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    Zoltan Ban – Meadow

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    Zoltan Ban returns to Archives with a new dub-techno EP entitled ‘Meadow’. He really knows how to manage lush pad sounds and lazy chords in calm pieces with a pure dub sound and warm deep vibes. ‘Meadow’ also includes three reinterpretations by Volunteer (DimbiDeep), Tex Bates (MOSHItaka) and Biodub, well known for his works for AvantRoots and Tiefenrausch.
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    Halftribe – Daydreams In Low Fidelity

    Daydreams In Low Fidelity’ is the new work from talented UK-based artist Halftribe, who brought us ‘Luxia’ last year. A collection of serene ambient pieces and dub infused cuts, with lovely soundscapes and brilliant synth layers. Presented in a beautiful 4-panel CDr with pictures by Brian Young.
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    £38.00 Quickview

    Orghanon – Retrospectre (Deluxe)

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    Deluxe version: comes in a modified anti-static bag strung with a 100 year old children’s game tag. Each individual package contains a uniquely mysterious, relabeled antique 5″, 78rpm record (not with music from this album on it, but quite seriously spooky when played at incorrect speeds, as we have found out ourselves), a vintage, mounted 1940’s photograph of a “freak” from an antique album of “freak show” ephemera, with original hand typed description of photo under credit sheet on backside. The cotton sleeved, factory pressed disc design is inspired and taken from a scan of one of these strange old records! In essence… a vinyl / CD combo!
    £38.00
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    Orghanon – Retrospectre

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    Orghanon is a project founded by Sergio Calzoni, Italian producer and musician active since the nineties in various musical outfits (Alma Mater, Act Noir, Colloquio). Orghanon’s manifesto is to produce music with a strong cinematographic appeal, making use mainly of electronic equipment with sparse notes of acoustic instruments and electric guitars. Orghanon aims to blend melancholy with silence, depicting stark yet deeply emotional soundtracks for imaginary places. “Retrospectre”is a very personal exploration of childhood memories relived as ambient music soundscapes. Compared to the previous Orghanon’s work, making this album involved a more intimate and spontaneous approach during the writing process, with a more instrumental beat-less feel, and tracks enriched by the contributions of several guest musicians, performing parts of violin, viola, cello, harp and clarinet.
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    Jobin / Perletta – Mirror Neurons

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    Mirror neurons represent a distinctive class of cells that fire both when an animal executes an action and when it observes another individual performing the same action. Discovered by Italian neurophysiologist Giacomo Rizzolatti and his team at the University of Parma while doing a research on the neural representation of motor movements in monkeys, the precise function and influence of these neurons has become one of the most important topic in neuroscience. They have been linked to many behaviours and abilities, from empathy to learning by imitation and language acquisition, as well as implicated in conditions such as autism and other brain disorders. These findings suggest that the mirror neuron system plays a key role in our ability to experience empathy. Initiated by sound artists France Jobin and Fabio Perletta, Mirror Neurons is a media-project investigating the notion of empathy and physical distance. The entire album is the result of extended sound files exchange between Montréal (Canada) and Roseto degli Abruzzi (Italy). Each of the pieces is based on rough sounds and their consequent re-working, listening and reaction, processing and imitation. The ongoing process helped the artists to draw inspiration in terms of stimuli for the act of composing itself in two very distant cities, different climate, time zones and languages.
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    Robert Crouch – Organs

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    The three works comprising ‘Organs’ were selected and edited from a year of recordings developed in collaboration with choreographer and artist Julie Tolentino in 2014. Three separate projects were documented through audio recordings of performances and rehearsals, as well as related field recordings. Each piece recalls a matrix of encounters between a specific body (or bodies) within a unique context, conducting and responding to sounds, both electronic and organic. The interplay of the soft tissue, sinew, bone and blood of the body-organ, pushing against/within/outside the sustained tones and synthetic expressions of the techno-organ. Each organ exists simultaneously alienated from, and an extension of, the other. ‘Somniloquy’ was constructed using a recording of Tolentino “playing” the broken organ in preparation for the performance ‘Process(ion)X’ at the Church of the Epiphany. ‘The eyes of fire’ is based on a recording from Drive Your Cart And Plow Over The Bones Of The Dead, a nine hour performance with Julie Tolentino, Stosh Fila, and Robert Crouch at the San Francisco Art Institute, curated by Tania Hammidi. ‘The Propaganda of History’ was developed from a series of recordings made during rehearsal sessions with Tolentino and Mark Steger, with additional field recordings
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    £10.00 Quickview

