‘His Many Seas’ is a personal voyage, as the artist’s father was suffering from cancer at the time of the album being written. A well-travelled man, ‘His Many Seas’ sets sail to quietly conquer and navigate another unexplored, painful continent: the frightening landmass of coming to terms with his father’s illness, steering through the trials of life as well as acting as a dedication to his father’s love of travelling. The illness itself heralded the beginnings of a new journey. Recalling the feel of the Arctic Ocean, ‘His Many Seas’ thematically revolves around exploration, and the release includes vintage nautical Nories tables, Elisha Kent Kane – Arctic Exploration inserts along with ‘famous explorer’ double side prints.
Made by hand,
Hand made book-bound CD covers (1260 g/qm FSC certified), lined inside / outside with luxury Italian paper from Florence, glass mastered CD (not CDR), vintage nautical Nories tables (circa. 1920) resting inside old glassine bags, vintage Elisha Kane Arctic Exploration inserts (circa. 1869), a collection of 9 x double sided A6 ‘Hassan’s Greatest Explorers’ prints, dried flowers. All rests inside luxury hand cut envelopes. Individually numbered / stamped.
Made with love.
3", Book, Deluxe
The fragility of life – of all life – is both a blessing and a curse. It can be stolen – unfairly, shockingly – in an instant, and it can flower in a split-second. One breath is all that separates the living from those who have passed. The same is true of music – one note is all that separates the living from those who have gone before; the silent and the resting…
Made by hand…
Four variations of beautiful silk-screen / hand made printed-stitched books inspired by traditional Kimono patterns, 2 x mini-CD, 13 vintage prints, entomology study papers (circa.1880), luxury miniature button/string scented envelopes, individually hand numbered.
Made with love…
Made by hand…
Hand made book-bound covers (1260 g/qm FSC certified), lined inside with luxury Italian paper from Florence, sealed with washi tape, glass mastered CD (not CDR), antique glass slide (circa. 1910-1955), 5 x embryology prints, insert from antique embryology book, dried lavender, dried herbs, scent. All rests inside stitched glassine bags. Individually numbered / tagged / sealed.
Made with love…
Arising out of a womb-like, silent void comes Guiseppe Cordaro’s 45°12′N 72°54′E, blinking into life and exploring the cyclical lineage of a new birth, a recent ending, and the never-ending flow of life’s river. Water both sustains life and erodes it. Like the crumbling and disfigured coastlines, she either laps against the throat or chokes it, providing nourishment or eating away at the body, either satiating a deep thirst and keeping organisms alive or discovering a grisly penchant for murder in death by way of drowning. Barriers barely hold back Cordaro’s roiling waves of modular synth, a thrusting, unstoppable power rolling around in the pit of the music, capable of collapsing sounds, but also capable of reshaping their architecture.
Made by hand…
10 unique book-bound cover variations (1260 g/qm FSC certified), lined inside / outside with luxury Italian paper from Florence, sealed with washi tape, glass mastered CD (not CDR), vintage glass slide (circa. 1890-1950), vintage botanical print, dried flower, scent. All rests inside luxury hand cut envelopes. Individually numbered / sealed.
Made with love…
Made by hand…
A complete / vintage (circa: 1910-1950) foldout map, 2 x finger print stamped three inch CDs, set of eleven A6 prints commissioned exclusively by Craig Tattersall and Lizzie King pressed on luxury 250g gesso card stock, vintage roll-bell bus ticket individually numbered to represent the number of each CD edition. All of the above rests inside scented glassine bags sealed with washi tape. Truly ‘one off limited editions’ that will stand the test of time!
Made with love…
Audio – Phil Tomsett
Design – Daniel Crossley
Photography – Craig Tattersall / Lizzie King (www.carboncopypress.com)
Mastering – James Plotkin
The Epiphanies sees Bill Seaman in fine fettle, driving along phosphorescent-lit roads marked by the heavy dew of mystery and slow-to-develop intrigue. Delayed secrets are now only coming to light. The setting sun is the glorious backdrop as The Epiphanies coasts along a deserted road, its dark road-trip music glinting like the lightless, metallic chrome of the car’s body. A pack of coyotes come out to play, and further down the road some lusty, post-jazz musings at a local bar hint at dark dislocations. Nothing is right – the neon sign is too bright and things are a little off-kilter. Reality slips slowly away, like water through the fingers, drained as if from the last bottle of whiskey, until it can’t be grasped at any longer.
The sick, cloying perfume of cigarette smoke hangs in the air like a tired apparition. The lingering, too-wide smile of a cute bartender with a string of strange tattoos along her back and an old episode of Tiny Toon Adventures (circa 1990) rather than the latest game from the NHL graces the television’s pulpit, adding to the subtle sense of dislocation, and the music only gets darker, its dying light duelling with the fading sunset. The headlights are a lonely splash of colour at two in the morning, and as the music enters the long hours a velvet-smooth carpet of asphalt spreads out before the listener, the unfolding ambient textures helping to shape a smooth, virgin-pure road.
Dark wet trees and swaying branches are illuminated as the car drives through an eerie, sleeping town, with nothing but a slumping, somnambulant piano strolling up and down the dark, leaf-strewn sidewalk. Distant notes seem to croon into the space, somehow filtering in through the dead radio that needed replacing months ago, luring you into its monochromatic musical world.
