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    Tess Said So – Scramble / Fate

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    All music composed and played by Tess Said So Rasa Daukus – piano | Will Larsen – percussion Tess Said So is a piano and percussion duo that provide a sound that falls into the interstices between neo-classic and jazz. Most, though not all, of this is rather down tempo, almost ambient, with a touch here and there of a minimalist feel. It's only due to the use of a drum kit that it has a jazz vibe at all, at least to my ear (listen to tracks 4, 7, or 10). Quite mellow overall, and very well done, I don't hesitate to recommend this.
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    Saenïnvey – The Path

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 130 copies... Yves-Gaël Jacak alias Saenïnvey is a French ambient/drone music artist who lives between France and Vietnam. Almost all of his sounds are released by some instruments from his own making which give this particular texture in his compositions. His music combine a rich acoustic palette and a refined electronic treatment. His works bring us into this permanent balance between electro-acoustic and drone. He presents on Eilean Rec. his first album.
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    Poppy Nogood – Music for Mourning

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    Influenced by the neo-romantic emotional minimalism of such artists as Max Richter, Bing & Ruth, Terry Riley and Steve Reich, Music for Mourning attempts to capture the emotions and feelings associated with a sense of mourning or loss via fast, schizophrenic juxtapositions of mood. “I like to restrict myself to a key, a series of notes, a repeating motive and improvise around it to see what comes out,” says Poppy Nogood. “I also believe that truth can come out through improvisation – being forced to make decisions in the moment and following natural instincts.” Having started learning classical violin from the age of three, Poppy Nogood is much more interested in understanding how the violin can be used in his own unique way rather than for technical virtuosity. He’s also obsessed with Romantic music and the idea of conveying a narrative of individual struggle through music, and is looking for a sound that is both tragic and beautiful. “Recording is an integral part of my composition process,” he says “I really don’t know where I’m going until I start recording.” Poppy Nogood is an American composer and violinist. Music for Mourning is his first album on Preserved Sound.
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    Dag Rosenqvist – Elephant

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    6 panel digisleeve placed into cardboard slipcase embossed with a transparent foil... Extremely quiet and violently loud, slowly rising only to moments later bear down on the listener with a wall of distorted sounds. This is the essence of ‘elephant’, the new album by Swedish composer and musician Dag Rosenqvist. ‘elephant’ consists of six tracks, all connected to each other in one way or another. Shards of tracks re-appear in other tracks. Structures, sounds, chord progressions and melodies are revisited and rearranged. Repetition as a means of holding on to something that is already lost. ‘elephant’ is an album built on contrasts. It is an album filled with noise and fury, with distant echoes and subtle vibrations. It is a blind force that can both crush you and embrace you with its fragility.
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    Cyril Secq / Orla Wren – Branches

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    Limited edition of 200 in matte finished 6-panel digisleeve... Branches came into being during a long time planned project between Tui (Orla Wren) and Cyril Secq (member of the band Astrïd). Having worked together when Cyril contributed guitar to the Orla Wren’s previous albums the idea then formed to do something further and even more collaborative. At the same time, Cyril had recorded many guitar parts, as a ‘solo’ project, that had never been released. And they were the basis, the bones for Orla to work, completely free. It’s a duet between acoustic strings and processing, field recordings, edits and organic arrangements. This music is steadily ramifies, growing out of itself like a wild tree. The tunes woven together and untwine again as a branches shaken by the wind. It sounds focused, calm and distinct. Although everything has been done in distant places (France and Scotland) the result sounds like two musicians experimenting in the same room, sharing their background and culture.  
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    Delilah Gutman / Drawing Virtual Gardens ‎- Charcoals

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    Charcoals, a interpretation of neoclassical and electroacoustic music by Delilah Gutman and David Gutman (Drawing Virtual Gardens). 65 CDr’s, hand made brown kraft covers, hand numbered, photo’s, envelope with wallet inside. 24bit HD audio
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    Adzuki – Radio Sea

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    “The noise which comes from the radio sometimes sounds like the sound of the sea” 10 tracks of pure meditation and ambient bliss. 65 hand numbered CDr, hand made covers, real photo’s.
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    Sapphirine Phlant – Until The Light Takes Us