    Robert Curgenven – Climata (2xCD)

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    Gatefold 2 x CD… ‘Climata’ is a new work by composer and sound artist Robert Curgenven comprised entirely of site-specific recordings captured in 15 of James Turrell’s Skyspaces, spanning 9 countries. Each of the individual recordings, with their quiet & slowly changing microtonal interventions made in-situ, interrogate and offer a specific document of weather, location and duration framed by the architecture of the Skyspace – a frame that blurs the distinction between interiority and exteriority – while allowing the physicality of the Skyspace to be subtly rendered audible. Turrell’s Skyspaces are a specifically proportioned chamber with an aperture in the ceiling open to the sky and outside world. The Skyspaces can be autonomous structures or integrated into existing architecture. The aperture can be round, ovular or square – each with its’ own “piece of sky” beneath an ocean of air. These variously shaped apertures let in and frame not only Turrell’s famous light but also sound and its medium, in this case air.
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    James Murray – Eyes to the Height

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    Deluxe six-panel digipak… Eyes to the Height is British composer James Murray‘s full return to Ultimae Records, a tender and intimate ten chapter story reflecting the fragile beauty of life and loss, memory and function. Delicate rhythms, blurred atmospherics and crystalline melodies gleam and glisten on the many facets of this modern ambient gem. This is a considered, heartfelt collection of sonic poetry from one of electronica’s most unusual voices – entrusted and dedicated to ears and hearts in this world and beyond. James Murray’s seventh solo album follows the recent release of the Ghostwalk EP, featuring remixes by Martin Nonstatic and Kinosura.
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    Federico Dal Pozzo – Untitled TeVeT

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    Elegant handmade sleeve with cover album in polaroid format inside the eco packaging... “Untitled TeVeT ” is an acousmatic composition generates from the freezing sound of the 380kg ice cube development, and it consists of a space-time continuously evolving score based on the interpolation of granular synthesis and extreme resonances. The work is made up of 2 connected and continuous movements which evolves for a total of 59 minutes. The first movement is about the sound of space travellers and extreme resonances of the icecube; the second movement is the sound of the freezing by a 380 kg ice cube and its granular and rezo synyhesis.
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    øjeRum – He Remembers…

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    øjeRum is the audio project of Danish visual artist Paw Grabowski. On ‘He Remembers There Were Gardens’ he uses a slow moving organ to create an alternate soundtrack to Chris Marker’s beautiful slideshow-like time travel film La Jetée. Those familiar with the film with have no difficulty in recalling the flashes of a destroyed world, the status of the museum, and the moment on the platform. Even if you haven’t seen the film, the breathing of Grabowski’s organ will conjure similar images and moments. It fluctuates between the drifts and falls and the throb and hum of a person lost in time and place.
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    Endless Melancholy – Music for Quiet Mornings

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    Endless Melancholy is the solo-project of self-taught musician, Oleksiy Sakevych. “Music For Quiet Mornings” follows a couple of self-released EPs and is an album recorded at home aimed at creating a nice soundtrack to the various quiet moments of your life.
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    Tomonari Nozaki – Triptych

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    Triptych sees Forwind end the year on a high with the hugely well received Credence, Decadence and Concession EP’s merged into a fully actualised spectacle with our final physical release of 2016. Keeping the much deliberated sequencing of the original productions intact, Triptych extends and completes the original vista with a freshly tailored closing piece ‘Coda’ that brings Tomonari’s opus to completion. After the increasing intensity of the first 60 minutes the new composition adds the final waypost to the lush and epic audio landscape as it dissolves into the ether with something that is both splendid and graceful. A fitting finale.  
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    Poppy Nogood – Mood Paintings

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    Improvised as snapshots of hope, ecstasy, turmoil and longing, mo od paintings by New York composer Poppy Nogood is a self-portrait in four parts. Each movement is a space to live in, a world to breathe – a temporal extension of feelings felt at one particular moment and a tale of cyclical rebirth that mirrors the nature of self-reflection. Inspired by the work of William Basinski , Lawrence English , Pauline Oliveros , Sean McCann, Labrador , The Necks , Bing & Ruth and Gustav Mahler , the most essential aspect of mood paintings is its static central structure and dynamic exterior. Mood paintings is Poppy Nogood ’s second album for Preserved Sound, and the follow-up to Music for Mourning.
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  • Sold out
    £9.00 Quickview

