Dmitriy Rodionov Experience 1 + 1 = 1 (Part I)
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‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.
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Rivers Home – Compilation
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Limited edition of 100 numbered / handmade sets (five 3″ CD’s) that include inserts with personal messages from the artists Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg…
To celebrate World Rivers Day Flaming Pines released the first chapter of its 10 three inch -cd series Rivers Home. As our environment continues to change, rivers represent some of our most vulnerable eco-systems with urban runoff, over fishing, changing rain patterns and the clearing of river banks just some of the challenges to river systems worldwide.
Rivers Home sees Marcus Fischer, Field Rotation, Broken Chip, Kate Carr and Billy Gomberg, each present an ode to a different piece of water on their own three inch CD.
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Jan Linton – Buddha Machine Music
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Mini CD audio (pressed) in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
Japan-based musician Jan Linton returns with his first extended-and non Japanese-release for several years, in cooperation with the makers of the Buddha Machine, FM3. Titled “Buddha Machine Music”, it continues the experimental themes and ambient techniques from his collaborations with Leo Abrahams (better known as Eno’s regular guitarist), Richard Barbieri (ex Japan), Beatsystem (Derek Pierce),and his academic work under Dr. Joseph Hyde. Prior to this he released several albums and singles in the avant rock vein, from major and cult labels in Japan.
This mini album takes the sounds from Buddha Machines 1 and 2, and morphs them into complete pieces or songs with surprising results, combining them with some live solos of ethinic instruments such as the Chinese Zhongruan, (or, “Moon Guitar”), played by Linton.
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Listening Mirror – From Dreams
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“Listening mirror is the ambient/drone project of Jeff Stonehouse. It has been in existence since October 2009, when it was formed as a duo with Kate Tustain. Kate withdrew from the project in January 2011.
Listening Mirror have released material on aReW Records, Somehow Recordings, Heat Death Records, Rural Colours, and now Entropy Records. Future releases are planned for Hibernate and Sweat Lodge Guru.
…from dreams… contains two tracks, ‘Black Spring’ and ‘Lifting the Veil of Clouds’. Both tracks are true to the Listening Mirror ethos of ‘using sound as a defence against itself’ in which sounds that would normally seem banal, discordant or unpleasant are stretched and looped, their frequencies and harmonics seperated and recombined and then treated with a variety of effects to form a thing of beauty. To this drone are added field recordings and more traditional instruments such as guitar and piano.

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