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    Noemienours – Songs From The Life…

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    Slo-fi XVX lullabies. Save the bears, wherever they are. Stories about the life of bears. Limited edition of 100 copies.
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    Richard Scott – Several Circles (2 x Vinyl)

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    2 x 140g vinyl with A4 art insert print by John Powell-Jones and a Risographed Photo... Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in the studio.” Far from being a dry, academic exercise, Richard’s music shower the ears with delicious and incessantly changing sound pools. The album is a vibrant and exceptional portrait of Richard’s voice as a musician, unencumbered by restrictive themes or fixed compositional techniques, instead offering an all-encompassing view of his practices that, through their very intuition, sound cohesive. It’s an entry in to the already auteristic cannon of Cusp Editions that will surely be held in a pride of place.
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    Orbital Planes & Passenger Trains Vol 1 (2 x Vinyl)

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    75 minutes of the finest Serein selections pressed on black wax. 2xLP. Vinyl sleeve is printed on the reverse (uncoated) side for textured goodness... Orbital Planes & Passenger Trains Vol 1 comes to the popular and shiny compact disc format. The sleeve is printed on the reverse (uncoated) side for textured goodness that you’ll want to touch again and again. You might even like to encourage your friends to touch it. The more observant among you will have noticed that the cover for the CD edition is slightly different to the vinyl cover. Every format is special. Down in the mouth and wound up after your daily commute? No more! On your next trip by shuttle or train be sure to bring with you this seasons ‘must have’ record for travel. These carefully selected pieces will calm the mind and soothe the spirit making your journeys as pleasurable as can be. Orbital Planes & Passenger Trains – the only travel companion you need. Not going anywhere? No problem, let the music guide your imagination instead – with Orbital Planes & Passenger Trains, leaving the relative safety of your home is optional.
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    Aukai – ST (Vinyl)

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    In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico. Aukai was born of his desire to create music that could work in tandem with film, video, theater and the visual arts. The compositions on the album also grew out of Sieber’s love affair with the ronrocco, a plucked string instrument from Argentina that Sieber first discovered through the music of film composer Gustavo Santaolalla (Babel, Brokeback Mountain). Aukai may draw initial comparisons to the work of ambient instrumental masters such as Eno, Ryuichi Sakamoto and Goldmund/Helios, but ultimately it is a CD that belongs in a category all its own—a beguiling collection of autumnal acoustic soundscapes dappled with subtle electronic touches.
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    Hidden Rivers – Where Moss Grows (Vinyl)

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    This vinyl edition is a DMM cut pressed on 180 gram virgin vinyl... Away from the concrete towns and cities there is a place Where Moss Grows. A place walled with limestone, of dell and cave, forgotten railways and Hidden Rivers. This music is a document in sound of journeys through this place, the sylvan valley. Treading a path worn by his forebears, Hidden Rivers (Huw Roberts) takes a left into the trees with debut solo album, Where Moss Grows. Better known until now for label curation at Serein and his work with Otto A Totland as Nest, Huw’s growing obsession with synthesizers and drum machines takes his solo work into uncharted territory. With barely an acoustic instrument in sight, Where Moss Grows is a personal and thematic album which confidently reveals his future intent.
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    Mytrip – Filament (Vinyl)

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    Limited to 220 copies on black vinyl... Following last year’s Mytrip highly appreciated vinyl debut Empty, the Bulgarian ambient / drone artist is back with a long-anticipated full-length album. In Filament Mytrip is delving deeper into his raw and complex soundscapes. This time they are enriched by tense melodies, blurry rhythmic patterns and organic field recordings. Breathing on the thin borderline of ambient, drone and dub, Filament is Mytrip’s most emotionally and musically varying release so far. The record was written to be experienced live, thus it carries the signature aural harshness of the artist’s recent works. Combined with Mytrip’s immense love for drifting sonic environments Filament is an atmospheric, but intense story about birth, growth and self-awareness.  
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    Ned Milligan – Continental Burns

