Our sixth issue which tackles one of the dangerous themes in poetry. Expect to find poems about the weight of meaning behind the term ‘wife’, love as an elderly lesbian, motherhood and the hopeless powerlessness of love after death. Featuring work from some of the finest contemporary poets and illustrators working today, plus interviews with Joe Dunthorne, Salena Godden and Tom Chivers.
Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.
Experts have hand pick exciting new projects from their respective fields to share with readers. David Downton offers up his choice of fashion illustration; Martin Colyer selects the best of cartoon illustration, and John Lowe finds some inspiration for his pick of graphic novels at Comic-con, San Diego; Derek Brazell’s choice of reportage includes George Butler’s drawing trip to India for a wildlife charity and illustrator Richard Johnson’s’ sobering work with the International Society of War Artists. Martin Salisbury looks at children’s picture books, Jeremy Leslie finds innovation in magazine illustration and Nat Hunter of Airside shows us a selection of illustration being used within a digital framework.
A little over a year ago, blow magazine was no more than a loose idea waiting to take shape. Over the past twelve months we have cultivated a visual collection to honour the printed image, to celebrate known photographers and to shed a light on fresh talent.
So it is with celebration in mind that we present to you our third issue: The Body Issue. One of the most photographed of subjects, the human body is infinite in its ability to communicate visually. Regularly a study of shape and form, sometimes a tool for social commentary and often a subject of controversy, the body acts as a human landscape with endless possibilities for expression and interpretation.
CD release with a limited edition, 50 page book complete with beautiful images and texts eluding to the recording materials, machinery, processes and personnel. The book also encompasses an audio cookbook with recipes for you to create your own experimental audio loops and soups.
The culmination of a year’s worth of sound experiments with machines of a bygone era, The Otolith Sessions sees Elsie Martins ‘Atom Eye’ project realise it’s most ambitious and complete work to date.
A meticulously programmed full length as opposed to a collection of tracks the album develops and unfolds with a palpable sense of purpose and adventure over the albums six storied compositions. The visceral nature of the beautiful but abstruse music is no fluke but a deliberate result of the unhurried nature of the albums writing and production process.
The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner (whose work includes soundtracks for Derek Jarman’s Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja).