented itself and the 4 tracks started to represent a journey of the final days of someone who has chosen to end everything. I became particularly interested in reading stories about people who drowned themselves in rivers or the sea – a bleak yet strangely beautiful image of someone walking their final walk into the sea became a strong visual influence for the record.
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    Fischer / The OO-Ray – Tessellations

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    Hand numbered in a limited edition of 250, silk screen design on recycled cardboard sleeves, and contain individual high quality download coupon cards including an additional track. Art by Marcus Fisher, mastered by Taylor Deupree at 12k and cut by Rashad at Dubplates & Mastering… Marcus Fischer and Ted Laderas (The OO-Ray) have been playing and performing together for a number of years separately and collaboratively. On several occasions, Laderas has been drafted by Fischer’s duo, Unrecognizable Now, to add his unique take on cello to their live performances and recordings. In 2011, Optic Echo commissioned Fischer and Laderas to create an album together. Seeking to bridge Marcus’ delicate multi-instrumental sonics with Ted’s orchestrated chamber-drone, they started with a number of long-form improvisations and shaped them into the wide-ranging pieces on the album. All sounds have been given space to unfold and blossom in a timeline full of contrasts and quiet moments of beauty. Marcus and Ted’s separate and unsynchronized loops evolve and coalesce into transitory patterns that are both breathtaking and imperfect. Within this process of overlapping sounds, larger patterns, or tesselations are revealed to the listener. Tessellations features cello, lap harp, tuning forks, synthesizers, guitar, percussion and analog and digital processing.
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    Leedian – Stunting Noise

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    Limited edition of 50 numbered copies that come with download insert cards… Coming from Toon, a small Japanese town which belongs to the Ehime province, Hitoshi Asaumi delivers very unexpected sounds when compared to contemporary beat culture. Leedian disguise has been around for two years now and listening through his work one can find it difficult to categorize his music. From extreme noise, he switches fast to melodic pop backed by organic beat, then quickly back to the extreme noise . There is an inevitable innocence deriving from his tracks, mainly with regards to their length. His music feels like an “arranged marriage” of the punk approach to composition with experimental electronic sounds. The result is rewarding and raw sounding. Jazz and electronic influences melting together in a chaotic doom-sounding noise. This album is a collection of his best moments making music as Leedian. While his sound texture remains constant throughout the album, differences in composition alter the mood deliberately from start to finish offering a deep insight into Leedian’s work
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    Autistici – Beneath Peaks

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    Autistici is Sheffield, UK based composer/sound designer David Newman. He has released his work through Home Normal, 12k and Kesh, as well as his own label Audiobulb. His sound is characterised by the attention he pays to tiny detail, right from capturing the sound, carefully developing it and onto the stage where he sets them all together to create a new sound context from several disparate sources.
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    Lumerians – Transmissions From Telos: Vol. IV

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    Limited edition run of 300 copies in 12″ clear vinyl… Lumerians are garage scholars of the weird. The Oakland-based quintet could be named for Lemuria, the long-lost sunken continent ruled by primitive mystics. But note the spelling: Lumerians, not Lemurians; a clear nod to son et lumiere, the fusion of sound and light that is one of the hallmarks of deep trance and media. Lumerians play droning dance music for the soul you forgot you had – the noise of the billions of switches in your brain shutting off and on in perfect harmony. Two years after their killer album debut-album Transmallinia, Lumerians are ready to unleash a new LP of lost orphan songs called Transmissions From Telos: Vol. IV. Transmissions Vol. IV is a selection of spontaneous music from the Lumerians hard drive catacombs. Side A are fragments of raw stellar ore. Unnamed and unclassified, delivered with a thin protective lubricant to prevent violent combustion in the Earth’s oxygen rich atmosphere. Side B is a trans-dimensional demon love child, imploding with raging love, but too grotesque to live in this world. Left anonymous lest the utterance of his name bring doom to us all. Vol. IV is the firstoffering in a continuing episodic odyssey.
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    Spheruleus – The Late Surge of Gold

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    Limited edition run includes a bespoke photo on soft paper that slips into recycled sleeves… The Late Surge of Gold is the work of British sound designer Harry Towell, under his Spheruleus moniker. Previous releases have graced labels such as Hibernate, Home Normal and Time Released Sound and collaborations that have seen him work with the likes of Pleq and Ekca Liena. Harry also runs the Audio Gourmet netlabel and its new sister label Tessellate Recordings, which specialises in limited edition runs.
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    VA – Thank You

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    Limited cd release. Comes in a folded sleeve printed on recycled paper… All the money from this release will go to the charity ‘världens barn’ (children of the world). Artists who kindley donated there music for this release are: Machinefabriek, Julia Kent, Rachel Grimes, Rafael Anton Irisarri, Jasper TX, Offthesky and Pleq, Sylvain Chauveau, Monolyth & Cobalt, Listening Mirror, Woodworkings, Library Tapes, Anna Rose Carter.
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    Baker / Buckareff – Breathing Heavy Breathing

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    The breathing heavy/heavy breathing themes are illustrated by the commissioned Aural Diptych series artists Elayne Safir & Meryem Yildiz, translated into a deluxe grey A7 packaging with larger 5″x7″ prints… Berlin-based Canadians Aidan Baker & Leah Buckareff, both of doomgaze husband/wife guitar/bass duo NADJA, finally deliver the long-awaited special string-less diptych release. Drones were strictly created from cymbals (Baker) & accordion (Buckareff). Initially released for the 2x 3″CDR Aural Diptych Series, both 20-minute piece were meant to stand alone and played simultaneously together to create a fuller drone ensemble. This stamped 5″ black-bottom CDR contains the two cymbal/accordion piece as well as the mix track..
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    Baker / Buckareff – Aural Diptych #7

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    Packaged in the standard ADS smokey blue A6 envelopes with 4″x6″ prints… Berlin-based Canadians Aidan Baker & Leah Buckareff, both of doomgaze husband/wife guitar/bass duo NADJA, finally deliver the long-awaited special string-less diptych release. Drones were strictly created from cymbals (Baker) & accordion (Buckareff). Both 20-minute piece on its separate 3″ mini-disc are meant to stand alone and played simultaneously together to create a fuller drone ensemble. A version of that mix is available for download. The breathing heavy/heavy breathing themes are again illustrated by the same commissioned Aural Diptych series artists Elayne Safir & Meryem Yildiz.
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    Silent Land Time Machine – I am no longer alone with myself

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    Gorgeous slab of heavyweight vinyl with printed inner sleeves in a limited run of 500 copies… Silent Land Time Machine’s latest work I am no longer alone with myself and can only artificially recall the scary and beautiful feeling of solitude speaks in an oneiric and numinous tongue but is replete with durability and coherence – a rare and intriguing mixture. There exist only subtle threads of aesthetic continuity from the artist’s debut &hope still (TIME-LAG Records), where guitar dominates in the main, with the music shifting its emphasis toward micro electronic assemblages – at times damaged, turbulent, and percussive, at others lulling, plaintive, and melodic – with naïve, organic, and lucidly processed string arrangements woven throughout. All this aesthetic revision is accomplished while increasing the breadth, accessibility, and emotional resonance of his sonic palette.
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    Fujita / Harris / Shirley / Thoben / Troyer – Tesseract