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    The third album by Ned Milligan and the first to reach an audience beyond family and friends, Continental Burns is the result of getting reacquainted with the act of making music and diving into the experience of creating short films. Limited to 100 LPs, comes with a two-sided insert and download code... Composed primarily over the summer of 2014, Continental Burns was created with two sides in mind. The first five tracks (which also score the video of the same name) share a certain kinship; the sixth complements what came before while departing from it at the same time. A lot of this music came out of Ned’s longstanding interest in repeating figures and loops of both musical and traditionally non-musical sound sources. In contrast to the suite of songs on side A, the B side is taken up by “The Station in Spuyten Duyvil,” an extended reworking of a track that first appeared on Rambler, Ned’s 2005 debut. Entirely composed of processed melodica, it proudly bears the influence of long-form works by Jim O’Rourke, early Rafael Toral, and Stephan Mathieu. Mastered by Sean McCann.
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    Imaginary Forces – Visitation

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    Imaginary Forces returns to Fang Bomb with “Visitation”, a collection of dark, menacing rhythmic noise and crumbled techno that predate the recent releases on Halcyon Veil, Bedouin, Entr’acte and his Basic Rhythm album on Type. Deep and ominous with a grimy, industrial edge, Visitation also features the spoken word of long time Imaginary Forces collaborator Closed Circuits.
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    Davis / Merzbow – Atsusaku

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    Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis’ reed sound being compressed and constrained by the saturation of Akita’s textures, that the album was born. The acoustic sound almost suffocated beneath the sweep of sonic overload, but through limitation and pushing the mechanics of the instrument itself, finding a space to cut through with layers of self-distorted screams. Haihan, a furiously abusive maelstrom of coloured-noise, digital cross-fire and distorted bass clarinet is unrelenting as it searches for moments of pulse within the haze only to move abruptly back into the mechanical barrage of looping textures. Kyouhan is is far more open in its texture, the low-end layers of reeds moving across the sound space as the squall of chirps and mechanical screeches build slowly into a dense mass of reverberated pointillist details.
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    Seabuckthorn – They Haunted Most Thickly

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    They haunted most thickly. A collection of songs played mainly on an open C tuned resonator guitar & an open A tuned 12-string acoustic guitar. Melodies coming from guitar improvisations, heard in dreams, misheard in reality, all of which continued to invade my thoughts, a driving force for inspiration to record during my time living in Paris. These songs did indeed haunt me most thickly. - Andy Cartwright Seabuckthorn is the solo project of UK acoustic guitarist Andy Cartwright. Releasing 6 albums since 2008 he explores alternative terrains on six to twelve strings, often with minimal layered accompaniments to produce a musical landscape. Cartwright uses the techniques of finger picking & bowing combined with various open tunings to form a well curated mixture of approaches. Falling into the cinematic and soundtrack genres, it’s evident of influences ranging from the traditional styles of Robbie Basho and Jack Rose, to more modern players like Ben Chasny, Zak Riles, and Gustavo Santaolalla with whom Cartwright shares an emphasis on atmospheric and multi-instrumental compositions. Sometimes quietly ambient, often powerfully expressive.
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    Twinkle / Endresen – Debris In Lower Earth Orbit

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    140g Vinyl edition includes 11 x 11″ art insert and print... Twinkle3 have teamed up with Sidsel Endresen, Norwegian singer, avant garde pioneer and ECM recording artist. The result is Debris In Lower Earth Orbit, a graceful, yet precarious dance through the weightless slipstream of orbital flotsam and jetsam. The core trio of Richard Scott (analogue synthesizer and electronics), David Ross (Drosscillator, kantele, mbira) and Clive Bell (shakuhachi and other woodwind) conjured 7 distinct sonic landscapes through an intuitive and delicate interplay first honed on their debut for ini.itu ‘Let’s Make A Solar System’. Sidsel’s singular interpretation of this material narrates a melancholy, stream of consciousness style wordplay. It was David Sylvian who brought the trio into contact with Sidsel and driving alone across the lonesome northwest recalls the first instance the album poured into his ears from the car.
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    Lu Katavist – Inburst