    Daniel Mackenzie – Every Time…

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 150... Daniel W J Mackenzie produces works of noise, drone and conceptual composition under his given name and the more studio focused project Ekca Liena, and is an active performance collaborator in numerous groups. He has appeared internationally, exhibiting sculpture, multi-channel tone work and sound collage, and explores various approaches to performance. He presents on eilean rec. his fifth complete solo release under his real name.
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    Omrr – Music For The Anxious

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    Outside : glossy paper / inside : thick paper card & glossy paper / digisleeve : white paperboard / sealed (like old book) & hand numbered / CDr in a limited edition of 160... Omar El Abd aka omrr (born 22 September 1983) is a self-taught musician, guitarist and sound artist based in Cairo, Egypt. Omrr’s sound is based on glitch, noise, micro-sounds, sampling and field recording. He uses a variety of instruments and software to create dynamic and dense sonic landscapes. Music For The Anxious was created between 2015 and 2016, it’s a year’s projection of intimate encounters, imaginary stories and unnecessary drama. All songs were improvised and created while being recorded.
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    Sustainer – Medicina

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 130... Alex Alarcón from Barcelona, composes electronic music under the name Sustainer. Recently he recovered his interest in using and processing acoustic instruments, using old recording devices, found sounds recorded over the years, and amplified objects in his work and he’s trying actually to stay in a non-computer environments. Since 2003, his works have been released in multiple formats on labels such as Italic, Thinner, Room40, Tessellate recordings.
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    Moss Covered Technology – Speicherbank

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    Outside : Glossy Paper / Inside : Thick Paper Card & Glossy Paper / Digisleeve : White Paperboard / Sealed (like old book) & Hand Numbered / CDr in a limited edition of 130. After 3 albums on his solo project “Boomruin” (Bmrn), Greig Baird started around 1 year ago a new solo project under the moniker : “Moss Covered Technology”, here his first work.
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    Bruno Sanfilippo – Piano Textures 4

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    “Part of the charm of “Piano Textures 4” is its intimacy and I feel like I am inside the piano at times. It feels like the whole album purposely holds back from going for a full melodic approach though and so some people who are less likely to get lost in mood pieces, may not find what they’re looking for here. Sanfilippo though has created an excellent mood piece for those who do want to get lost in an audio mystery as new layers of piano are unveiled – and if you have your imagination with you – you can wander off anywhere”
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    Bruno Sanfillipo – Urbs

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    The title Urbs derives from the prominent incorporation urban sound environments, recorded by Sanfilippo in urban environments such as train stations, streets, bars and other public areas to explore the boundaries between the textural sounds which surround all of us day to day, and the nature of composed sound art such as music. These “real world” sound textures merge with more traditional electronics such as synthesizers and samplers, leaving no doubt as to the composed and “intentional” nature of these soundscapes. Gentle and evocative, subtly textural and transporting, Urbs is something we genuinely expect to become a long-term favorite among Hypnos releases.
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    Bruno Sanfilippo – Piano Textures 2

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    by Paul Jury · Morpheus Music Delicate piano atmospheres with subtle electronic support. Bruno Sanfilippo presents here a series of very beautiful compositions that feature an ‘Steinway D grand piano’ recorded during the night hours. Smooth electronic washes and drones are laid down in gentle layers forming light, hazy expanses within which the master instrument luxuriates. The piano playing is mostly of an understated, unhurried melodic form calling to mind the purity and tranquil grace of Satie, touched with delightful melancholy and haunting airy wistfulness. Spacial structure is masterful, creating an incredibly enchanting ambience, the arrangements seemingly having the meandering freeness of improvised playing whilst at the same time obviously exhibiting the kind of harmony and refinement that comes only from painstaking crafting and control
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    Bruno Sanfilippo – Piano Textures 1

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    “Simple and elegant, mesmerizing and haunting. I absolutely love turning up the volume, and letting every hypnotic and melancholic note weep gently through the night. For the lovers of Max Richter, Eluvium, Rafael Anton Irisarri, and Zbigniew Preisner. I highly recommended this gem! Headphone Commute”
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    Bruno Sanfilippo – Auralspace

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    This CD is presented in a matt laminate digipak 6 panel with spot varnishing... Bruno Sanfilippo is a classically trained musician and composer. His focus alternates between the exploration of minimalist piano concepts and electro-acoustic music. 71 min. practically continuous flow. The gentle whistles flows effortlessly on a soft carpet of electronics textures, slow spiraling in increases-decreases, creating a recording not to be missed by those who are curious and by those who love to fly far away on the wings of surreal environment.
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    Nmls – On & On

