“This album is dedicated to my sister, Harriet, who died in August 2016. Throughout the 2 years she was ill – leading up to her death – I had started writing music as a way to privately articulate what I was feeling. After she'd passed away, there was the question around what to do with the many tracks I had written; they had, in all honesty, been written for her. For me to perhaps leave them sitting on a hard-drive seemed a disappointing end to what amounted to, in my mind, a tribute to her. About 6 months later, I was fortunate enough to be offered a 25 track album release (titled Ghost Folk) though Canadian label, Polar Seas Recordings, in April 2017.
Her death is the worst thing that's ever happened to me; once the original shock dissipated, a wall of grief fell on me and, as a result, I found it an almost impossible task seeing my world in quite the same way as I once had. The wear and tear of life became suffocating, so I continued with the idea of channeling what I was feeling, into music; however, coming to terms with Harriet's death, rather than her illness, started to cloud and confuse what I was doing. In the end, it was Sophie Calle's book Exquisite Pain – a book arguably about grief in its various forms – that provided me with the clarity I needed. Calle's writing – in particular the people in it trying to come to terms with their own similar tragedies – helped shape and direct my own thoughts; Exquisite Pain acted as a conduit for what I was both feeling and trying to convey. Tonal Glints is the end result.” – James A. McDermid
Extremely limited numbers available: For all intents and purposes, Grand Salvo is the work of singer-songwriter Paddy Mann. Grand Salvo’s debut album, 1642-1727, and its follow-up, River Road, earned him rave reviews and a solid following at home and beyond for his stark, sensitive and beautiful songs.
After a spell living in Europe, Paddy returned to Australia and began work on another album he’d dreamt up while away, A set of songs that acts as a children’s storybook, the album became cursed with too many recording problems and Paddy decided to shelve it. While that project will eventually see the light of day, its plagued nature ironically became the motivation for The Temporal Wheel.
With The Rules of Another Small World, M. Ostermeier has arrived at an elegant voice – otherworldly and strangely beautiful, much like the desolate Taiwanese San-Zhr Pod Village gracing the album cover.
While elements of electroacoustic, modern classical, jazz, glitch, drone, ambient, and even lounge weave in and out of the record’s eleven compositions, The Rules of Another Small World is the converse of an eclectic collection of songs.
Inside the book: 36-pages from Internet monsters Everything Is Terrible!; interviews with musician Robert Scott (the Clean, the Bats) and writer Amelia Gray; music profiles of S. Fla’s finest, The Jacuzzi Boys, and UK ’90s cult band Disco Inferno; fiction by Stacey Levine; photographs by Ted Barron and Gracie Remington; art by Saul Chernick, Pavel Tchelitchew, Cassie Ramone, Ilyas Ahmed.