For Machines
For Machines
£10.00 £5.00
Super Limited edition of 50 cassettes with accompanying hyperactive/disorientating essay (screen-printed). All assembled by hand.
C90 cassette with bonus Side B: minimal Background sounds and unassuming drones.
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Beth Kleist – Drei
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The third album of the NQ / Teamforest collaboration: limited tape edition of 100…
Recorded in a makeshift lakeside studio, Beth Kleist’s Drei is the sometimes psychedelic, sometimes pastoral third album from Nils Quak and Philipp Bückle. The album haunts and teases its way through mostly guitar, percussion, and electronics without settling long into an idiom before leaping headlong into a new idea.
Lovers of kraut rock, post-spectral drone, twee electronica, and especially postrock in all of its shifting facets will find pockets of bliss in Drei.
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Driphouse – Root 91 (Tape)
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Darren Ho’s latest trip down the rabbit hole is a baroque maze lit with neon lights. Machine music for The Blue Danube. Piano, harpsichord and synthesis all set adrift, levitating into minimal jewels of sound.
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Mohave Weapons – Smoked Mystics (Tape)
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Anthropological audiophiles feared that all forms of smouldered geometric sound magic had died away when Europeans reached far in to the desert wilderness of western America. Although this sand based kahuna was never officially outlawed, the decline of native culture saw many forms of sonic sorcery die out as the acoustic conjurers were unable to pass on their wisdom to new aural apprentices.
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Appalache – Fue
Sale, Tape
If you’ve ever had the chance to travel, you know that it changes your life. After a year on the road, from the jordanian dunes to the asphalt of Nashville, Julien Magot locked himself in his appartement to record ‘Fue’, the first album of his lonely adventure Appalache. If you’ve ever had the chance to travel for a long-time, you know how hard it is to fight against monotony of a daily life. This is maybe the start of this story, a way to escape from the outside world’s oppression, a dream about a dream inside a dream, where flashbacks can be possible futures. More than a story, ‘Fue’ can be the painting of a luxuriant desert under the moonlight, maybe like the one on the Barn Owl’s Lost In The Glare cover. 8 songs for 8 colors, leaded by an electric guitar and indians spirits, both hunting for serenity…
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