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    Comes in a brown kraft wallet, outside kraft paper cover (envelope), real photo’s, hand numbered in a limited edition of 50 CDr... “The material was recorded through 2014 under the influence of Norwegian Black Metal, grim moods and wandering in mirk. Some ideas were also inspired by chtonic investigation of H.P. Lovecraft opuses.”
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    Robert Heel – Naihehe

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    “Naihehe” is inspired by huge caves around the world. Enormous echo spaces, cavernous spaces, versatile reverberation, natural surroundings and heavily modified sound and field recordings: from slowed down bat sounds to water and wind in caves to clicks, noises and slipping rocks.
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    Davis / Merzbow – Atsusaku

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    Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis’ reed sound being compressed and constrained by the saturation of Akita’s textures, that the album was born. The acoustic sound almost suffocated beneath the sweep of sonic overload, but through limitation and pushing the mechanics of the instrument itself, finding a space to cut through with layers of self-distorted screams. Haihan, a furiously abusive maelstrom of coloured-noise, digital cross-fire and distorted bass clarinet is unrelenting as it searches for moments of pulse within the haze only to move abruptly back into the mechanical barrage of looping textures. Kyouhan is is far more open in its texture, the low-end layers of reeds moving across the sound space as the squall of chirps and mechanical screeches build slowly into a dense mass of reverberated pointillist details.
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    Orphax – Time Waves

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    Orphax is the Amsterdam based musician Sietse van who has been active with music since 1998. Time Waves is his second proper CD release after 34 CD-R, Tape, DVD-R and download releases and various compilation contributions and remixes.
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    Modelbau – Four Squared Wheel

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    Modelbau is one of the many names Frans de Waard (Kapotte Muziek, Goem, Wieman, Freiband, etc) uses for his music. Moving Furniture Records is proud to release the first proper CD by this project after many tape releases and a couple of CD-R’s.
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    Daniel K. Böhm – Carrier

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    Recorded and mixed by Patrick Murphy. Mastered by Patrick Murphy and Dean Terry. Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 150.
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    Phi Bui – Unnoticed Moments

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in limited edition of 150... Phi Bui is a composer, beatmaker and producer currently residing in San Francisco, CA. His influences stem from musique concrète, ambient, classical, hip-hop, and lo-fi idioms. Sonic pieces were formed using acoustic instruments, đàn bầu, a 4-track, and samples from records and field recordings. Eilean Rec. presents here, his first complete LP.
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    Nguyen / Cinchel: Movement Of An Old Soul (Deluxe)

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    Limited edition version comes in an edition of just 65 copies…that’s all that we could scrape the absurdly hard to find materials together for! Each of these beauties comes in a sort of matchbook folded package. The outer antique, hand stamped stiff board folder material is collaged on both sides with beautiful vintage photos, appropriately paired old word cards, worded sections of 100 year old player piano roll paper, and a 3D winking eye! Sewn into each is a modified antique bank envelope, containing on one side a rare, 60’s metal Thorens music box disc with unique song on each (you’ll need a Thorens player!), and on the other, a hand printed and stamped insert on ancient ledger paper, and a factory pressed disc. Each of these oversized, 5” x 6” “matchbooks” comes sealed in a zip locked, smoked, anti-static envelope.
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    Bruno Sanfilippo – The Poet

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    Bruno Sanfilippo as “The Poet” paints 11 sonic canvas of exhaustively expressive modern classical minimalism at its most exceedingly exquisite and profoundly poignant. With luminary contributions of kindred souls, Julián Kancepolski (cello) and Pere Bardagí (violin), Bruno’s narrative piano wizardry significantly exhibits in awe-inspiring equilibrium with performing delicacies of his mates. The beauty of magnificently evocative quietudes is in full blossom, immerse yourself into the poet’s tremendously embracing palette of lyrical mastery and sensitive insignias as this might be his magnum opus.
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    Maps and Diagrams – Delta

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    Once again, Maps and Diagrams produces another harmonic long-player; “Delta” this time for VoxxoV Records, with 12 tracks of hazy-flavoured electronics and defined acoustic distinctions. Conjuring-up found sound and aquatic, multi-coloured melodies, Maps and Diagrams takes us on a journey combining darkness and discordance with illumination and tonality.
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    Gavin Prior – All Who Wander