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    The Nmls’ debut album combines elements of refined IDM, glitch, downtempo and ambient. The artists draws from the aesthetics of the electronic music of the ’90, bringing them to a more contemporary framework of IDM-related genres, with rich supply of original melodies. The album features a remix created by a renowned Russian producer Monokle.
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  • £60.00 Quickview

    Abate / Uggeri – Beyond Time (Deluxe)

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    Limited fine art version comes in an edition of only 70 copies. Large sheets of elegant, vintage wallpaper are sized, folded and sewn into a three pocket, 6 panel envelope of sorts. Each of these hand stamped, cut out and manipulated beauties is collaged with and contains details of 80 year old Italian art prints, an iridescent silk panel, lovely photos from a book on Italian fountains through which thread is flowing, vintage pastoral photographic prints, old watchmaking catalogue photos and an envelope of dried leaves. Each of these folded envelopes comes wrapped in a page from a 150 year old book on Roman coins and is contained in a banded outer translucent envelope. Pastoral and evocative to the extreme!
    £60.00
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    Abate / Uggeri – Beyond Time

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    TRS are very pleased to be bringing you their exceedingly pastoral and evocative November release from Italian artists Maurizio Abate and Matteo Uggeri. This collaborative release is an electronically treated, guitar centric affair that incorporates field recordings, voiceovers and a general neofolk ambiance that takes you back beyond simpler times to a simple place from whence we all came. Mysteriously elegant beauty with a particular Italianate feel and a timeless love of the artists’ pasts and history with all its nostalgic appeal and overwhelming memories. TRS067 will leave you dreaming of personal histories of your own!
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    Various – Starseed

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    Matter spreads through space like a cosmic code traversing the universe inside solar windblown motes of space-dust or interwoven into encoded beams of starlight. Explore this cosmic migration through the stars and the origins of life, as the artists on STARSEED evoke the patterns and frequencies of the universe. Every man and woman is a star. Chris Bryant and Don Tyler (together known as Ascendant) have started Synphaera Records out of need for a suitable platform to release their own music; however, soon it became clear to them that more artists could fit into the roster. The ethos: high quality ambient and downtempo electronica with retro characteristics and modern execution. And of course, delivering a strong V/A compilation is an excellent way to present the world their vision. Diving into Starseed is the best way to get to know the label and its sound and style, and for many it will be the start of a love relationship.
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    Max Ananyev – Communication

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    Each piece on Max Ananyev’s album Communication is dedicated to a particular object or phenomenon – the magnetism of water, the energy of different trees, the effect of the moon on the human psyche – all the things we don’t understand, but that we easily feel. For Max, the word “communication” relates to how he perceives the world and his direct contact with the objects in it. Communication uses a range of acoustic instruments and electronic textures to create a sound full of acceleration, deceleration and pauses. At the heart of Max Ananyev’s music is the idea of the variation of dynamics and lack of a stable tempo in composition that mimick the unpredictable processes that occur in nature. “There is so much rhythm and tempo in our daily lives,” says Max, “it sometimes seems to me that our metronomic lifestyles deprives us of a certain freedom and means of expression.” Born and raised in Obluchye, 8,000 kilometers from Moscow on the border with China, Max Ananyev is a Russian composer and sound producer based in St. Petersburg. Communication is his first album on Preserved Sound.
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    Covarino / Incorvaia – Perugia

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    Playing with total freedom from any predefined structure, Covarino/Incorvaia entered a studio in Granada, Spain, with just one rule – to play strictly live, not use any studio trickery such as overdubs or editing, and just see how the music would evolve. The result is an instrumental ambient-rock album that takes influences from artists such as Tortoise and The For Carnation. After a break of 14 years without playing music together, Francesco Covarino (drums) and Alessandro Incorvaia (guitar) met for five days in a rehearsal room in their hometown of Perugia in central Italy during Christmas 2015, where they improvised and recorded demos of what would become their new album – Perugia. Several phone calls later, they went into the studio in April 2016 without having played together in four months. Covarino/Incorvaia get together when they can to play music, mostly as a duo or sometimes with the help of a bass player. Perugia is their debut album.
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    Ten – Yukon Youth