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    Simon Harris (electronics), Jan Thoben (drums, percussion, objects), Kassian Troyer (guitar), Masayoshi Fujita (vibraphone) are members of the experimental improv band Pan Am Scan. Based in Berlin, the group perform with Rainer Kohlberger with live-generative visuals. Ian was first introduced to their work through mutual friends Craig (Moteer) and Yasuhiko (Flau), whom they have previously worked with on Flau and Our Small Ideas.
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    Hatakeyama / Asuna – Scale Compositions

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    ’Scale Compositions’ sees the return of Chihei to Home Normal after his 2010 release, ‘A Long Journey’. However, this time he is joined by the excellent Asuna, whose live improv and recorded work I have long admired (‘Flowers’ is one of my all-time favourite records). Anyway, let’s make this more digestible: – About Scale Compositions ‘Scale Compositions’ is made up of two parts: ‘Crown Scales’ and ‘Folk Scales’. ‘Crown Scales’ was recorded in a house in Nishiogikubo on January 20th, 2009. ‘Folk Scales’ was recorded at the SuperDeluxe live venue on January 23rd, 2009.
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    Nicolas Bernier – Music For A Piano / Music For A Book

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    ’Music For A Piano / Music For A Book’ is the latest release from Nicolas Bernier. ‘Music For A Piano’ was due to be released after his wonderful ‘The Dancing Deer EP’ back at the end of 2010. However, the project was pulled back, developed further and along with ‘Music For A Book’, presented as a double album in an amazing package designed by Urban9.
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    Harper / Smyth – Home

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    Handmade numbered foldout card sleeve in a limited run of 100 copies… ‘Home’ is an album which spans more than 2,000 kilometres, two families and a lifetime of experiences. Darren Harper and Jared Smyth’s collaborative effort examines the spaces they have shaped as husbands, fathers and community members in the two very different towns of Tallahassee, Florida and Nederland, Colorado. Although the two men have never met, they have produced an album that explores the most intimate corners of their lives. Through the sounds of tinkling streams, children drumming, warm guitars and crunching ice, the pair have crafted an intensely personal album, which invites us into the parts of the world they have made their own. This is an album full of warmth, subtlety and power that explores what it means to call somewhere ‘home’. Mastered by: Jason Corder
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    Cheer – Street Wondering Memory Recall

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    This release is an edition of 150 copies of pro-produced cdr with a digipack cover featuring photograph taken by Cheer in New York… Alec Cheer is a Glasgow based musician interested in playing guitar and other such devices. He has various albums out on various labels. He has been playing in and beyond Glasgow for the past ten-ish years and supported the likes of Six Organs Of Admittance, Grouper, Jozef Van Wissem, Amiina, Dosh, Vetiver, Julianna Barwick, Scott “Wino” Weinrich, Tickly Feather, & Moon Unit to name a few.
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    Caught In The Wake Forever – Against A Simple Wooden Cross

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    Caught In The Wake Forever is the work of Scottish based artist Fraser McGowan who hails from the delightfully lovely town of Paisley near Glasgow. Not long back we released the now sold out postcard ep “Sadness & Static” which was a collaboration between Fraser, Karina ESP and Sheepdog. Also Edinburgh based label Mini50 records last year released his ep “All The Hurt That Hinders Home” which featured remixes from the likes of Library Tapes, Fieldhead and Yellow6. Fraser has been recording music one way or another since 1998 and as part of the band Small Town Boredom he released two albums for the London based label The Remains Of My Estate. Fraser’s recent output has been mostly on a solo basis and with Against A Simple Wooden Cross, we’re very excited and honoured to present the first full Caught In The Wake Forever album.
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    Panabrite – Illumination

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    300 copies pressed on 140g vinyl in heavyweight reverse-printed sleeves… Norm Chambers’ music travels like a deep mental odyssey in a labyrinth of serene echoes. Beyond the sounds, there is the sentiment of peacefulness, a cinematic mosaic of colors, flashing in your mind. Searching for constant illumination, you slowly float in open space… Random sequences of data wandering the sky, quick streams of light buzzing around you, lost in hypnotic corridors leading to new environments, discovering glittering gems… A fantastic trip filled with dystopian drones, analog birds & IDM beats. Get lost in the light. – Francesco De Gallo. Mastered by Seth Christman. Artwork by Aaron Troyer.
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    Clark / Camden – Split Series Vol. 4

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    This record has been issued in a hand-numbered edition limited to only 300 copies. The artwork was made by the talented Swiss designer, Rachel Bloch… The idea behind this split was to reunite friends. While in the studio working on his first solo album, Matthew Hale Clark recorded additional tracks for that matter. The first collaboration with three:four records through the :take: & white/lichens split was a success, so it’s only natural that this new record takes part in our split series… to our greatest delight. Matthew Hale Clark and Ken Camden are especially known for their commitment in white/light and Implodes. Here, Matthew Hale Clark gave up stratospheric drones and opted for an acoustic piece. Directly inspired by primitive American folk, SLC Suite is an acoustic guitar track with finger-picking that develops towards more contemporary and cosmic atmospheres, with Jeremy Lemos’ contribution on pedal-steel guitar and shruti-box and, Frank Rosaly on drums. This was beautifully recorded at Soma studios. On the other side, Ken Camden’s tracks have nothing in common with the A side. But he too strays from his usual music making for Implodes by offering two pieces based on guitar with effects. Moisture and Algoma Summer lean towards synthetic-type and psychedelic drones, and their twilight beauty is breathtaking. Although very different in style, both sides are surprisingly and gracefully complementary.
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    Lemos / Jencik – Split Series Vol. 5

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    This record has been issued in a hand-numbered edition limited to only 300 copies. The artwork was made by the talented Swiss designer, Rachel Bloch… In a reaction to the collaboration between Matthew Hale Clark and Ken Camden, both active members of white/light and Implodes from Chicago, their friends and colleagues Jeremy Lemos (from white/light) and Matt Jencik (from Implodes) are also releasing a split record for us. Needless to say that sharing two records with members from those bands we love is a huge honor. Jeremy Lemos is a real sound artist. He works on many projects as a sound engineer and contributed more recently with Disappears. The 10 minutes epic Out with the Old is a striking proof of modular drones and loop making. As always with Jeremy, heavy and stormy atmospheres meet bright sparks. Matt Jencik is also offering some drone moments. After an introductory piece (Conservative Fucks), Hollow Bodies’ floating glows seem more in peace than those of Jeremy Lemos, but equally ambient. The ideal soundtrack for daydreaming; if only there was a way to activate the “repeat” function on your turntable!
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    Evade – Destroy And Dream

