Private is an international review of photography and writing. This itinerant review has been offering its poetic and photographic journey since 1992. Private’s purpose is to offer a space for photographic creation and poetic or narrative writing. Each issue is themed.
As unique and special the scenes are that the photographers for this issue have chosen to focus on, the similarities (what we have in common, what we share) that can be found around the globe are striking.
Issue 16 features Parisian legend Invader as the cover artist. Our exclusive interview with the Rubik’s cube enthusiast provides a rare insight into this secretive street artist’s work.
We talk about people stealing his work, airlines classifying his tiles as ‘weapons’ and invader-shaped waffles. We also chat about his ‘cousin’ Mr Brainwash and how he narrowly avoiding arrest in LA during the Art in the Streets show.
Issue 16 also includes Ron English’s protege, the Australian wunderkind Kid Zoom, old-school mad scientist CHU, commercial assassins TrustoCorp, and weird and wonderful pictorial pirates The Dead Sea Mob.
But that’s not all, folks. We also talk to Cath Love and Will Barras, and include a photo feature on Obsession Of Colour.
Of course no issue of VNA would be complete without documenting actual work on city walls and it seemed appropriate that this issue should celebrate the streets of Paris, alongside those of London and Melbourne.
Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.
Wistbook 009 / Edition series. 100 / Format. 3″cd and novella…
A murder mystery by one of today’s finest crime writers, “Jigokuhen” takes place in a declining coastal city whose once thriving harbours and shipyards now house a shadowy criminal underworld. Drawn into this world when the son of the city’s mayor is killed, a jaded middle-aged detective finds himself distracted by a beautiful unemployed dockworker who spends each day walking aimlessly along the shore, and whose mysterious past may just hold the key to solving the crime. Throughout the novella, these two characters act as allegories of the dingy concrete metropolis and the wild untamed sea that borders it, City and Nature constantly approaching and withdrawing. The plot reaches a climax with a shootout in a warehouse, but the action plays second fiddle to the relationship between the detective and the dockworker, which remains ambivalent and by the end of the novel remains unresolved. Quiet, yet intensely evocative, “Jigokuhen” is a literary tour de force.