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    Standard 140g Vinyl edition of 70 and includes 11 x 11″ art insert and obi-strip.... The striking first entry into the CUSP label’s discography comes from Cologne-based sound artist Lu Katavist, employing a variety of synthesizer modules controlled with the Haken Continuum Fingerboard to create a cavernous tapestry of deeply spatial and spectral soundscapes. Katavist’s (real name Luka Höfler) approach to the material derived on ‘Inburst’ has been wholly improvisational, but not in any sense traditional. Rather than acquiring any sort of mastery of the equipment chosen to build the sounds heard, Höfler has opted to adopt an almost automatic writing approach to sculpting the material, which he describes as ‘blurring the lines between creating and listening’. The aesthetic goals behind ‘Inburst’ are two fold; to introduce the Western ear to timbres and melodies more associated with lesser heard xenharmonic scales and to inspire a minds eye landscape for the listener to populate with their own experiences, focusing on scattered and layered frequency bands and melody to create a vibrant and evolving mise-en-scene to paint with.
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    Madeleine Cocolas – Cascadia

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    Pressed on clear vinyl and in 5mm spined sleeves... Classically trained artist Madeleine Cocolas, originally from Australia, is currently based in Seattle. Her debut album ‘Cascadia’ is a refinement of material produced for her ‘Fifty Two Weeks’ project which saw her create a track-a-week for a year. The intricate arrangements reach the sublime through delicate piano melodies, pulsing synth patterns and backdrops with ambient layers of her own voice and field recordings.
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    Modo Koagon – Ebb

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    Record comes with 8-page booklet. All jackets and inserts assembled by hand and numbered, limited edition of 100, includes download code... “An eclectic trove of trinket-collage, field recordings, cling-clang, jazzy sax, synthery and percussive blips and rips; MK’s third release is his first as a solo artist and truly showcases his prowess, bringing sensitively crafted intricacies to the forefront. If peace is what you’re after then sprawl out and jam this ditty biddies!” -  Buffalotones Music and Artwork by Modo Koagon. Instruments and Sounds: Field recordings, prepared guitar, contact mics, voice, music box, home videos, kazoo, found objects, portable radio, Yamaha PSR E313, found sounds, theremin, harmonica, effects pedals, Monotron Delay, trumpet mouthpiece.
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    Scott Tuma – Hard Again / The River (2 x Vinyl)

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    Souled American got the proverbial shaft. It’s a well-known story, but one that bears repeating. Forming in Chicago in the late 80s, the band released four remarkable albums of howling roots-rock deconstruction before losing their stateside distribution when Rough Trade’s American division went belly up. Anachronistic and difficult to classify, these four albums– Fe, Flubber, Around the Horn, and Sonny (now back in print on tUMULt Records)– were largely ignored at the time of their release, and the situation was not helped by infrequent touring and a lack of press savvy. More recently, the band has toiled in near obscurity, releasing two albums on German labels since the mid-90s. In the end, though, Souled American was probably just too arty for a genre that puts such a high value on “authenticity.” Fortunately, the band seems to prefer its cult status. Of course, it’s hard not thinking about what might have been. The more or less contemporaneous Uncle Tupelo (which eventually split into Wilco and Son Volt) was handed the alt-country banner and basked in the spotlight while Souled American quietly pursued their craft in the darkness. “No Depression”– the movement and the accompanying magazine– could have just as easily been called “Feel Better” (the final track on Fe), if given a slightly different set of circumstances.
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    Bruce Langhorne – The Hired Hand

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    In 1969 Langhorne was asked by Peter Fonda to score his directorial debut. He decided to opt out of scoring the film in a projection room, instead chose to shoot the film onto a small black and white camera to take back to his home in Laurel Canyon. He would watch the film and play along to it as his girlfriend at the time would record him and play it back, allowing him to overdub Farfisa Organ, piano, banjo, fiddle, harmonica, recorder, and Appalachian dulcimer onto his Revox reel to reel. Bruce's 1920 Martin guitar is most prominent throughout the record. The Results were a uniquely wide and lonesome soundscape. The closest comparison might be Sandy Bull or possibly John Fahey, but nothing of its kind or even of it's time poses a resemblance to Langhorne's minimal masterpiece.
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    Asphodel – Aokigahara…

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Aokigahara, The Black Sea of Trees is an abstract visual and sonic story-telling which takes place in a forest located in Mount Fuji, Japan. The forest of Aokigahara, has a world-wide fame for the thousands of suicides which took place there and now has an almost mythological statue. The forest is spread all through with ephemera and items such as photographs, letters and instruments left behind by the leavers, all untouched due to respect. almost entire forest is covered with long ribbons people used to be able to return if they changed their mind. therefore, the entire land is embodied with the vicarious objects that depict the sense of memory, loss and hope.
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    Ingenting Kollektiva – An Anatomy of Melancholy