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    16 x 16 x 0.6cm (Close size). 48.6 x 32cm broadsheet foldout with customized greyboard CD tray… “Losing the absurd, a beautiful haze, the sun and moon as usual, fluctuating into madness” Since 2008, artists such as Kitchen. Label’s very own ASPIDISTRAFLY (Singapore) and Flica (Malaysia) have ventured successfully to Japan, presented music made in the Asia Pacific to the rest of the world. Following in these footsteps, electronic trio Evade have been honing their repertoire of sounds crafted from within their immediate surroundings of the urban pastoral landscapes of former Portugese colony, Macau. In this much anticipated full-length album entitled “Destroy & Dream”, Evade takes on the view of a distant observer, questioning life, the earth, the universe and the values of its living creatures, yet with the consolation of dreams, seclusion and shelter. Evade was born in the summer of 2004. Formed by Sonia Ka Ian Lao (vocals), Brandon L (guitar) and Faye Choi (sound), the trio released their first EP “Evade” in September 2009. Despite the fact that it was released on a small Macau-based label, with the help of Kitchen. Label producer Ricks Ang (who also mastered the EP and this album), the band attracted critical notice in Japan for their inventive and original style of electronic music, described by some as a wayward blend of minimalist electronic and dubstep combined with an ethereal pop sensibility. In August 2010, Evade was invited by Japanese independent music label PROGRESSIVE FOrM to perform at their curated event “New Sounds of Tokyo Vol.6″. Evade has also toured Hong Kong, China, Malaysia, and Singapore, and has lent support to Kashiwa Daisuke, ASPIDISTRAFLY and Flica’s Asian tours.
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    Birds of Passage & I’ve Lost – I Was All You Are

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    Following a run of critically acclaimed releases, New Zealand’s Alicia Merz returns once again under her Birds Of Passage moniker, joined this time by I’ve Lost – the solo project of US based experimental artist Bobby Jones. While Birds Of Passage is something of a Fluid Radio regular, Jones last popped up on our collective radar all the way back in 2010 with the excellent Dissociative Fugue, appearing on Portugal’s Feedback Loop label (incidentally, Feedback Loop’s curator Leonardo Rosado also created a collaboration LP titled The Dear And Unfamiliar with the ever busy Merz, still available from Denovali). I Was All You Are commences with the title track, which at fourteen minutes takes up roughly half the EP’s length. The piece begins with thick ambient textures quite dark in timbre, setting a suitably charged atmosphere until Merz’s vocals join the mix. Indeed, the inspired pairing sees Merz and Jones move firmly into their roles from the opening number, each artists’ strengths complemented by their counterpart. While Jones provides a musical foundation and his work is in a complementary role, it is essential nonetheless and the artist shows both great restraint and a keen ear in order to play just what is necessary to allow Merz to shine.
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    Listen To The Weather

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    Limited edition run of 100 hand numbered copies resting in yellow paper sleeves with inserts… Listen to the Weather is a web-based project, produced for the Ear to the Earth festival, which uses sound to examine the role water plays in our ecosystem, as well as in our collective psyche. Contributing artists from various international locations begin with weather data from the area they live in and a sample from a song of their choice which references water. The data and samples are then combined to create a soundpiece that is unique both artistically and geographically. Starting with pure frequencies and samples draws attention to the raw data involved in studying our climate but also references the nuanced ways the environment informs our creative practices. Water already means different things to different people – growing up in drought-stricken Cyprus will give you a different understanding of its importance to living in rainy England. But as we respond to rising tides and more extreme climactic conditions it is set to shift in meaning once again. Listen to the Weather aims to explore how water has contributed to our understanding of being human and suggest that these understandings will shift as our climate changes.
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    Ekca Liena & Spheruleus – Mapping The Boundary Layer

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    Surrounded in blossoming serenity, and drenched in raindrops of radio static, we start to descend into the deep, atmospheric mass which Ekca Liena and Spheruleus have carefully covered. Faint static crackles as if from an approaching cyclone, carrying electrical currents in the air as it passes closer and eventually surrounding us. A chime rings out and arises, arriving on a cool breeze and releasing the evolving ambient textures ever outwards on the breath of the air. Like Loscil expressed when he was making Grief Point, Ecka Liena and Spheruleus’ collaboration is shrouded in real ambience.
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    C.T.A.N – Broken

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    Limited edition cassette run of 100 copies (funky green tape) featuring dark drones, glitchy beats and otherworldly sounds…  Passive Aggressive is a new label in the noise scene, combining influences of noise, ambient and experimental with breakbeat, techno and more to create a cutting edge sound, breaking barriers in experimental music as we know it. Side 1: 1. Pass Out 2. Love Constitutes Conformity 3. Living Like This Side 2: 1. Chronic 2. In Your Head
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    Tim Bass – I Have Become overcome…

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    Hand numbered limited edition run of 100 copies on 150gm printed sleeve in slim fit cd case… Recorded Febuary to March 2012. Tim Bass – Electric Guitar, Synthesizer, Real time processing. Grace Wood – Photography. Tracklist: 1, The Division Of Two, 2, Suspended Amoungst Lakes, 3, Entirety Of A Pause, 4, Hung From The Fragile Moon, 5, A Pasage Through
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    Sketches For Albinos – Days Of Being Wild And Kind

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    Here’s a beautiful collection of tracks from from Icelandic lo-fi artist Sketches for Albinos (the work of composer Matthew Collings). These tracks were all recorded in various apartments and spaces in Reykjavik, 2004-2010, and collect fan’s favourites from previous download-only releases. A set of beautiful music to comfort on winter nights. ́… on a par with anything that the mighty Sigur Ros have released ́ (Rawkstar.net) ́Surrounding him in an arc which extends around the back of the tiny stage and off both sides stand the seven guitarists he’s acquired for the evening. Seven leads feed into his nerve centre, and as seven hands pick out one drawn-out chord he works his magic; tuning and manipulating the sound and folding it back on itself across a background of quietly ticking electronica to fill the air around him with glacially mangificent sonic sculpture…building like some submerged orchestra. Ambient but definitely not background, when he draws it to a close it’s like being snapped out of hypnosis. Amazing stuff ́ (Manchester Music)
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    One Man Nation & Machinefabriek

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    This mini album captures the live improvisation Rutger did with One Man Nation (Marc Chia) at the Future Sounds of Folk Festival, at Bimhuis, Amsterdam. A very dynamic concert recording, full of electronic blips, sharp beats and persistent sine waves
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    Pillowdiver – Cassette Recordings

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    Here’s something rather tasty from Pillowdiver that comes in a limited edition run and includes a bespoke photo on soft paper that slips into recycled sleeves… The record is what I guess a bleak update compared to sleeping pills but pushed the formula of guitar/effects only a bit further for me. I assembled all the tracks usually within one or two hours, always starting without any idea what I will record… The set up was Fender Jazzmaster > Delay/Reverb/Distortion Pedals -> 4 track Cassette, no computer processing was involved. The other upcoming record on NKR will have completely different set up: computer only. For me reducing my possibilities, or focusing on certain elements is a big help to create something. – Rene
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    Rosary Beard – Halfmoon Fever

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    If your looking for beautiful acoustic music then you really can’t go wrong here. Comes in a 6-panel eco wallet presented with photos by Justin James King and artwork / custom text by Leah Koransky… Rosary Beard has been writing highly-detailed, emotive compositions together since January 2010. Halfmoon Fever represents music from the entire two year collaboration. The album was recorded live with no overdubs in sessions between late December of last year through March of this year by Ian White of Swordpaw in a historic ballroom in Troy, N.Y. Mixing for Halfmoon Fever was handled deftly by Troy Pohl (The Kamikaze Hearts, producer of Sean Rowe’s Magic LP) after which the album was mastered to perfection by Paul Gold at Salt Mastering in Brooklyn, N.Y.
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    Good Shepherd – Sutra

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    Available in a limited edition hand made and numbered edition of 100 copies… Clocking in at a little over 30 min’s Sutra is a contrasting journey through varied shifts in instrumentation and ideas that merge to form an evolving and exciting soundscape. Sutra navigates the ponderous flow of an isolated temple in Nepal – incorporating sedate reverberations, insightful acoustic-electro guitar, experimental pulses, secretive field recordings and harmonious feedback. Good Shepherd melds field recordings, electronica and lo-fi acoustic guitar into a slow burning, meditative work. – Fluid Radio
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    Ian Hawgood – The Shattered Light

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    Stunning new album from Ian Hawgood that comes in a 6 panel digipack in limited edition run of 500 copies…  In 2007 and 2008, Ian finally decided to start sharing his early recordings through a handful of net labels. In addition to this he released two split E.P’s on Mobeer and U-Cover. In 2009, he released reworked limited editions on a few close friends’ labels: ‘We Are Better For Being Built This Way’ (Slow Flow), ‘The Great Allure’ (Experimedia), ‘Wolfskin’ (Hibernate) and ‘Snow Roads’ (Dragon’s Eye).
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    Simon Scott – Below Sea Level

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    Six panel digipak with gorgeous artwork… Below Sea Level is the first 12k release from seasoned musician and electronic sound artist Simon Scott. The inspiration behind Below Sea Level, including its music, title, artwork and photography (see accompanying journal) originally derives from Scott’s desire to musically explore the desolate and controversial environment of the Fens in East Anglia, UK. The memories Scott has of visiting this area as a child make this a poignant and highly personal project that explores nostalgic familiarity with a desire to capture the musicality of the landscape. For two years Scott ventured into this former wetland with hydrophones and self-built recording devices to explore the land that is cartographically below mean sea level, trace the devastating history of this environment caused by the drainage of the land, and arrange it into conceptual musical and visual project. Scott has, in the main, eschewed the guitar backbone of his previous releases, preferring instead to capture the timbres and textures of the landscape to form the basis for the seven tracks. His signature reverberated guitar does still surface, the beginning of the album begins with sparse finger picking reminiscent of Laughing Stock-era Talk Talk, but it only adds brief flickers of colour to the central field recordings throughout the album.
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    Sonmi451 – Four Peaks

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    TRS welcome back Bernard Zwijzen, aka Sonmi451. Where previously he took us via the deluxe Star Atlas release into the far reaches of the solar system, he directs us this time towards heights more earthbound, the mountain peaks of the Alps and Dolemites, which closer to home as they may well be, are still unreachable in reality for most of us devoted listeners. With his patented and delicate crystalline electronics, Sonmi451 again delivers the celestial goods we know so well, love so much and have come to expect!
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    Isnaj Dui – Abstracts On Solitude

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    Isnaj Dui is Katie English, based in North London, UK. Her work in the past has graced labels such as Home Normal, Smallfish, Rural Colours and her own imprint FBox Records. One of her most recent and on-going projects is called Duodecim, a subscription based album that has seen a track released each month since September. It will eventually result in a CD which will be ready this August. With a history of recording and musical study that spans back to 1995, Katie’s current sound is characterised by her use of flute, particularly the bass flute. This is generally a rarely used instrument but is used frequently throughout her work as a defining feature. Add to this a few home-made instruments and electronics and you have the very distinctive sound of Isnaj Dui, a project that has been active since 2004. Katie has performed live alongside the likes of Library Tapes, Nils Frahm, Konntinent and Simon Scott amongst others and in venues such as The Foundry, National Portrait Gallery and The Union Chapel.  
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    Isnaj Dui & Karina ESP – Slow Forms

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    Limited edition numbered run of 150 copies + download code… Hibernate Recordings kick off a new collaboration series with an ep from Isnaj Dui & Karina ESP. The goal for the series is to get two different artists on our roster to put their heads together to have some fun and do what they love best. Isnaj Dui is Katie English, based in North London, UK. Her work in the past has graced labels such as Home Normal, Smallfish, Rural Colours and her own imprint FBox Records. With a history of recording and musical study that spans back to 1995, Katie’s current sound is characterised by her use of flute, particularly the bass flute. This is generally a rarely used instrument but is used frequently throughout her work as a defining feature. Add to this a few home-made instruments and electronics and you have the very distinctive sound of Isnaj Dui, a project that has been active since 2004.  
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    Wil Bolton – Under A Name That Hides Her

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    Limited edition of 200: We are very happy to be selling the limited edition first 100 copies that come with a CD, beautifully printed postcard, download code, plus a nice little Hibernate business card… Despite being a difficult subject to put into words, nostalgia nevertheless attracts a great deal of fascination and is something that every individual can relate to. It is often close to the heart of the artist, shaping their identity and aesthetic and providing the inspiration for many a project. We welcome back Wil Bolton to Hibernate with his first vinyl release; we are pleased to present an album that places nostalgia at the heart of its overriding theme. It was conceived when Wil set out to create an album that was inspired by the guitar bands he listened to as a teenager, such as The Cure, The Smiths, The Velvet Underground and My Bloody Valentine. He strived to transmit his nostalgic recollection of adolescent musical influences into a heavily treated, droned out muffled and crumbling sonic environment. He wanted to create something that sonically presents his nostalgia, sounding submerged or decaying, as if heard through a veil the way memories and images become distorted over time.  
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    Damian Valles – Nonparallel (In 4 Movements)

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    Includes the LP and download code. First round of orders will also come with a nice poster edition… Nonparallel (In Four Movements), is composed and arranged entirely from samples from the recordings of avant-garde Western classical composers and computer music released by the Nonesuch label in the 60s and 70s. In working with the material, Valles wanted to enter into its very lineage, to forge a dialogue with it, to both extrapolate something essential from it and contribute to its legacy by using it to create an original work some three decades later. Divided into four movements, it is a nuanced album of subtle complexities that took roughly three years to complete.  
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    Marielle V Jakobsons – Glass Canyon

