Private is an international review of photography and writing. This itinerant review has been offering its poetic and photographic journey since 1992. Private’s purpose is to offer a space for photographic creation and poetic or narrative writing. Each issue is themed.
As unique and special the scenes are that the photographers for this issue have chosen to focus on, the similarities (what we have in common, what we share) that can be found around the globe are striking.
Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.
A Prior Magazine #21 investigates performance practices, the unique experience, the active positions of the artist and the audience in relation to current techniques of assemblage, association, reproduction, sharing, collage and, specifically, linking.
Danai Anesiadou, Gabriel Lester in collaboration with Raimundas Malasauskas, and Luis Jacob
Cover image: Happy To Serve You by Danai Anesiadou
Back cover: Image from Gabriel Lester’s personal collection
Essays by Lou Forster on The Other Tradition (Wiels, Brussels), Natasa Petresin on Les Promesses du Passé (Centre Pompidou, Paris) and Defne Ayas on Performa (New York). And a contribution by Ruth Hege Halstensen on Tino Sehgal
Insert: Album IX: special 16-page booklet in full color by Luis Jacob
And more essays by Anselm Franke, Donatien Grau, John Menick, Vivian Rehberg, Dieter Roelstraete, Michael Van den Abeele, Jan Verwoert and Andros Zins-Browne
280 pages full color
Wistbook 008 / Edition series. 100 / Format. 3″cd and novella…
This botano-philosophical treatise is a classic of Renaissance scientific literature. Delicate, minutely detailed sketches of flora and fauna litter the pages, attesting in their exquisiteness to the wonder and beauty of a world viewed under the microscope for the first time. Accompanying the drawings are Alberic’s handwritten notes on taxonomies and classifications, designations of anatomical parts, therapeutic and practical uses, and allegorical meanings. A sober yet reverential tone is retained throughout, and the book ends with a sublime canticle praising the Divine Creator “who deigned in His Infinite Wisdom to bestow such Marvealous Complexity on even the Smallest of parts”. To read this book is to feel the lost intellectual and religious fervour of a prior age.