Each copy of this beautiful album will be completely unique from the next including dusty Bartholomew clothbound maps, circa 1880-1940. With each listener being in the possession of a map, treasures are waiting to be unearthed. As such, '5 2 1' takes the listener on a deeply personal journey which mirrors the very subjectivity of music; each and every listener will experience it differently. Life echoes into the music, because the journey is what ultimately matters, the invaluable experiences shaping the record for all of its days to come, and navigation is never a straight forward thing!
A complete / unique vintage (very rare) Bartholomew's clothbound foldout map, 3 x hand stamped three inch CDs housed in coloured seethrough covers, set of three Gerald Leslie prints pressed on luxury 250g gesso card stock, vintage roll-bell bus tickets individually numbered to represent the number of each CD edition. All of the above rests inside stitched / sealed / numbered vintage brown waxed bags with scent. These little beauties really are completely unique 'one off limited editions'.
Mini CD audio (pressed) in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
Japan-based musician Jan Linton returns with his first extended-and non Japanese-release for several years, in cooperation with the makers of the Buddha Machine, FM3. Titled “Buddha Machine Music”, it continues the experimental themes and ambient techniques from his collaborations with Leo Abrahams (better known as Eno’s regular guitarist), Richard Barbieri (ex Japan), Beatsystem (Derek Pierce),and his academic work under Dr. Joseph Hyde. Prior to this he released several albums and singles in the avant rock vein, from major and cult labels in Japan.
This mini album takes the sounds from Buddha Machines 1 and 2, and morphs them into complete pieces or songs with surprising results, combining them with some live solos of ethinic instruments such as the Chinese Zhongruan, (or, “Moon Guitar”), played by Linton.
Limited edition run of 65 3″ CD-R’s on hand stamped and numbered recycled packaging…
Regular Music is an improvisational electronic trio from Portland, Oregon that uses modern synthesis in real-time, as well as analog synth, acoustic drums and percussion for a sense of exploration and sound that is sympathetic in nature to early electronic pioneers, cinematic kosmische, and psychedelic post free jazz acid synth inner space music.
These six tracks were recorded during a week of seclusion in a house deep in the woods of Northern Ontario with portions recorded in a cabin in the Gatineau region of Quebec. The recordings include various sample sources including goats and birds in Switzerland, a choir featuring Kuepfer’s parents, and wolves from the Aspden Valley Wildlife Sanctuary near Rousseau, Ontario.
Limited edition of 100 that comes in a numbered handmade sleeve, with an insert containing a personal message from Chisman introducing the EP…
Flaming Pines’s first release for 2012 is a magical new EP by Seth Chrisman called ”Aetherdrift,, Do You Copy”.
Chrisman hails from New Mexico in the USA, but drew heavily on sonic material gathered on a trip to Costa Rica to produce this memorable EP.
Stumbling around after dark armed with a tape recorder and a radio, Chrisman said he returned home inspired by the ”lovely cacophony” produced by the mixture of natural sounds and fragmented AM radio transmisions.
”Aetherdrift” delicately and powerfully conveys both the euphoria and disorientation of travel — the sense of drift and near disembodiment experienced by every traveller as they arrive as a disconnected outsider to a new country.
It is a subtle and sophisticated work which, with its emphasis on geography, travel and connections, is a terrific fit with the preoccupations of the Flaming Pines label, and we are very proud to be associated with it.