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    Includes the LP and download code. First round of orders will also come with a nice poster edition… It’s been a little while since we’ve last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that’s certainly not to say she hasn’t been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, complex Ore, released by Digitalis in 2009. With Glass Canyon, Jakobsons presents her first major work under her own name, a decision which perhaps offers a bit of insight into her compositional intentions on the album itself. Jakobsons sought to strip down her creative process to primarily just synthesizer and violin as a way of focusing, as she puts it, “on where two timbres meet.”  
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    Damian Valles – Nonparallel (In 4 Movements)

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    Nonparallel (In Four Movements), is composed and arranged entirely from samples from the recordings of avant-garde Western classical composers and computer music released by the Nonesuch label in the 60s and 70s. In working with the material, Valles wanted to enter into its very lineage, to forge a dialogue with it, to both extrapolate something essential from it and contribute to its legacy by using it to create an original work some three decades later. Divided into four movements, it is a nuanced album of subtle complexities that took roughly three years to complete.  
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    Marielle V Jakobsons – Glass Canyon

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    It’s been a little while since we’ve last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that’s certainly not to say she hasn’t been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, complex Ore, released by Digitalis in 2009. With Glass Canyon, Jakobsons presents her first major work under her own name, a decision which perhaps offers a bit of insight into her compositional intentions on the album itself. Jakobsons sought to strip down her creative process to primarily just synthesizer and violin as a way of focusing, as she puts it, “on where two timbres meet.”  
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    R. Adams – W(REST)LE

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    Limited to 50 copies. Type ii high-bias cassettes with red tinted shells + silver imprint Color insert… Adams’ musique concrète offering ‘W(REST)LE’ merges various traditional religious recordings and tones to create a sonic tapestry celebrating devotion and meditative states. Adams’ first solo release is contemplative one. ‘W(REST)LE’ is an excursion into orthodox religious music and it’s stigmas. Church bells, choirs, and traditional instrumentation are woven together and collide to create new relationships between opposing styles and techniques. While this is his first outing as a solo artist, he is no stranger to meditative practices or the music that parallels it.
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    Nils Quak – Long Forgotten Days

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    Nils Quak is a sound artist, writer & journalist living in Cologne, Germany. Under his own name as well as under various other monikers he releases music on labels such as Progressive Form, Kitty Yo, Distance Recordings, Audiobulb, Clothbound Recordings and many more. ‘Long Forgotten Days Under A Dust Covered Sky’ is the first of two wonderfully dusty sounding albums by Nils for NKR. The second will be released in July.
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    Fugenn & The White Elephants – Archetype Zero

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    Fugenn & The White Elephants is the solo project by the Japanese artist, Shuji Saito. Making dance music since 2004 as a DJ and artist under the name of “SOMA”, he represents a new generation of up and coming beatmakers in Japan right now and is widely regarded as one of the leading lights of the new electronica scene there at present. As a member of “Trench Warfare” (an underground party crew in Chiba), he regularly performs lives in Tokyo, Kyoto, Shiga and Nigata. In 2008, he changed his project name to “Fugenn & The White Elephants” and remixes with “Headphone Science”, “Koen Park” and more have been a success not only in Japan, but beyond as well. In April 2011, his 1st album was released on the famous Japanese electronica label “PROGRESSIVE FOrM”. He also recently participated in YMO’s tribute album “YMO REWAKE”. His long-awaited 2nd full album “Prays” was released on May 5, 2012 on PROGRESSIVE FOrM. His NKR debut ‘Archetype Zero’ consists of some of his earlier, harsher work which Ian Hawgood (the curator of NKR and a longtime friend) fell in love with when they first met back in the day.
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    Studiocanoe – Soothe

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    Studiocanoe is Temujin Doran, an audio-visual artist based in London. He likes to play piano, guitar and old toy instruments, and record interesting sounds whilst he is travelling. He is the brother of a genius. ‘Soothe’ was one of the first records we received which helped to found the ethos of NKR – namely, to release beautiful, soulful music no matter what the genre. Whilst I have to be careful about saying such things, ‘Soothe’ is my wife’s favourite record across the labels to date and is actually the most listened on my old iPod. So there you go. This is the first in a series of audio-visual collaborations with Tem over the coming years. Thank you - Ian Hawgood
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    Lunar Miasma – Passage To The Unknown

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    Limited edition run of 65 3″ CD-R’s on hand stamped recycled packaging… Lunar Miasma is the alias of Panos Alexiadis. Passage To The Unknown is a lush synth based trip into the cosmos. Think Tangerine Dream fucked on MDMA soundtracking a NASA mission exploring the outer reaches of the galaxy. Dreamy!
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    Regular Music – The Work EP

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    Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging… Regular Music is an improvisational electronic trio from Portland, Oregon that uses modern synthesis in real-time, as well as analog synth, acoustic drums and percussion for a sense of exploration and sound that is sympathetic in nature to early electronic pioneers, cinematic kosmische, and psychedelic post free jazz acid synth inner space music.
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    Dozens – Curving Quest

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    Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging… Dozens, are the Montreal duo of Francesco De Gallo (Hobo Cubes) and Ryan Connolly (Sundrips). Curving Quest is a 19 minute smudged vapour trail of guitar and synth.
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    Black Eagle Child – Go Around, Again

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    Boasting a resume of twenty five releases as Black Eagle Child, Michael Jantz has established himself as a versatile artist capable of evolving with medium and melody. Go Around, Again further establishes Jantz as a formidable talent enabled by his creativity and the ability to transform intricate idea into blissful sound. Born during the recording of Lobelia, Go Around, Again bears little resemblance to its epochal twin. Jantz explains the differences between the two by referencing the clever wordplay of the album title: “It’s a conceptual title playing on the minimalist compositions, repeating patterns, etc.”  
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    offthesky vs Kinder Scout – The Curio Collection

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    Kinder Scout are the trio of Jason Corder, Ian Hawgood and Danny Norbury. Their first release was a Japan only release on the awesome Preco label in 2011. ‘The Writing Life’ was actually their first album as a trio together, but in fact their second work. Using live takes from Ian and Danny, Jason composed their first fully fledged collaborative effort to critical acclaim, with nobody quite sure whether to define it as post-classical, jazz, ambient or a pop variant of all of the above. Their first work together was before the trio fully formed which stemmed from initial collaborative pieces between Jason and Ian, Ian and Danny. ‘The Curio Collection’ is actually their first album in a way then, but their second release now. Due out on Home Normal in 2012, the release is actually offthesky (Jason) vs Kinder Scout as Ian and Danny appear predominantly across the entire album which Jason made from 2009 – 2011. Both albums have been mastered by their dear friend Miles Whittaker.
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    Padang Food Tigers – Ready Country Nimbus