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    The new nine-track album from ten was inspired from a two-week trek across the grand and extraordinary landscapes of Alaska. Leeds-based artist and musician Dominic Deane started recording the album in late 2014 with long time collaborator, producer and engineer Ross Halden of ghost town recordings, with mastering by Tim Hann. After a short hiatus from other projects, the record was finally completed over the summer of 2016 and a third ten album was born. The new ten album takes its title and theme from Jon Krakauser book Into the Wild, a true and tragic story of the late Chris McCandless who in 1992 travelled alone into the Alaskan wild. Deane states that the new album was partly influenced by this story and expresses the new record captures a sonic journey that evolves isolation, beauty and harshness. The new ten album Yukon Youth contains nine tracks (45mins) of moody, dreamy and textural soundscapes that shift unpredictability like the Alaska landscape.
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  • £65.00 Quickview

    K’an – Babel (Deluxe)

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    ONLY 1 LEFT! Limited version in an edition of only 60 copies this time, comes in the form of a fold open triptych resembling a paper arts icon. Each of the three extensively gold inked and appliquéd panels has a uniquely collaged, stamped and hand worked image of the Tower of Babel… incorporating 120 year old industrial/machine shop imagery and cut out engraving bits, vintage sign language cards, appropriate old vocabulary cards and other ephemera relating to the concept of Babel/babble/language. Each triptych is snugly encased in a modified, stiff cardboard mail art centric envelope containing other vintage and handwritten paper ephemera related to the idea of language and discourse.
    £65.00
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    K’an – Babel

    With track titles like “Once Was Spoken”, “Confusion Of Tongues”, and “Inversion Of Mouth I” this music perfectly reflects the album’s overall concept…one that reflects the abstractions and origins of language, and the dualities of Babel/babble. Like conversation itself the ultimate stream of “Babel” is a long and meandering blend of the calm and the languid, of urgency and restraint, and the unintelligible, concise, and interruptive. It is a paean to our inner discourse, our conversational selves, and the language of music itself. Most tracks start out softly and leisurely…then build slowly and lovingly into a sort of post industrial, percussive throb and hum…, the initial tinkling and strumming working itself into a dark dense drone of anticipation and ultimate extreme release. Processed guitars… electronic treatments… all conjoin to make this the most memorable of soundtracks to your own pleasurable or argumentative moments!
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    Drawing Virtual Gardens – Heartbeats…

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    Limited copies available as elegant handmade sleeves with cover album in polaroid format inside the eco packaging... “Heartbeats of a premature image” is the 4th official release of Drawing Virtual Gardens, solo project of David Gutman, member of the dark ambient combo Tropic of Coldness. The sonic material is fully obtained by playing, processing and looping the electric guitar, David Gutman preferred instrument. The field explored is the development of a magmatic and cohesive flow where the sound itself becomes an instrument, complete in its esthetic body and textured on sub harmonic ritmic patterns.
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    Ghost – The First Time…

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm green-grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 190 gsm saffron yellow cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... The First Time You Opened Your Eyes showcases (ghost)’s atmospheric side to a fuller extent than in any of his previous releases by presenting an epic ambient journey with duration of something more than 34 minutes. The complex glitchy beats are left behind and only beautifully evocative soundscapes and calming atmospheres remain. The album captivates the listener with its lush instrumentation and warm palette of multiple layered emotional textures of resonant synths and droning feedback as indistinct dreamy vocals emerge somewhere in the distance. An impressive album, highly recommended for devotees of Deaf Center, Brian McBride and Eluvium.
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    Panoptique Electrical – Disappearing Music For Face

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm pale brown cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts with the tracklist and the credits printed on a 190 gsm reddish-brown cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Disappearing Music For Face is another outstanding release from Panoptique Electrical that generates many emotional reactions. It’s a collection of eleven brilliant compositions of gentle piano with small touches of minimalist electronic beats, echoing keys and soft swells of heavily reverbed drones. The beauty of this album will truly captivate the audience of both ambient pioneers like Brian Eno and Harold Budd and artists like A Winged Victory For The Sullen, Labradford and mid period Hood recordings.
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    Ben Rath – Forgiveness

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    his is a limited edition of 150 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 240 gsm grey cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 160 gsm light blue cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Forgiveness is his sixth full-length album and first for Sound In Silence. The album’s eight tracks were recorded at home, combining over-lapping layers of acoustic guitars and electronics. Borrowing textures and sounds from cinematic post-ambient and drone composition and adding some emotional motifs of soothing post-rock and fragile shoegaze, he creates a wonderful sound collage, full of heartwarming soundscapes and restful harmonies. Forgiveness is a profoundly touching album that will appeal to anyone moved by the music of artists such as Eluvium, Fennesz, Stars Of The Lid, Wil Bolton and Yellow6.
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    Daniel Mackenzie – Glass Permanent

