Afterall – Issue 28
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Baseline Issue 58 (Book)
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Baseline covers the related areas of graphic art, multimedia, architecture and typographic design. The articles are written by internationally recognised contributors and its design and print production regularly wins major international design awards.
Issue 58:
Welcome to Baseline issue 58, our spring issue. As usual the designs of the cover and jacket reflect some aspects of the features published here. The cover shows the numbers 50 and 8 in Lagoon, an Armenian typeface by Carolyn Puzzovio. The jacket, which doubles as poster, is a photographic collage of urban stencil characters.
The two books, which are reviewed, are essential references for any serious design library.
Paul Shaw reflects on Helmut Schmid’s homage to Emil Ruder, typographer and educator at the renowned Kunstgewerbeschule in Basle. Paul Razzell comments on David Jury’s vast 400 pages artist book reference catalogue, which presents an important record of the first biennial Codex Book Fair and Symposium, Berkeley, California.
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VNA – Issue 16
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Issue 16 features Parisian legend Invader as the cover artist. Our exclusive interview with the Rubik’s cube enthusiast provides a rare insight into this secretive street artist’s work.
We talk about people stealing his work, airlines classifying his tiles as ‘weapons’ and invader-shaped waffles. We also chat about his ‘cousin’ Mr Brainwash and how he narrowly avoiding arrest in LA during the Art in the Streets show.
Issue 16 also includes Ron English’s protege, the Australian wunderkind Kid Zoom, old-school mad scientist CHU, commercial assassins TrustoCorp, and weird and wonderful pictorial pirates The Dead Sea Mob.
But that’s not all, folks. We also talk to Cath Love and Will Barras, and include a photo feature on Obsession Of Colour.
Of course no issue of VNA would be complete without documenting actual work on city walls and it seemed appropriate that this issue should celebrate the streets of Paris, alongside those of London and Melbourne.
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Afterall 26 (Mag)
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Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.

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