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    LP with tipped-in cover photo, printed at Stoughton Printing Co., red/black vinyl manufactured at RTI. Includes download code... Recordings revolving around the atmosphere of George Büchner’s Lenz and various melancholies provoked by Robert Burton, the recordings of Krzysztof Penderecki and the idea of Lontano (as from a distance / distant), the textures of Jordi Savall (La Guirnalda de Rosas inspired by a fragment from Saval’s Mare Nostrum) and Ingmar Bergman. Recorded 2010-2015. May pain be my reward.  
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    Ten – Hitherto

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    This release comes in a strictly limited edition of 40 black square 5” lathes, cut by Lathe Cuts and comes in a folded sleeve. Twice Removed is proud to announce the release of Ten’s Hitherto” 5” lathe EP. Ten (Dominic Deane) is a musician and artist who resides in the north of England in Leeds, UK and has making experiment/ambient music since 2009. Ten’s sound combines electronic keys, shoegaze noise and percussion with the acoustic sounds of glockenspiel and strings to create a beautiful cinematic sound-scape that moves from slow, eerie and melancholic to pulsating and optimistic. Ten have kindly supported, Tim Hecker, Stuart Braithwaite of Mogwai, Esmerine and Lucky Dragons. He has also toured around the UK, European and America. Previous releases have come out on labels such as Murmur, Cathedral Transmissions and Heat Death to name a few. He also appears in groups such as November Fires and Trouble the Dark. The tracks on the lathe contain 2 different slices of Ten’s musical style with the track “Now” exposing the Glockenspiel bright ambient, while “Time” ventures more into guitar based almost country-esque drone.  
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    thisquietarmy – Anthems for Catharsis

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    Anthems for Catharsis marks the follow up to thisquietarmy’s last full length studio works “Rebirths”, a representative collection of reworked tracks that have defined his purgative live performances. Between back-to-back tours in Europe & Asia and the release of live drone documents as well as collaborative works with Noveller, Aidan Baker/Hypnodrone Ensemble, André Foisy/Locrian, Syndrome/Amenra, thisquietarmy’s Eric Quach went back to the drawing board in his Montreal studio, at the end of 2014. Within the repetitive genre of ambient and drone, thisquietarmy constantly evolves and tries to incorporate new additional textures and structures into the music – for instance, think of the kraut rock shoegaze of “Resurgence”, or the post rock doom of “Hex Mountains”. However, in other to start fresh and shed skin from exhaustive influences, Quach strips his music down to the black bones. Anthems for Catharsis sounds very focused but also very very dark, not unlike a ritual cleansing or a detoxification. In dismantling his sound, thisquietarmy almost struck a black metal vein, resulting in a dark and brooding ice cold oozing of his signature drones.
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    Celer – Jima

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    Stashed Goods stock is on sea blue vinyl... 100 units on sea blue vinyl and 200 on milky clear vinyl. Limited edition of 300 copies worldwide. Launched in 2005, Celer is the work of Will Long, an American musician, educator, writer and photographer living in Japan, who also curates the Two Acorns label. Initially a duo based in California with Danielle Baquet, Celer has continued as a solo project since 2009, releasing music on numerous esteemed labels, such as Home Normal, Infraction, Spekk, and/OAR and many more. In addition, Will has collaborated on projects with notable artists such as Machinefabriek and Hakobune. A decade into his recording career, Celer arrives at the shores of the Los Angeles based label I, Absentee for the remarkable new full-length, “Jima.” The album contains two pieces, each occupying an entire LP side; one side plunging into the depths of melancholy, while the flip side contrasts with a blissful crescendo. It stands as a crown jewel in the prolific career of Celer, showcasing an artist at the height of his craft. A meditation on existence and conscience, the LP is meticulously assembled and packaged at the highest quality possible by both artist and label.
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    Srapa / Vtol – Joyful Breeze / Ramzan (2 x Vinyl)