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    Gavin Prior: Acoustic Guitar, Electric Guitar, Electronics, Field Recordings, Mandocello, Mandolin, MC303. Scott McLaughlin: Cello on Between Breaths. Tuula Voutilainen: Vocals on Schoolhouse Coda. Recorded and mixed by Gavin Prior except cello on Between Breaths recorded by Scott Mc Laughlin and Pangolin Blues which was recorded by Liam Mulvaney in Asylum Studios, Bow Lane Dublin. Mastered by Chris Leary at Melograf Mastering. CD in card case with photography and liner notes by Gavin Prior.
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    Jim Ghedi – Home Is Where I Exist…

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    Glass mastered CD in a high quality 4 panel digifile... All music by Jim Ghedi Produced by Jim Ghedi and Toby Hay Engineered and mixed by Tim Hay and Jim Ghedi Mastered by Christopher Leary at Melograf Mastering Artwork by Liz von Graevenitz Layout and Photography by James Beattie  
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    Toby Hay – Rhayader

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    Glass mastered CD in a high quality 4 panel digifile... Toby Hay – 6 and 12 String Guitar, Piano, Banjo, Electric Bass, Field Recordings Rhydian Lewis – Drums Peter Scott – Double Bass
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    Ales Tsurko – Transliaciya

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    Influenced by such composers as Sergei Rachmaninov, Valentin Silvestrov, Morton Subotnick, François Bayle and Iannis Xenakis, Ales Tsurko uses composition techniques from contemporary classical music and mixes them with elements from the non-academic and electronic fields of music, as well as post rock and shoegaze music. Ales Tsurko is a self-taught composer from Minsk, Belarus. He is also the founder of the Society for the Development of New Music, the purpose of which is to develop and promote contemporary classical music. This is his first album on Preserved Sound
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    Antonymes – (For Now We See) Through A Glass Dimly

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    10 track CD comes in a six panel card sleeve and 8 page insert... Antonymes music emerges from the adjustments and erasures where music expresses nothing but itself, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.
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    Chris Dooks – Accretion Disc

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr limited edition of 120 / Download code. Dr Chris Dooks [b.1971] is a prolific multimedia artist based in both Edinburgh and Ayr in Scotland. Known equally for his lens-based work, music projects and conceptual art, he can be described as an interdisciplinary artist and post-doctoral researcher specialising in practical medical humanities work and philosophical art processes.
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    Himukalt – Conditions Of Acrimony

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    Somewhere in the American Southwest may lie a pile of fetid cassettes, the scope and breadth of which might very well match that of the experiments with tape and electronics from Rozz Williams and Chuck Collison. In her terse exchanges with us, she once alluded to a past set of recordings without divulging them; and so for now we have this prolonged electrical cramp that marks the first published recording of Himukalt. The given name we know is Ester Kärkkäinen, and that’s pretty much about her beyond the Nevada return address. This enigma is fitting for her work. exhaustive, claustrophobic, and cryptic, these lacerated (de)compositions address collapsed psychological states that dislocate the body, the self, and the spirit into horror, fear, doubt, hostility. Such have marked the acme for the most virulent strains of power electronics and industrial decay (e.g. Puce Mary, Anenzephalia, Maurizio Bianchi, Maria Zerfall, etc.), and this — hopefully the first of many transmissions from Himukalt — stands shoulder to shoulder next to those giants.
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    Seabuckthorn – They Haunted Most Thickly

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    They haunted most thickly. A collection of songs played mainly on an open C tuned resonator guitar & an open A tuned 12-string acoustic guitar. Melodies coming from guitar improvisations, heard in dreams, misheard in reality, all of which continued to invade my thoughts, a driving force for inspiration to record during my time living in Paris. These songs did indeed haunt me most thickly. - Andy Cartwright Seabuckthorn is the solo project of UK acoustic guitarist Andy Cartwright. Releasing 6 albums since 2008 he explores alternative terrains on six to twelve strings, often with minimal layered accompaniments to produce a musical landscape. Cartwright uses the techniques of finger picking & bowing combined with various open tunings to form a well curated mixture of approaches. Falling into the cinematic and soundtrack genres, it’s evident of influences ranging from the traditional styles of Robbie Basho and Jack Rose, to more modern players like Ben Chasny, Zak Riles, and Gustavo Santaolalla with whom Cartwright shares an emphasis on atmospheric and multi-instrumental compositions. Sometimes quietly ambient, often powerfully expressive.
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    Twinkle / Endresen – Debris In Lower Earth Orbit (CD)

