Limited Edition of 50 Pro-Dubbed Cassettes. Hand Painted / Letterpressed Packaging. No two alike!
“I know people will always assume that I listen to a lot of John Fahey, Robbie Basho, Steffen Basho-Junghans, Nick Drake etc. I do listen to all of this and I do love it but there is so much more to the world of music I inhabit. Some of my favourite composers take folk motifs to make ‘art music’, composers like Béla Bartók and Osvaldo Golijov. It is perhaps their approach rather than their music that influences me most. I listen to hours of field recordings from all over the world every week as well as ‘classical’ music from Dowland to Poulenc and 20th Century popular music styles.”
This is a beautiful loner folk album that will stand the test of time, no doubt about it.
Pro-duplication and imprinting with full color double sided j-cards. Limited edition of 100 on chrome tape…Prune by Coppice is a 30-minute composition for tape studying foundation reduction, threshold permutation, mercurial residue, and compression techniques. Recorded in Chicago in late 2010 using pump organ, fire bellows, push-pump organ, samples, and electronic processing.
Side B includes two new works from N.N.N. Cook. Wu Wei I: Repose features the texture of select materials arranged in order to accentuate the color of each while inducing horizontal and vertical spatial movement. Material (and non-material) sources include: baoding balls, brass censer, feedback, porcelain vase, tape, voice, wine glass, and wooden flute. Wu Wei II: Impulse is the first 18 minutes excerpted from a 40-minute improvisation on electric organ. The meditative state involved in the creation/listening process and the immersive quality of engaging in the perception of the beats, overtones, and shading are its focus.
Originally released individually, Bible & Henry’s Marker and Magnet are two complimentary volumes in a set that covers quite a bit of ground, and covers it quite masterfully. The duo’s work here is mostly in the area of electroacoustic improvisation and musique concrète. Jeremy and Jason manage to utilize the tiny musical space they’ve allotted themselves and stretch it out to a length of over two hours. Typically I’d say this is an accident waiting to happen, but these fellows have pulled it off with class to spare. Never does anything sound recycled or looped, never is there a moment where the music returns to a point. It is always winnowing, sifting, threshing through waves of electronic abstractions and obscured acousmatic sounds. The result is a confounding experience in which I find myself searching for some familiarity and finding little. There are moments of potential clarity, but those are seldom and surprising when they arrive. The rest of these compositions are steeped in mystery and endless engagement. This is not background music; please listen with care.
To chronicle part of his European tour, Drekka (Michael Anderson) releases Live in Europe 2010 exclusively on Chemical Tapes. Forty six minutes of intense arcane cinematic ambience that was recorded live in various Italian and Slovenian cities during November 2010.