Limited Edition x 2 discs (disc + dvd) – digisleeve / sealed and numbered…
Ljerke is a multidisciplinary live project which took form in the Frisian landscape as as source of inspiration. The project includes some music artists from Netherlands (Romke Kleefstra, Jan Kleefstra, Sytze Pruiksma) and Norway (Alexander Rishaug, Hilde Marie Holsen, Michael Duch) completed with the video artists Marco Douma (NL) and Haraldur Karlsson from Iceland. A new project of live impro music, poetry and film, in the same context of former projects as Seeljocht (Piiptsjilling) and Skeylja (The Alvaret Ensemble).
It’s their first album studio.
Haruki is the pseudonym of composer/sonic artist Boris Snauwaert from Ghent, Belgium, who creates sonic environments through the precise, meditated amalgamation of a diverse variety of sounds, both musical and non-musical. In any given track Haruki combines any or all sound sources; field recordings, acoustic instruments, acoustic noises, found samples, sampled instruments and so on.
This 44 minute piece may structurally resemble a classical composition – divided as it is into several interlocking stanzas – but it’s difficult to place it comfortably within the realm of modern music. If anything, ‘The Rest….’ evokes the otherwordly, fantastical obsessions of the Victorians (Conan Doyle, Lear, Grandville, Wellcome, etc) through means of meticulously manipulated instrumentation, samples and voice.Plinth, of course, is no stranger to Victoriana.
With The Rules of Another Small World, M. Ostermeier has arrived at an elegant voice – otherworldly and strangely beautiful, much like the desolate Taiwanese San-Zhr Pod Village gracing the album cover.
While elements of electroacoustic, modern classical, jazz, glitch, drone, ambient, and even lounge weave in and out of the record’s eleven compositions, The Rules of Another Small World is the converse of an eclectic collection of songs.
Named after a Hitchcock-esque nightmare in which he was set upon by a pair of hard-winged, marauding cuckoos, David A Jaycock’s second album is step forward from the pastoral motifs of his debut, incorporating an expansive country-folk sound alongside the indigenous qualities and general oddness that have made his name.