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    There is a hidden track inside this release. To reveal it you need two turntables (or ability to play two digital files in one go) and synchronization skills. Double 180g LP, packed in two disco-sleeves with transparent plastic slipcase with ziplock. Limited to 300 copies. Vtol is the project of Dmitry Morozov, Moscow media artist, musician and engineer of strange sounding mechanisms. In the mid 00s Dmitry started to use actively his DIY and Circuit Bent instruments for his own music projects, as well as making instruments for other musicians and media artists. He is the first batch producer of music and video synthesizers at the post-Soviet area. Besides making music and instruments, Dmitry creates audiovisual art installations and promotes Circuit Bending and DIY Electronics in Russia by means of lectures and workshops. Papa Srapa is a contemporary visionary, analog synths shaman and sound artist. His name is Eduard Srapionov. His DIY music instruments have no analogues in this world and are constantly changing for better. He calls himself no composer, neither musician nor inventor. He doesn’t use many words, calls himself Papa Srapa and his music — “Experimental electronic”. He lives and works in Rostov-on-Don.  
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    Brinstaar – Testarossa

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    320 numbered copies on black 12′ vinyl packed into gorgeous holographic jacket... Testarossa is third studio album by Brinstaar. He says that this album is dedicated to redheaded blue-skinned Goddess. This work is reflecting Brinstaar’s deep and emotional chase for the elusive moment of infinite bliss that keeps him alive and conscious. While using mainly processed guitars for Infotswetock and synths for Mielisss, Brinstaar uses a lot of acoustic instruments and field recorded sounds in Testarossa now, thus creates much more intimate compositions. Of course, his specialty mesmerizing synth parts and precisely constructed guitar timbres are still here too.
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    [Bolt ] – 03

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    The follow-up to their meanwhile sold out record ( 0 2 ) and a stream of collaborations presents the drone-duo in a grown-up, elaborated heavy darkness soundwise. Where once the distorted-to-the-max walls of sound were all over the place, a more ambient-esk eagerness to experiment comes into play. This progress suits the diversity of the record pretty well. But it’s still highly recommended to play this one at health-risky volume.  
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    Biblo – Moved

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    Minimalistic segments culminating in a rich and deep sometimes even dark, melancholic and very gritty composition. A hauntingly beautiful voice that seems to be coming from the beyond, guiding you through a soundscape that easily could have been a collaboration between Andy Stott and Julee Cruise mixed with a spark of experimental dub and ambient music. The album comes on transparent vinyl in a fullcolored sleeve & includes a download code.
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    [ Bolt ] / Petrels – Split

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    Comes in a full-coloured 10″ sleeve including a download code.... Bolt & Petrels share wax on the first 10″ in Aentitainment history. Who would have imagined that their meeting on the Halfplugged Festival may lead to this? [Bolt], our very own rising stars on the international drone-firmament and Denovalis’ Petrels come together on shiny, black vinyl with one exclusive track each. Wrapped in a fullcolored sleeve this Split has a duration of more than 20 minutes what should have been expected as you are familiar with the tunes by these artists. [Bolt] sneak in gently, swaying in expansive, melancholic ambiences before the distortion rolls in… Petrels on the other hand take all the aural space needed by assault delivering one of the densiest compositions you may have heard in a long time.
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    Mytrip – Empty

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    A dark ambient / drone project from Bulgaria scattering its music since 2005. Limited to 250 copies on a 7″ black vinyl, they sound warm as death.
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    Richard J. Birkin – Songs For Spoken Words

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    Limited to 250 copies. Single-sided cream coloured 12″ vinyl with printed inner sleeves. Comes with free download. .. In its sweet, low-key way, Songs for Spoken Words is magnificent. It’s as if you’re hosting a cutting edge artistic event in the comfort of your own office, living room or train seat. Within a few lines of “Being That Person” you’re hooked. Technically dazzling and emotionally involving.
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    Grawl!x – Good Grief

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    Limited Edition of 250 copies. Heavyweight black vinyl. Printed inner sleeves and free digital download. Grawl!x’ debut album is a misty dream of melancholic shoegazing and rich soundscapes of compelling tunes. A mixture that ends up as a mature and perfectly executed album which is rounded off with hazy, distant vocals that guide you from the fragile beginning of “Good Grief” to the trembling and moving climax towards the end. There’s a lot to discover in the rich and detailed arrangements of the songs, but even the sparse parts on the album are anxious to please – and they do succeed.
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    Das Sombreros – The Lamp

