David Carter / The Witch Family
£8.00 Original price was: £8.00.£3.00Current price is: £3.00.
Limited edition of 125 copies: white c67 cassette with black imprinting // full colour single panel J-cards // plastic norelco cases with shrinkwrapping // artwork & layout by Amanda Boutourline and D.S. Ciarán…
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Drekka – Live In Europe 2010 (Tape)
Sale, Tape
To chronicle part of his European tour, Drekka (Michael Anderson) releases Live in Europe 2010 exclusively on Chemical Tapes. Forty six minutes of intense arcane cinematic ambience that was recorded live in various Italian and Slovenian cities during November 2010.
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Beth Kleist – Drei
Sale, Tape
The third album of the NQ / Teamforest collaboration: limited tape edition of 100…
Recorded in a makeshift lakeside studio, Beth Kleist’s Drei is the sometimes psychedelic, sometimes pastoral third album from Nils Quak and Philipp Bückle. The album haunts and teases its way through mostly guitar, percussion, and electronics without settling long into an idiom before leaping headlong into a new idea.
Lovers of kraut rock, post-spectral drone, twee electronica, and especially postrock in all of its shifting facets will find pockets of bliss in Drei.
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R. Adams – W(REST)LE
Sale, Tape
Limited to 50 copies. Type ii high-bias cassettes with red tinted shells + silver imprint Color insert…
Adams’ musique concrète offering ‘W(REST)LE’ merges various traditional religious recordings and tones to create a sonic tapestry celebrating devotion and meditative states.
Adams’ first solo release is contemplative one. ‘W(REST)LE’ is an excursion into orthodox religious music and it’s stigmas. Church bells, choirs, and traditional instrumentation are woven together and collide to create new relationships between opposing styles and techniques. While this is his first outing as a solo artist, he is no stranger to meditative practices or the music that parallels it.
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Cleared – Breaking Day
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Breaking Day is the second full-length album from Cleared, the Chicago-based duo of Steven Hess and Michael Vallera. While their self-titled debut album (Immune 014, Jan 2011) found the duo exploring themes of stasis and texture, Breaking Day represents a huge development in the scope and overall style of the project. Where previous material had been slowly assembled from dozens of individual recordings and experiments, this new collection of songs was born from the raw documentation of Cleared’s live performance in the studio. Elements of noise, drone, and psychedelia are filtered through a dark, unifying lens that ranges from relentless rhythmic assault to monolithic tonal sculpture. Dueling rhythms of drums and sampled percussion, walls of undulating soundscapes, and hypnotic guitar are deployed with heightened intensity and force. If Cleared’s first record presented a frozen, gray-washed realm of ambient sound, Breaking Day represents its inverse: A blackened subterranean space of alien movement and activity; a premonition of an assault from the unknown.

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