Lynsey Addario: At War By Elizabeth Rubin
A photojournalist looks at war up close, most recently focusing on women soldiers in Afghanistan.
Cameras for a Dark Time By Ariella Azoulay
Custom-built cameras reflect upon the medium and the ongoing conflict in Israel and the Palestinian territories.
Lucia Nimcova: On Sleeping and Waking By Clare Butcher
Nimcova investigates the role of the image in private and official life in Socialist Czechoslovakia.
Interview with Carole Naggar
The famed Parisian photographer discusses his life and career.
Fastnacht By Magdalene Keaney
An age-old Lenten tradition continues—in full regalia—in Germany’s southern villages.
A Prior Magazine #21 investigates performance practices, the unique experience, the active positions of the artist and the audience in relation to current techniques of assemblage, association, reproduction, sharing, collage and, specifically, linking.
Danai Anesiadou, Gabriel Lester in collaboration with Raimundas Malasauskas, and Luis Jacob
Cover image: Happy To Serve You by Danai Anesiadou
Back cover: Image from Gabriel Lester’s personal collection
Essays by Lou Forster on The Other Tradition (Wiels, Brussels), Natasa Petresin on Les Promesses du Passé (Centre Pompidou, Paris) and Defne Ayas on Performa (New York). And a contribution by Ruth Hege Halstensen on Tino Sehgal
Insert: Album IX: special 16-page booklet in full color by Luis Jacob
And more essays by Anselm Franke, Donatien Grau, John Menick, Vivian Rehberg, Dieter Roelstraete, Michael Van den Abeele, Jan Verwoert and Andros Zins-Browne
280 pages full color
Our sixth issue which tackles one of the dangerous themes in poetry. Expect to find poems about the weight of meaning behind the term ‘wife’, love as an elderly lesbian, motherhood and the hopeless powerlessness of love after death. Featuring work from some of the finest contemporary poets and illustrators working today, plus interviews with Joe Dunthorne, Salena Godden and Tom Chivers.
Source is the magazine for contemporary photography in Britain and Ireland. It presents a forum for independent critical debate and the publication of the best new contemporary photography.
Each issue includes portfolios of previously unpublished photographic work, newly commissioned essays and comprehensive reviews of exhibitions and publications.
Source covers a wide range of photography from documentary and photojournalism to the work if contemporary artists. This has included police photography, advertising, pornography family photographs and design.