Art Licks – Issue Five
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Source: Issue 65 (Book)
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Source is the magazine for contemporary photography in Britain and Ireland. It presents a forum for independent critical debate and the publication of the best new contemporary photography.
Each issue includes portfolios of previously unpublished photographic work, newly commissioned essays and comprehensive reviews of exhibitions and publications.
Source covers a wide range of photography from documentary and photojournalism to the work if contemporary artists. This has included police photography, advertising, pornography family photographs and design.
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Corridor8 – The Borderlands Edition (Book/CD)
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Corridor8, a new international annual contemporary visual art and writing magazine, that started in 2009.
The ‘Borderlands’ edition, Strange Weather, extends our northern focus to the far-flung reaches of the UK from the midlands to the borders and beyond, and will feature the same mix of in-depth critical writing, profiles, art and literary writing we established in Issue 1..
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Aperture: Issue 202 (Book)
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Issue 202:
Lynsey Addario: At War By Elizabeth Rubin
A photojournalist looks at war up close, most recently focusing on women soldiers in Afghanistan.
Cameras for a Dark Time By Ariella Azoulay
Custom-built cameras reflect upon the medium and the ongoing conflict in Israel and the Palestinian territories.
Lucia Nimcova: On Sleeping and Waking By Clare Butcher
Nimcova investigates the role of the image in private and official life in Socialist Czechoslovakia.
Interview with Carole Naggar
The famed Parisian photographer discusses his life and career.
Fastnacht By Magdalene Keaney
An age-old Lenten tradition continues—in full regalia—in Germany’s southern villages.
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Atom Eye – The Otolith Sessions
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CD release with a limited edition, 50 page book complete with beautiful images and texts eluding to the recording materials, machinery, processes and personnel. The book also encompasses an audio cookbook with recipes for you to create your own experimental audio loops and soups.
The culmination of a year’s worth of sound experiments with machines of a bygone era, The Otolith Sessions sees Elsie Martins ‘Atom Eye’ project realise it’s most ambitious and complete work to date.
A meticulously programmed full length as opposed to a collection of tracks the album develops and unfolds with a palpable sense of purpose and adventure over the albums six storied compositions. The visceral nature of the beautiful but abstruse music is no fluke but a deliberate result of the unhurried nature of the albums writing and production process.
The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner (whose work includes soundtracks for Derek Jarman’s Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja).

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