Fixtures’ contains 9 tracks that expand on the darker, more noisier elements found in the droning/ambient soundscapes Valles has been experimenting with as of late.
A blend of distorted sounds, dusty acoustic guitars, old pianos, and field recordings mixed with slowly evolving tones and brooding passages.
Released in an edition of 50 copies in cassette format & beautifully packaged in a 2 colour screen printed slipcase. Released through the Australian imprint Left (field) Recordings.
The third album of the NQ / Teamforest collaboration: limited tape edition of 100…
Recorded in a makeshift lakeside studio, Beth Kleist’s Drei is the sometimes psychedelic, sometimes pastoral third album from Nils Quak and Philipp Bückle. The album haunts and teases its way through mostly guitar, percussion, and electronics without settling long into an idiom before leaping headlong into a new idea.
Lovers of kraut rock, post-spectral drone, twee electronica, and especially postrock in all of its shifting facets will find pockets of bliss in Drei.
Bloodred c60 + c40 tapes, handstamped / inked in blackHandcut, dyed + scored custom chipboard O-cards / insertHandstamped red 8.5″ by 8.5″ insert with black letteringHandnumbered & stamped in roman numeralsScreenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.
Limited to 100 copies: C24.chrome grade cassette. BLACK…
Regularly releasing albums as a member of STEVEN PORTER for various international record labels, Sludge-Tapes presents Ducerey Ada Nexino, a solo album from the founder of the recent upstart Kyoto-based, 10 Label. Starting out with unexpected heavy, distorted guitar, this release moves from arhythmic tracks, like buildings crumbling in slow motion, to abstract interpretations of obsolete industrial techno. Unlike anything heard on other labels, this is a presentation of heterochromatic black-stepping techno.