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    Warm… Embracing… Nostalgic… Emotive. A few words to describe the indefinable, thrown into the wind to pin the immersive atmospheres located within the wax of Padang Food Tigers’ (ex-drone folk heroes, Rameses III) new album, Ready Country Nimbus. Comparable to feathers floating in the breeze, this London-based duo (Stephen Lewis and Spencer Grady) make their gentle passage via sublime vignettes to set up residence in pastures new. Theirs is the sound of dirt and cobwebs being swept from the corners of childhood memories. The world weeps tears of knowledge, comfort, concentration, enlightenment, while handing flowers to a parade of beautiful women. Ready Country Nimbus is an emotional sepia-tinged blend of tones, gospel, and spirit. It’s more than music, it’s a swelling presence. It’s inflated poetry, bent and focused through the necks of guitars, banjos and nature. It’s kind of holy.  
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    Philippe Petit – Eugenie

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    Limited Edition of 500 copies on 300gsm full color sleeve with 140 Gram Black vinyl (33rpm)… Internationally acclaimed French sound-artist Philippe Petit, the self-described, “musical travel agent” in conjunction with French/Swiss label Alrealon Musique, announce the release of ‘Eugenie’. Comprising four stellar tracks of avant-garde/classical/soundtrack and released as a 10-inch vinyl record and digital. This stunning piece of musical modern art entitled ‘Eugenie’ will be available on May 28, 2012. Philippe Petit describes ‘Eugenie’ as “a cinematic adventure, where luscious string arrangements convey a whole world of emotion and the organic sound of the instruments is never overshadowed by the machines. The EP came to mind with the birth of my daughter Eugenie who is now 4 and its’ artwork was made by her under the guidance of her mother.”
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    Mere – S/T

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    Mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. Guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. The trio first came together to work on a soundtrack for a Dutch TV documentary called ‘Visserman’. Having known each other for some time this was the first time they had combined together to write music and the name Mere comes from the Dutch word for ‘more’. Each member adds a different influence to the sound, the modal finger picked guitar playing of Thomas adds a sense of movement while Gareth takes both folk and free jazz ideas to play against Leo’s free rock influenced drum work. The tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. Gareth Davis records on Important, Miasmah, Sonic Pieces, Dekorder, Home Normal etc. Collaborating with Machinefabriek, Steven R. Smith, Scanner, Frances-Marie Uitti, Ryan Teague, Elliott Sharp, Ian Hawgood and the like. Leo Fabriek releases on Digitalis, Home Normal etc. and is also the drummer with the noise rock band Julie Mittens.
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    Jeff Grace – Meek’s Cutoff (Music From The Motion Picture)

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    Limited edition 10″ virgin vinyl run of 250 in a gorgeous sleeve includes hand numbered insert of liner notes and photographs of the file and download code… and I’m honoured to present it here on 10″ virgin vinyl, in a gorgeous sleeve, including a small insert of liner notes and photographs of the file. Kelly Riechardt has directed several films, An Old Joy, Wendy and Lucy, and last year saw the release of Meek’s Cutoff. A slow burning, bleak film following a small group of settlers traveling across the Oregon High Desert with their guide Stephen Meek. What follows is increased paranoia and tension as they start to believe Meek does not the territory he has lead the group in to. The film was released to some fantastic reviews and Michelle Williams recently won the Hollywood Film Festival Award for Best Actress for Meek’s Cutoff, My Week With Marilyn and Take This Waltz.  
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    Tom Carter & Robert Horton – Nyida Days

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    Limited edition run of 200 copies for the world… Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow and lap steel with Horton’s every growing army of sound making objects described here as boot loops, boot, vortex, cassette player, minidisks, vibrator, computer, sine waves, voice, sex machine, organ, construction and beats to name some. Carter and Horton create a wild sound that is almost deconstructed and rebuilt through the 3 tracks, it sounds great and like no one else…
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    Coppice – Holes/Tract

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    Cremaster – Live at Audiograft

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    Hand numbered limited edition of 200 presented in a letter pressed 4 panel sleeve resting snugly in recycled brown envelopes… A twenty six minute slab of immaculately improvised electronics from sonic terrorists Alfredo Costa Monteiro & Ferran Fages, recorded live at Modern Art Oxford in March 2012.
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    Kim_Nasung – Places

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    There are the places where we can not get. Or we can only if our imagination helps. Mysterious images, dreamy shapes, reminiscences and unrecognisable traces. Sometimes we can sense them, so close to us. We can understand them the way we understand old pictures of people whom we never met. People whom we only know from the stories. Those seemingly cold and remote worlds and events, covered with the fog which steels the colour… Those worlds create the chain of extraordinary cycles. They lead to nowhere besides themselves. Pulsating and imaginary places. Discover them. Stalk them, immerse in the “Places”…
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    Celer & Machinefabriek – Numa / Penarie

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    Limited edition of 250 numbered copies. Comes in a matte full colour jacket. Includes download with two videos by Marco Douma… After the release of their first 7-inch, ‘Maastunnel/Mt. Mitake’, Will and Rutger decided to make it a series, and continue with another. ‘Numa/Penarie’ is the second collaboration, containing all-original audio pieced together from snippets of much longer source material. The artwork is a collage of old postcards from Jimbocho in Tokyo, and the single is again accompanied with two beautiful videos by Marco Douma.
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    Greetings from Celer & Machinefabriek

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    Limited edition of 250. Numbered envelope with 8 postcards, each one with photographs by Will Long and credits and anecdotes from the tour. Includes download coupon of 7-track album in your choice of MP3 320, FLAC, etc… Live performances recorded in The Hague, Brussels, Maastricht, Deventer, Utrecht, Leiden and Drachten, March 2012. In March 2012, we had a tour of the Netherlands and Belgium together with Kleefstra|Bakker|Kleefstra. Seven gigs in total, which were all improvised. It was the first time we played together, and we didn’t rehearse. It might not have been brilliant all the time, but there was definitely some kind of magic going on sometimes. Not knowing what the other would do, these concerts were as exciting for us as (hopefully) for the audience. Trying to do something different each time, things got weirder and weirder with each performance, up to a point where it became really hard to keep a straight face while performing. It was simply a whole lot of fun, and an experience that seems worth sharing. It made the most sense to share it in the purest way, with all concerts in unedited form, from the first one to the last.
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    Joe Evans – Ecliptic Plane (CD / DVD)

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    This release is available in limited edition 100 x CDr & Data-DVD using high quality Aquaguard (matt) or Watershield (gloss) discs (depending on availability). The covers are made from recycled card. The video is released as a data file to ensure the highest possible quality is available…  The Music: I think it’s safe to say that space, and more specifically, the sun and planets, have been the inspiration behind a large number of musical projects over the years. While this work deals with some of this familiar subject, it does so with the emphasis on time and particularly by how it is marked by movement within the solar system. The piece “Ecliptic Plane” was initially conceived as a gallery exhibit exploring the synchronicity of the planets and their moons. Once it was finished, it became clear that any release would need to be expanded to include a more complete picture of the solar system. Each track then came about through a combination of examining the properties of the subjects and a series of mathematical music experiments conducted in parallel. The tracks “Ecliptic Plane” and “Resonant TNOs” extensively use the data from the planets, their moons and other objects to create their rhythms and harmonies. In the case of “Resonant TNOs” the musical scale was derived directly from the frequency ratios of the orbits of the titular objects themselves. Whilst “Approaching/Receding Sun” and “Oort Cloud” are essentially impressionistic in nature, they are the results of mathematical experiments that have links with their subjects through mood and metaphor.  
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    Jedadiah Bernards – Two Poems/Piano