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    Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Twinkle / Endresen – Debris In Lower Earth Orbit

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    140g Vinyl edition includes 11 x 11″ art insert and print... Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Lu Katavist – Inburst

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    Standard 140g Vinyl edition of 70 and includes 11 x 11″ art insert and obi-strip.... The striking first entry into the CUSP label’s discography comes from Cologne-based sound artist Lu Katavist, employing a variety of synthesizer modules controlled with the Haken Continuum Fingerboard to create a cavernous tapestry of deeply spatial and spectral soundscapes. Katavist’s (real name Luka Höfler) approach to the material derived on ‘Inburst’ has been wholly improvisational, but not in any sense traditional. Rather than acquiring any sort of mastery of the equipment chosen to build the sounds heard, Höfler has opted to adopt an almost automatic writing approach to sculpting the material, which he describes as ‘blurring the lines between creating and listening’. The aesthetic goals behind ‘Inburst’ are two fold; to introduce the Western ear to timbres and melodies more associated with lesser heard xenharmonic scales and to inspire a minds eye landscape for the listener to populate with their own experiences, focusing on scattered and layered frequency bands and melody to create a vibrant and evolving mise-en-scene to paint with.
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    Eumig – S/T

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    Courier Sound is proud to present the Eumig EP, which is a collection of 7 tracks inspired by the chance finding of a 1965 Eumig ‘Electric R’ camera back in 2014. Mechanical and somewhat utilitarian in nature, this object led artist and musician Nick Dawson to record a series of intense ambient drones, like concentrating on the mechanisms within the camera or staring into the sun though one of its rotating lenses. Each track is a unique improvisation, recorded in a single take, using an Arturia MiniBrute routed through a Boss ME70 effects unit and a Strymon Big Sky reverb unit. The track titles make reference to different parts of the camera. Eumig was mastered by the exceptionally talented Ed Rome at www.slamdoorstudios.co.uk and the image accompanying the release is a rubber stamp of the Eumig camera itself, cut by Martin Salway. The recycled sleeve was then hand printed by Nick.
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    Lorenzo Masotto – Rule and Case

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    Searching for equilibrium between classical harmony and the sound of modern music, Rule and Case is a sequence of chords and effects that arrives at the counterpoint between tonal precision and “atonal” freedom – between acoustic instruments and electronics, between the past and present. “Every piece I write comes from a particular moment of my life, an emotion, a meeting, a walk, a picture or a photo that I’ve seen,” says Lorenzo. Lorenzo Masotto’s journey with music began at the age of nine when he started playing piano. Graduating from Conservatorio di Verona, he consequently started studying composition and jazz. Lorenzo also plays in a prog/post rock band called Le Maschere di Clara, directs a male voice choir, writes music for film and theatre, and teaches piano and composition. “I’ve never only thought about writing in just one music style,” he says, “I love all music, and everything I write increases my confidence and ability to write from a wider perspective.”
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    Parallelism – Angular Geometry

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    A soft whisper beckons you to the horizon. Dusk or dawn, a faint rhythm gently takes your hand and guides you into a fluid realm of pulsating sonic drifts. “Angular Geometry” digs deep to soothe and invigorate the listener with engaging waves and invigorating microbeats into a lush natural soundscape.
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    Valanx – The Towering Pillars

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    Veteran Glasgow based producer Arne Weinberg’s latest Valanx album contains a creeping melancholia that seeps through its every pore. Claustrophobic rhythms of uncertain time signatures intertwine with dark drones as bio-mechanical heaves and strains echo throughout.
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    Submersion – Abrade

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    Abrade is the re-issue of a very limited tape/cassette release of the same name; self released by Submersion in 2012. Now made available again on high quality glass mastered CD with additional remixes by Mon0, Optical Frameworks and Valanx. Various layers of field recordings are at the core of Submersion’s work and are complimented by chords and sounds drenched in delays and reverbs. His approach on dub and dubtechno is unique and matched by the care and effort he puts into his sound design and recording process. The additional remixes feature a wide variety of styles and broaden the musical spectrum immensely, but retain the natural characteristics and sounds of the original source material and make this album a beautiful selection of music for dub techno and ambient aficionados.
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    Vitaly Beskrovny – Imperfect