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    Das Sombreros – to rhyme with ‘hair loss’ rather than ‘pharaohs’ – is Pedro Wong and Klaus Patel. The pseudonymous duo develop ‘paranoiac collages’ that layer found and treated sounds with nonsensical, misheard phrases and fleeting moments of musicality. The results can be hallucinatory, sinister, erotic and hilarious – sometimes all at once. Despite the ambient washes that permeate the nine tracks that constitute The Lamp, the music of Das Sombreros could never be consigned to the background. It demands to be listened to, not just heard. However, as with all the best experimental music, the work the listener is required to put in is richly rewarded. In this case, with a series of documents that seem to have been plucked fully formed from the psychologically precarious mind of a sleeping recluse.
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    Zeitkratzer – Whitehouse

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    Limited edition 180g LP, gatefold sleeve inc. download code... William Bennett, the musical mastermind behind WHITEHOUSE and CUT HANDS, has already worked with zeitkratzer at several occasions. 4 years after their first CD (Whitehouse, zeitkratzer records) the critically acclaimed ensemble and the highly influential noise pioneer release their second album. Recorded live at the festival Musique Action in Nancy / France, the new recording goes even further: while the deep bass frequencies – produced by the huge orchestra drum, at some points as well by the beaten bass strings of the piano or by subtones of the horns – made vibrate not only the floor of the venue while on the other hand high piping sounds, amplified violin harmonics, bitten clarinet tones attack the listener. A music with crystal clear or even neurosurgical precision. And one can hear voices all over – distorted from being spoken through a trombone, a French horn, phantom voices in the density of the sounds, etc. No electronic effects are used – it’s pure acoustic power!  
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    Zeitkratzer – Lou Reed (2 x Vinyl)

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    Limited edition 2LP, 180g, gatefold sleeve inc. download code... About 10 years after their first, critically acclaimed performances of Lou Reed’s adventurous album, zeitkratzer presents an audacious new interpretation of this 20th century avant-garde classic. Here, for the first time ever, all four parts of Metal Machine Music played by zeitkratzer on one recording! Seriously “clangorous”! This new version of Metal Machine Music is even more transparent, instrumentally pure and radical than the shortened 2007 release; Live recordings from concerts in Rome and Reggio Emilia, Italy, mixed and mastered by Rashad Becker. A real sound experience!
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    Tone / Talibam / Kulik – Double Automatism

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    New York City’s experimental duo TALIBAM! team up with fluxus artist / electronic avant-gardist YASUNAO TONE and trombonist SAM KULIK for a confrontational sonic attack, fired by an array of analog synths and other electronic devices. “Bringing together the most calamitous materials from their home planets of Noise, glitch, and free improvisation, TONE and TALIBAM! are at once the likeliest and unlikeliest of conspirators. Despite making his home in New York since 1971, TONE’s foundational electronic work harkens back to his early days in revolutionary Japanese avant-garde collectives Group ONGAKU and HI RED CENTER, and resonates with his groundbreaking deconstructions of digital CD sound in the 1980s. Meanwhile in the post-art worlds of millennial Brooklyn, TALIBAM! have cranked out their own absurd, profane and unclassifiable improvisational style, bringing their provocations around the world, and proficiently mediating jazz, rock, and hip-hop along the way; trombonist SAM KULIK brings an acoustic element to the mix that invokes the live sonic mixes of MUSICA ELETTRONICA VIVA. In their collaboration “Double Automatism”, they forge a confrontational new alliance in the transnational history of experimental sound, with the noisiest consequences imaginable.”
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    Templeton / Armstrong: Extensions (Vinyl / DVD)

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    Release comes with a digital download coupon. Each copy from Stashed Goods comes with a limited edition postcard, 20 different postcards in all. Sound artist Mark Templeton and filmmaker Kyle Armstrong have collaborated on a film/record released as a 12” LP and DVD in tribute to Canadian media visionary Marshall McLuhan. The audiovisual elements include both original and sampled film and audio inspired by the media visionary. The LP and DVD was mastered by Giuseppe Ielasi and pressed on 140g vinyl. 2015 marks the 104th birthday of Canadian visionary Marshall McLuhan. With each passing year the revelatory nature of his prophetic vision becomes more evident. The global village is becoming a distinct reality in this technological age. McLuhan’s ability to predict the full impact of technology and media on our culture decades in advance is unprecedented. And his deep concern and warnings to us in these drastic changes in civilization are rarely heeded as we head full-steam ahead past the point of no-return, the consequences which are increasingly self-evident.
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    Ormonde – Cartographer/Explorer