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    5” Lathe cut record limited to 100 handmade copies / Comes in a small gatefold sleeve / Digital download code inside… These pieces came out of an exercise Jedadiah started in the winter of 2010. He had the opprotunity to record piano music in a very lovely church, near to his hometown. During the sessions the artist embedded himself with the poetry of Mary Jo Salter. Her work inspired him to approach these new piano pieces as poems of their own. Jedadiah started by following the rules of haikus, and eventually eased into a very lucid process, being very intimate with the how the piano worked in the large space around him.
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    Palestine / Schaefer – Day Of The Demons

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    Flame-red limited edition vinyl with full color custom die cut mask on 12 point card stock with elastic straps… Through the unending fog and beyond the impassable door, a voice emerges. Charlemagne Palestine, writhing in uncontrollable terror, moves to ward off the demons for the sake of the listener by howling through the void. Janek Schaefer bellies a haven, a cocoon for the listener to hide in, to grasp some semblance of life that remains and hold on to it dearly. Bells chime ominously to help dispel the haunting and are yet another stark reminder of the impending doom. What hath wrought them? What can be done against them? on this day, Charlemagne Palestine and Janek Schaefer have faced the darkness surrounding us, traversed through the fog, waded into the murky waters, and encountered demons that have surfaced from the dark recesses of the earth. herein lies the hope that was gained through facing the horror that was left unchained.
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    Cycle 440 – The Cartography of Shifting Planes

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    The latest release from duo Cycle~ 440 via Twice Removed Records. This is their second album following on from “The Geography of Collapsing Structures” and comes in a run of 100 copies in slim line case with printed sleeve.
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    Bing & Ruth – City Lake

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    Limited Edition of 32 hand numbered copies, comes with a download code inside the sleeve. The second release in the new tape series comes from Bing & Ruth, led by New York residing composer David Moore. Limited Edition of 32 numbered copies. – Printed card inner sleeve – Hand typed insert on hand-made paper – White cassette tape – Download code included – Housed in a brown card outer case
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    The Rustle of the Stars

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    Housed in a 6 panel digipack with silver text and graphics… 450 km from the arctic circle, ‘The Rustle of the Stars’ is a phenomenon of austere beauty, a barely audible noise that occurs when the draught from human breath causes multiple collisions among the ice micro-crystals in the air. Some words about this record from Richard & Frederic: We met on tour when performing in Europe with our respective bands Glissando and FareWell Poetry. We had beautiful times, drinking and talking our common grounds whilst some simple ideas formed in our minds: to compose an album together. To imagine a musical passage through the North Pole explorer diaries. To ask some people and some friends to participate. To record the project in a church. To act quickly. We began to work at our homes in November 2010, In Paris (FR) and in Leeds (UK), with electric guitars, a bunch of pedals, piano, dulcimer, organ, crystal glasses, bows and field recordings, sending and adding ideas together to the tracks, trying to find a global organic sound. We met in Leeds two months later at the beginning of 2011 to record in the St Margaret of Antioch Church, using a ‘wall of sound’ process in some of the tracks and arranging / recording the string parts you will hear in the music. We would like to think of this album as a polar journey to the ends of the earth through the arctic sea. We kept in mind the first polar expeditions, Edgar Allan Poe’s Dream-Land, the ships trapped or crushed by ice, the point of no-return, the minds sinking, the attempt on the Pole ending in disaster, the quest of the Northwest Passage, Erebus & Terror, the Mercy Bay, Mangazeya, Charles Francis Hall, Beechey Island, the Midnight sun and the Polar night.
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    Magpie Issue Five: Metamorphosis (Book/CD)

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    Featuring 96, full colour pages of prose, poetry, interviews, enticing images and new music reviews. Each copy comes paired with an exclusive, limited edition, compilation CD of rare and recent musical releases… Content: Hanna Tuulikki Magpie’s cover illustrator uncovers the secrets of her symbolic world. Chrysalis An excerpt of ‘Chrysalis’ by Kim Todd, which explores the life of Maria Sibylla Merian, a 17th century botanical illustrator, and her quest to uncover the mystery of metamorphosis. The Museum of British Folklore We speak to Simon Costin, the founder of a new museum set up to celebrate the weird and wonderful folk traditions of Britain, and ask why these still matter today. Storm in a Teacup Magpie speaks to Verity Flecknell, founder of London based feminist arts collective ‘Storm in a Teacup’. Daphne Descends Spring/Summer collection inspired by priestesses and queens from Sardinia’s primitive era. Designed and Styled by Madeleine Nie and Laura Lambroni. Shot by Ellen Rogers. Aspects of Leonora Charley Feltham celebrates the life and work of Leonora Carrington – one of the most daringly original, bizarre and visionary artists of the 20th century. Stories Stitched from String Magpie investigates a new generation of puppeteers and storytellers, including Wyrd Motion, The Little Theatre of Dolls and Monooka. Music Reviews and Interviews Interview with Alela Diane Interview with Ödland Reviews: High Wolf, Jozef Van Wissem, Infinity Room and Higuma at Cafe Oto, Lüüp, Meg Baird, Mariee Sioux, Ilya Monosov, Larkin Grimm, Julia Kent and more.
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    Quicksails – Silver Balloons In Clusters

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    Under The Spire has struck gold again with this, a vinyl reissue of Quicksails’ Silver Balloons In Clusters, which was originally released on cassette by Deception Island in early 2011. Ben Billington drops the sticks for the most part here and wires up the synths instead. Quicksails is a radically different sound for the man best known for his drum work in Tiger Hatchery and some almighty solo percussion sessions. Anyone who knows him from White Prism will have a better idea of what to expect. But that’s not to say the album is totally without a beat. ‘Must Never Catch It’ shakes past breezily on a tribal clatter and ‘A Million Knots’ unravels out of regal Kosmiche layers to start throbbing subtly at your temples, the loops loosening on their spools as gorgeous washes of pure space flow around them. Having said that, there are less percussive elements at play here than on past Quicksails releases. Instead Silver Balloons In Clusters allows samples and effects to carry it forward. ‘Deep Creak’, for example, is the aching sound of ghost ships approaching through thick fog. The ancient groans and crashing waves are pitted against alarm sounds, blaring out as if preparing shore-dwellers for imminent doom.  
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    Mortuus Auris And The Black Hand

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    Mortuus Auris and his Black Hand is actually a chap called Peter Taylor and this is this alter ego. Not like in a mad schizophrenic way but more in a kind of way that you just have a different name to do things. Eg Hulk Hogan wouldn’t be anywhere near as popular if he he used his reall name of Terry Gene Bollea, so if you’re in the biz I guess you gotta do these things. Limited to 50 copies job and it’s rather lovely. Throbbing, pulsating, spacey sounding drone music with layers of ambience all put together rather well I think. At times it can sound quite celestial and there’s the odd sound in there that reminds me of Philip Glass, but then there’s the odd sound in there which is like the Eraserhead soundtrack ‘n all. It drifts from the beautiful to the ugly (sometimes in the same song) and if you stick with it to the end you’ll discover there are many riches to be had here. I’m particularly fond of all of the spacey sounding noises!
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    For Machines

