After making several films without music, director Jessica Gorter went for a different approach for her recent film ‘The Red Soul’. Rutger Zuydervelt (aka Machinefabriek) was brought in to make the soundtrack for the documentary. They quickly agreed that the score needed to be very subtle, and not cliché-driven or overdramatic. An old bakelite record with a speech from Stalin and a few old LPs with Soviet songs became the starting point for the music.
Fragments of these were sampled, transformed and combined with the saxophone of Ilia Belorukov and percussion by René Aquarius (of Dead Neanderthals). The result is a series of textural and tonal collages that evokes a sense of decay as well as (false) nostalgia, perfectly fitting the theme of the film. On the soundtrack album, the various parts of the score are assembled to be heard as one seamless piece – as a story in itself.
The Red Soul was selected for the prestigious IDFA (International Documentary Film Festival Amsterdam) International and Dutch Competitions.
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.
As a sort of pantheist, or at least an artist who finds great stories hiding in the vast visual subtleties of nature – Subtle Trees is a classical music collage as much as it is an homage to classical music. It’s core is created through sounds gathered in the owl hours by sampling ancient instruments whose cores were derived from the trees of nature. These sounds were layered like lichen on an ancient pantheistic sculpture.
Presented in the Tartaruga house style, (thick recycled cardboard gatefold sleeve), this release features a beautiful screen-printed design from Bruno Jones, in bright Phthalo Green. The CD comes with a two-colour screen-printed foldout insert, again featuring illustration from Bruno Jones, printed on high quality Pergamenata paper.