Dmitriy Rodionov Experience 1 + 1 = 1 (Part II)
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The Gentleman Losers – Rural Route No.5
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These tracks are a travelogue mapping paths taken in Europe during the past year or so. Snapshots, based on improvisations drawing inspiration from the quieter moments of a nomadic life: a snowstorm in Helsinki, a hot September night in Berlin and a dusk in the Swiss countryside outside of Lucerne.
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Nick Kuepfer – Rural Route No.7 (3″)
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These six tracks were recorded during a week of seclusion in a house deep in the woods of Northern Ontario with portions recorded in a cabin in the Gatineau region of Quebec. The recordings include various sample sources including goats and birds in Switzerland, a choir featuring Kuepfer’s parents, and wolves from the Aspden Valley Wildlife Sanctuary near Rousseau, Ontario.
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Dmitriy Rodionov Experience 1 + 1 = 1 (Part I)
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Mini CDr audio in a crystal DVD case. Printed cover, inlay and logo card. Album designed bookmark. Hand-numbered…
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‘Quiet, Please’ is an 80mm CDr release, documenting the degeneration of society’s sonic landscape through location recordings, tape-loops and double bass…
”Quiet, Please deals with the issue of ‘noise’ as a polluting yet ultimately unavoidable element in an acoustic space, through the medium of lo-fi location recording and magnetic tape deterioration. Inspired by R. Murray Schafer’s The Tuning of the World (1977), the composition draws upon the concept of an ever-degrading sonic environment caused by humanity’s technological development. The affliction of noise pollution is something which, in all likelihood, cannot be avoided if society is to continue to progress – noise is therefore inevitable. For Quiet, Please the location setting of a library was chosen for its cultural significance in the issue of noise control. Firstly, the concept of education and learning ties in with the topics surrounding human progress: the process of formal education is fundamental to the technical and social advancements causing this shift from high to low-fidelity soundscape. Secondly, in the case of the recordings made in this piece, the library seems to act as an example of the impossibility of complete noise eradication. The library – which is generally accepted as a quiet place of study – in fact, contains a great deal of noise pollution, which is then amplified by the cultural expectation of ‘silence’…” ~ Ithaca Trio, 2011
Packaged in a library returns card, this release is limited to 75 copies for the world.
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