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    Super Limited edition of 50 cassettes with accompanying hyperactive/disorientating essay (screen-printed). All assembled by hand. C90 cassette with bonus Side B: minimal Background sounds and unassuming drones.
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    Doron Sadja – Residuals

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    Limited edition CD with deluxe oversized sleeve and accompanying prints by the artist… “Residuals” is a four movement, hyper-emotive, ultra-synthetic landscape. Doron’s first solo electronics release since 2003′s “a piece of string, a sunset” on 12k – and it’s in that same realm that his endlessly imaginative sound design shines brightest. Slowly lifting off from near silence into an ethereal vacuum of swirling cacophonies and multi-tonal noise, “Residuals” never lets go. Romantic synthesizer harmonies, extreme frequencies, spectral chord blasts, and ultra-high synthesized feedback combine to form structures so innately organic that it’s easy to forget that a human (or a computer, for that matter) had anything to do with it.  
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    James Landis – January Dusk

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    Limited to only 50 copies… Guitar based digitally manipulated instrumental tracks from James Landis. From ambient drones to acoustic sketches with a few beats along the way…
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    Rivers Home – Compilation Vol. 2

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    Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting… The second and final set of EPs in the Rivers Home series. This series celebrates the wonder of rivers at a time when many of them are particularly vulnerable. Many of us dream about rivers, ride along rivers, take ferries along rivers and sit on river banks. This series is a musical exploration of the ways we influence rivers and they influence us. It is about the stories we tell about rivers, the experiences we have of them, and the memories they have left us with. This the final set of Rivers Home sees The Boats, Seth Chrisman, Savaran, All N4tural and Dan Whiting each present an ode to a different piece of water on their own three inch CD.
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    Steinbrüchel + Cory Allen – Seam

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    Fourteen months and countless folders of audio files later, Steinbrüchel and Cory Allen offer their first collaborative album entitled «Seam». An intensive and process driven work period resulted in an album that integrates the two artist’s individual soundworlds. Each sound was processed and multiplied by both artists, forming a sound archive of individual threads. The compositions were then sewn and stitched together using the collection of the archive. Connecting each composition is an inbetween thread which weaves the album’s tracks together. The «- — – –» audio process was extended into the design and production of the physical packaging. The cover design is based on a system which reflects the track order and the artists’ contributions to the creation of the compositions. Each of the 400 limited edition CD packagings were offset printed and machine stitched in Switzerland. Cover concept and design by ORDNER. Mastered by Cory Allen.
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    Philippe Petit & Friends – Cordophony

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    Gorgeous 6-panel digipack… A filmic adventure where luscious string arrangements convey a whole world of emotion, and the organic sound of instruments is never outshadowed by machines. “Cordophone” is a French word which refers to musical instruments whose sound comes from the vibrations of one or several strings. Cordophone shows Philippe Petit playing with string parts by many talented friends in order to create an imaginary world of dense mixtures of electro-folk acoustic instrumentation, post-classical orchestral arrangements filled with collected field-recordings, vanguard soundscapes, manipulations of glass and vinyls.  
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    Strië – Õhtul (Deluxe CD)

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    Each of these gorgeous deluxe versions, in this edition of 100, will come in a fused double envelope package, comprised of two 6.5″ square, Midnight Black envelopes. Each of these envelopes will be hand worked/stamped/artified in the usual TRS manner…in one of them will come the black digipak in it’s own translucent envelope, also stamped, and in the other half of the package will come a set of three banded 4″ x 6″ hand printed color prints, on 300lb Moab Rag Natural paper, with accordingly mysterious quotes/Strieisms, and a 4″ x 6″ unassembled jigsaw puzzle also in it’s own translucent envelope featuring, as far as we know, the only somewhat recent picture of Ms Reinhart in existence. Strie is a puzzle..and is being released as such…  
    £25.00
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    Strië – Õhtul

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    Digipak version of 250 copies comes in it’s own translucent envelope… Strië is the alter ego of the mysterious and public shy European sound sculptress, Iden Reinhart. Much has been made in the past of her elusive character…it has been said for instance, that she fled the spotlight in European classical music circles to retire to a life of creative seclusion in the countryside….country in particular currently undetermined! This is after living her youth as a child prodigy of some import…and we can state that even after dealing with her personally and quite congenially for most of the last six months, she is as much a mystery to us, at least, as ever! S
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    En – Already Gone

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    Already Gone is the second full length album from West Coast dream-drone unit En, the duo of Maxwell August Croy and James Devane, following their well-received debut album The Absent Coast (released in 2010 on Root Strata, which Croy runs alongside Jefre Cantu-Ledesma). For their sophomore release, the pair have opened up their tonal palette considerably. While the comparisons that critics made of their first album to the work of Tim Hecker and Stars of the Lid still hold true, Already Gone finds Croy and Devane mining even richer sonic climes. Here, the duo pull back the curtain on some of their source material, a move that allows the diversity of their instrumentation to resonate. On The Sea Saw Swell, Croy’s acoustic koto pings across the stereo spectrum as a looping guitar figure from Devane apparates from the haze of a beautiful, slowly shifting drone. The side-long closer Elysia is likely the duo’s defining recording to date, an epic slow-burner that reaches heights both angelic and cacophonous. Ultimately, it is the harmonious marriage of the organic and the obscured that recurs throughout the album that proves its defining trait, and it is precisely what makes En stand out in the ever-growing field of contemporary drone/ambient musics.
    £8.00
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    £6.00 Quickview

    En – Already Gone

    ,
    Already Gone is the second full length album from West Coast dream-drone unit En, the duo of Maxwell August Croy and James Devane, following their well-received debut album The Absent Coast (released in 2010 on Root Strata, which Croy runs alongside Jefre Cantu-Ledesma). For their sophomore release, the pair have opened up their tonal palette considerably. While the comparisons that critics made of their first album to the work of Tim Hecker and Stars of the Lid still hold true, Already Gone finds Croy and Devane mining even richer sonic climes. Here, the duo pull back the curtain on some of their source material, a move that allows the diversity of their instrumentation to resonate. On The Sea Saw Swell, Croy’s acoustic koto pings across the stereo spectrum as a looping guitar figure from Devane apparates from the haze of a beautiful, slowly shifting drone. The side-long closer Elysia is likely the duo’s defining recording to date, an epic slow-burner that reaches heights both angelic and cacophonous. Ultimately, it is the harmonious marriage of the organic and the obscured that recurs throughout the album that proves its defining trait, and it is precisely what makes En stand out in the ever-growing field of contemporary drone/ambient musics.
    £6.00
    £6.00 Quickview