A Prior Magazine #21 investigates performance practices, the unique experience, the active positions of the artist and the audience in relation to current techniques of assemblage, association, reproduction, sharing, collage and, specifically, linking.
Danai Anesiadou, Gabriel Lester in collaboration with Raimundas Malasauskas, and Luis Jacob
Cover image: Happy To Serve You by Danai Anesiadou
Back cover: Image from Gabriel Lester’s personal collection
Essays by Lou Forster on The Other Tradition (Wiels, Brussels), Natasa Petresin on Les Promesses du Passé (Centre Pompidou, Paris) and Defne Ayas on Performa (New York). And a contribution by Ruth Hege Halstensen on Tino Sehgal
Insert: Album IX: special 16-page booklet in full color by Luis Jacob
And more essays by Anselm Franke, Donatien Grau, John Menick, Vivian Rehberg, Dieter Roelstraete, Michael Van den Abeele, Jan Verwoert and Andros Zins-Browne
Welcome to Baseline 60, our autumn issue. To coincide with the 60th issue of the magazine, we mounted an exhibition at the University for the Creative Arts (UCA) to celebrate the 17-year collaboration with its students, graduates and staff.
For the first book review in this issue we selected the Design series published by the Antique Collectors’ Club, designed by Webb and Webb. It is reviewed by Prof. Alan Powers. The second publication is TD 63–73 Total Design and its pioneering role in graphic design. The author is Ben Bos and it is published by Unit Editions. The review is by Prof. Ian McLaren.
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
A little over a year ago, blow magazine was no more than a loose idea waiting to take shape. Over the past twelve months we have cultivated a visual collection to honour the printed image, to celebrate known photographers and to shed a light on fresh talent.
So it is with celebration in mind that we present to you our third issue: The Body Issue. One of the most photographed of subjects, the human body is infinite in its ability to communicate visually. Regularly a study of shape and form, sometimes a tool for social commentary and often a subject of controversy, the body acts as a human landscape with endless possibilities for expression and interpretation.
Issue 16 features Parisian legend Invader as the cover artist. Our exclusive interview with the Rubik’s cube enthusiast provides a rare insight into this secretive street artist’s work.
We talk about people stealing his work, airlines classifying his tiles as ‘weapons’ and invader-shaped waffles. We also chat about his ‘cousin’ Mr Brainwash and how he narrowly avoiding arrest in LA during the Art in the Streets show.
Issue 16 also includes Ron English’s protege, the Australian wunderkind Kid Zoom, old-school mad scientist CHU, commercial assassins TrustoCorp, and weird and wonderful pictorial pirates The Dead Sea Mob.
But that’s not all, folks. We also talk to Cath Love and Will Barras, and include a photo feature on Obsession Of Colour.
Of course no issue of VNA would be complete without documenting actual work on city walls and it seemed appropriate that this issue should celebrate the streets of Paris, alongside those of London and Melbourne.