If you’ve ever had the chance to travel, you know that it changes your life. After a year on the road, from the jordanian dunes to the asphalt of Nashville, Julien Magot locked himself in his appartement to record ‘Fue’, the first album of his lonely adventure Appalache. If you’ve ever had the chance to travel for a long-time, you know how hard it is to fight against monotony of a daily life. This is maybe the start of this story, a way to escape from the outside world’s oppression, a dream about a dream inside a dream, where flashbacks can be possible futures. More than a story, ‘Fue’ can be the painting of a luxuriant desert under the moonlight, maybe like the one on the Barn Owl’s Lost In The Glare cover. 8 songs for 8 colors, leaded by an electric guitar and indians spirits, both hunting for serenity…
Let me tell you something : At daylight I made a dream. We were all floating in the air, entranced by a force we did not even know. And it felt great. “However, I have always prayed, and I believe that the Almighty has always protected me.” Geronimo (Chiricahua Apache Chief) and that’s where comes that force, from the Almighty. We should be all protected by this huge force as I draw my inspiration from Indian/Bible beliefs. As Indians believe in a God, I believe in a God of mercy and of hope. This album is about how everyone is while they believe in nothing. Try to believe. This is all about exaltation of the future, what you can expect and what it could bring to you. By faith. Every Appalache album is a different travel. -Fue- is about spirituality. – Julien Magot
Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape…
Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing.
Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.
C24.chrome grade cassette. KELLY GREEN. Limited to 100 copies. Mp3 downloadcard included!
Experimental musician and guitarist, Kelly Churko – Canadian-born, Tokyo-based – is recognized as an integral part of the Tokyo underground scene, from jazz to improv to grindcore to noise. A computer creation, stoicism exudes over this continually developing, detailed and finely constructed, pulse-drone-centered work. A completely realized composition of a new type of drone core noise.
Anthropological audiophiles feared that all forms of smouldered geometric sound magic had died away when Europeans reached far in to the desert wilderness of western America. Although this sand based kahuna was never officially outlawed, the decline of native culture saw many forms of sonic sorcery die out as the acoustic conjurers were unable to pass on their wisdom to new aural apprentices.
Sound designer and programmer, Yousuke Fuyama, is a front runner in the academic world but fully embedded in the avant garde audio/visual scene. An updated version of his Sonar performance generated by the mutual exchange of music and sound data. An unexpectedly accessible work of noisy, extra-dimensional, abstract sound. A stunning blend of rogue, 4D glitch.