For Machines
£10.00 Original price was: £10.00.£5.00Current price is: £5.00.
Super Limited edition of 50 cassettes with accompanying hyperactive/disorientating essay (screen-printed). All assembled by hand.
C90 cassette with bonus Side B: minimal Background sounds and unassuming drones.
In stock
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Bird From the Abyss (2 x Tape)
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Bloodred c60 + c40 tapes, handstamped / inked in black
Handcut, dyed + scored custom chipboard O-cards / insert
Handstamped red 8.5″ by 8.5″ insert with black lettering
Handnumbered & stamped in roman numerals
Screenprinted artwork by D.S. Ciarán
There is a stench here so old that it rids the body of any uncertainty. It is a comfortable rapture. The stench comes not from distant swamps, putrescent and green in their small wakes, or the mounds of bone matter and meat made dust underfoot. This waft of hidden and yet all-too demanding treasures lifts itself steadily from the bated, beating wings of the Bird, on its eternal voyage somewhere far past home.
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Driphouse – Root 91 (Tape)
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Darren Ho’s latest trip down the rabbit hole is a baroque maze lit with neon lights. Machine music for The Blue Danube. Piano, harpsichord and synthesis all set adrift, levitating into minimal jewels of sound.
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Indian Weapons – Labyrinth (Tape)
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Brad Rose, Nathan Young and Eden Hemming Rose take us on a journey of radical synth spirits from dark and heavy through to a blissed euphoric finish.
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Bible & Henry – Marker/Magnet (2 x Tape)
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Originally released individually, Bible & Henry’s Marker and Magnet are two complimentary volumes in a set that covers quite a bit of ground, and covers it quite masterfully. The duo’s work here is mostly in the area of electroacoustic improvisation and musique concrète. Jeremy and Jason manage to utilize the tiny musical space they’ve allotted themselves and stretch it out to a length of over two hours. Typically I’d say this is an accident waiting to happen, but these fellows have pulled it off with class to spare. Never does anything sound recycled or looped, never is there a moment where the music returns to a point. It is always winnowing, sifting, threshing through waves of electronic abstractions and obscured acousmatic sounds. The result is a confounding experience in which I find myself searching for some familiarity and finding little. There are moments of potential clarity, but those are seldom and surprising when they arrive. The rest of these compositions are steeped in mystery and endless engagement. This is not background music; please listen with care.

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