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    Seeking perfection in minimalism, Vitaly describes his sound on Imperfect as – piano, mood, simplicity. “The world is imperfect, and people are imperfect – their ideas and actions. Music can also be ‘imperfect’ – but that does not make it unambiguously good or bad. The relative simplicity of melodies, unusual piano sound, piano playing and emotional states – all this can be called imperfection.” Attaching strips of fabric to the piano strings of an upright piano at the Dnepropetrovsk Conservatory, Vitaly asked the sound engineer to be left alone and recorded the pieces in one sitting. Only after recording the piano did Vitaly understand that the album would be called Imperfect. “To some extent, I always try to reach a certain perfection – at work, at home, or within my daily routine. But when I sit down at the piano – everything is different. I rely on feelings, emotions, and give freedom to the fingers. More than anything, with these nine pieces, I’ve tried to achieve a level of honesty with the listener.”
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    Drombeg – Earthworks

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    ‘Earthworks’ is Thom Brookes’ debut album as Drombeg, following his acclaimed EP ‘Notes From The Ocean Floor’ in 2015. A soundtrack for the middle-of-nowhere, the wild landscapes of Brookes’ native Southern Ireland are littered with historic (Tumulus), and geological (Béarra) structures hardened under the relentless elements. Sinuous string melodies, and tender piano phrases reach like sunlight breaking through heavy clouds, blended with electronics and field recordings in careful balance to produce a rich cinematic sound.
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    Madeleine Cocolas – Cascadia

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    Pressed on clear vinyl and in 5mm spined sleeves... Classically trained artist Madeleine Cocolas, originally from Australia, is currently based in Seattle. Her debut album ‘Cascadia’ is a refinement of material produced for her ‘Fifty Two Weeks’ project which saw her create a track-a-week for a year. The intricate arrangements reach the sublime through delicate piano melodies, pulsing synth patterns and backdrops with ambient layers of her own voice and field recordings.
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    Siavash Amini – Subsiding

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    Complete with striking cover photography by Alex Kozobolis, “Subsiding” will be available on glass-mastered CD in digipack sleeves (run of 200)... Prominent Iranian artist Siavash Amini continues a triptych of works with ‘Subsiding’, an album of instrumental ambient drone. His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting.
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    Wolf Maps – Purity

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    Limited hand-numbered edition of 100... Following his EP ’Sun Ghosts’ from a few months ago and debut album ‘Landforms’ (2011) is Wolf Maps’ second album ‘Purity’. His most personal work to date crafts layers of guitar tape loops into eight tracks of ambient drones, which with an apparent emotional fragility, envelopes the listener in washes of translucent memory and life-weary noise. As an experienced drone-creator with a large following in the experimental music community, Wolf Maps has reached a new plateau in his work, placing him along side his established peers.
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    Modo Koagon – Ebb

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    Record comes with 8-page booklet. All jackets and inserts assembled by hand and numbered, limited edition of 100, includes download code... “An eclectic trove of trinket-collage, field recordings, cling-clang, jazzy sax, synthery and percussive blips and rips; MK’s third release is his first as a solo artist and truly showcases his prowess, bringing sensitively crafted intricacies to the forefront. If peace is what you’re after then sprawl out and jam this ditty biddies!” -  Buffalotones Music and Artwork by Modo Koagon. Instruments and Sounds: Field recordings, prepared guitar, contact mics, voice, music box, home videos, kazoo, found objects, portable radio, Yamaha PSR E313, found sounds, theremin, harmonica, effects pedals, Monotron Delay, trumpet mouthpiece.
    £13.00 £8.00
    £13.00 £8.00
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    £10.00 £8.00
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    Fontaine – Diamond Lake

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    Diamond Lake was inspired by industrial parks, forest floors, insomnia and the landscape paintings of Ronnie Landfield. Limited edition CDr’s, 50 copies worldwide, hand-made covers with photos and hand numbered.
    £10.00 £8.00
    £10.00 £8.00
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