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    Limited edition of 200 handmade and hand-numbered collectible CDr copies. It is packaged in a lovely hand-stamped 127mm x 127mm 260 gsm brown cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 190 gsm beige cardboard. It also comes bundled with a download code coupon and a Sound In Silence card... Glass Permanent, his third full-length album under his real name, consists of six compositions of melancholic and cinematic soundscapes with a total duration of 40 minutes. This is a deeply personal and emotionally restful album with a taste of homemade experimentation, which focuses on the physical and technological manipulation of acoustic instruments such as piano, zither and glockenspiel and sound sources like voice and field recordings. Beautifully arranged, these minimalist compositions easily slip between modern classical and ambient drone, being probably Daniel’s finest work so far. The mastering of Glass Permanent has been done by George Mastrokostas (aka Absent Without Leave), giving a great depth and warm feel to its sounds.
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    The Declining Winter – Endless Scenery

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    This is a limited edition of 450 (a first edition of 300 which is now sold out and a second edition of 150) handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped white recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and credits. It also comes bundled with a download code coupon and a Sound In Silence card... Hushed, drenched in reverb, vocals, loops of nostalgic guitars, largely acoustic ones, piano, melancholic organ lines, droning ambient synths and minimal drum beats, combine with jazz infused percussion, chiming bells, field recordings and samples of echoing hammered dulcimer and gentle violins, played by Joel Hanson and Sarah Kemp (Lanterns Of The Lake, Last Harbour) respectively, both Richard’s bandmates in Memory Drawings, to form a quietly impressive album, full of muffled melodies, great warmth, wistful melancholy and pastoral organic feel. The beautiful atmosphere of Endless Scenery will instantly sound familiar and comforting to all fans of Talk Talk, Bark Psychosis, Disco Inferno, Labradford, Low and of course Hood.
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    Thee Koukouvaya – Witches’ Jelly

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    This is a limited edition of 115 handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped black cardboard envelope with the front cover image printed on a polaroid style photo paper and a transparent paper insert... Thee Koukouvaya is the conceptual aural sister city to Vilandredo, Rethymno, on the island of Crete. The group’s architects, based on the East Coast, introduce themselves with the 28-minute Witches’ Jelly, an epic ambient journey built upon three movements packed with glacial drones, layers of modular synthesizer, and generative digital sequences. Both ominous and celebratory, Thee Koukouvaya engineer inhuman otherworldliness steeped in sci-fi paranoia. The result is a deliberately damaged music, generating a sonic liminal space between the organic and the mechanical.  
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    Julien Demoulin – Loose Ends

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    This is a limited edition of 200 handmade and hand-numbered collectible CDr copies, packaged in a lovely hand-stamped green cardboard envelope with the front cover image printed on a polaroid style photo paper and two inserts, with the tracklist and credits, printed on transparent paper... Loose Ends, his first full-length release under his own name, is something more than a proper debut album. It’s a wonderful collection of eleven tracks composed and recorded during the last ten years. These tracks were a good occasion for Julien Demoulin, when he wanted a breather from Silencio, to collaborate with some of his friends, including Bernold Delgoda (Silencio), Christophe Bailleau, Nicolas Saez (Anorak, Finish Yor Meal!), Luis Solis (Bacanal Intruder), Davy Van Den Bremt (Quniunb), Isabelle Casier (Pollyanna) and David Martin, who has also done the mastering of the album. Compared to his previous, more ambient, releases, Loose Ends has a more upbeat vibe with a clear focus on rhythm and melody. A great mixture on the border between dream-pop and electronica, combined with elements of ambient and post-rock and a must-have for fans of Manual, Lights Out Asia, Epic45 and July Skies.
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    Aukai – ST

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    In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico. Aukai was born of his desire to create music that could work in tandem with film, video, theater and the visual arts. The compositions on the album also grew out of Sieber’s love affair with the ronrocco, a plucked string instrument from Argentina that Sieber first discovered through the music of film composer Gustavo Santaolalla (Babel, Brokeback Mountain). Aukai may draw initial comparisons to the work of ambient instrumental masters such as Eno, Ryuichi Sakamoto and Goldmund/Helios, but ultimately it is a CD that belongs in a category all its own—a beguiling collection of autumnal acoustic soundscapes dappled with subtle electronic touches.
    £10.00
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