Each issue has around 168 pages and includes high-quality colour reproductions of the artists’ work.
Issue 26 looks at questions of pedagogy, such as gallery education, Godard’s didacticism, Lina Bo Bardi’s exhibition displays, and through the artists Catherine Sullivan, Isidoro Valcárcel Medina and Group Material. Accompanying texts look at Hans Eijkelboom, theorisations of the event and the current Moscow art scene.
Founded in 1998, Afterall Journal offers thoughtful and in-depth analysis of artists’ work, along with essays that broaden the context in which to understand it. The journal focuses on contemporary art, always considering its relation to different artistic, social and political contexts. Afterall is co-published by Central Saint Martins College of Art and Design, London and the School of Art at the California Institute of the Arts, Los Angeles, in collaboration with MuHKA, Antwerp. Published three times a year in February, June and October, each issue of Afterall focuses on several artists or artists’ groups with two extended texts on each. Published alongside these texts are two contextual essays and a selection of shorter texts focusing on especially relevant recent and historical works, exhibitions and events.
CD release with a limited edition, 50 page book complete with beautiful images and texts eluding to the recording materials, machinery, processes and personnel. The book also encompasses an audio cookbook with recipes for you to create your own experimental audio loops and soups.
The culmination of a year’s worth of sound experiments with machines of a bygone era, The Otolith Sessions sees Elsie Martins ‘Atom Eye’ project realise it’s most ambitious and complete work to date.
A meticulously programmed full length as opposed to a collection of tracks the album develops and unfolds with a palpable sense of purpose and adventure over the albums six storied compositions. The visceral nature of the beautiful but abstruse music is no fluke but a deliberate result of the unhurried nature of the albums writing and production process.
The Otolith Sessions was mixed & co-produced by James Aparicio (Liars, Spiritualized) and features guest appearances from regular collaborators; award-winning percussionist Pete Lockett (Björk, David Holmes, Royal Philharmonic Orchestra, Lee Scratch Perry, Primal Scream) and Mute Artist, Composer and Producer Simon Fisher Turner (whose work includes soundtracks for Derek Jarman’s Caravaggio, The Last of England, The Garden and David Lynch-produced Nadja).
Issue 16 features Parisian legend Invader as the cover artist. Our exclusive interview with the Rubik’s cube enthusiast provides a rare insight into this secretive street artist’s work.
We talk about people stealing his work, airlines classifying his tiles as ‘weapons’ and invader-shaped waffles. We also chat about his ‘cousin’ Mr Brainwash and how he narrowly avoiding arrest in LA during the Art in the Streets show.
Issue 16 also includes Ron English’s protege, the Australian wunderkind Kid Zoom, old-school mad scientist CHU, commercial assassins TrustoCorp, and weird and wonderful pictorial pirates The Dead Sea Mob.
But that’s not all, folks. We also talk to Cath Love and Will Barras, and include a photo feature on Obsession Of Colour.
Of course no issue of VNA would be complete without documenting actual work on city walls and it seemed appropriate that this issue should celebrate the streets of Paris, alongside those of London and Melbourne.
Experts have hand pick exciting new projects from their respective fields to share with readers. David Downton offers up his choice of fashion illustration; Martin Colyer selects the best of cartoon illustration, and John Lowe finds some inspiration for his pick of graphic novels at Comic-con, San Diego; Derek Brazell’s choice of reportage includes George Butler’s drawing trip to India for a wildlife charity and illustrator Richard Johnson’s’ sobering work with the International Society of War Artists. Martin Salisbury looks at children’s picture books, Jeremy Leslie finds innovation in magazine illustration and Nat Hunter of Airside shows us a selection of illustration being used within a digital framework.
Wistbook 008 / Edition series. 100 / Format. 3″cd and novella…
This botano-philosophical treatise is a classic of Renaissance scientific literature. Delicate, minutely detailed sketches of flora and fauna litter the pages, attesting in their exquisiteness to the wonder and beauty of a world viewed under the microscope for the first time. Accompanying the drawings are Alberic’s handwritten notes on taxonomies and classifications, designations of anatomical parts, therapeutic and practical uses, and allegorical meanings. A sober yet reverential tone is retained throughout, and the book ends with a sublime canticle praising the Divine Creator “who deigned in His Infinite Wisdom to bestow such Marvealous Complexity on even the Smallest of parts”. To read this book is to feel the lost intellectual and religious fervour of a prior age.