You are the first visitor. You are also the last. There isn’t any other traffic…
You can’t predict the weather. Sometimes, life throws something at you. When it does – not if but when – hopes and expectations lie like shattered spokes. Is it fate, destiny, or circumstance? No one knows, but paths can change when there’s a sudden shift in the weather, and something that once seemed so sure and stable starts to become the opposite: uncertain and unfair. Promises peter out as a drop of rain appears. You have to stop and change course. A natural disaster plunges normality into desolation, and the same is true of our longed-for futures which so often disappear into the ether. Disappointment ensures: inclement weather. You can’t prepare for it; the hurricane warning arrived too late. Steven Kemner recently went through such a change:
“I needed to move away from everything that I loved to a place I had no desire to go. This change complicated music, life and a sense of belonging”. – Steven Kemner
Like the changing of the weather, ironclad clouds can appear from out of nowhere, eclipsing the sun with blackened totality, and the deep, roiling textures within the music of Gradation Movements are full of rain and turmoil, of leaving and moving on. The slow swells and hard-fought movements are indicative of clouded spells which obdurately block out the blue hope of the sky like a cruel shield.
Coated in sleek silver, the notes shadow the steps of the people below. Rainy season stalks the soul; it doesn’t seem to matter where the notes walk, because the cloud always follows, indiscriminate with its downpours of rain and its trident spears of lightning. Rainfall is needed in order to grow, and that includes us. The rainy spells can make us stronger, helping us to rise up in troubling times…but too much of it, and we drown. The cirrus patterns and the cycling of the wind may be hard to understand – we may never understand – but they still have a purpose. The purpose may seem obscure, but it’s there. There’s a strong energy at work within them, and troubled times often reveal things that, in hindsight, we later come to appreciate. When sunlight fails, the music’s tones lie hidden in a shroud of slow mist. The clouds don’t always disperse. You can’t predict the future – you just have to roll with it until you finally come to terms with the strange weather.
Two tone / 4 panel hand made letter-pressed Somerset cotton covers, 2 x glass mastered CDs, 32 page deluxe perfect bound photographic book printed on luxury uncoated paper, white sage scent. All of the above rests inside individually hand numbered / hand-made Japanese soft letter-pressed envelopes made from 100% recycled cotton. Understated beauty…
The album leaves a lingering kiss of compassion on the lips in what is a hopeful and open sound. Norihito Suda has ushered out a beautiful ambient work which is all the more stunning for its quiet composure and calm. – James Catchpole (Fluid Radio)
Pre-order: Release date 01.06.17
Each copy of this beautiful album will be completely unique from the next including dusty Bartholomew clothbound maps, circa 1880-1940. With each listener being in the possession of a map, treasures are waiting to be unearthed. As such, '5 2 1' takes the listener on a deeply personal journey which mirrors the very subjectivity of music; each and every listener will experience it differently. Life echoes into the music, because the journey is what ultimately matters, the invaluable experiences shaping the record for all of its days to come, and navigation is never a straight forward thing!
A complete / unique vintage (very rare) Bartholomew's clothbound foldout map, 3 x hand stamped three inch CDs housed in coloured seethrough covers, set of three Gerald Leslie prints pressed on luxury 250g gesso card stock, vintage roll-bell bus tickets individually numbered to represent the number of each CD edition. All of the above rests inside stitched / sealed / numbered vintage brown waxed bags with scent. These little beauties really are completely unique 'one off limited editions'.
Pre-Order: Release Date 01.05.17
Two tone / 4 panel hand made letter-pressed Somerset cotton covers, glass mastered CD, set of ten prints by Nieves Mingueza pressed on luxury 250g gesso card, antique (1890-1940) photograph that has been hand distressed to hold a secret message; hold to the light and all will be revealed! A set of hand numbered vintage negative prints; one black & white photo and one film slide. All of the above rests inside stitched / sealed glassine bags with patchouli scent.
In the spirit of honoring the power of contextual cues and lenses on the musical translation process between artist and listener, Hotel Neon set about the task of creating an album as open to context as possible. This is a theme we had previously explored with other projects (i.e. “Forms” by The Sound Of Rescue), but never with so much awareness and personal experience driving the endeavor. “Context” is an intentionally minimal experience and although the intensity of the tracks ebbs and flows, it is equally at home in the background and foreground. This is an album ready to be enjoyed and appreciated in any circumstance or setting, and we await the interpretations. – HN
As suggested by its title, Hope’, embodies a concept of positivity and the alleviation of strife through the creative translation of emotion into sounds sent to soothe (and) images formed to inspire.
Artists were asked to create compositions that reflected their interpretation of the term Hope, producing varied yet cohesive results with a profound resonance.
50% of the profits are donated to Toybox, a charity providing aid, shelter and support for homeless children in Latin America, the majority of which are estimated a life expectancy of around four years on the street.
Coupling all of this with the CD’s bespoke artwork and carbon neutral manufacture provides a consumable and tangible product that serves to aid a constructive cause through the medium of music.
Ishq – Forever 10:51
2 Snakestyle – Hopeful 6:32
3 Field Rotation – Regenzeit 8:21
4 James Murray – Fingersand 7:11
5 Iambic – Turn The Seasons 2:19
6 Bersarin Quartett – Was Uns Bleibt 4:39
7 Playb – Acoustics Of The Piano (Plucked) 6:34
8 Halogen – Sunriser 5:23
9 Ben Beiny – Start Again 5:02
10 Iambic – Flags 4:18
11 Digitonal – We Three 4:57
12 Hol Baumann – Time To Change 5:05
13 Ben Beiny – A Part Of You 2:45