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    Ormonde are Anna-Lynne Williams (Trespassers William/Lotte Kestner) and Robert Gomez, and Cartographer/Explorer is the Seattle band’s second album, following on from 2012’s Machine which garnered keen praise on both sides of the Atlantic for its delicate acoustic songwriting. Individually, the two members of Ormonde have impressive CVs: Williams toured with Damien Rice, Feist, Broken Social Scene and Explosions in the Sky during her time in Trespassers William (Nettwerk Records) and also co-wrote and sang Hold Tight London on Chemical Brothers’ Push the Button album. Gomez is a respected producer/multi-instrumentalist who has worked with John Grant, Centro-matic and Sarah Jaffe and was previously signed to Bella Union. Ormonde however, is where the two locate their shared vision, and it’s a spellbinding place to spend some time.
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    Richard Youngs – Red Alphabet in the Snow

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    Red Alphabet in the Snow is a solo album by the extremely prolific but highly talented Richard Youngs. Two 17-minute pieces, in which Youngs layers acoustic guitars, banjo, cifteli, bass guitar, electric lead guitars, electric violin, epinette des vosges, shakers, sitar, swanee whistle, tambourine, triangle, 12-string guitar, ukulele, and his own voice, build up a meandering instrumental, acoustic, and even psychedelic mix. Each side of the album is made up of various compositions woven together with instrumentation, but which seem to flow seamlessly into a rich and resonant whole. Recorded in Krakow, Poland, and at home in Glasgow, the release comes as a 180g vinyl, in a handmade, recycled card sleeve and insert, hand stamped and numbered on the back, and limited to 250 copies.
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    Pausal – Along the Mantic Spring

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    180 gram pressing. The sleeves were made by a bookbinder and the result is a very heavy tip-on style gatefold sleeve and then finished with an OBI strip. Color version is sold out on pre-orders, the black vinyl is still available. This is the new full-length LP from Pausal. Layer upon layer of guitar-based ambient with a bit of modern classical worked into the mix. Pausal is a duo from the U.K. consisting of Alex Smalley (Olan Mill) and Simon Bainton. This is their 4th full-length album (there are also 2 eps to their credit) and is the follow-up to the ‘Sky Margin’ LP (Own Records) from last year. Pausal exists in a sub-genre of ambient lead by guitar-based drone ambience as well as layer upon gentle layer of more guitar, bells, piano and environmental recordings. It invites deeper listening into the composition itself. A composition built in restraint, a discernable set of hazy layers, and careful construction revealing a recording of rare beauty. “Modern classical ambient”, a slight-return to the denser and more reverb-drenched places of their earlier work but with the benefit of hindsight.
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    Jerome Longhi – Sonameon

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    It’s ever hard to find some words about a debut. There’s nothing to compare. Yes, of course, there could be thrown in some names, or it could be mentioned that Jerome Longhi grew up in a musical family and learned playing guitar at seven…started his 1st Band as kid and now ownes a production studio. But is it important that way? Maybe the fact, he was just fed up from guitar music. With the thought, that the broom chamber would fit his sound to leave the domestic fields of Rock for a while.
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    thisquietarmy – Rebirths LP

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    180g white/silver vinyl in PVC sleeve, limited to 390 pieces... “Rebirths” are new recordings (2014) of selected previously released studio tracks that have since been adapted for its live performances over the years. For the uninitiated, “Rebirth” is the perfect introduction to thisquietarmy’s work. For those already familiar, it’s a synthesis of thisquietarmy’s sonic evolution. – TQA
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    Robin Allender – Foxes in the Foyer

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    Limited Edition of 350 | Hand Numbered | Clear Vinyl.. Circular melodies adorned with simple samples and loops. Its charm makes a lot of sense given that Allender plays in film composer Yann Tiersen’s live band – Lars Gotrich NPR Music of heart and humanity, as fresh (and refreshing) as a spring lake. – Textura Robin Allender certainly has prowess on his instrument but I found myself drawn to the more woe-some and winsome tracks that inter-weave amongst the track order, culminating with the prettiest song I have heard in a while. In fact, were there a Buddha Box with only the final track “An Uneven Lie” I probably would never leave the house again. – Field Hymns
    £10.00
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